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Weekend Forecast:

Besides Theatre Memphis’ wardrobe sale, tomorrow’s cheap events include the 23rd annual Cooper-Young Festival.

Do I even have to tell you to go?

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Pssst…Vintage Sales:

Memphians are lucky to have two opportunities to shop excellent vintage clothing in the next few days. The best part? Someone else has done the pile-sifting for you.

Crew of the movie Losers Take All spent weeks looking for the best ’80s clothing in Memphis thrift stores, and this afternoon they’re selling everything they found. The sale starts at 2 PM at 515 S. Main. Cash only.

For more info check out the event’s Facebook page.

UPDATE: The sale will run until 10 PM, and I can personally verify that they have some great pieces. Click after the jump to see my finds!

And Saturday, Theatre Memphis is unloading a ton of old costumes and props they’ve collected over the years to clean out their closets and raise some money for improvements. At their Overstock Yard Sale, you’ll be able to find great pieces (many from the ’50s, ’60s, and ’70s) for sale prices.

Be sure to arrive at 630 Perkins Extended early: the sale runs from 8 AM – 1 PM, and for the last hour they’ll have “grab bags” available – all you can fit inside for $5.

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News The Fly-By

Support System

An abandoned bank building is rarely considered a sign of progress, but a former First Tennessee branch in South Memphis will soon become just that.

A partnership between First Tennessee, the South Memphis Alliance, and the Jim Casey Youth Opportunities Initiative will turn the building into the Dream Seekers Center, where “aged-out” foster youth can find shelter, support, and the resources to start living on their own.

“When someone turns 18, they’re considered an adult, and they’re forced out of the foster-care system,” says Reginald Milton, executive director of the South Memphis Alliance.

“We’ve got to think about how we can help these young people reach adulthood.”

While Milton says the most critical thing the center will offer is a place to live — homeless youth can stay there for up to 18 months — they’ll also provide extensive programs to help them become self-sufficient. Without parents or guardians to offer guidance and support, many former foster children are susceptible to drug use, suicide, unemployment, unplanned pregnancy, and criminal activity.

“As an organization, we try to empower people to engage issues on their own,” Milton says. “We want to help these young people become more civically involved by giving them the tools to do so.”

The Dream Seekers Center will also focus on financial literacy.

“It’s easy for an 18-year-old to go into debt. And most people that age have parents to help them out of such a situation,” Milton says. “These youth don’t have a backup. When they get into a financial situation, it can affect them for the rest of their lives.”

The South Memphis Alliance’s counter to this problem is early education — the Jim Casey Initiative targets foster youth from age 14 to 24 — paired with concrete financial help. The Dream Seekers Center will also give its youth a financial boost, matching each former foster kid’s yearly savings up to $1,000.

The South Memphis Alliance hopes to create a youth center where local groups can converge and offer more comprehensive services for struggling young Memphians.

“Separately, a nonprofit often tries to become a jack-of-all-trades,” Milton says.

“Under one roof, each agency can focus on its core service, and when there’s a problem they can’t solve, they can say, ‘Go across the hall.'”

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Reevaluating Katrina

Five years into the aftermath of Hurricane Katrina, New Orleans’ citizens are still affected by the extensive damage and rehabilitation the city has undergone. This month, Rhodes College’s Environmental Studies and Science Program, in partnership with the Memphis College of Art, the University of Memphis’ Marcus Orr Center for the Humanities, and the Memphis Brooks Museum of Art, has brought a group of scholars and creative types to Memphis for “Telling Katrina’s Stories: Interpreting Hurricane Katrina Five Years Later.”

The program kicks off on Saturday, September 18th, at 2 p.m., at the Brooks with a screening of Wade in the Water, Children (pictured at right), a film put together by a group of kids in New Orleans’ Central City neighborhood through the local YMCA’s documentary film class. With open guidelines for the footage they shot, the children responded in remarkable and intensely personal ways. The result is an honest and unexpected portrayal of post-Katrina New Orleans, one that reveals the everyday tragedies in the city long before the hurricane struck.

Rounding out the series are three lectures from varied standpoints, all to be held at Rhodes’ Blount Auditorium. On Monday, September 20th, at 7 p.m., Aric Mayer, an acclaimed photographer who put on a commemorative exhibition at New Orleans’ Gallery Bienvenu in 2006, will reflect on the experience of photographing such a disaster and the limits of documentary as a form. George Mason University’s Virgil Henry Storr will follow on Wednesday, September 22nd, at 7 p.m., with a discussion of the state of redevelopment and recovery five years after the fact. And on Monday, September 27th, at 7 p.m., Jarvis DeBerry, who’s worked with New Orleans’ Times-Picayune newspaper since 1997, will speak about those fiercely loyal residents who’ve circumvented what could have become a permanent displacement of the city’s population.

“Telling Katrina’s Stories: Interpreting Hurricane Katrina Five Years Later,” September 18th-27th. Visit rhodes.edu/ess and click on “News & Events” for more information and a full schedule.

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Walk & Learn:

I’ve been tipped off a few times about historian Jimmy Ogle‘s beloved walking tours, and this month provides the perfect opportunity for me (and you!) to give them a try. The Memphis chapter of the American Institute of Architects has declared September their seventh annual Architecture Month, and in addition to showing films and hosting lectures and events, they’ve partnered with Ogle to offer a weekly tour of different areas of downtown.

They kicked off last Tuesday with a walk around Court Square, and today’s will take you through the historic South Main district. The tours continue each Tuesday this month, assembling at 11:45 at the designated meeting place.

As with Ogle’s usual tours, these Tuesday walks are free as well as educational. So put your lunch break to good use – get out there and enjoy this beautiful weather we’re having.

The rest of the schedule:
September 14
Historic South Main (meet at corner of Linden & South Main)
September 21
Union Avenue Manhole Cover & History Tour (meet at corner of Front & Union)
September 28
Front Street – Cotton Row (meet at corner of Front & Union)

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News The Fly-By

Sonic Youth

Soulsville Charter School teacher Bryan Hearn has used DonorsChoose.org since he began teaching a few years ago.

“I heard about it from another teacher the first year I was here,” the 10th-grade English teacher said. “That’s how I get all of my novels.”

The site works as a homepage for education proposals, which prospective donors can visit and pledge to fund any amount of a project’s necessary budget. While there are users who give to projects outside their communities, Hearn says most of the funds he’s received have been from familiar faces.

“For every project, I get random donations from people in other cities,” he said, “but mostly it’s people in my social network. It’s kind of up to the teacher. If you have a project [on the site] but you don’t publicize it, it’s harder to raise the money.”

His class’ fourth — and latest — set of novels didn’t come from familiar faces, however, but maybe familiar flavors. Earlier this month, Sonic’s Limeades for Learning campaign awarded a combined $2,000 to teachers at Soulsville Charter School, including more than $600 to Hearn’s class.

As part of Limeades for Learning, Sonic will give more than $500,000 to the DonorsChoose.org projects that receive the most votes from visitors. Each week, a new group of teachers will be selected to receive funding, and if there are more than one million votes by the end of September, Sonic will extend the voting period and donate another $100,000.

Projects range from Hearn’s books to cameras used to supplement math classes; all can be perused via Limeades for Learning’s website, limeadesforlearning.com. And though Sonic works each year to take a chunk out of the funds needed to make each project possible, DonorsChoose.org continues to attract individual donors year-round.

“It helps the kids get novels into their hands that they can keep for the rest of their lives, and the money doesn’t come out of the school’s budget,” Hearn said. “It comes from people who want to give these kids a life full of choices.”

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Music Music Features

Bored at the Beach

San Diego slacker Nathan Williams, the man behind Wavves, turned heads in 2008 with a self-released cassette full of low-maintenance, high-energy anthems for the young and the bored. Since then, he’s released two more albums on Mississippi label Fat Possum, toured extensively, and undergone an intense amount of public scrutiny. It’s a testament to his sincerity that, two albums later, Wavves is as effortlessly fun-loving as when he began.

Perhaps the most intriguing part of Williams’ project has been his dedication to indie music’s do-it-yourself aesthetic. For many listeners, this style raises questions of quality: Which lo-fi garage/punk/pop band deserves attention? And when Internet buzz boosts group after group of self-proclaimed instrumental amateurs producing similar homegrown sounds to the top of the blogosphere, those questions gather force and validity.

Williams’ answer is King of the Beach, released earlier this summer and decidedly more polished than his first two albums. For one thing, King of the Beach was put together at Oxford, Mississippi’s Sweet Tea Recording, whereas his earlier recordings were more of a laptop-in-bedroom thing. That’s not to say that the essence of the music has changed much, though. While it may sound cleaner and more focused, it’s still thick with a hazy California restlessness.

“These songs were written around the same time that my first two records were written,” Williams says. “The biggest change, probably, is just that I’ve had time to sit with them.”

Another big change rounding out the Wavves sound these days is a pair of familiar faces. Memphis’ own Billy Hayes and Stephen Pope — veterans of Magic Kids predecessors the Barbaras and former members of the late Jay Reatard’s band — joined Williams in late 2009. Williams credits Hayes and Pope for lending a hand in the songwriting process and being supportive bandmates.

“Having Billy and Stephen is great,” he says. “They’re both very hardworking musicians, and they definitely have a similar vibe as me. I don’t think any of us take anything very seriously.”

It’s an attitude that’s convenient when faced with a 2009 like the one Williams underwent: A breakdown onstage at a Barcelona music festival followed by a barrage of insults flung via the Internet from a member of the Atlanta garage-rock band Black Lips left people talking about Williams’ social life more than his work. King of the Beach manages to both circumvent that track record and justify his reputation as an apt songwriter while keeping Wavves smack in the middle of the DIY sphere. As the album’s title flippantly suggests, Williams isn’t interested in separating himself from the rest of the summer-obsessed indie music world. He’s merely graduated from his earlier ennui — a Pitchfork review called early track “I’m So Bored” “a total bummer” — and is now, as the new single “Post-Acid” puts it, “just having fun.”

Hayes and Pope have also played a part in Wavves’ tour schedules, now bringing the group to Memphis for the third time in 2010. The band’s set at the Hi-Tone Café in April was followed in June by a free (and largely unpublicized) house show with Memphis bands Magic Kids and Bake Sale. The latter opened Wavves’ first Hi-Tone show and will do the honors again this weekend, and Williams gives them props for their own dedication to Memphis’ blooming young indie scene.

“I’ve played Memphis a good amount of times, and it’s always pretty stiff,” he says. “But I think over the past, like, two years, there are a lot of younger kids that are bringing more energy to things. Every couple of years, you have a little change in the scene.”

Bake Sale’s members, though obviously more rooted here, are also out-of-towners who’ve found something interesting in the goings-on of Memphis music. Core members Charlotte Watson, Natalie Hoffmann, and Carly Greenwell hail from Miami, rural Missouri, and Murfreesboro, respectively. And while their dreamy, mildly grungy retro girl-pop doesn’t exactly scream “Memphis,” the group has found themselves at the fore of a burgeoning sound that defines a younger subset of local musicians.

“It is saturated with musicians,” Hoffmann says of the band’s entry into the local music scene, “but you do feel like there’s room for things to expand or new projects to start.”

“People here are, generally speaking, very open to collaborations,” Watson adds. “If you try, people here love that, and they really encourage you.”

Bake Sale and Wavves are both examples of the kind of legitimate projects that found footing in the world of homemade music.

“Success seems to be very loosely defined here,” Hoffmann says. “There are so many projects that are like, ‘we all just sat around and wrote three songs and now we’re a band.’ While I may have different standards for what I’m going to spend my time listening to, the fact that they exist and that there are a lot of young people trying out new things, I’m behind that all day.”

Wavves With Bake Sale and Christmas Island Hi-Tone Café Friday, September 10th. 9 p.m., $10

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News The Fly-By

Self Centered

When the city of Memphis planned to close four community centers in 2008, nonprofit Memphis Athletic Ministries took over those operations. Now at least one councilperson thinks that, given the group’s success, the idea should be expanded.

Councilman Jim Strickland recently proposed that the city accept applications from nonprofits to run some or all of the city’s 24 additional centers.

“They have so many more resources than we as a city have,” says Strickland. “The public gets the same or better service, and the city saves a lot of money.”

Under Strickland’s proposal, applications would be accepted both from already existing nonprofits and from new groups hoping to focus on the centers alone. While those leaders will still report to the city’s parks director, Strickland hopes that the focus each organization can give to its particular center will spark ideas for new programs and more dedicated services.

Strickland’s optimism isn’t shared by all members of the community, however. Potential opponents have voiced several concerns, among them that services could become more expensive.

Memphis Athletic Ministries also has a special emphasis on youth programming, which has made some senior citizens worry they won’t receive the same attention.

“As far as I can tell, all the ‘cons’ come from misinformation,” Strickland says, pointing out that these nonprofits will enter into a legal agreement with the city that sets out certain terms. “When we issue the request for proposals,” he says, “we can require that they provide the same services at the same price as the city would.”

Some also fear that the resolution ultimately will lead to community centers closed or abandoned, but Strickland emphasizes that the point is to improve center services.

“We won’t be closing any centers,” he says. “If a center goes without a bid from a nonprofit, it will remain in operation as usual.”

Since nonprofits can apply for grant money from outside sources, Strickland predicts better facilities and more extensive programming.

“If a nonprofit can double or triple the staffing, provide the same services for young and old, and save the city $150,000,” Strickland says, “everybody wins.”

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Chow for Cheap: Cafe Eclectic

The menu at Cafe Eclectic isn’t always the most affordable, but there are some secret – and surprising – deals to be found.

Take their grilled cheese, for example. For a mere $3.95, you get an exceptional sandwich (truly one of my favorites) and a side item. The Eclectic hot dog offers the same, also for $3.95.
For a few extra bucks, the grilled cheese also complements their wide range of soups very well – my favorite, the Greek lemon soup, is always spot-on.

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Not a bad four-dollar meal, if you ask me.

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Weekend Forecast:

For this weekend’s cheapest must-dos, I’ll have to refer you to two of my colleagues:

As Chris Herrington reports for Sing All Kinds, there’ll be a free screening of Stingray Sam, a favorite from the 2009 Indie Memphis Film Festival, at tonight’s South Main Trolley Tour. Add to that the also-free art, music, and hors d’oeuvres that make up the monthly tour, and you’ve got a great night on your hands.

And tomorrow, India Fest 2010 takes over the Agricenter for a day filled with food, music, and cultural activities. While most of us, myself included, will be there merely soaking in the atmosphere (and yummy treats), our own Hannah Sayle will take it one step further. She’ll be live blogging for Hungry Memphis all day, letting you in on the best and the most outrageous of the day’s cuisine.

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The best part? Admission to India Fest is just $2 for adults, $1 for kids age 5 and up. Anyone younger than 5 gets in free, and the event promises to be kid-friendly as well as delicious.