Categories
Film Features Film/TV

Will Ferrell gets serious in a Möbius strip of a movie.

As his name suggests, Harold Crick is a habitual bore. It’s the perfect name for an IRS auditor, which, in fact, is what Harold is. One morning, while brushing his teeth a precise number of times, Harold hears a voice — a narrator. Inexplicably, someone seems to be narrating Harold’s life, remarking on his routines and foreshadowing small events that come true moments later. When Harold (Will Ferrell) meets beautiful and edgy Ana (Maggie Gyllenhaal), his impulsive fantasies about her have hardly been thought when the narrator, author Kay Eiffel (Emma Thompson), utters them prosaically. When Harold decides the narrative effect is that of a fictional story, he seeks advice from an expert: a literary-theory professor (Dustin Hoffman).

Ferrell is possibly the only actor to ever have chemistry with himself. But in Stranger Than Fiction, he turns it off and shares the screen with the ensemble cast. Gone are Ferrell’s surface obnoxiousness and the self-deprecation below his burlesque. He drops both masks, exposing fear of failure in his fearlessness. Ana is a tattooed, “food not bombs” kind of gal who, in providing a romantic interest for Harold, satisfies the literary convention of opposites attracting. As has happened before, the twinkle in Gyllenhaal’s eyes lights up an entire film. And it’s been years since Hoffman acted such that you forget it’s him on screen. Here he pulls off the trick effortlessly, plucking scenes from a willing Ferrell with his craft rather than his persona.

With Stranger Than Fiction, director Marc Forster (Monster’s Ball, Finding Neverland) once again impresses. It’s his most showy outing to date. In making visual the mechanics of his protagonist’s mind as it interacts with the world, the director appropriates graphic-novel sensibilities, utilizing image and text, sometimes even in juxtaposed frames, to describe his character. (His inside-the-mouth shot of Harold’s teeth-brushing exercise seems cribbed from illustrator Eduardo Risso.)

Forster also has a talent for making otherwise mundane scenes stimulating. One such scene has Harold and Ana making small talk on an “articulated” bus, one of those extra-long vehicles that have an accordion middle for taking turns; as the pair talk, the camera glides and angles in tandem with the cornering bus. It’s a simple technique employed without fanfare, but it heightens the tension of the chance encounter between the mild antagonists as they parry for common ground.

But Forster’s clever eye works against the film too. Harold’s home décor is bland and featureless; Kay’s surroundings are equally stark and sterile. It’s a nice counterpoint to the fireworks of Kay’s mind, but compared to Harold’s home style, the visual echo suggests deeper, more cosmic connections between the two that the film isn’t willing to explore. Fear of taking the film a final step limits Stranger Than Fiction to being very good instead of great. It’s a little autumn whirlwind littered with fragments of lunacy, literature, romance, pop culture, fate and fatalism, authorial guilt, and mortality. It’s a Möbius strip of classic storytelling: The tragic moments are comedic, and the comedic moments are tragic.

Stranger Than Fiction

Now playing

Multiple locations

Categories
We Recommend We Recommend

What a Racquet

Ever wonder why, during the explosion in the last decade of extreme versions of other sports, no one came up with Extreme Tennis? It’s because it already exists: It’s racquetball, a sport that, when played at the highest level, is as aggressive, lusty, and bloodletting (while still retaining a modicum of sanity) as any other extreme sport out there.

The sport’s come a long way since the days of Joseph Sobek and his paddle rackets game. The technology has caught up with the racquetballer’s desire to fire precise, furious blue bullets beyond where the opponent can navigate. The sport is all angry angles, akimbo reverb, and sweat.

And the best practitioners in the world will be in Memphis November 15th through November 19th at the Choice Hotels U.S. Open; among others, you’ll see current men’s and women’s #1 ranked players, Jack Huczek and Rhonda Rajsich, respectively.

In addition to boasting the best players in the world, the Racquet Club will show off something else that can’t be seen at your local gym: a “made for television broadcast” portable racquetball court. Essentially, featured matches will be played “in the round,” on a court that provides excellent visibility not just for home viewers but also for the stadium-seated spectators. The matches will be televised on the Tennis Channel.

This year marks the 11th year the U.S. Open has been hosted by Memphis’ Racquet Club. Once again, the tournament will benefit St. Jude Children’s Research Hospital. All told, the tournament has raised over $130,000 for the hospital.

Beat feet to the Racquet Club and see the best wall bangers in the world turn a harmless little ball into a smart missile, able to elude even the most desperate flying reach.

Choice Hotels U.S. Open, November 15-19. The Racquet Club of Memphis. See www.choicehotelsusopen.com for more information.

Categories
We Recommend We Recommend

Presto!

Forget the movie magic of recent cineplex hits The Illusionist and The Prestige. Real magicians do it with sleight of hand. And real magic-makers will be at their confounding best at Bartlett Performing Arts and Conference Center on Saturday, November 4th, giving audience members “A Magical Experience.”

The night’s wonderment will be courtesy of the Society of Memphis Magicians, a member of the International Brotherhood of Magicians (IBM). The IBM is more than 200 years old and has member groups, called Rings, in 73 countries. The Memphis chapter is Ring 16, one of the oldest chapters in the country. The group provides a vehicle for amateur magicians to advance their craft under the guidance of masters and professionals to fine-tune their mad skills to a degree that befuddles even the most expert of eye.

Performers Saturday include JustLarry, a trickster and professional circus clown who — yes, it’s true — ran off to join the circus when he was a young man; Jim Surprise, a magic vet who was named Memphis’ best magician by WMC-TV; Kid Davie, whose complex physical gifts make him almost a human Rube Goldberg device; and Margarette LeClaire, who will attempt a suspended straight-jacket escape. Expect a night of illusion, card tricks, comedy, mind reading — even bunnies!

You’ll leave the show wondering how they did it, but don’t bother asking them. They won’t tell.

“A Magical Experience,” Bartlett Performing Arts and Conference Center, Saturday, November 4th, 7 p.m. $12. 385-6440. Go to www.bpacc.org for more information.

Categories
Film Features Film/TV

Zhang Yimou’s familial road movie is a long haul.

My math teacher told me the closest distance between two points is a straight line. In the Zhang Yimou film Riding Alone for Thousands of Miles, the two points are an old man and his terminally ill, estranged son; the straight line isn’t one, following the elderly gent away from Japan and his son to southwest China as he endeavors to film a mask-opera singer perform the greatest mask opera ever so that he can show it to his son back in Tokyo and be reconciled with him. Warning: This film is more than just geometrically challenged.

Follow me on this one: The old man is Takata (Ken Takakura), a Japanese fisherman whose son, Kenichi, is dying in a hospital. The father and son haven’t talked for 10 years, and Kenichi refuses to see Takata. The dad watches a documentary Kenichi made about a great mask-opera singer, Li Jiamin. In the doc, the singer invites Kenichi to return the next year to film him performing the greatest mask opera, Riding Alone for Thousands of Miles.

Sad that his son won’t be returning to China and wanting to earn forgiveness, Takata goes on his trek to find Li Jiamin, in the process encountering one difficulty after another, including language barriers, Li Jiamin’s imprisonment and abandonment of his own son, broken-down tractors, and being lost in a wilderness.

If the film’s plot was just improbable, much could be excused. But Zhang’s direction, Takakura’s acting, and the script all conspire to keep matters from getting any better.

For a man who made two of the most visually beautiful films of the last few years — Hero and House of Flying Daggers — here Zhang is at his languid worst. This is the kind of Zhang Yimou movie where people on roofs are trying to get cell-phone reception rather than fighting off battalions of arrows. As The Road Home proved, Zhang is capable of handling less fantastical material. But at times, Riding Alone looks like a made-for-TV movie.

Takakura is known for his stoic roles, but as Takata he plays his feelings so far beneath the surface the audience is left without clues as to what’s going on internally until it’s narrated, and by then there’s no emotional weight behind the punch.

The film is about the red tape one man erects between himself and his love for his son. It plays out literally as Takakura encounters one hoop to jump through after another to get his precious film of the opera. Riding Alone isn’t a journey into the heart of darkness but rather the heart of bureaucracy, and while it’s intellectually interesting in a recap sort of way, it plays out only as exciting as, well, people talking about their emotions rather than expressing them.

Riding Alone for Thousands of Miles doesn’t say with a hundred narrated sentences what Akira Kurosawa’s Ikiru conveyed in one look and one song.

Riding Alone for Thousands of Miles

Opening Friday, October 27th

Ridgeway

Categories
Living Spaces Real Estate

Intelligent Design

The interior design — the furniture, the appliances, and the accessories — should be an expression of your personality. After all, you’ve got to look at it every day. Why not be comfortable there?

But sometimes you need help expressing yourself. You need an expert eye and mind to look at you and your space and help you take full advantage of its potential. You need someone who understands what furnishings and décor are available out there to look at your budget and your living space to help you make intelligent decisions about your home. Luckily there are specialists in Memphis who can do these things. They’re interior designers, of course, and they’re ready to help you make a Garden of Eden out of your home.

Greg Cravens

When Virginia Rippee of Virginia Rippee & Associates first meets a client, she likes to get to know them, to find out what kind of things they’re interested in and what things they don’t like. That’s not in interior-design terms, though. Rippee wants to know the clients personally. She wants to see what styles and colors they’re wearing, what their personality is like. She also likes to “listen to the space they’re in” to hear what it says about the homeowner’s tastes. It all adds up to help her create a kind of profile of her client so that she can form a design that they’ll be happy with. She wants to talk to everyone who will live in the space.

The showroom at Virginia Rippee & Associates gives the homeowner many smart design choices of furniture, art, and accessories.

It isn’t until that part of the process is complete that she gets to work on actually designing the space. When she has something for the client, she presents it to them in her sample room and shows how she would arrange the furniture and accessories, Rippee says. Then she immediately asks them, “‘Does this fit your needs? To your mind is this correct?'” She continues, “Then I will take them to the colors and the fabrics and the furniture. I do everything for a reason in the space that is being furnished. There is a reason for absolutely everything.”

For Rippee, smart design decisions are based on determining what you’re going to be happy with for a long time. “We help them foresee the future of living in the space,” Rippee says. “They don’t buy something and get it home and say, ‘Oh, well, this doesn’t fit or this doesn’t work or I hadn’t thought about that.’ We try to foresee everything.”

Rippee leads clients to her showroom where they can see the options they have for furnishings and accessories. She does her ordering through catalogs with makers that she knows well and trusts. Ordering this way also helps keep clients from just buying in to whatever the trend of the moment is. For example, Rippee says, “We can find clients fabrics that are a lot more interesting and for not a lot more money. I’d rather sell them things out of catalogs because I know these lines well enough that I believe in the way they’re sitting, the way they fit.

Most people, when we do a room for them, years down the road they still like the space,” Rippee says. “We want clients to not just say, ‘Oh, this is nice.’ We want them to look at the space and say, ‘Wow, I love it.'”

Greg Cravens

For interior designer Ken Lecco of Cosmic Closet, the first order of business when he meets a new client is to see how they live currently. “I meet them at their space, feel out who they are, how they entertain, what they want to get out of their space, and go from there,” Lecco says.

He always listens to the customer and makes sure that they are going to ultimately be happy with their room. But he also has opinions stemming from his many years experience decorating and his in-depth knowledge of the many options and products available to his clients that they might not know about. He makes these suggestions and tries to help the client come to the right decision.

His overall design philosophy is to avoid the temporal and embrace the long-lasting. “I don’t really follow trends,” Lecco says. “Normally, two years down the road trendy stuff is over with. The customer’s not too happy that they picked a trendy color and six months later they hate it.”

Signature style: a living room designed by William R. Eubanks

Instead, Lecco often suggests proven, time-tested designs and matches them with the client’s personality. “I do try to use more classic designs. When I pick colors out, I know that those colors aren’t going to be out of style. A lot of customers want the clean lines, want the classic stuff. A lot of the younger people want hippy, trendy stuff. I’m good with that too. Whatever they want. For the older people, I do try to steer them away from the real trendy stuff. If they want something trendy, I throw it on pillows or on a rug, where you can just take that away and still have classic furniture.”

Lecco understands the space limitations that condominium living sometimes presents. Cosmic Closet is a home furnishings and accessories store where customers can buy individual pieces to work into their homes. One example he cites of an item he sells that serves a dual purpose and cleverly utilizes limited space is a coffee table that converts into a dining-room table. The Italian-made piece has a lever that, when pressed, causes the coffee table to rise up to dining-room-table size and extend out. “A lot of customers have small lofts that don’t have a dining room. But if they want to have a dinner party once in a while, they can convert their coffee table into a dining table. It’s beautiful.” Another similarly utilitarian piece of furniture are beds with storage under them that are, Lecco adds, “done tastefully.”

Budget considerations are always an issue when Lecco’s clients are designing or redesigning a room. Lecco has plenty of options at his fingertips to make the customer happy. “It doesn’t matter what the budget is, I can work around it. I have a lot of different sources [for furniture and accessories] where I can make it work.”

The key to the whole endeavor to fabulous design on a budget is to make smart decisions: “You don’t have to spend as much money, and you can go very minimal and have a really hot place.”

William R. Eubanks opened his interiors and designs firm in Memphis in 1976. Thirty years later, Eubanks has expanded business to New York City and Palm Beach, has had his designs widely published, and has clients all over the world. Through all this, he still calls Memphis home.

Eubanks’ artistic director Dabney Coors says the business can handle whatever the customer can dream up. “This is a full-service interior-design firm that supplies clients’ needs from the simplest design request for fabric to the most complicated design of a house’s layout and interior spaces,” Coors says.

Eubanks also offers one feature that many other designers don’t: the implementation of real antiques into a room design. “Bill is known for his antiques business and his interior-design business. He travels to Europe on buying trips five times a year or more. He combs Europe for 17th-, 18th-, and 19th-century antiques, but he is not restricted by period designs. After listening closely to his clients, he designs exactly what they want. Eubanks designs in every style and every period from 17th century to contemporary.”

One look at the sumptuous colors and eye-popping antiques and you’ll be smitten with Eubanks’ designs. But that doesn’t mean he’s out of reach of everybody but the wealthiest. Says Coors: “Bill Eubanks is very attuned to his clients’ needs and is happy to have a monetary framework in which to work. A budget helps everyone.”

It seems to be a no-brainer: Get a visually God-touched room and not have to break the bank in the process. ●

Take your pick: the sample room at Virginia Rippee & Associates

In the Beginning…

Before you figure up how much money you need to plan on spending for your new condo — and way before you go on a mad shopping spree filling your home with appliances, furniture, and major accessories — find out what amenities the condo development already provides for residents. You might be surprised by how much and, in many cases, the fine quality of what is already included in the price of the home.

The Horizon offers your choice of interior-design packages and a number of appliances and luxury furnishings. Condos include granite countertops in the kitchen and bathrooms, GE Profile stainless-steel range, microwave, dishwasher, and refrigerator, and ceramic tile, hardwood floors, or wall-to-wall carpet, as chosen by the buyer. As the condominium is still being developed, buyers have many options for customizing their home, choosing from options of flooring and cabinetry. You can also upgrade to packages of appliances from other makers such as Viking. The Horizon’s selections expert is ready to help you craft your dream home. Similarly, State Place at South End also features granite countertops in the kitchen and bathrooms, GE Smooth Top range, dishwasher, microwave, a combination of hardwood floors, ceramic tile, and carpet.

An eye-catching living room in downtown Memphis’ Shrine Building

For condominiums that have already been built, where appliances, fixtures, and flooring are already installed, options for buyers are sometimes limited. But at the Shrine Building, the amenities provided at purchase are still lavish: stainless-steel GE Profile appliances, hardwood maple floor and cabinetry, and — one of the hottest things going in designs right now — Decolav bathroom sinks. Many condominiums also offer high-speed wireless Internet access.

All the money you’ll be saving on provided amenities can be spent on making the rest of your dream home a reality. Okay, now go on your mad shopping spree. ● GA

The perfect kitchen is both beautiful to look at and functional. Pictured is a kitchen designed by Eileen Henry of Kitchens Unlimited

Survival of the Fittest

One of the primary concerns for anybody living in a condominium — and especially for someone who will be living in a condo for the first time — is dealing with space restrictions. Certainly, many condos are comparable to houses in terms of square footage. But condos also don’t have attics, storage sheds, or garages in which you can keep things you’re not currently using.

The solution is twofold: use what space you do have wisely and fill it with things that you love. Any and everything else is dispensable.

Smart employment of the furniture in the space is key, says interior designer Virginia Rippee. “The first thing I do is figure out how to arrange furniture and make sure that we’re not getting anything too little or too large,” she says. “It’s how you’re going to use the room. It doesn’t matter if [the room] is huge or little, it’s arranging the furniture correctly [in it]. It’s amazing how little some things are that can be done to make the room feel better sitting in it.”

Incorrect proportioning of furniture to room size is a common problem, Rippee says. The furniture arrangement is “either too long or [makes] too much of a total square. You’re sitting too far from whomever you’re talking to.

“One of the questions I ask [the client] is, ‘How many people will be using this? How do you plan to use it?’ That way I know to arrange the furniture for as many people as fits their needs. Every piece of furniture I show them, there’s an exact place for it.”

Getting the right size furniture and fitting it in correctly to the space is just one half of the equation. Then there’s the accessories, the home-décor knickknacks you collect on junk-store adventures or buy on a whim. It’s important to pare down that which you don’t truly need or love in order to streamline the room and de-clutter your life. For Rippee, the scientific method for determining what is essential is straightforward: “If you haven’t used it, get rid of it.

“A condo has less storage, so it just has to be tight,” Rippee says. “Buy only the things that you’re really going to use; don’t buy an overabundance. Get a basic number of dishes. Then, if you’re going to have a party, that’s what paper plates and plastic cups are for, or renting glass.” Businesses such as Grand Events & Party Rentals and Party Concepts handle flatware and glassware rentals for parties and events.

Once it’s simplified, to create an overall pleasant atmosphere in a room, establish an identity for it. You will certainly want to build on the pieces of furniture and accessories that you already have and you do want to keep. Then follow the design idea through to the end, adding things over time as desired but without overwhelming the visual palette.

Live with the room as it is for a while and tweak as needed. Make sure the design elements fit in with your tastes, because your home is an important part of maximizing your quality of life. As Rippee says, “Sit down, be comfortable, and enjoy where you are.” ● GA

Big Bang For Your Buck

When it comes to interior design, dream big. Imagine your home as if it was the embodiment of your every desire writ large. Ask yourself, if money were no object, what would I do? What kind of furniture would I have? What would the window treatments look like? What about art? Home theater and appliances? Dream big.

If you have the means to dream big and make those dreams real with the swipe of a card, go for it. Get professional advice first: An interior designer will help you maximize the potential of your living space in light of your tastes and expose you to ideas and items and craftspeople, such as furniture makers, that you might not otherwise have known existed. “If you want absolutely knockout ‘wow,’ we have it,” interior designer Virginia Rippee says.

She adds a caveat for those who can’t spend at will: “It’s not free.”

Ah, the catch. Anybody can dream big. The trick is to dream big but pay little and not compromise your vision while you do it. Is it possible? Rippee says absolutely.

One strategy is to prioritize what you want done, and then cross things off your list in stages that are within the restraints of your budget, Rippee says. Don’t eliminate or try to upgrade essential items all at once. Do it in steps so that you’re never stuck without something vital.

Another way to spend wisely begins with going through magazines and cutting out pictures of rooms that you’re drawn to. Determine what elements you particularly like and figure out how to best and most cheaply apply it to your own room. For example, you may not be able to afford an antique table that is shown in the picture, but you could buy a newer table, strip it, and paint or stain it to match your original inspiration. Creativity is free. The materials to make your dreams a reality usually don’t cost much more.

You should also consider and interview interior designers to help you, whatever your budget. A common misconception is that designers are very expensive to work with. Rippee says, “I don’t think it’s a lot more money. It may be a little more than if you went to the furniture store [buying unassisted]. But it’s things you’re going to love. You’re going to like them so much longer.” Buying through a designer will help you remain consistent with your room’s identity. He or she will also be able to give you options for furnishings and accessories so that you can divvy up your budget smartly rather than haphazardly.

Designers can also aid you in saving money in little ways, such as maximizing the utility of furniture, picking pieces that aren’t just attractive but are functional in more than one way, such as a bench or table that also has storage space in it. With a condo home, every square foot is valuable real estate space-wise.

The bottom line is to get the most out of every dollar you put into your home. Spend smart. Rippee says, “I tell people, ‘We were born beautiful instead of rich, and that’s the reason we have to get up and go to work every day.'” Fulfilling your design dreams costs money. But it doesn’t have to be prohibitive. The happiness derived from a job well done and on budget is priceless. ● GA

Natural Selection

One of the most prudent ways to get the interior designs, furnishings, and accessories that you want is to choose businesses that can offer you plenty of options in terms of form, function, and price. Lucky for Memphians, there’s all kinds of great creative, helpful people to guide you step by step, helping you select the best that your money can buy in the evolution of your place into your dream home.

One of the trickiest rooms in the home to get right is the kitchen. They say everybody winds up in the kitchen during a party, so it’s crucial to get the room right. There are many decisions to be made there, from cabinetry to appliances to drawer pulls to color to lighting. The name of the business Kitchens Unlimited says it all. Or, almost says it all: They also do bathrooms. They can handle any kitchen need, from design to installation (and even tearing out your old cabinetry). They have a large showroom and catalogs for major appliance companies such as Bosch, Viking, Sub-Zero, Dacor, Gaggenau, and Asko and furniture-grade cabinetry that has features such as turned posts at corners and carved embellishments — one of the hottest things going right now, according to kitchen designer associate Eileen Henry.

Some of the most important elements when creating an atmosphere in your home are your lighting fixtures. According to Trey Crump of Crump Lighting, some of the new lighting designs that are getting the most attention right now are recessed halogen lighting and monorail lighting systems. The monorail systems are made of flexible, bendable metal that can be twisted like a contortionist if need be to direct the light exactly where in the room you want it. Crump does in-home consultations and also acts as an interior designer, able to assist you in every way imaginable. When designing a home for a client, Crump says, “I try to stay with their style. I complement their existing décor.” He cites multi-purpose furniture as something that homeowners with space restrictions should consider to simplify their homes. TVs can go in cabinets, coffee tables can also be chests with the potential for storing items, and furniture can even have hidden spaces for storage.

Speaking of that furniture: Memphis has some great places to get it too. Scan Interiors has been around since 1988, and they’ve seen trends come and go and have seen what designs stay strong. Their furniture features cutting-edge technologies from around the world with designs for any taste. Kim Tilton of Scan Interiors has also decorated the model home at the condos at 310 S. Main.

Another fine furniture store is Samuels Furniture and Interiors. They have designer home furnishings and bedding and a wide selection of décor. They also have a full staff of interior designers who can help you live happy in your home.

While certainly not an exhaustive list of the people who can help, these creative and intelligent folks are as smart a place to start as any. They can work with any budget and can offer you choices that you didn’t know existed. In the end, your home can be a natural extension of your personality. ● GA

The Missing Link

In the movie The Big Lebowski, Jeff Bridges’ character — the Dude — laments the loss of his rug, saying: “That rug really tied the room together.” Why does the Dude so keenly feel its loss? Because it’s true: A room can feel empty, naked, not like home — if it’s missing a key design element such as a rug.

Matt Kiser of Kiser’s Floor Fashions would know. Getting the right rug is crucial, Kiser says. “Looking at it, living with it every day, it’s very important. It will tie in the fabrics, the wall color, the wallpaper.” Making those design building blocks cohere down to the last detail will convey a confident, well-thought-out philosophy. The consistent lines or colors will also help keep the room grounded and not distract the eye with busy design tangents.

Kiser’s Floor Fashions doesn’t just do rugs. Really, if you can think of it and it has to do with a floor, they can help: wall-to-wall carpet, hardwood flooring, ceramic tile, vinyl, laminate, on and on and on. Certain types of flooring are better than others in given situations and rooms and Kiser’s keeps abreast of the latest fashions and advanced products, so you can be certain that they will help guide you through the tricky endeavor for the perfect floor design to tie your room together.

The search for the missing link doesn’t stop on the floor, though. Window treatments are equally essential. Had the Dude lost his drapes instead of his rug, he’d have had the same sour reaction.

For many people, the idea of getting window treatments right can be intimidating. That shouldn’t be the case. Not when there are people like Susan Newby of the Drapery Studio in the world. And getting the windows right is very important, she says. “After your floors and walls, your windows are the third biggest architectural factor in the room.” Never fear. Not only can Newby get you on the right path to make your room look great, she can maximize the utility of the window treatments.

Function is as important as style. Especially when you’re living in a condo downtown. “Often what you love most about downtown riverfront living also plagues you: light, heat, the view. Sometimes you want it, sometimes you want to be protected from it,” Newby says. Depending on how close you are to other buildings and other potentially inquiring eyes, window treatments help ensure your privacy.

And the view of the sun rising in the morning or setting over the river in the late afternoon can sometimes be as much a nuisance as it is a beautiful vista. The light reflecting off the river has a sneaky way of getting into your room and into your eyes, Newby says. The sun presents other problems too, such as its ability to fade prized possessions in your interior: hardwood, furniture, and artwork. Window treatments can go a long way toward protecting your possessions, your home, even your frame of mind.

The functionality of drapes in a condo extends when you take into account its use as a noise dampener. It insulates your interior from the sound of the streets, and it even cuts down on the reverberation inside your home between hardwood floors and lofty ceilings.

The form of the window treatments overshadows most of these considerations, though, at least on the surface. Even if you’ve got your furniture, appliances, and accessories right, a room just won’t work until the window treatments are in harmony. That’s not to say you want your windows to be the main feature in your room. Newby says the correct window treatment “is like a good haircut. You don’t want it to be obvious. It’s not the focal point.”

Depending on the room, she often tries to keep the window treatments basic. This gives “a lightness to the room, an openness.” That’s not always the case, though. “Some rooms cry out for something more,” Newby says.

Both Matt Kiser and Susan Newby do in-home consultations, and they’re both adept at working within a customer’s budget needs and still producing gorgeous results. The Dude abides, and with the help of Kiser and Newby, so can you. ● GA

Categories
We Recommend We Recommend

Hey Hey Hey

After the levees in New Orleans broke late last August, along with everything and everybody else, Dillard University — a historically black liberal-arts school founded in 1869 — was flooded and suffered catastrophic damage — $347.6 million worth. The water alone wrecked the first floor of all of Dillard’s dorms, its International Center for Economic Freedom, theater, and Information Technology Center. Wind and fire did further damage campus-wide. In the aftermath, Dillard has lost half its students and has had to reduce faculty and staff by two-thirds.

Thankfully, the story doesn’t end there, and there are a couple reasons to have hope for Dillard. The first is symbolic: The campus’ many beautiful live oaks survived the storm and remain hearty and hale. The other is substantive: Comedian Bill Cosby is putting on a show on Saturday, October 21st, at The Orpheum theater to raise money for the school. One hundred percent of the evening’s profits will go to Dillard’s Katrina Scholarship fund. And this isn’t a touring show, either. It’s a one-off night of comedy, here in Memphis, the location personally selected by the Cos.

It might be chilly that night, so put on your favorite multicolored sweater, get out your checkbook, and head down to The Orpheum for a night of sage comedy and contribution.

Bill Cosby, The Orpheum, Saturday, October 21st, 8 p.m., $49.50-$250

Categories
Film Features Film/TV

Photo Finish

Everybody knows Joe Rosenthal’s photograph Raising the Flag on Iwo Jima. When the image of the Stars and Stripes being raised atop Mount Suribachi was published across America in February 1945, the photo caused a sensation. For many war-weary home-fronters, it inspired hope of victory for the U.S.

But did you know there were two flags that day, that the famous pic was of the second one, and that the soldiers raising it weren’t under fire? Sure, it’s the set-up for a mildly interesting episode of History’s Mysteries. But for authors James Bradley and Ron Powers — and now director Clint Eastwood — it’s the basis for Flags of Our Fathers, an account of how that picture affected the country and, better yet, a meditation on the men who fought on Iwo Jima, what the battle’s survivors left behind there, and how they were haunted by their experiences forever after.

Once the photograph became famous, FDR recalled the soldiers depicted in it from the Pacific Theater to send them on a War Bond tour. Their new tour of duty didn’t involve Okinawa or the Philippines but Griffith Stadium and the Drake hotel. Stateside, the three men were celebrities, and their fund-raising effort was a monumental success.

The three flag-raisers that survived Iwo Jima are spotlighted in the film. Ryan Phillippe is excellent as Navy Corpsman John Bradley, deftly portraying the medic soldier’s dogged determination. Adam Beach and Jesse Bradford co-star as Marines Ira Hayes and Rene Gagnon, respectively. Beach has a few scenes where he shines and Bradford maybe one, but most of the pair’s ineffectiveness owes to failings in the script. 

The staging of naval and air assaults in the film are staggering enough to put your heart in your throat. The beaches of Iwo Jima are composed of black volcanic sand (geologically correct Iceland was chosen for location filming), and the battle there looks like it’s taking place on the surface of the moon. The editing of the invasion is spectacular, assembled with such care that the viewing experience doesn’t degrade into confused chaos but is more like watching a tennis match with volleys, returns, and aces.

 And what a battle Eastwood’s Iwo Jima is: An armada of warships as if described by Homer; Japanese blockhouses and pillboxes; the flamethrower and the bayonet; naval barrages and self-inflicted grenade wounds. Crucially, a slide show of still photographs of the actual battle shown during the end credits reveals just how exact the film’s details are.

Flags of Our Fathers is cut from the same cloth as Steven Spielberg’s 1998 masterpiece Saving Private Ryan. They share a look (battles are bleached a gray, muted color); a purpose (unflinching understanding of “the Greatest Generation”); a consequence (making virtually irrelevant past films portraying the same battles, such as The Longest Day and Sands of Iwo Jima); even an actor (Barry Pepper). Spielberg produced Flags of Our Fathers. Comparisons are inevitable.

Technically, Eastwood is Spielberg’s equal. But Spielberg’s film benefits from a relentless, claustrophobic structure. The narrative structure of Flags of Our Fathers progresses in measured turns — with home-front touring punctuated by intense vignettes of warfare — and sometimes the two situations coil around and comment upon one another. Eastwood makes it work. But it doesn’t stick to your guts with the same tenacity. It doesn’t exact the same toll on the audience.

Categories
We Recommend We Recommend

Classy Broad

Every once in a while you stumble into a neighborhood or self-contained fold of urban landscape that you didn’t know existed. If you’ve never been on the 2500 block of Broad Avenue, when you first see it, you’ll be immediately struck by the distinct identity of the strip of buildings there. You can tell this neighborhood has lived an interesting life. But any melancholy felt for the loss of those times is more than matched by excitement over the potential that it still has.

Some good people see that potential too and have been working to turn Broad’s frown upside down. This Friday, October 13th, will be a lucky day for the street and for visitors as the Historic Broad Business Association presents the first Broad Avenue Gallery Walk. Anyone who remembers what South Main was like years ago — and how exciting and amazing it is when gallery tours are held there today — will have a sense of what this night means for Broad.

Jerry Coulliard will show off his metal furniture and architectural pieces at his studio MetalWorks. At Material, work by Nashville artist Ben Vitualla can be seen in “Target” (part of the Target series shown above) and artist Larry Patton will open his own studio a few doors down. Adam Shaw, known for his comics — Dead in Memphis and Bloodstream, among themand his paintings — which are kind of a Gen-X Edward Hopper — will open his studio and show “Luck of the Draw,” featuring work by cartoonists such as Greg Cravens, Mike Norton, and Lin Workman.

Broad Avenue Gallery Walk, Friday, October 13, 6-8 p.m.; MetalWorks, 2537 Broad; Adam Shaw Studio, 2547 Broad;

Material, 2553 Broad; Larry Patton Studio, 2571 Broad

Categories
Film Features Film/TV

House of Sand

Brazil, 1910. A madman takes his young pregnant wife, Áurea, and her mother into the desert to build a house and start a new life. He picks his spot, erects a flimsy building on a dune, and promptly dies. Thus, his wife begins a life of trying to get out of the wasteland. Real-life daughter and mother Fernanda Torres and Fernanda Montenegro play the abandoned pair. But such is life in the desert — where time is measured not in months or years but generations — that these actresses will play their own descendants. House of Sand director Andrucha Waddington has an eye for the beautiful, but he never stays with one image so long that he exchanges style for substance. There are big philosophies in the sand — liberation, civilization, even astrophysics — and though presented subtly, the movie doesn’t scrimp on how these ideas play out in the lives of these women. The performances by Torres and Montenegro are as diverse as the script calls for and as excellent as can be imagined. Even the relative brevity (114 minutes) of the film works. A decade can pass in the blink of a frame, and as the desert grows less imposing and more comfortable to its characters, so does the movie ingrain itself into our own viewing experience. It’s one of the best films of the year.

Opening Friday, October 13th, at Ridgeway Four

Categories
We Recommend We Recommend

Boo Who?

Memphis weather has certainly taken a turn to the cool recently, but during See Memphis’ tour of the haunted city, the nip you feel in the air may not be something Dave Brown can explain; it may be a phantasm clutching your arm with its icy fingers to carry you away to dark and unknown places.

Memphis history is gorged with incidences of mysterious death, war, murder, and disappearances, so it comes as no surprise that the city is equally thick with sightings of poltergeists. Some of the haunts on the driving tour include the Hunt Phelan home, Victorian Village, the site of the Brinkley Female Academy, and The Orpheum.

At Hunt Phelan in the 1800s, a servant of the house inexplicably died, and a treasure left in his keeping was missing. Reportedly the servant ghost appears to visitors of the home, trying to point mortals to the treasure’s burial spot. The Orpheum is home to arguably the city’s most famous otherworldly citizen, Mary. The young girl wears a white dress and has been seen many times throughout the theater’s years. Seat C-5 is reportedly her favorite. On the tour you also get to go into the Fontaine House in Victorian Village and hear about and maybe even encounter some of the multiple ghosts that are said to continue to dwell there.

See Memphis offers their Haunted Memphis tour with a schedule customizable to the tour group’s needs and the price dependant on the size of the group.

See Memphis’ Haunted Memphis tour. Through October. Call 525-4617 for more information.