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“Are You Following Me?”

One of Mayor Willie Herenton’s personal quirks when talking to someone is to periodically interrupt himself to ask his listener(s), “Are you following me?”

In 2004, the answer was a resounding “No.” Herenton had a bad year. Not an ordinary bad year, like anyone might have once in a while during 25 years in public office. But a really bad year, like Martha Stewart, Scott Peterson, the National Hockey League, Merck, and Democrats in the red states.

About the only people following the mayor were television reporters checking to see if he was coming to work or where he went after- hours. The Herenton of rumor was on drugs, in rehab, close to resigning, paranoid about the police, involved in more corrupt deals than Enron and Kenneth Lay, and living the social life of a rock star. When he met with the City Council, he brought out everyone’s inner Mr. Cranky. There were serious doubts that he would answer the bell for his 14th year as mayor.

“We hit rock bottom on New Year’s Day of 2004,” said city councilman Jack Sammons, recalling Herenton’s speech at the mayor’s first annual prayer breakfast. “Now everyone has at least laid their guns on the table.”

Or as his council colleague and 2005 chairman Edmund Ford said, “It’s time for us to look good,” taking potshots at the not-so-good media and some of his colleagues in the process.

In 2005, the mayor promises to be more diplomatic and open to dealing with the City Council and business groups such as Memphis Tomorrow.

“I’ll set a tone,” he said in an office interview in December. “It will be a different tone. My whole demeanor will be different. I am not facing the sources of irritation I had a year ago. It’s been my toughest year as mayor. All my security guys say to me it looks as if we have had two years in six months.”

An ongoing federal investigation of the MLGW bond deal with TVA hangs over the upcoming year and could derail Herenton’s plans.

“I heard through a source I consider reliable that a grand jury is in session on the bond deal and a prosecutor has been assigned to it,” he said. “I find all of this ridiculous and a waste of money and time over nothing. If there is something there, it involves someone else besides the mayor’s involvement. I don’t lose any sleep about it.”

The mayor and council are resolved to work together if only because they are weary of scrapping and facing a common threat of deficits in the city budget.

In their final meeting of the year, four days before Christmas, Herenton proposed four alternatives ranging from a $495 million budget with a property tax increase to a $441 million budget with across-the-board cuts and no tax increase.

Will the coming year be Rocky 2005 or Requiem for a Heavyweight for this former Golden Gloves boxer? Here’s an overview of what’s in store.

The MLGW bond deal investigation. At the bottom of the controversial bond deal is a familiar issue. The mayor says he intervened to make sure that Memphis financial firms and minority firms and individuals in particular got a bigger share of the underwriting, legal work, and commissions.

A newspaper editorial headlined “Aid To Minorities” hit the nail on the head: “The affirmative action program that Willie Herenton has proposed to increase contracts with minority businesses could have a significant impact on Memphis by raising the level of minority incomes and expanding the city’s overall economic base.”

As the editorial went on to point out, “TVA’s contracts with minorities total less than 1 percent of all TVA purchasing (about $16 million out of $2 billion).”

The Commercial Appeal editorial from which these quotes were taken was written in 1980, when Herenton was in his second year as school superintendent. Add the word “superintendent” in front of Willie Herenton and “school” in front of contracts and the quotations are accurate, word for word.

The mayor — a big collector of clippings and editorial cartoons, according to his aides — showed this to a reporter to support his belief that the attacks on him in 2004 were politically motivated attempts to make a big deal out of a longstanding practice.

As for allegations that he got campaign contributions from Little Rock attorney Richard Mays and friends in exchange for bond business, Herenton said that is not unusual either, citing many prominent Memphis developers and home builders who host political fund-raisers for him and receive public contracts.

Those connections, however, are publicly disclosed and do not involve members of Herenton’s family. But Mays and the mayor and his son Rodney Herenton, who works for a Memphis financial firm, have not done that. Reporters and council members have had to badger them for specific information. Mays told the City Council by letter in December that his firm had not billed for services yet, although the bond deal was completed over a year ago and he has been copied on all correspondence as “special counsel” to the city.

The mayor and Rodney Herenton did not disclose Rodney’s dealings with a city development board, as corporations routinely disclose potential conflicts of interest with family members and officers in their proxy statements. Experienced as they both are with the disclosure rules of the corporate world, the Herentons were not convincing when they said they were either unaware of the deals or did not consider them public business.

There is no indication whether the MLGW investigation will result in indictments or end any time soon. A federal investigation of political corruption in Atlanta took five years before former Atlanta mayor William Campbell was indicted in 2004.

Resignation rumors. Herenton, who is 64, expects to finish the nearly three years remaining in his current term and possibly run for another one.

“My detractors made a strategic mistake by coming after me,” he said. “I don’t know who all is behind this and driving the investigation and slanted media coverage I get quite often, but it has motivated me to get my second wind. I am more determined now to serve as mayor, and on January 1st you will see some indication of what I plan to do in the future.”

He said he considered resigning in 2004 to grab opportunities in the real estate business but “now I am back, focused.”

Herenton keeps his personal life private, but he doesn’t show any overt signs of abusing his body. Challenged by television reporters, he produced personnel records last fall showing he had not missed more than three days in a row at work.

Herenton and former Memphis mayor Wyeth Chandler became closer in 2004 before Chandler’s death. Chandler, who resigned as mayor in mid-term to take a judgeship, and former Councilman Lewis Donelson invited Herenton to lunch at the University Club to suggest ways to patch things up with the council, and Herenton was one of the speakers at Chandler’s memorial service. Ironically, although Chandler was known for openly carousing while he was mayor, his fitness for office was not questioned. If Herenton goes night-clubbing, his enemies have him in rehab.

The Mayor-City Council relationship. Never as good or as bad as it seems to be, this is a tough one to gauge. The scars from the War of 2004 will probably never heal for council members such as Carol Chumney and Brent Taylor. And others who put on a good face are, well, good at putting on a good face. Herenton has extended an olive branch to Sammons, a veteran council member who a year ago called for a “Watergate-style” investigation of the mayor, and it has been accepted.

“There are those who find excuses and those who find a way,” Sammons said of the challenges before them.

Other council members were split on whether the relationship is significantly better than it was a year ago.

“It depends on the issue and how it is presented,” said Janet Hooks.

Rickey Peete used a War of the Worlds analogy, suggesting that the mayor and council will unite to fight “the common enemy” of budget deficits.

Herenton, who needs only seven votes on the 13-member council, is willing to bury the hatchet with most members.

“The relationship can be repaired,” he said. “The majority of council members are basically good people and they don’t have any animosity toward Willie Herenton. There are a few that are not such good people and they have hidden agendas and are not friends with Willie Herenton. But the vast majority I don’t think have any real deep problems with me.”

Balancing the budget. The main feature in two of the four options Herenton presented is full or partial elimination of the city’s contribution to the city schools, which was $86 million this year. Shelby County has the responsibility for school funding in the city and county systems.

As a former superintendent, Herenton is sensitive about being portrayed — inaccurately in his view — as harsh on schools. He says he and the council could “force the issue” with Shelby County by eliminating all $86 million and using the money to lower property taxes, replenish reserves, and support early-childhood development. For three years he has been predicting financial doomsday in 2005-2006 unless the funding formula for schools is changed and Memphis closes some underused schools. In his view, the time has now come.

“If the mayor had seven proxy votes [on the council],” he said, “then I don’t have a budget problem next year. The county has one.”

But Councilman E.C. Jones scoffs that early-childhood education is not the city’s responsibility. And Peete wonders what would happen if the city played hardball and then the county wouldn’t replace the $86 million. Only one of Herenton’s four options includes the full $86 million cut, suggesting there is, at the least, room for negotiation if this is not merely a bluff.

In January the City Council and County Commission will hold a rare joint session to discuss government funding, including schools.

The other big question mark is a city property tax increase. Herenton told the council he is certain that members will pass some kind of tax increase in 2005, even if it is less than the 48 cents he proposed. Seven council members informally polled by the Flyer all said a tax increase was likely, although Hooks, Chumney, and Jones said they personally would not vote for it.

Fresh ideas for savings or new revenue. In the small-potatoes category, Herenton suggested that a storm-water fee on homeowners of $3 or $4 a month on average is one option. And he held out the promise of big future savings if MLGW is reorganized as a division of city government instead of an independent organization. He also said the library system is top-heavy with management and unnecessary expenses.

Curiously, the mayor said nothing about two other city agencies and departments that seem ripe for fresh thinking. The Memphis Area Transit Authority is plugging away at a light-rail extension of the trolley line to Memphis International Airport that would cost at least $400 million, including $100 million in city funds. But MATA wasn’t mentioned in the mayor’s critique. And the Memphis Park Commission has seen a chunk of its turf taken over by the Riverfront Development Corporation, which has some private funding sources, without any offsetting budget cut. Nor has there been much discussion of how private foundations, whose assets have grown thanks to the stock market rise, might take over more public responsibilities.

Four indicators to watch. One, if Wolfchase Galleria is successful in getting its appraisal lowered from the current $131 million, it will be a bell cow for other commercial properties. Assessor Rita Clark, whose staff originally appraised the mall at $150 million, thinks Wolfchase’s tax lawyers are shooting for a $70 million appraisal. A hearing is scheduled for January. On top of that, malls want to get tax breaks from the Industrial Development Board. If they do, Clark expects big-box stores like Kohl’s, Costco, Best Buy, and others to follow suit, shifting more of the tax burden to homeowners and putting more pressure on the mayor and City Council to come up with alternatives.

Two, will anyone be brave enough to question the Memphis Police Department’s $183 million allocation in the proposed 2005 budget? Police and fire services account for roughly 58 percent of the budget in all four Herenton options. The police property-room scandal, overtime abuse, and Herenton’s explicit criticism of former police director James Bolden have not translated into suggestions that there might be some fat in the police budget.

Three, a meeting is only a meeting, but if the city-county get-together in January produces any significant agreements about school funding it will be a positive step. In the view of Sammons, the mere fact that the two legislative bodies are coming together is significant.

Four, Herenton always has something interesting to say in his New Year’s Day speech. Predictions this year have ranged from a bombshell to a mild surprise. Last year Herenton ripped his fellow politicians and claimed what some took to be divine selection for himself. The 9 a.m. speech should be well worth getting out of bed for, even the night after a New Year’s Eve party. •

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News Cycle

JANUARY 2004: At his annual New Year’s Day prayer breakfast, Mayor Willie Herenton virtually declares war on his City Council while seeming to claim divine sanction. The background? Personnel matters, still-fresh MLGW prepayment deal with TVA, and Herenton’s ID as alpha male. Darker issues rumored.

Road duty in Iowa and New Hampshire, where the once high-flying Howard Dean first teeters, then crashes to earth while John Kerry begins his improbable rise to the Democratic nomination.

FEBRUARY: In an unexpectedly pivotal Tennessee primary, Kerry disposes of Wesley Clark and John Edwards and virtually seals his eventual nomination. Former Veep Al Gore, at a Nashville rally, denounces President Bush for “betraying” the country in Iraq.

At Clark’s swan-song speech, I hear about Bob Mintz, a former Alabama Air National Guard pilot, who, with his buddy Paul Bishop, tell me about Bush’s 1972 no-show at their Alabama ANG base. The resulting story goes national and percolates throughout the election year.

Councilman Brent Taylor on Herenton’s issuance of a physical dare: “I don’t want to meet him outside. I want to meet him at the Health Department. I want him to piss in a cup so we can see what he’s on.”

MARCH: New council member Carol Chumney begins her yearlong breakaway from her colleagues, charging “petty in-fighting.” Councilman Jack Sammons: “She makes [former maverick member John] Vergos look like a team player.” Ninth District congressman Harold Ford gets some flak from Germantown Democratic Club members for what they see as “Bush-lite” attitudes.

APRIL: Seventh District congressman Marsha Blackburn comes back from Iraq with a rosy prospectus. Former county commissioner Morris Fair dies not long after making dramatic and pivotal testimony against a multimillion-dollar settlement with Clark Construction Co., over Convention Center cost overruns.

MAY: In Nashville, Governor Phil Bredesen gets heat from fellow Democrats about workers’-comp reforms but eventually prevails. Former state Democratic chair Bill Farmer: “Governor, I wish I had voted for Van Hilleary two years ago instead of working to get you elected. He couldn’t have done the damage to us that you’ve done.” State Senator John Ford in a debate on air-travel restrictions: “I don’t fly from here to Memphis. I drive — though some of you may describe that as flying.”

Congressman Ford is incorrectly listed byWashington Times as party to a testimonial dinner for Rev. Sun Myung Moon, who claims to be the “messiah.”

JUNE: Rumors indicate that Herenton might resign because of ongoing — and at this point undefined — investigations. Mayoral press secretary Gale Jones Carson: “This mayor has nothing to hide.”

Republican icon John T. Williams dies, following the passing of ex-councilman Bob James, his fellow nonagenarian, by mere weeks. Two Republican county commissioners, Chairman Marilyn Loeffel and first-termer Bruce Thompson, continue a yearlong feud over personal and policy issues.

JULY: A memo materializes from deposed MLGW head Herman Morris, detailing Herenton’s high-pressure lobbying on brokering the deal and and the major of MLGW’s head-to-be Joseph Lee. Several Ford-family members participate in a wrestling caper. Up in Boston, where the national Democrats convene, a new star materializes — Illinois’ senator-to-be Barack Obama.

AUGUST: Shelby County holds a countywide general election and statewide primary. Key winners: Assessor Rita Clark, General Sessions Clerk Chris Turner, Chancellor Arnold Goldin, and GOP state representative-nominee Brian Kelsey. Bobby Lanier and Susan Adler Thorp lose their county jobs in a controversy over retirement benefits for ex-aide Tom Jones, who begins a yearlong term at federal prison camp in Arkansas. The GOP convenes in New York and renominates President Bush.

SEPTEMBER: The Mintz story resurfaces nationally but is quickly trumped by CBS’ “Rathergate.” Democratic legislative stalwarts Jimmy Naifeh and John Wilder face determined foes — but eventually survive. Former legislator Pam Gaia, a gallant reformer, dies. Herenton acknowledges he has thought about stepping down.

OCTOBER: Religious Right icon Ed McAteer dies. The tragic death of county commissioner Joyce Avery’s daughter underscores problems with 911 system — as does the much-lamented heart-attack death of ex-mayor Wyeth Chandler a month later. George Flinn is named a new county commissioner, to succeed Linda Rendtorff, now a Wharton aide. Michael Moore does a local no-show.

NOVEMBER: The election year ends with Kerry-Edwards winning locally but defeated nationally and statewide. Democrats begin a long debate over the party’s future. Wesley Clark ponders ’08.

DECEMBER: Chumney spouts again on MLGW. Wharton pumps for new tax. Curtis Person is squeezed by GOP state Senate colleagues. A “bombshell” is promised for Herenton’s New Year prayer breakfast?

To Be Continued. •

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Gomi Night

Imagine all the neurotic aspects of American culture — the materialism, the bright lights, the TV addiction, the obsession with ourselves — and then imagine it growing unchecked for decades into the future. Imagine the cities getting denser and taller, the people getting more whacked out, the stuff that we buy getting more stuffy, and the pace at which we buy it getting ever more frantic.

That’s what Japan’s cities are like: America on steroids.

Ironically enough, down on street level, Americans are often not treated with much respect. Sure, in corporate Japan and traditional Japan, everyone is very nice, and even on the streets they eat up our culture like we eat up reality shows. But in the day-to-day life of Osaka, where people shop in grocery stores and drink in bars and ride the subway and sometimes eat in restaurants, actual foreigners, called gaijin, are considered, well, unclean.

The group I hung out with in Japan hardly did anything to counter this impression. Granted, folks in Japan dress so nicely that what you and I wear to work looks like a hobo’s getup in Osaka. On top of that, the crowd I was with — Americans, Brits, Germans, Aussies, etc. — were only there to teach English, save money, then spend their earnings romping around the rest of Asia.

So, looking good and acting nice weren’t high on the agenda — and for that matter, living in a place where people don’t think much of you can lead you to not think much of them either. Put it all together, and what you have is people making crazy money — like $20,000 a year for working two hours a day — while living on the wrong end of town and spending their time idling around, drinking, and/or trying to freak out the locals.

It was on just such a night that I witnessed the spectacle known as Gomi Night.

We were lounging on the tatami mats in some gaijin crash pad, trying to decide if we should spend our evening eating on the subway, drinking in public, or going out to hit on Japanese girls — all utterly taboo and wildly entertaining — when somebody ran in and started shouting, “It’s Gomi Night! It’s Gomi Night!”

Gomi, you might not know, is Japanese for garbage. It seems that in each neighborhood, there’s one night each month on which local residents put out their bigger garbage items, stuff like TV sets and tables and chairs and various appliances. All of these things work, you understand. It’s just that A) Japanese folks buy new stuff all the time — America on steroids — and B) Japanese homes are incredibly small. So, when you get a new TV set, the old one goes out on Gomi Night.

Sometime early the next morning, teams of men from the sodai gomi (“big garbage”) agency come by and pick these items up for resale. And sometime before that, in the wee wee hours, some Japanese folks come out to get them, ashamed to be seen in need of such items.

Not so the gonzo gaijin. We aggressively, as a matter of principle, didn’t care. So, when the Gomi hit the streets, out came the gaijin! It was very much like cockroaches coming out for the leftover pizza.

Launching from the chaos at the crash pad — every unit of which was furnished with gomi — I bought a can of beer in the vending machine downstairs (remember, America on steroids), and my host and I headed out. We looked for a spot where she had found a desk and some other good things last time, but it was empty. So we just wandered, and within a few minutes, we saw a complete stereo system — several units in a console and two three-foot speakers, still connected to each other! We didn’t need a stereo, and there wasn’t much else there, so we moved on, and a little while later we found a great couch. It was in pretty good shape. We were very excited and had to have it.

We also found a small chair and a nice table, so we tossed those onto the couch as well. We kept inviting people to sit on the couch with us. I mean, we had a sixpack of tallboys. But nobody was taking us up on it. We figured lounging around and drinking was the American way. But I guess here, in America on steroids, drinking with roaches in public just won’t do. •

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Soldier’s Heart

The first time Kristin Peterson’s husband hit her, she was asleep in their bed.

She awoke that night a split second after Joshua’s fist smashed into her face and ran, terrified and crying, to the bathroom to wipe the blood spurting from her nose.

When she stuck her head back into the bedroom, there he was — punching at the air, muttering how she was coming after him and how he was going to kill her. Kristin started yelling, but Joshua’s eyes were closed. He was still asleep.

The next morning Joshua saw the dried blood on his wife. “Oh God,” she recalls him saying. “I did that.”

Peterson doesn’t remember the night or the nightmares. He also can’t remember punching his wife again in his sleep a few weeks later, this time driving her front tooth through her lip.

For six months last year, Peterson helped build an oil pipeline across Iraq as a specialist in the Army’s 110th Quartermaster Company. On the same highway where Private Jessica Lynch was ambushed, he saw Iraqi soldiers, dead and rotting, dangling out of their tanks. One time Peterson’s truck broke down, and he was surrounded by a group of Iraqi children, some throwing rocks, others toting AK-47s. “I kept thinking, God, I can’t handle this,” the 24-year-old says with a hollow laugh.

Since Peterson came back to Richmond Hill, Georgia, in August 2003, these memories have turned him into a man Kristin often doesn’t recognize — a man who lashes out in anger at her and their 21-month-old son, whose awful dreams tell him to beat his wife, because in his sleep she’s an Iraqi.

There are thousands of Operation Iraqi Freedom soldiers across the country like Joshua Peterson. They are coming home with minds twisted by what they’ve seen and done in Iraq.

A December 2003 Army study published in The New England Journal of Medicine found that approximately 16 percent of soldiers returning from Iraq were suffering from post-traumatic stress disorder (PTSD), a psychologically debilitating condition causing intense nightmares, paranoia, and anxiety. But that study is already out of date.

Now, after a particularly bloody summer and fall, many military and mental-health experts predict the rate of PTSD will actually run nearly twice what the Army study found, approximately the same level suffered by Vietnam veterans. Others think it could spike even higher and note that rarely before has such a dramatic rate of PTSD manifested itself so early.

At the same time, there is mounting concern over the government entity designed to help. Numerous reports show that the Department of Veterans Affairs does not have many of the essential services veterans desperately need.

“I don’t know how many people are going to be seeking treatment or whether the demand is going to be met by available resources,” acknowledges Matthew Friedman, executive director of the VA’s National Center for PTSD. “What I am confident about is that people who come for treatment will get good treatment.”

Yet, despite Friedman’s assumption, the VA has chronically underfunded mental-health programs and projects a $1.65 billion shortfall in those programs by the end of 2007.

“If we don’t give the VA what it needs immediately, the consequences will be lifelong and devastating,” says Steve Robinson, executive director of the National Gulf War Resource Center.

The emerging scenario portrays a new generation of war veterans coming home with psyches in tatters — and of an exhausted health-care system holding its breath.

“When you kill someone in combat, two things can happen,” says Sergeant Walter Padilla, Charlie Company, 1st Battalion, 12th Infantry Division. “The crazy ones go crazier. Or nothing happens.”

In October 2003, Padilla was commanding a Bradley Fighting Vehicle near the city of Kirkuk, rounding up insurgents and fending off mortar attacks. One day, Padilla’s company headed to a deserted area a few miles from base to practice their marksmanship. When gunfire rang out from a nearby village, Padilla wheeled his Bradley around to investigate. He saw two groups of armed men arguing over a pile of wood. The Bradley rumbled closer, and the men began shooting.

“Everything slowed down. I lost sense of time. I saw nothing, felt nothing,” he says. “Then I opened up with the machine gun.” Afterward, Padilla moved in for a closer look.

“You’re walking up on something you’ve done with your hands. You see the back of brains blown out. You know it’s either him or you! But I’d never seen anybody dying.”

When Padilla’s unit was shipped back to Fort Carson, Colorado, in late February 2004, his life unraveled. While he was gone, his wife had filed for divorce. He began having terrible dreams about Iraq. He grew paranoid.

One morning, on his way to work at Fort Carson, Padilla glimpsed the lights of an Air Force jet. He swerved his car off the highway and grabbed his cell phone to call his commanding officer. “I thought it was a tube flash from a mortar,” he says.

At a bar one night, he argued with a stranger over a pool table. “Doesn’t this guy know I’ve fucking killed people?” Padilla thought incredulously.

That night, Padilla lay awake, contemplating whether he should rush out into the night and search for the stranger. He took some sleeping pills and fought to let it go. “If I’d have found him, I would have beat him over the head with a bar stool,” he says.

While Padilla battled his ghosts, Washington bureaucrats were hearing about another nightmare. On March 25, Dr. James Scully, medical director of the American Psychiatric Association (APA), testified to the House Appropriations Subcommittee on VA, HUD, and Independent Agencies. Scully, a Navy veteran, reported a 42 percent growth in VA patients with severe PTSD, with only a 22 percent increase in money spent on PTSD services. The discrepancy was particularly “startling,” he said, because there were more vets using the VA for psychological help than ever — nearly half a million.

It was the latest blow for an institution that has struggled for decades to fulfill its mission. A mammoth, federally funded agency, the VA’s health-care system began treating veterans in 1930, charging a sliding fee based on a variety of factors. But in the wake of the first Gulf War, the system swelled out of control. The soaring cost of civilian health insurance combined with aging World War II, Korea, and Vietnam vets pushed droves of servicepeople toward the VA, where everything was cheaper.

In 1995, the VA began realigning its health-care system and opened hundreds of outpatient clinics. Yet by 2001, only half of those clinics provided mental-health services, according to the National Mental Health Association (NMHA).

Again, funding was a factor. By 2003, the previous decade had seen a 134 percent jump in vets seeking care, with only a 44 percent increase in the budget.

In April 2003, as U.S. troops pushed toward Baghdad, Dr. Joseph T. English, chairman of psychiatry at St. Vincent’s Catholic Medical Centers of New York, told a House appropriations subcommittee that veterans were waiting an average of 47 days to get into PTSD inpatient programs and up to a year at some outpatient facilities.

VA secretary Anthony Principi (who resigned as part of the Bush administration’s cabinet shuffle and will leave office when his successor is confirmed by the Senate) had commanded a Navy gunboat during Vietnam and understood PTSD. He also knew that with combat-dazed vets beginning to trickle home from Iraq, he needed more resources. So he commissioned a task-force to rapidly analyze the VA’s mental-health services.

In a revealing June 3rd memo to VA undersecretary for health Dr. Jonathan Perlin, Principi wrote that the task-force had discovered four major deficiencies: Mental-health services were scattered; substance-abuse programs had been reduced; the VA’s mental-health leadership hadn’t been diligent in overseeing the situation; and there was no coherent mental-health strategy. Principi ordered VA brass to begin plugging the holes immediately.

While the VA worked on a long-term mental-health plan to implement the reforms, the agency’s special committee on PTSD delivered an October report to Congress, warning that with more soldiers with PTSD arriving home, services needed to be expanded. During the 1980s, the VA had recommended that teams of PTSD counselors be in place at all VA medical centers. Two decades later, the report noted, barely half of the 163 facilities had them. The VA plan estimated it would take $1.65 billion by 2008 to fix things.

The PTSD committee conceded that the VA couldn’t be expected to treat psychologically troubled vets from Iraq and Afghanistan while still caring for those already in the system. “If the human cost of PTSD and its related disorders is staggering, so are the long-term medical costs to the VA associated with chronic PTSD,” the report stated.

The House Veterans Affairs Committee urged Congress to pump an additional $2.5 billion into the Bush administration’s VA health-care budget for 2005. But by November, with the budget poised for passage, it seemed unlikely, despite the warnings from veterans groups and VA doctors who sat on the PTSD committee.

These same doctors knew they could treat the disorder better than anyone. They have been on the cutting edge of PTSD since its diagnosis was born from a war whose lessons now seemed distant.

Sergeant Dave Durman did a tour in the Mekong Delta in 1969. He was 18 and had joined the Navy the minute he got his draft notice, even though some of his buddies had already died there. “I think it was because I just really loved the water,” Durman says.

Durman also loved working on the supply ship where he was stationed and the pulsing adrenaline he felt whenever his unit supported the Marines on missions around the South Vietnamese coast. He stayed in the Navy for nine years. Then in 1995, he joined the Virginia National Guard’s 1032nd Transportation Company, located 10 miles from his home in Kingsport, Tennessee.

In February 2003, Durman’s unit was sent to Kuwait. He was 52 years old.

Two months later, the 1032nd crossed into Iraq, charged with shipping supplies from the southern city of Talil, 300 miles north to Balad. Other convoys had been attacked on the same route, so Durman and the 19-year-old soldier who rode with him slung their flak jackets protectively over the outside of the truck doors because, Durman says, “you could stab a hole through those doors with a knife.”

During one August haul, Durman came upon a group of Iraqi police who had just shot two children for stripping a car on the side of the road. He drove right by their bodies. “We’re told not to interfere with domestic affairs,” Durman says quietly. “I didn’t want to get personally close to the Iraqis, because I knew we might have to shoot them. I’d look into their eyes, and they all looked like Gooks.”

In September, Durman’s unit shipped back to Virginia. It was then the nightmares started about Iraq but also about things he’d buried, such as his abusive childhood and Vietnam.

His girlfriend, Teresa A. McKay, noticed that Durman, once confident and kind, broke into random sweats and angered easily. He drank too much whiskey and bought a .357 pistol. Their sex life, McKay said, went “190 degrees different.” To McKay, a former nurse who’d worked with homeless Vietnam veterans, Durman’s behavior looked disquietingly familiar.

Indeed, Vietnam provides the clinical and historical framework for PTSD and Iraq. Before Vietnam, treatment of a soldier for the psychological effects of battle was not really treatment at all, even though PTSD had long been acknowledged under a variety of names.

In 1871, a former Union Army medic, J.M. Da Costa, wrote about a stress disorder caused by heavy fighting. He called it “irritable heart,” a name changed shortly thereafter to “soldier’s heart.”

During World War I, according to VA psychiatrist Jonathan Shay, veterans returning home with soldier’s heart were told by military doctors they had shell shock, or combat neurosis. After World War II, says Shay, when tens of thousands of soldiers were hospitalized with psychiatric problems, doctors diagnosed the majority with paranoid schizophrenia.

“The diagnostic spirit which prevailed was based on Plato’s idea that if you had good parentage, good genes, a good education, then no bad things could shake you from the path of virtue,” says Shay.

During Vietnam, that Platonic ideal began to shift. In 1970, 20 young vets from the group Vietnam Veterans Against the War (VVAW) asked psychiatrist Robert Jay Lifton to speak with them about the war. The vets didn’t trust the VA or the military but knew they needed to calm the devils they’d brought home.

Lifton, who had studied Hiroshima survivors and had been an Army psychiatrist, began meeting in New York with the group in what became known as “rap sessions.” He was shocked by the extent of the veterans’ traumas.

“These men talked about a particular combat situation that had a level of extremity which was new, even to me,” Lifton says.

Prompted by the rap sessions, VVAW opened up dozens of “storefront” counseling centers where Vietnam veterans could speak with other vets about their experiences, a crucial part of treating PTSD. Still, despite the growing number of vets clearly suffering, the VA wouldn’t accept PTSD as a diagnostic condition.

“This was because many of them were talking about atrocities, and that process was associated with a political view of the war,” says Lifton.

Finally, in 1979, the VA opened its own network of storefront vet centers. A year later, the American Psychiatric Association recognized PTSD as a legitimate medical diagnosis.

When the National Vietnam Veterans Readjustment Study concluded in 1988 that 30 percent of Vietnam vets suffered from PTSD, not many were surprised. By then, Lifton and individual VA psychiatrists like Matthew Friedman had become leading experts on PTSD and pushed the condition into psychiatric and public consciousness. Through group and individual therapy, and sometimes medication, the VA was helping veterans heal, though the process could take years.

But by the time U.S. soldiers touched Iraqi soil, advancements in PTSD treatment were being compromised because of the enormous growth in the number of vets seeking mental-health services and the VA’s failure to adequately respond. The new conflict, which bore an uneasy resemblance to Vietnam for the doctors who knew that war’s demons, would test those advancements even further.

As Crystal Luker tells it, May 5, 2004, was the day her husband’s platoon ran into trouble. That afternoon, Specialist Ron Luker was patrolling a section of Baghdad with his 1st Cavalry Division platoon.

“There was a lieutenant in the first Humvee, Ron was in the second, and his platoon sergeant was in the third with a group of privates,” Crystal says.

A 19-year-old specialist from Tulsa named James Marshall, whom Ron had been looking after, also rode in the third Humvee. As the convoy snaked through a teeming Baghdad street market, there was an explosion.

“The lieutenant was yelling over the radio for all of them to haul ass back to the base because they were coming under fire,” Crystal says.

When Luker looked behind him, he was horrified. The third Humvee was gone. He flipped his vehicle around and hurtled back down the street. Crystal says Luker told her when they found the Humvee, the force of the blast had blown the flesh from two of the privates all over the seats. When Luker looked in the back, he saw Marshall, wrapped around the vehicle’s 50-caliber gun.

“When Ron tried pulling James’ body out, his hands just went right inside of him. He pulled James’ flak jacket back, and his chest was gone.”

Before that day, Luker had called and written home religiously, unburdening himself to the woman he’d fallen in love with at a Mariposa, California, restaurant four years earlier. But when he came home to Fort Hood, Texas, for a week in August, things changed dramatically. That first night, at a welcome-home barbecue, Luker cornered his wife in the kitchen.

“He asked why I’d been avoiding him and said that I didn’t want to be around him,” Crystal says. When Luker started cursing, some Army friends pulled him away. “You didn’t come all the way home to fight with your wife,” they told him.

As the week went on, there was more arguing. Crystal says her husband accused her of cheating while he was gone. He rifled through her purse, the bedroom drawers, and repeatedly listened to old phone messages, searching for proof.

“I told him, ‘You’re scaring me! You’re not acting right, Ron!'” Crystal says.

Luker also seemed bothered around his three daughters. In an emotional revelation, he told his wife why.

“He said he’d turned into a monster in Iraq, how he couldn’t bounce his kids on his knee when he’d shoved guns in women’s faces and busted into houses and pushed kids on the floor. He kept saying, ‘I’m just trying to remember who I was before.'”

Luker’s problems mimicked those of the growing numbers of PTSD soldiers. They also signaled another trend — soldiers experiencing PTSD early.

“This early-onset PTSD is much higher than anything we’ve seen in previous conflicts,” VA psychologist Scott Murray says. “We anticipate the numbers are only going to keep getting higher.”

Psychologist Kaye Baron currently treats some 70 active soldiers and their families in a private practice in Colorado Springs, near Fort Carson. From clinical discussions she’s had with soldiers, Baron thinks the PTSD rate could spike as high as 75 percent.

Such a rate, Lifton says, is inexorably tied to the war itself. “This is a counterinsurgency being fought against an enemy which is hard to identify, and that leads to extraordinary stress,” he says.

According to Shay, the issue with the most potential for psychological torment is whether soldiers feel they’ve been led into battle for a noble cause.

Shay, who compared the Vietnam veteran’s battle experience to that of Achilles in his book Achilles in Vietnam: Combat Trauma and the Undoing of Character, wrote how the Greek hero felt betrayed by his arrogant general, Agamemnon, whose disrespect of a priest of Apollo brought down a plague on the Greeks.

“If a soldier has experienced a betrayal of what’s right by those in charge, their capacity for social trust can be impaired for the rest of their lives,” Shay says.

Durman says he first began feeling uncomfortable in Iraq when it became clear there were no WMD. He says his unit was furious when General Tommy Franks retired mid-war, while the rest of the National Guard and Reservists were subject to the Army’s “stop-loss” policy, which extends soldiers’ deployments.

That sense of betrayal translates into what Shay calls “complex PTSD”: nightmares, paranoia, violence, self-hate, and a crippling distrust.

Shay, who also analogized the Vietnam veteran’s homecoming to Odysseus’ tortured return to Ithaca in a second book, Odysseus in America: Combat Trauma and the Trials of Homecoming, says that after Vietnam, “Vets were coming home and burning through their social capital. Everything in their life was being destroyed or used up.”

Peterson’s dream-induced violence, Padilla’s bar fights, Durman’s drinking, and Luker’s accusations about his wife are powerful examples of a similar dynamic.

According to the VA, veterans with PTSD are more apt to be jobless, impoverished, homeless, addicted, imprisoned, without a stable family, and three times more likely to die before the rest of us.

Many of the soldiers Baron treats tell her they only want to get far away from their lives at home. “They just want to go off in the mountains,” she says. “And be by themselves.”

Joshua Peterson and Dave Durman have started therapy at the VA. They’re likely getting some of the most advanced care in the world. They’re also lucky. Peterson’s mother-in-law knows a VA psychiatrist, and Durman was already enrolled, thanks to his time in the Navy.

Walter Padilla is trying to leave the military and says he’ll get help once he’s out. Ron Luker is still in Iraq, and Crystal Luker says she’ll drag her husband to the VA if she has to.

These soldiers won’t be alone. So far, more than 10,000 veterans from Iraq and Afghanistan have sought psychological help from the VA, and there’s every indication the numbers will jump significantly.

Despite the challenges these numbers predict, Harold Kudler, co-chair of the VA’s PTSD Committee, says: “We’ve never been so prepared” and points to unprecedented cooperation with the Department of Defense, intensified PTSD outreach, and the 206 vet centers. But some say that preparation is not enough. “You can only provide the services for which you have the resources,” says psychologist Scott Murray. “There has to be significant improvement in an allocation of funds to make that occur.”

On November 20th, Congress added $1 billion to the Bush administration’s $27.1 billion VA health-care budget for 2005. The amount fell $1.5 billion short of what was recommended by the House Veterans Affairs Committee. And while Congress earmarked an additional $15 million for PTSD, few think that money will make much difference.

“The heads of the VA health-care networks are all trying to figure out how the hell they’re going to manage,” says Rick Weidman, director of government relations for Vietnam Veterans of America.

As for the VA’s mental-health plan, which estimated an extra $1.65 billion was needed to fix things fully, VA spokesperson Laurie Tranter says: “We cannot comment on this now. The plan is still being finalized.”

Still, all the money and services in the world will not solve the pain of PTSD for some.

In 1968, a young soldier named Lewis Puller came back from Vietnam without his legs and parts of his hands, blown off by a Viet Cong landmine. Puller, the son of the most decorated Marine in American history, soon became a veterans’ rights advocate and later a Pentagon lawyer. He married a politician, had two children, and, in 1991, wrote a Pulitzer Prize-winning book called Fortunate Son: The Healing of a Vietnam Vet. Popular on Capitol Hill and among veterans, Puller had seemingly risen from the physical wounds and the depression and alcoholism which haunted him for years to live a remarkable life. On May 11, 1994, 26 years after returning home, Puller shot himself. In the end, the soldier’s heart hurt too much.

Amidst an outpouring of grief, one Vietnam vet wrote an e-mail to Shay, which Shay published in Odysseus in America. “I get real tired of hidin’ and runnin’ from the demons,” the vet wrote. “Am I the only one? Has it crossed anyone else’s mind? You think maybe Lew was right? Is it the only real escape? I got questions. I’m out of answers.”

Thirty years from now, one wonders how many veterans from the Iraq War will ponder those words. •

Dan Frosch is a former staff writer for The Santa Fe Reporter. He is currently a New York-based freelance writer for The Nation, In These Times, and other publications. Barbara Solow with the Independent Weekly in Durham, N.C., contributed to this story.

by


The Local Angle

by Janel Davis

Programs provide

post-traumatic-stress-disorder assistance for

Memphis-area veterans.

Last year a group of combat veterans was assembled in front of Memphis’ Veterans Affairs Medical Center for a photo. Just before the shutter clicked, a passing car backfired and VA public affairs director Willie Logan had an epiphany. “All of the men in that group had some kind of reaction to that backfire,” he says. “Some of them ducked down and some of them actually hit the ground. I had worked with these men for years, but right then it hit me: These guys have been to war.”

The veterans’ reaction is quite common, says Dr. Norman VonButtler of the VA. “We realize that the war must have been horrible for them to still react in this way. The reactions are not fun for [the veterans].” VonButtler leads the hospital’s post-traumatic-stress-disorder (PTSD) unit, one of two facilities serving veterans in West Tennessee, northern Mississippi, and eastern Arkansas. The soldiers in that photo group exhibited at least one of the symptoms of PTSD: exaggerated startle reaction.

The Department of Veterans Affairs estimates there are 1,100 soldiers in the Mid-South who have returned from Operation Iraqi Freedom. Of those, about 260 have been seen for various reasons at the Memphis VA hospital. Half that number have exhibited symptoms of PTSD, says VonButtler.

Like most treatment facilities, the Memphis VA employs group therapy in dealing with the PTSD. During his three years heading the program and his 10 years of PTSD-related work, VonButtler has developed a method which includes five treatment modules of 10 sessions each. Ten to 12 patients meet each week for a total of 50 weeks. Some exhibit symptoms severe enough to necessitate attending all 50 sessions; others who feel well enough leave sooner.

The treatment process begins by giving the veterans an understanding of basic psychological issues such as stress and anxiety. Soldiers are then taught how to deal with tension and excessive anger and how to handle the complications of normal life. The most difficult stage of the process is learning to deal with guilt issues, says VonButtler. The memory of ending someone’s life eventually affects all soldiers who have done so.

“When they tell me they are okay, they can leave the program,” says VonButtler. “We take them at their word.” Hospital staffers also meet with soldiers’ spouses and evaluate their progress from the weekly sessions.

VonButtler says soldiers returning from Iraq have had interactions with civilians in combat similar to those experienced by Vietnam veterans. “When you are in a village and see a woman in a long dress running toward you, you are always on edge because that person could be hiding a gun underneath,” he says. “Some of the things these soldiers have had to do to people can only be shared with others who have done the same things.”

Before veterans enter VonButtler’s program, they are evaluated at the hospital’s field office in Whitehaven, where they meet in a group setting for mental and physical screenings. The program’s success garnered national attention this summer when Tennessee congressman Harold Ford Jr. introduced a bill that would require the Memphis program be used as a national VA model.

Ford’s legislation included an allocation of $100 million to supplement the Department of Veterans Affairs with additional medical staff. Whether or not that bill passes, the government will have to allocate more resources to existing programs as more and more soldiers return from Iraq and other combat zones. Also included in those services should be more assistance to soldiers’ spouses and families, VonButtler says. •

Editor’s note: The Association of Alternative Newsweeklies commissioned this story for its member newspapers. The Flyer is publishing “Soldier’s Heart” this week, along with 15 other AAN papers around the U.S. — Bruce VanWyngarden

Categories
Music Music Features

It Was a Very Good Year

As a marketing plan, the 50th Anniversary of Rock-and-Roll may have been a bit of an underachiever. Fortunately, no one told local musicians it was supposed to be a disappointing year, so they kept pumping out good to great records regardless of how much notice the record-buying public outside the metro area did or didn’t take. Over the following pages, four Flyer critics count down their own must-hear lists from a very good year in local music.

Chris Herrington:

1. Too Much Guitar! — The Reigning Sound (In the Red): At first I toyed with the notion of topping this list with something a little less predictable (and more tangibly local) than a Reigning Sound record. But then I turned the knob all the way to the right on this loud-at-any-volume rocketship of a record while doing housework last week and came to my senses. I mean, really, who am I kidding?

Dearly departed (from this city, not this mortal coil) rock-and-roll savant Greg Cartwright is on a roll right now. I still think I prefer the pristine garage-rock of Time Bomb High School, but the far more raucous Too Much Guitar! is catching up fast. And this one is not so much a garage-rock record as the hardest, heaviest soul music imaginable from one of the few guys in this little corner of the world with the voice to pull the concept off. (If you doubt that, listen to how Cartwright bears down hard heading into the chorus on “Get It!”)

Cartwright & Co.’s letter-bomb valentines to Hank Ballard and Sam & Dave are spine-tingling enough, but the real triumph here are the originals: “Your Love Is a Fine Thing” is Ollie Nightingale and Eddie Floyd gone punk rock. “Drowning” is Bruce Springsteen transferred from the Jersey shore to the banks of the Mississippi, with a combination of modesty and epic-ness that the Boss only captured occasionally. And it may sound hyperbolic, but –from Greg Roberson’s song-opening machine-gun drum fill to Jeremy Scott’s joyous background vocals to Cartwright’s sock-hop soul-music songwriting –“I’ll Cry” might be one of the most perfect rock-and-roll records I’ve ever heard.

2. Lost Sounds — Lost Sounds (In the Red): At turns menacing and mordant, Lost Sounds takes the listener to some uncomfortable places, but the music is so consistently riveting that the experience is more energizing than depressive. My favorite moment in Memphis music this year might be “I Get Nervous,” a breakneck spazz-out turned rescue plea turned four-minute emotional epic. After a mic-shattering scream of the title phrase, a repeated two-note keyboard riff sounds a panic alarm while drums pound like a SWAT team breaking down the door and guitars clip along with the merciless precision of firing synapses. It sounds like a band trying to outrun the shakes. The whole album does.

3. Doing the Distance — Snowglobe (Makeshift): No other local band makes music with the kind of casual density, palpable camaraderie, or excited creativity. Deploying cello, violins, and sleighbells, mellotron and musical saw, layered vocals and subliminal drops of musical Americana, squiggly guitars and churning pianos, each of these 16 tracks melds into the next as orchestral touches and instrumental interludes share time with more conventional song structures. The result is something akin to a 44-minute rock symphony.

4. Too Much Love — Harlan T. Bobo (self-released): This local cause celebre is exactly the kind of record I tend to be underwhelmed by: Arty, moody singer-songwriters just aren’t my thing. But every time I listen to it, I like it a little bit more. The best moments on Too Much Love rip through my biases like a laser: the odd, unnerving intimacy of “Left Your Door Unlocked,” where the lovestruck protagonist takes a nap on his muse’s bed while she’s out with another guy; the early rock-and-roll-via-Lou Reed spoken-word vocals on “Stop”; the whistling wistfulness of “When You Comin’ Home?”; and the Nashville-via-Blonde on Blonde move of “Bottle and Hotel.”

5. Wrecked ­ Halfacre Gunroom (Icarus): Compared to other recent rootsy Memphis bands such as Lucero, the North Mississippi Allstars, and the Riverbluff Clan, Halfacre Gunroom is less distinct musically, but the group boasts perhaps a sharper songwriting voice. Credit the grit-lit sensibility of frontman Bryan Hartley, who turns his pretty-common girlfriend problems into a big deal you care about, especially with the local-color-filled rants “East Memphis Girls” and “1989.”

6. Living Legends — Eightball & MJG (Bad Boy Records): The best tracks on Living Legends tap into the style that Mississippi rapper/producer David Banner has popularized — earthy, bluesy, intensely Southern, with a lyrical ambiguity that parses the crunk and the conscious as fully as Kanye West but without the same self-satisfied fission. “Straight Cadillac Pimpin'” is the apex of this style, with Eightball rapping strong and sure over the track’s swaggering bass groove and gospel undertones — “I come through like a Mac truck rumbling streets/Big boy hit tracks, straight crumbling beats.”

The worst tracks are rote gangsta rap where the duo is content to feed listeners genre clichés that each rapper is clearly capable of rising above. But even then they school their local peers on the beats-and-rhymes basics: Listen to how rotund rapper Eightball is able to alter the tempo of his flow to squeeze in extra lyrics without losing the beat. Besides, given the put-out-or-get-out vibe of so much recent mainstream hip-hop, it’s hard not to love a rap record that endorses pleasing one’s woman by any means necessary, which may entail a late-night creep to the Waffle House.

7. So That’s What the Kids Are Calling It — The Subteens (Young Ave. Records): “Mouth Shut,” the opening track on this too-long-awaited second album from Midtown’s wildest rock-and-rollers, is the best song ever written about tending bar at a Lucero show, and if that ain’t Memphis then I don’t know what is. The mock-triumphant “This Is It” at least approaches the pantheon of rock songs about touring in a bound-for-nowhere rock band purely on the strength of rhyming “keep it together with pills and marijuana” with “pass out in a hotel with a couple of the Donnas.”

As on the band’s first album, Burn Your Cardigan, frontman Mark Akin is still writing songs about getting drunk in Midtown bars but this time with a detachment that yields more humor and insight. And these sharp, funny songs are yoked to the most durably pleasurable rock sound around — the boozy, populist punk rock of a band for whom the Ramones and AC/DC seem to be held in equal esteem.

8. Mouse Rocket — Mouse Rocket (Empty): A poppier, more straightforward sonic outlet than her other band, the Lost Sounds, this is where Alicja Trout’s Mouse Rocket broke out of the side-project box in a massive way.

9. The Tim Terry Experience — The Tim Terry Experience (Soul Street): On this remarkably assured debut album, Terry cites classic soul stars such as Al Green, Marvin Gaye, and Isaac Hayes as inspiration. The organic sound of the music is a worthy inheritor of those classic sounds but is always contemporary. Indeed, what his music reminds me of most isn’t the vintage soul of the Seventies or even the retro feel of most neo-soul acts but the modern groove music of former Tony Tone Toni frontman Raphael Saadiq. I do think The Tim Terry Experience is about 15 minutes too long. That aside, this is modern groove music par excellence.

10. Unlimited Symmetry — The Coach & Four (Makeshift): This debut from the band excellently named for the rotting shell of a former hotel on Lamar Avenue is a blast of bracing, radiant guitar fireworks combined with finely honed, indie-schooled pop instincts. It doesn’t exactly sound like such killer post-punk bands as Built To Spill, the Feelies, or the Go-Betweens, but those comparisons sum up the mood. The sound is introduced on the opening “In Transit,” where clean, pretty guitar-pop morphs into a Sonic Youth-style assault, only to come through the chaos with the same chiming lyricism it began with.

Honorable Mentions: C’Mon DJ — Mr. Airplane Man (Sympathy for the Record Industry); The Delicate Seam — The Bloodthirsty Lovers (French Kiss); Disco Eraser — Final Solutions (Misprint); 50,000 Watts of Heavenly Joy — The Ron Franklin Entertainers (Miz Kafrin); “Survival of the Sickest” — Saliva (Island); Path — Undefined — Candice Ivory (self-released); Kicked and Scratched — Vending Machine (self-released); In-stores and Outtakes/Hill Country Revue — North Mississippi Allstars (ATO); 11:11 — Free Sol (Memphis Records); Break Free — Susie Salley (Peg Allie).

Andria Lisle:

1. Too Much Love — Harlan T. Bobo (self-released): This eccentric, enigmatic sideman (Viva L’American Death Ray Music, Limes) finally stepped up to the mic to record an album of delicate, heartbreaking (or heartbroken, depending on how you look at it) love songs. Organist Brendan Spengler, drummer Shane Calloway, bassist Jeremy Scott, and a few others join in the misery, which, on tunes such as “Left Your Door Unlocked,” can be oddly uplifting. The only thing more precious than these nine tracks could be the accompanying artwork: Bobo handmade each cover, clipping pictures from discarded library books to create a 600-CD run. Word is, these copies are becoming rare, and Bobo, claiming fatigue, has hired a printer. Find a copy while you still can!

2. Too Much Guitar! — The Reigning Sound (In the Red)/C’mon DJ — Mr. Airplane Man (Sympathy for the Record Industry): After recording their third album — but before it was released — the Reigning Sound was on the brink of breaking up. Organist Alex Greene left the group, frontman Greg Cartwright refused to release the finished tracks, and, as a trio, the band re-recorded Too Much Guitar! on a four-track. Fittingly, the album opens with a snarling original called “We Repel Each Other,” as the Reigning Sound strip down their jangly sound to a lean and mean core. But now that Cartwright has relocated to Asheville, North Carolina, and replaced drummer Greg Roberson with Carolinian Lance Wille, bassist Jeremy Scott is the only local in the group. Never mind where they live, folks. The Reigning Sound will always be a Memphis band.

Despite Mr. Airplane Man’s New England connection, both Margaret Garrett and Tara McManus deserve honorary Memphian status: C’mon DJ, their third album, was produced by Cartwright at Easley-McCain Recording Studios. (A previous release, Red Lite, was cut by Memphis’ own Monsieur Jeffrey Evans.) Joined by Doug Easley and Shawn Cripps, the girls plow through a scorching version of Howlin’ Wolf’s “Asked For Water,” while the album’s cover depicts the duo spinning a single by the Oblivians, Cartwright’s former band. And now that the guitar-slinging Garrett’s a full-time Memphian (she relocated here in late 2003), she can be found onstage with a number of bands, including the Tearjerkers, Limes, and Harlan T. Bobo’s group.

3. Instores & Outtakes/Hill Country Revue — Live at Bonnaroo — North Mississippi Allstars (ATO): First, the North Mississippi Allstars release the six-song Instores & Outtakes EP. Covering the Stones’ “Stray Cat Blues,” the Replacements’ “Skyway,” the Band’s “The Weight,” and Junior Kimbrough’s “Meet Me in the City,” as well as a few well-chosen originals, the Allstars served up a dream menu of material. Then they traveled to Middle Tennessee with a bevy of hill-country legends in tow for Live at Bonnaroo. Family’s the name of the game on this 14-track disc, as the Dickinsons, the Burnsides, and the Rising Star Fife & Drum Band join forces with Chris Robinson and JoJo Herman to shake ’em on down, Mississippi-style. Two races and three generations boogie on this astonishing document that sounds rootsy, raw, and utterly righteous.

4. Living Legends — Eightball & MJG (Bad Boy): Anyone who’s listened to Hot 107.1 for more than five minutes this year has heard “You Don’t Want Drama,” the first single off Living Legends to score big. But that’s just the beginning. Songs like “Straight Cadillac Pimpin'” and “Memphis City Blues” should catapult these Orange Mound heroes — who have been in the biz longer than anyone — into the major leagues where they belong.

5. Lost Sounds — Lost Sounds (In the Red)/Mouse Rocket –Mouse Rocket (Empty): Last time I wrote about Jay Lindsey and Alicja Trout’s group Lost Sounds, I focused more on the band’s potential break-up than I did on their actual music. But their latest album deserves much, much more than a footnote in the scandal sheets: With epic songs such as “Bombs Over Mom,” “Clones Don’t Love,” and the herky-jerky “I Get Nervous” — and with the addition of Patrick Jordan on bass (further anchoring drummer Rich Crook’s steady beat) — the Lost Sounds might bypass 2004’s “most likely to not succeed” category and move to the head of the class. Less noisy but just as creative, Trout’s other group, Mouse Rocket, has moved beyond side-project classification to full-time band. Hopefully, their 14-song eponymous release is just the first in a line of many.

6. Phinally Phamous — Lil Wyte (Asylum): Produced by Three 6 Mafia’s DJ Paul and Juicy J at their own Hypnotize Minds studio, Phinally Phamous finds Lil Wyte spitting and biting like a junkyard dog. Gnarly gansta raps such as “Icy Whites Soljas (“We done heard how y’all do it down there, but in Tennessee we stomp a nigga’s head in with the Reebok Classics, the icy whites,” Wyte deadpans on the opening) and “I Did ‘Em Wrong,” a banging number that features old-school Nintendo sound effects over a gothic keyboard riff, scream North Memphis. The bouncy “My Cutlass” takes the vehicular ode to a new level, while “Bay Area” describes Wyte’s home turf for those who live outside the 901 area code. Raucous and raw, there’s not a dud on this album.

7. Mix Tape Underground Shit Vol. 1 — Criminal Manne (Big Daddy Entertainment)/Da Nu Boi — Mac E (Hy Lyfe): These rappers might not be on the Billboard charts, but on Memphis streets, their reputations reign supreme. Criminal Manne’s “Tryna Bust Sumthing” scored big on local radio last May, while Mac E’s “Got Deals” began getting spins a month later. Both songs deserve a shot before a national audience. With any luck, Criminal Manne and Mac E, representing the South and North sides of town, respectively, could be the next stars from the Dirty South to break big.

8. A Bothered Mind — R.L. Burnside (Fat Possum)/Get Right Blues — Jessie Mae Hemphill (Inside Sounds): A collaboration of sorts between Burnside, Kid Rock, and West Coast rapper Lyrics Born, A Bothered Mind is hardly Fat Possum’s first pass at hip-hop. (Check out previous experiments like Burnside’s Come On In, which brought the sounds of the north Mississippi hill country to the ears of a new generation, much to blues purists’ chagrin.) From the dance floor rendition of “Shake ‘Em on Down” to the bouncing “Goin’ Down South,” this album will keep the party going.

On the flipside, Hemphill’s album, mined from David Evans’ vault at the University of Memphis, takes listeners back to the hills. She plays unaccompanied on more than half of these tracks, tapping a tambourine with her foot on “Go Back to Your Used To Be,” or, on “Shake Your Booty (Shake It, Baby),” rhythmically jingling Choctaw ankle bells. She’s joined by Como musicians Glen Faulkner and Compton Jones on traditional hill-country songs such as “Get Right Church” and “Little Rooster Reel” and plays the diddley bow herself on “Take Me Home with You, Baby.”

9. 50,000 Watts of Heavenly Joy — The Ron Franklin Entertainers (Miz Kafrin): Back in town after a long sojourn in Europe, Ron Franklin continues to create fascinating, vastly underrated music. His latest opus, recorded at Willie Mitchell’s Royal Studios, is perhaps the freshest-sounding disc on this year’s list. Crafting a deliciously edgy concoction out of roots rock-and-soul, he channels AM-radio goodwill on the lead song, an homage to WDIA, before delving into dirty-sounding dance tracks (“RFE Stomp”), story songs (“Jim Cole’s Got a Girlfren Now”), full-on gospel (“Let It Shine on Me”), and freeform insanity (“You Talk I Listen,” featuring a rant by drummer Ross Johnson).

10. Sunday Nights: The Songs of Junior Kimbrough — Various Artists (Fat Possum): The unlikely spiritual awakening sparked by hill-country bluesman — and legendary juke-joint proprietor — David “Junior” Kimbrough reverberates around the world today. Take Iggy and the Stooges’ recording of “You Better Run,” which huffs and puffs until it blows the roof off, or Spiritualized’s inspired rendition of “Sad Days, Lonely Nights.” Like the Ponys’ version of “Burn in Hell,” both cuts effortlessly blend past and present, creating a primal riff that Kimbrough himself would surely approve of. Jack Oblivian, a frequent visitor to Junior’s place, channels Kimbrough’s country side on “I’m in Love with You,” while the folksy duo of Entrance and Cat Power turn in a traditional rendering of “Do the Romp,” which sounds spot-on despite the fact that, like half the acts on this tribute, neither musician ever partied in the north Mississippi woods. Who cares? Turn up the music, pass around a bottle of booze, and imagine a benevolent Junior smiling down from the heavens, making sure the party never ends.

Honorable Mentions: American Idol — The Oscars (Bootleg); Dirty Dolla$ — Chopper Girl (Hoodoo Labs); The Delicate Seam — The Bloodthirsty Lovers (Frenchkiss); Doing the Distance — Snowglobe (Makeshift); Disco Eraser — Final Solutions (Misprint); All I Know — Keith Sykes (MADJACK); Man From Out of State — Dan Montgomery (Fantastic Yes); Tha Hustle Life Vol I & II/The Bio — Bumpy Johnson (Unda World); Tarantula! –Limes (self-released); Wrecked — Halfacre Gunroom (Icarus).

Chris davis:

1. Doing the Distance — Snowglobe (Makeshift): Psychedelic without being overtly druggy, smart without being aching wise, personal without being solipsistic, quirky without being cute, and derivative without being “more of the same.” The members of Snowglobe have never tried to hide their adoration of bands such as the Olivia Tremor Control and Neutral Milk Hotel, and since both of those Elephant 6 bands underdelivered on their tremendous promise, there’s no reason why Snowglobe shouldn’t step up to the plate. On Doing the Distance, the band mixes metaphors, harmonizing horns, good old-fashioned guitar rock, and folky acoustic melodies and comes up with a borderline concept album that merits a permanent place in anyone’s 200-disc changer.

2. Too Much Guitar! — The Reigning Sound (In the Red): Too Much Guitar! lacks the beautiful melodies of the Reigning Sound’s debut disc, Break Up, Break Down, and the wicked playfulness of their sophomore effort, Time Bomb High School. It’s easily my least favorite Reigning Sound disc to date. That said, the aptly named Too Much Guitar! is still one of the best examples of garage rock you find.

3. Too Much Love — Harlan T. Bobo (self-released): “Left Your Door Unlocked” and “It’s Only Love” are both real contenders for song of the year. The first is a surprisingly sweet story about taking refuge from the rain in an ex’s bed while she’s out, “just to see if things have changed.” The latter is a timeless ballad about blue skies and bittersweet emotions that would sound right at home on a scratchy old Hoagy Carmichael LP. The rest is a bit Beck-ish at the edges but genuinely romantic and compelling throughout.

4. So That’s What the Kids Are Calling It — The Subteens (Young Avenue Records): The opening track, “Mouth Shut,” begins with the line “Punk-rock girls and Lone Star beer means everyone will run their mouth in here.” It’s a playful rip on Lucero and a sardonic, bartender’s eye view of Memphis hipsterdom. The disc only gets better from there. Teen spirit meets bubblegum banter with lines such as “Oh shit, I did it again/Stayed out when I should have stayed in” riding on a noisy wave of straightforward Ramones-inspired rock-and-roll with hat tips to the Heartbreakers. When it comes to mapping the landscape of pop-rock existentialism — teenage wastelands and never-ending parking lots full of regret and raging hormones — Big Star gets it better. But not by much.

5. C’mon DJ — Mr. Airplane Man (Sympathy for the Record Industry): Front-chic Margaret Garrett and drummer Tara McManus kick down with all the hill-country blues you need plus all the gritty rock-and-roll you deserve. C’mon DJ is willfully lo-fi, an aesthetic choice that adds nothing and keeps a wonderful record from being all that it can be. With its nods to Howlin’ Wolf, the Oblivians, and countless unknown garage bands, this record wins in spite of its fuzziness, not because of it.

Honorable Mentions: Lost Sounds — Lost Sounds (In the Red); Kicked and Scratched — Vending Machine (self-released), Tantamount — Shabadoo (self-released).

ANDREW EARLES:

1. Too Much Guitar! — The Reigning Sound (In the Red): Unless you’re listening to Yngwie Malmsteen at 78 RPM backward, there is never “too much guitar.” So, I don’t know what the title means, and while we’re on the subject of “nevers,” there will probably never be a bad Reigning Sound album, even though this is the best one so far. And yes, it is local. Greg Cartwright left town in February. This was released in May. But I imagine most of these songs have been milling around for a while in that expansive songwriting bank he carries between his ears.

2. Doing the Distance Snowglobe (Makeshift): I’ve written way too much about this record. What’s left to say? This should have — and maybe it still will — blow up into a nationally recognized album. It scores better than 99 percent of the indie/psych pop records that are blowing up on a national level. Where’s the justice? This is craftsmanship.

3. Disco Eraser — Final Solutions (Misprint): Officially released last January, this kicked the year off right with what is true DIY punk rock. Why? Look at the original wave of DIY punk in the late ’70s. The band members looked like normal guys. Hard workin’ dudes who loved music. That’s what this band is. They are not metalcore posing as hardcore and thinking that they are punk rock or any combination thereof. We’re talking about a band that breaks up on stage every time they play, has a bass player who teaches elementary school, a guitar player who sports a white-guy solid horseshoe Afro, and a singer who splits his time between running a record store and working for an advertising firm. That does not follow any rules. That is punk rock to me.

4. The Color Cast –The Color Cast (self-released): The Color Cast is the best band in town that isn’t DIY punk rock, indie/psych pop, or the Reigning Sound. The Color Cast is sort of like the first Dream Syndicate album, the Cure’s Disintegration, and pick-a-great-indie-guitar-band all blended up. The band also has a great live presence.

5. Too Much Love — Harlan T. Bobo (self-released): How nice it is to be sideswiped by a great record that you never saw coming. Not to deem Bobo incapable of making this record; I just didn’t know he was making one and then — WHAP! There it was, the good type of surprise.

Honorable Mentions: Lost Sounds –Lost Sounds (In the Red); Mouse Rocket — Mouse Rocket (Empty); American Idol –The Oscars (Bootleg). •

Categories
News The Fly-By

Smuggle Cops

As a U.S. Fish and Wildlife Service (USFWS) inspector, Daryl Victor has seen some bizarre attempts to smuggle illegal wildlife and wildlife products into the country.

While working at the USFWS Law Enforcement Office in Atlanta, he helped detain an airline employee who’d tried to smuggle in a live monkey by taping it under her arm. His office was called to meet the plane upon landing after the pilot saw the monkey running loose on board; it had escaped after the smuggler fell asleep. He caught another guy walking off a plane with an elephant tusk under his arm, and he once seized a tropical fish hidden in a water bottle.

The importation and exportation of wildlife and products made from certain wildlife skins and meats is only legal at designated ports in 14 cities across the country. On January 5th, Memphis, along with Louisville and Houston, will be added to the list of ports. Victor will be supervising the new Memphis office.

“Memphis was chosen because of the layout of the other designated ports. They form a circle around the U.S. Besides Denver, there was nothing internal,” said Victor.

The site was also chosen because Memphis International Airport, thanks to FedEx, ranks as the world’s largest processor of international airfreight.

The Memphis port will have three main offices — one at the airport to intercept smuggling passengers and check in legal import/export items, a main cargo office for commercial dealers of wildlife and related products, and one at FedEx that will handle wildlife products but no live animals.

At a designated port, certain animals and products are legal for import and export, but they must be declared at the USFWS office. Items such as ivory, caviar, zebra skins, and tropical fish and birds must be declared, and the office will decide the legality of each item. They also handle shipments for zoos, circuses, and laboratory animals for scientific research. The office doesn’t handle domestic animals or domestic products.

“We’ll have inspectors here on January 5th, and we’ll be doing exactly what the customs office does,” said Victor. “When a plane lands here with cargo, if they find wildlife products or live wildlife there, that would go through us. If it’s not declared, we’ll be checking to see if it was a mistake or if it’s smuggling.”

According to Victor, wildlife ranks second to drugs for smuggling. In fiscal year 2004, wildlife inspectors processed more than 146,000 wildlife shipments nationwide.

The office uses various national and international laws and treaties, such as the Endangered Species Act, the Marine Mammal Act, and the African Elephant Conservation Act, to determine the legality of wildlife and wildlife items. The Lacey Act, the nation’s first federal wildlife protection law, gives the office the right to enforce the laws of other countries.

“Brazil is a great example. They have zero tolerance on their wildlife and wildlife products coming out of the country,” said Victor. “If you don’t have a permit from the exporting country, we seize the items.”

Seized items are held until the case is resolved. Live animals are held at special facilities, but Victor said the office does not kill wildlife. Animals taken from the wild are not released back, however, because it’s nearly impossible to determine exactly where they came from.

The penalty for smuggling can range from being forced to turn over the animal or product to the government to fines or jail time.

Victor said he had no idea what types of smuggling may turn up in Memphis, but he suspects his office will quickly become one of the busiest in the nation.

“We think having the overnight [FedEx shipping] and the [future] NAFTA Highway 69 will cause the Memphis office to become one of the busiest USFWS ports,” said Victor. “Memphis is very serious about becoming an international hub, and it’s generally quicker and cheaper to bring things through here.” •

E-mail: bphillips@memphisflyer.com

Categories
Film Features Film/TV

Short Cuts

Crooked Rain Crooked Rain:

L.A.’s Desert Origins

Pavement

(Matador)

“You can never quarantine the past,” Stephen Malkmus sings on Pavement’s second album, Crooked Rain Crooked Rain, which Matador Records has reissued with remastered sound and almost 40 bonus tracks one decade after its original release.

However, this deluxe edition, which follows a similar reissue of the band’s infamous debut, Slanted & Enchanted, does have an unfortunate quarantine effect: In canonizing an album that’s only 10 years old, this reissue threatens to lock these rambunctious songs safely in the past and consign their powerful ironies to a long-gone era.

On the other hand, perhaps these two reissues were all part of Pavement’s master plan. Malkmus was acutely aware of the band’s rock roots and their place within the ’90s alternative-rock boom. So a big, deluxe reissue seems appropriate as a tongue-in-cheek nod to the reigning rock narrative that requires such repackaging on significant anniversaries.

Ten years on, Crooked Rain Crooked Rain is an intricately multifaceted and gloriously haphazard album: Approach it from one side and you’ll find a meditation on suburban musical tastes; from another side, an examination of California culture as potent as a Joan Didion essay; from yet another, a wiseacre attempt at mainstream success. One of the album’s more compelling themes, however, is its blinkered obsession with rock music in general and specifically with the band’s own place within the larger mid-’90s alternative scene. On songs such as “Cut Your Hair,” “Newark Wilder,” and the truncated epic “Fillmore Jive,” Malkmus worries over the increasing specialization in popular music, the explosion of so many disposable bands, and fans’ burgeoning obscurantism, which has yet to die out completely.

But Pavement took it further than that by incorporating direct allusions to other artists into their songs: “Silence Kit” cribs the melody from Buddy Holly’s “Everyday,” and the new liner notes describe “5-4=Unity” as “a Dave Brubeck tribute song.” “Range Life” ends with a Billy Squier riff, but not before Malkmus pokes fun at two then-reigning alternative bands, Smashing Pumpkins and Stone Temple Pilots.

This reissue offers a disk and a half of surprisingly focused bonus tracks, including numerous early takes with original drummer Gary Young. “5-4=Unity” originally had vocals, which were wisely cut from the album version, and “Range Life” apparently wasn’t written as a Gram Parsons-style country-rock track. While these bonuses are intriguing for the glimpse of what might have been, they do nothing to support the commonly held opinion that Pavement suffered from Young’s loss. Other extras reveal Pavement’s conflicted fascination with R.E.M.: Their version of Reckoning‘s “Camera” is surprisingly tender, but “Unseen Power of the Picket Fence” straddles the line between tribute and parody.

Perhaps we had Pavement wrong all along. During their heyday, they were seen as smirking brats coolly detached from their world. But listening to Crooked Rain Crooked Rain 10 years later, it becomes startlingly apparent that Pavement’s much-remarked-upon irony was either not as thorough as once suspected or only one shade in a complex palette of emotion and curiosity. — Stephen Deusner

Grade: A+

White People

Handsome Boy Modeling School

(Atlantic/Elektra)

Handsome Boy Modeling School’s 1999 debut album, So How’s Your Girl?, sounded at the time like a one-off record, put together on a whim by producers Dan the Automator and Prince Paul with their circle of friends. It was endearingly loose and rambling, tied together by a reference to obscure TV comedy Get a Life, phony aliases, goofy outfits, and reliance on guest stars.

The follow-up, White People (probably not an allusion to Allan Gurganus’ short-story collection), picks up exactly where its predecessor left off, employing the same educational concept, some of the same guest stars (Father Guido Sarducci, the ever-reliable De La Soul), and even the same beats. But the skits and the jokes don’t seem quite as funny on this 200-level course, and the album sounds dated, often tired.

At times, it seems like Dan the Automator and Prince Paul are trying too hard to wrangle a humorously diverse roster of cameos, as on the first single, “The World’s Gone Bad,” which features Del the Funky Homosapien, Barrington Levy, and Franz Ferdinand’s Alex Kapranos. With its reggae-derived beat and Del’s exceedingly fluid flow, it sounds too much like Dan the Automator’s other side project, Gorillaz. The meandering “Rock and Roll (Could Never Hip-Hop Like This) Part 2,” which bears no similarity to “Part 1” on How’s Your Girl?, pits members of Afrika Bambaataa and Linkin Park against each other in service to some vague idea about Caucasian contributions to African-American music.

Not every collaboration, however, is so fruitless. The R&B-flavored “I’ve Been Thinking” features a soulful performance by Chan Marshall (aka Cat Power) that reveals the singer’s heretofore unglimpsed versatility. Surprisingly, Jack Johnson’s laid-back, no-fuss delivery on “Breakdown” blends perfectly with Dan the Automator and Prince Paul’s beats, and former Faith No More frontman Mike Patton makes the most of his five minutes, turning “Are You Down With It” inside out and outside in with his faux-sinister half-rapping, half-singing delivery.

Still, despite these splashes of color and personality, White People remains, as its title suggests, basically vanilla. • — SD

Grade: B-

Categories
News News Feature

Rumsfeld Says the Darndest Things

Last week, America’s troops spoke and their message was clear: They are not getting the support they need from the Bush administration. In a question-and-answer session with Secretary of Defense Donald Rumsfeld, rank-and-file soldiers told Rumsfeld they needed — but weren’t getting — armored vehicles, modern equipment, and adequate supplies. Rumsfeld’s responses were disgracefully insensitive and condescending. As of today, 6,530 Humvees in Iraq and Afghanistan lack adequate protection. Our troops deserve better.

Specialist Thomas Wilson of Nashville told Rumsfeld, “A lot of us are getting ready to move north [into Iraq] relatively soon. Our vehicles are not armored. We’re digging pieces of rusted scrap metal and compromised ballistic glass that’s already been shot up, dropped, busted — picking the best out of this scrap to put on our vehicles to take into combat.”

Rumsfeld responded that “You go to war with the army you have … not the army you might want to wish to have at a later time.” But the planning for war in Iraq began in late 2001. In a spin session later in the day, Pentagon spokesman Larry Di Rita conceded that as late as the fall of 2003, the military was producing just 15 armored Humvees a month, less than 4 percent of today’s production capacity. According to Di Rita, one quarter of Humvees in war zones today are unarmored. The bottom line: Soldiers in Iraq today don’t have armored vehicles because of poor planning, and Rumsfeld refuses to accept responsibility.

Rumsfeld callously attempted to diminish Wilson’s question, saying, “If you think about it, you can have all the armor in the world on a tank, and a tank can still be blown up. And you can have an up-armored Humvee, and it can be blown up.” In response, Paul Rieckhoff, an Iraq War veteran who is now with the soldiers’ advocacy group, Operation Truth, said, “Having the armor increases your survivability much more than not having it. For [Rumsfeld] to say that is an indication of how little he understands the dangers of the battlefield.”

According to U.S. representative Gene Taylor (D-Miss.), when Rumsfeld visits Iraq he undoubtedly travels in an armored vehicle. Taylor said, “If it is good enough for the big shots, it is good enough for every American soldier.” Colonel John Zimmerman, a leader of Wilson’s unit, said his troops “could not help fuming at the sight of the fully ‘up-armored’ Humvees and heavy trucks put on display here for Mr. Rumsfeld’s visit.” Zimmerman added, “What you see out here isn’t what we’ve got going north [to Iraq] with us.”

According to testimony by the Army’s vice chief of staff late last year, the military needed 8,400 armor kits for Humvees in Iraq and Afghanistan. President Bush responded by submitting a budget in early 2004 that proposed exactly zero dollars for Humvee armor kits.

The military is preventing thousands of people who have completed their service obligation from leaving the military through the “stop-loss” program. Rumsfeld expressed no regret that poor planning has forced him to keep troops in war zones involuntarily. Rumsfeld called the program “basically, a sound principle” and told the troops that “it will continue to be used.” There is so much frustration with the stop-loss policy that eight soldiers are suing the government from their camps in the conflict zone.

When an Army specialist asked Rumsfeld what he planned to do about the disparity in equipment between the National Guard and Reserve and the active-duty army, Rumsfeld seemed taken aback by the question. A murmur spread through the ranks. Rumsfeld told the troops to “settle down,” adding, “Hell, I’m an old man. It’s early in the morning, and I’m gathering my thoughts here.” He then went on to explain that some “element of the Army is going to end up, at some point, with — you characterize it as ‘antiquated’ [equipment].”

Which may also be the problem in the office of the secretary of defense. •

Christy Harvey, Judd Legum, and Jonathan Baskin wrote this article for the Center for American Progress.

Categories
Music Music Features

Local Record Roundup

With the year winding down, let’s check in on some of the more notable recent local releases:

Hola Day — The Carlos Ecos Band (Young Ave. Records): Recent participants in the Mid-South Grammy Showcase, the bluesy rock trio the Carlos Ecos Band show off an eclectic sound on their six-song debut EP. The anthemic “Sing” is a straightforward arena-sized rocker that evokes the best of ’80s AOR. The bluesy stomp of “Everybody Wants” is spiked with wah-wah riffage and an aquatic Hendrixian solo. The nimble, Latin-tinged percussion and bracing, precise guitar work of the title track is a slice of salsa-rock worthy of Santana. The instrumental “A Lil’ Sumpin’ Sumpin'” is moody and jazzy. The more lyric- and vocal-driven “The Hardest Thing” is roots rock that skirts the edges of alt-country. And the closing “You’re a Part of Me” is a head-bobbing blast of pure pop. Six songs, six distinctly different sounds. But the impressive thing is that each style works in concert with the other. The Carlos Ecos Band never sounds like a cover band playing dress-up one song at a time — just an accomplished rock band with the chops to set sail in a lot of different directions.

Grade: B+

Break Free — Susie Salley (Peg Allie): On the title track and on “You Don’t Believe Me,” Bob Salley laces electric guitar onto his singer wife’s serious, hard-charging songs. The sound is very ’80s rock radio, and it doesn’t really fit in with the rest of the album. I think these two songs are such turnoffs for me because of how much I like the rest of Break Free, which is more charming when it’s acoustic and conversational.

Salley proves to be a winning vocalist — earthy, twangy, immediately likable — on much of Break Free and a deceptively sharp songwriter. The album is best when the music matches her virtues with a front-porch intimacy and spontaneity. This especially happens whenever Bob Salley puts down the electric guitar and picks up a mandolin, as on the pretty, little, old-fashioned Southern-pride instructional “Manners” where Susie Salley’s down-to-earth vocal touch evokes Loretta Lynn, and on “Somebody’s Baby,” an onlooker’s compassionate consideration of a downtown homeless woman, which is affecting without being a bit maudlin.

Other highlights include the opening “I Don’t Think About It,” an alt-country toe-tapper with a Beatlesesque tinge; “Delta Land,” a high-stepping blues about a sibling on a prison farm in which Salley sinks her wry but soulful voice into some bemused, self-penned lyrics (“Yeah, the warden said, ‘Well you’ll eat just what you grow’/But bell peppers mornin’, noon, and night/For a vegetarian, well it’d be all right Farming never was a lot of fun”); and the jaunty, lived-in parent’s lament-cum-celebration “All Over Again.”

Grade: B+

All I Know — Keith Sykes (MADJACK): MADJACK made its reputation on younger local acts such as Lucero, Cory Branan, and the Pawtuckets, but the label makes an interesting move releasing the latest from longtime local tunesmith Keith Sykes, a figure with more built-in national name recognition than any of the label’s other acts. A songwriter’s songwriter, Sykes delivers a batch of typically strong acoustic-based songs. “Baby Took a Limo to Memphis” is a sardonic bit of bluesy mood music in the Lyle Lovett mold. (“The shortest distance between two towns is riding in a limo with the windows down.”) “Hard Luck and Old Dogs” has a title that evokes Tom T. Hall, but the sound is more in the vintage Willie-and-Waylon mold. With echoes of calypso and rockabilly, “Monkey River Town Girl” is an odd confection of pure ’50s style. And Sykes is joined, to great effect, by Jerry Jeff Walker for the swaggering, fun-loving “It Don’t Matter.” But the highlight might be the comic “Keith Sykes Is Sorry,” an over-the-top apology for a missed radio interview.

Grade: B+

Memphis Music Today, Vol. 1: Rock & Roll — Various Artists (Response Records): Despite the presumptuous title, this collection of songs from largely lesser-known bands, put out by recently relocated local label Response Records, gives a pretty diverse snapshot of the Memphis scene and spotlights some compelling new-ish bands.

Content-wise, there’s metal (prog-y Thin King sporting a bass solo dude, turgid Simon), modern rock (Trace going grunge, Surreel Music heavy but indistinct), Southern rock (Gabby Johnson heavy and twangy, the Clergy wilder and meaner), alt-rock (brittle, understated Organ Thief, agreeably over-the-top Rabid Villain), blues-rock (the Carlos Ecos Band), and jam-bands (horn-hopping FreeWorld, smoothed-out Yamagata).

There are also plenty of highlights: The Glass contribute “Superimposed” from last year’s Concorde, getting an invigorating tension from the match of the band’s surging music with lead singer Brad Bailey’s wobbly, emotional vocals. Deep Shag’s “I Am” is a poppy radio-rock song with strong female vocals and a sunny, danceable beat. Mid-South Grammy Showcase finishers Crippled Nation take their nü-metal pedigree to more artistically (and, perhaps, commercially) fruitful places on the moody, anthemic “Believe.” The borderline indescribable Candice Ivory scores big with “New Shoes,” a bit of new-wavey electro-soul that sounds sort of like a collaboration between Dirty Mind-era Prince and Parallel Lines-era Blondie. •

Grade: B