Author: Jesse Davis

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Letter From The Editor Opinion

Until We Meet Again

Jesse Davis (Photo: Jon W. Sparks)

If there’s one thing I’ve learned in my time in journalism, it’s to always, always double-check the spelling of “public.” If I’m allowed to say I’ve learned two things, I’d have to admit it’s true, you shouldn’t bury the lede. So I’ll skip the preliminaries and announce my official resignation as editor-in-chief of the Memphis Flyer.

When I accepted the editor gig, former Flyer editor Bruce VanWyngarden told me, “It’ll eat your life.” Or, as another colleague put it, somewhat more delicately, “There’s an element of being ‘on call’ to this job.”

Yeah, that’s true, and for the most part, I’ve loved it. Every job comes with its own kind of stress, and the stress of meeting deadlines, reworking a story, or teasing out the best way to word a complex idea is, for me, nothing less than thrilling. “Thrilling” might be underselling it a bit — it’s a kind of high. I’ve never been much of an athlete, but if a runner’s high is anything like the zap an editor gets from slicing 1,000 words from a story and hearing its author say it reads better now, well, let’s just say I can begin to understand the folks who jog even in these brutal Memphis summers.

I’ve been the one to break news of a court ruling and of an escaped wallaby. I’ve worked with Flyer writers to decide how best to tackle big issues — gun violence, reproductive rights, and Memphis beer. There’s only one free print paper in town, and being at the wheel has been a responsibility I have cherished. But for most of my life, I’ve collected responsibilities like baseball cards, and it might be time to admit I’ve become something of a responsibility hoarder.

By necessity, I’ve lived as a “duties first” person. In the past few months, my family circumstances have changed unexpectedly, and I want to try my hand at being a “family first” kind of guy. It’s a new kind of challenge, a different sort of responsibility. For most of my childhood, my parents weren’t always around — also usually by necessity. For years, my dad worked at an airline in Memphis, putting in 40-plus hours in three days’ time before turning around to drive the 90 or so miles to our little white house on the county line. He’d sleep for a day, and then we would have a few days together before he had to drive back to Memphis for half a week. My sister and I knew we were loved, but it was still tough at times.

Within the next year, my dad will turn 70, my nephew will turn 5, and I’ll get married. I want to be there for these people, really be there, not just when work allows, or be there physically albeit distractedly as I delegate some editorial tasks. I’ve answered work emails and phone calls while I was supposed to be playing dragons with my nephew, and it left me with an all-too-familiar feeling, like seeing myself on the other side of a mirror, 30 years ago. I’ve had Zoom meetings while on a long-deferred vacation with my fiancée, all while a family reunion went on downstairs. It comes with the territory. I know some people could easily juggle the different demands of family and a fast-paced job in a notoriously exacting field, but I think I might just like that aforementioned high of hitting deadlines a little too much. Might as well face it, I’m addicted to responsibility.

It might seem clichéd, but in a world where even the people who agree on most things can’t ever seem to get on the same page because of a few minor differences, I like the idea of embracing the people who choose to love me even when we don’t agree on anything. Not only that, but my fiancée and I want to start our own family before too long.

So maybe it’s selfishness or naivete, but I think I’d like to focus my energies a little more on my own group of weirdos — not that I don’t love the snarky, creative, somewhat dysfunctional Flyer family I’ve adopted in the last eight years. I do. Deeply. But I also trust them to deliver the news in true Flyer style, even if I have to miss out on the newsroom brainstorming. So I’m choosing to accept a new opportunity I’ve been granted, cherish the time I’ve spent with this wild bunch, and leave knowing the Flyer will keep flying, charting a course unlike any other paper in town.

There’s no shortage of senior talent ready to help keep this paper on course while the search for a new editor gets underway. Managing editor Shara Clark, associate editor Toby Sells, and senior editors Jon W. Sparks and Bruce VanWyngarden (remember that guy?) will make sure the same exceptional paper hits stands on time each week. And they’ll have help from Inside Memphis Business editor Samuel X. Cicci. So I feel confident about the Flyer’s future. Oh, and if you or someone you know would like to apply for the editor-in-chief position, send a resume to hr@contemporary-media.com.

In the meantime, I’m excited about the prospect of being a Flyer reader, and of finding new ways to give back to the Memphis community.

What else can I say? That’s all, folks. Thanks for reading.

Categories
Letter From The Editor Opinion

Crime is No Quick Fix

© Nomadsoul1 | Dreamstime.com

Archie waved me over to the pastry case. He sort of crouched down on my level — I was 11 or so at the time and quite a bit shorter than the tanned, mullet-sporting man my mom was dating — and he spoke in something approaching a loud stage whisper. For Archie, that was as close to being incognito as it got. His voice was a boom with a ragged edge. He wore a small gold hoop in his ear, was perpetually clad in a hoodie and shorts, glowed with an incandescent suntan, rode a motorcycle, and had strong opinions about everything. Whispering was not his style.

“Watch this,” he said, as he stuffed a dozen or so cookies in the front pocket of his hoodie. 

Stealing isn’t really stealing if it’s food and you need it, he explained. And if you were stealing from someone who could afford to eat the cost. It’s best to steal things that are hard to inventory — bakery items don’t have barcodes, and you don’t really look too conspicuous grabbing things from the serve-yourself section of the store. As long as you act cool, you’re not likely to get caught. Or so Archie said.

That was my first brush with crime. My mother’s boyfriend (at the time) taught me how to steal food from big grocery store chains. 

I was a Good Kid though, the kind who never really wanted to make trouble, so of course I was completely petrified. It felt as though someone threw a switch and aimed three or four spotlights at me. Sweat prickled on my brow and the back of my neck. My skin flushed. My back went rigid, and all my movements were strangely stiff. In short, I was a caricature of conspicuousness. I felt sure that someone had seen, that — as foolish as it might sound — everyone knew. The cookies in Archie’s hoodie pocket might as well have cast a cartoonishly green radioactive glow. At any moment, I was sure a plainclothes detective would grab me by the arm and steer me into the store’s interrogation chamber. 

Of course, none of that happened. Archie and my mom paid for a few items at the register, we strolled out the automatic door, and Archie offered my younger sister and me a fistful of stolen cookies. If memory serves, I declined. As protégés go, I was off to a rotten start. 

Not long after that, my mom decided it was too onerous a task to keep hiding her drug use from me and enlisted me as a sort of partner-in-cover-up, if not an actual partner-in-crime. Though she eventually made the leap to stronger stuff, at the time it was just marijuana, so no big deal. (Though, of course, I was again petrified. Gasp! “Reefer madness! In my own home?!”) Now, I often wonder if my mother ever would have dabbled in more dangerous drugs if there weren’t such a stigma associated with drugs in general. It’s easy to feel locked out of so-called “normal” society, locked into a cycle of illicit activities, black market solutions, and stolen cookies. Would things have been different if she felt like she could have gotten help without being arrested or fired or shamed? If, maybe, it was a little easier for a waitress at a diner to feed and house her kids. If there were more readily accessible services to help single mothers, people with chronic illness — all categories she falls into. In other words, if we viewed crime, which is, after all, a social construct, a little differently. If we spent our resources on prevention, instead of protection and punishment. 

This has been much on my mind of late. Maybe because crime has been a hot topic in the Shelby County District Attorney race. Maybe it’s because of the Jan. 6th hearings, detailing some of the most brazen crimes ever committed. High crimes, treason, that the “law and order” crowd seem, well, more or less okay with. I suppose that has something to do with what we consider crime. When asked to imagine an illegal activity, theft might be the first thing to come to mind. That could be because property is so tangible. Or because gains from social spending would take years or even a generation to show clear results. Hard to campaign on that, I suppose. Maybe it just pays to keep people focused away from crime committed on a larger scale. 

It can be seen in our national priorities, in our bloated police budgets. It doesn’t seem in keeping with the way society has changed to continue this way, to view criminals and crime as a force of nature, something that just occurs. 

I’m biased, of course, but it seems like we’ve thrown dollars at “protection” for decades with little to show for it. There are costs, too, in seeing dangers lurking everywhere, in the belief we need protection from other people. “Tough on crime” sounds good on the surface, or is at least straightforward and easy to digest, but if it worked, wouldn’t we have seen results by now? Call me a bleeding heart, a liberal looney tune, but I can’t help but wonder what the world would look like if we stopped viewing our fellow citizens as dangers against which we need protection, if instead we saw crime as evidence of a social system out of balance. It would take a massive shift in how we view the world, not to mention how cities draw up their budgets. It would be a difficult, lengthy process. 

But maybe it would be worth it. 

Jesse Davis
jesse@memphisflyer.com 

Categories
Letter From The Editor Opinion

The Horror of Our Time

Photo: © 1933 King Kong Promotional Image | Wikimedia Commons

I’ve been something of a monster movie maniac ever since my dad took me, at age 5, to see King Kong (1933) as part of The Orpheum’s summer movie series. As I sat in the gorgeous old theater watching silver-hued stop-motion dinosaurs decimate the landing party, watching Kong, the king of Skull Island, take Fay Wray to his mountain keep, my velcro-clad feet barely sticking past the edge of the seat, something was awakened inside me. From that moment on, I was absolutely mad for monster movies.

I’ve written about it before, I know, though I don’t know if I’ve gone into the inception of my mania. I wrote about the anniversary of the publication of Dracula not long ago. (How did Flyer senior editor Bruce VanWyngarden do this for 20 years and keep his subjects straight? I’ve got respect.) It may be that I’ve mentioned monsters a few too many times in what should be a column for general audiences. But, as Flyer film editor Chris McCoy points out in this week’s film feature, mass media is experiencing a horror renaissance, and one that shows no signs of stopping. It’s touching nearly every element of popular culture — streaming services, movies, novels. Horror is hot right now. Even subgenres are tinged with it. My sister texted me this morning to say her favorite part of the not-exactly-new (but still in theaters) Doctor Strange movie was the “horror overtone.” Stephen Graham Jones’ postmodern Scream-like novel My Heart Is a Chainsaw won a truckload of awards. Oh, and Scream got another sequel last year. Stranger Things is the subscription driver at Netflix. The trend is evident in the artsier world as well, with one of America’s most impressive auteurs, Jordan Peele, apparently committed to the genre. His newest offering, Nope, due later this year, is on all the “most anticipated movie” lists.

I could go on, but why beat a horse with a dead stick? Horror is hot.

Why, though? And why does the trend show no signs of fizzling? Largely, I would argue, because at its heart, horror is about things feeling out of control. Whether it’s the arthouse horror film about processing trauma, the low-budget weekend slasher flick, or Stephen King’s newest bestseller (and they’re always bestsellers), at the bloody heart of the horrific piece of art, there’s something bigger and more powerful than the (usually teenage) protagonists.

And these days, who doesn’t feel at the mercy of something bigger, older, and more powerful than themselves?

The recent decisions from the Supreme Court of the United States are, to put it mildly, cause for alarm. Overturning Roe v. Wade, ruling that states may not pass certain (apparently restrictive?) handgun carry laws, that states may funnel tax dollars to private and religious schools, and, most recently, that school coach Joe Kennedy’s 50-yard-line prayer counts as private and protected speech — all of these are wildly unpopular and out of sync with the majority of public opinion. It almost seems as if SCOTUS is some grim eldritch horror. They’re protected by barricades, deep within some impregnable keep, ruling for life and able to wield powers no common citizen can imagine. Frankly, I think I’d rather be a middle school Dungeons & Dragons nerd facing some betentacled monster. It seems like the conflict with the better odds. Because, though the recent SCOTUS rulings have come with the speed and frenzy of a series of werewolf bites, they’re not exactly out of step with the court’s history. Their ruling that settled the 2000 recount dispute between Bush and Gore was a political act as well.

And that’s just politics. Many pundits far smarter and more politically plugged in than I worry about the future of federal environmental regulations given these recent rulings. From there, it’s not much of a mental leap to conjure the specter of climate change, a seemingly unstoppable spirit that’s haunted public discourse for my entire life.

So, yes, given the larger-than-life threats we must contend with each day, it does seem all too natural for the general populace to have an insatiable hunger for horror. Fiction, after all, is a way of confronting our fears in a safe space, working out what frightens us and why. It’s also a source of strength, at least for some people. If high school-aged babysitter Laurie Strode didn’t quit when faced with the seemingly unstoppable Michael Myers, then neither will we when we’re forced to confront our own boogeyman.

How do we fight these out-of-control monsters plaguing society? For that, I suggest looking for the people — the organizers, the volunteers, the visionaries — who have been doing this work for a long time. They know what they’re doing, and they know how best we can help. Don’t be a hero, be a helping hand. There’s no room for ego, and there are people far better suited than I to be our guides, our Dr. Loomis or Professor Van Helsing.

Maybe, in confronting this monster, we can shift the cultural needle. If it means securing hard-won rights, I won’t mind if the next decade is characterized by a craze for rom-coms or sports biopics. Heck, I’ll learn to love ’em.

Categories
Music Music Blog Record Reviews

Memphis-Based Wraysong Records Releases Hyle King Movement Albums

The cover art for the HKM collection, art by Jeff Wack (Courtesy Wraysong Records)

It all started in 1967 when Mac Davis was managing Metric Music in Hollywood California. Davis put Memphis-based duo Hial Bancroft King and Ray Chafin together to collaborate on a music project. Liberty Records wanted something to follow an Elton John and Bernie Taupin album. Both members sing and play multiple instruments, but King was something of a musical virtuoso (and an avid experimenter, especially with synthesizer music and sound effects) and Chafin had a deft touch with lyrics and conceptual form.

Thus the Hyle King Movement was born. Unfortunately, the group was short-lived. Metric Music balked at the more experimental song composition, and the group’s demos were shelved. 

For a time, that put a pin in the group’s musical endeavors — at least together. King wrote symphonies and conducted orchestras, played concerts, and was endorsed by many legendary conductors. He worked with Leon Russell, Lou Rawls, Jackie DeShannon, and Brian Wilson, among a cadre of charting artists. Chafin went on to record two of the duo’s songs on Bob Marcucci’s Chancellor Records and appeared on American Bandstand with Dick Clark.

Now, after a 30-year hiatus, Hyle King Movement’s two-volume collection has been remastered and released on Wraysong Records. I spoke with Ray Chafin about (with input from Hial Bancroft King) about the journey to get these songs out in the world.

Memphis Flyer: The synth-driven sound wasn’t what I expected based on looking at the cover. Can you tell me a little about how you crafted the sound for the album. 

Ray Chafin: All the songs on the album were recorded on multi-tracks with Hial playing all the instrument parts on multiple sessions of overdubbing. The synthesizer was the main instrument for both sound and effects. He also sang all the parts in the extensive vocal backup, along with Grammy winning artist Darlene Koldenhoven. Each song was recorded at different times over several years, in Hial’s state-of-the-art King’s Studio. 

The album is quite atmospheric. Can you talk a little about the decision to include sound effects in the music? 

We, as songwriters, believe songs should be felt as well as listened to, visualized as well as heard, and sound effects add that touch of being there, witnessing, and experiencing what the words describe. 

Would you talk a little bit about your musical influences? 

Hial was raised in Hollywood during those years of classic filmmaking. His award-winning grandfather, actor George Bancroft, set the environment for Hial to become the child prodigy he was, and the extraordinary musician he is today. I, on the other hand, was born and raised on a farm in West Virginia, with country music and bluegrass festivals as my major influence. I didn’t play an instrument until my late teens. 

At least in “Silvery Dawn” it seems that science-fiction is one influence. Is that true? 

Absolutely! What was considered fiction 50 years ago is finally becoming reality today. This song stems from the prediction of coming events that are not clearly explained. However, in making the video I considered it science-reality. Having witnessed a UFO encounter with my mother in I952, I gained great respect for the notion that we are not alone in this vast universe.

Again talking about “Silvery Dawn” but it seems faith plays an important part in the lyrical composition. Would you talk about that? 

As a child we were taught about the coming rapture, Hial explained it as a childhood fear that became this visionary dream with biblical origins. Rapture, they say, or an ethereal garden, perhaps.

“Cozy Little Corner” seems to have more of a lounge feel. Do you enjoy experimenting with different genres? 

Certainly. We both love to tread outside the musical boundaries of the norm. Hial is the “king” of versatility, as shown in his work. He can do it all!

Is there anything else you would like to add? 

It has been said, “The chase is more enjoyable than the catch,” and in our case it rings true. We had the good fortune to create songs, play music, and share special times with some pretty amazing people.

Categories
Letter From The Editor Opinion

Like Get Back, But Smaller

Reminiscing on old memories (Photo: Jesse Davis)

Not long ago, my fiancée and I helped my sister pack up her belongings and move into a new house. My sister hates packing — it gives her the rabbit-in-the-headlights panic that makes anything difficult, especially when you’re also juggling childcare, transferring utilities, signing leases, balancing a job, and all of those other little delights that come with moving. So, since Sydnie, my fiancée, has a particular flair for organization and I don’t really feel strongly about packing one way or the other, we helped out in that arena. It’s just part of what family does.

In the process, I rediscovered a handful of mementos from our youth. My sister has held onto a few things — Grannie’s special colander for making jelly and jam, a sweatshirt from Catalina Island, old books and T-shirts, and other assorted items. It was an interesting exercise in memory.

These days, remembering anything before March 2020 or, for that matter, November 2016 seems like trying to vividly conjure memories of a different universe. So much has changed, and for at least the first year and a half of the pandemic, time seemed to take on an odd immeasurable quality. I’m sure my job plays some part in it, too — on any given day I might work on projects with deadlines that afternoon, next week, and next month. It can be a bit tough to keep track. (Allow me to take this opportunity to say I’m sorry if I missed your birthday, friends and family.)

Maybe that’s why packing my sister’s possessions had such an effect on me and why Sydnie and I ended up looking through an old notebook of mine last weekend. We were trying to find some tome hidden in one of our bookcases when she spotted a folder designed to hold yellow legal pads. She asked what it was, I said it probably held unused song lyrics, and then nothing would do except to go through and unpack each half-finished sketch of a song. It was like our own private Get Back, except not for the most famous band in the world.

Some people keep journals; some people keep diaries — I’ve never been able to tell the difference. There are scrapbookers and compulsive photo-takers. I have several notebooks’ worth of almost-songs. Most of them aren’t worth looking at. There’s a reason they were never finished, or they’re an odd archipelago of one-liners, nothing coherent enough to tell a story.

Then there are the songs I cannibalized to finish other songs.

“Hey, this chorus would make a third verse for that tune I can’t seem to finish.” Or maybe the two tunes with suspiciously similar themes meld together, and like alchemy, a collection of chorus-less verses begets a fully fleshed out song with verses, chorus, and a bridge. Work smart, not hard, as the old pros always say.

And there were the silly songs. The things I heard a friend or bandmate or stranger say and just had to write down. “Curse These Metal Hands” is a great title, but the lyrics, such as they are, should remain forever locked away in my memory — or on a well-used yellow legal pad.

Among all that were the little snapshots of life, often bolstered by poetic license and imagination. In songs, if not in newspaper columns, getting the rhyme and rhythm is more important than total adherence to fact. Still, there were lyrics about Syd’s and my first date, about holidays spent working and missing family, about someone who got a new dog (that one has the ring of truth, in my mind, though I can’t remember the actual event it references). So it was fun, if a bit nerve-racking (as I said, most of these unfinished sketches didn’t become actual songs for a reason), to share these memories with someone. Syd caught glimpses of my life before we met, when we first began dating. She saw both clumsy and careful attempts to make a rhyme. Times I stuck the landing and times I slipped off the balance beam, fell down the stairs, and landed in an arrhythmic heap on the floor.

Does that time spent reminiscing and puzzling out meaning deserve a column in the paper? I don’t know. Maybe I’m just trying to capture it for some future me. Maybe I hope I can give the reader a chance to pause, take stock of the slow slip of time in a world that, at present, feels stuck in fast-forward. Maybe it’s as simple as wishing I could jog a happy memory for someone else.

In the end, who knows? All I can say is, whatever feat of storytelling I’m attempting, I hope I stick the landing.

Categories
Letter From The Editor Opinion

Take Three

Much ado has been made over the January 6, 2021, insurrection at the Capitol. Some people wonder if “insurrection” is the proper term for the violent storming of the nation’s Capitol; others, namely the Republican National Committee, argue that the attack was “legitimate political discourse.”

As of this writing, two of seven promised hearings on the event have concluded. Some citizens wonder why all the hullabaloo, why the first hearing was aired on prime time. Others seem to agree that it would be a good idea to understand what happened and why. Those who don’t understand the attempted violent overthrow of the government by a militant political minority are doomed to repeat it, as the saying goes.

But I can’t bring myself to spill more ink over this subject. Feeling obligated to do so, I gave it my best shot. I typed out a sincere column about the difference between political discourse and political violence, and I wrote a satirical column about more or less the same thing. Neither attempt felt right to me, and I would rather start over a third time than publish something I’m not proud of.

So, with a deadline looming, I’ll use this space to preview this week’s excellent issue of the Flyer.

Our cover story, “Sun Shine,” is about the promise and potential for solar energy in Memphis and Tennessee. It’s a complement to our “Sun Block” story, in which we outlined many of the challenges and shortcomings related to that issue. Toby Sells, who wrote both pieces, has spent a great deal of time considering the subject of solar power, and you, dear reader, get to be the beneficiary of his hard work. You’re welcome!

Sells also wrangled the Fly-By section. This week we have stories about the Tom Lee Park renovation project, a dancing baby man, and Tennessee governor Bill Lee’s plans for school safety.

In “Bogus Is as Bogus Does,” our politics correspondent, Jackson Baker, writes about yet another phony ballot. These fraudulent lists of candidates purportedly endorsed by a local branch of a political party have become something of a frequent occurrence here in Memphis, and Mr. Baker has covered the issue diligently over the years. Read his most recent report on page 8.

In both our Steppin’ Out section and Last Word columns, we discuss the Juneteenth national holiday, albeit from different perspectives. In Steppin’ Out, Abigail Morici writes about Juneteenth festivities happening this week, while in the Last Word, TONE’s Victoria Jones considers the holiday as a chance to celebrate the successes and sacrifices of previous generations of Black Americans, while also paving the way for future generations. It’s a beautiful column, and I’m proud to feature it in the Flyer.

Our music editor Alex Greene pays tribute to the late Alan Hayes, an electronic music pioneer and producer who helped many young artists discover their sound. Hayes was involved in the production of a variety of styles of music, which stands as a testament to his versatility and open-mindedness. Greene’s writing is a touching tribute, handled with the care and kindness I’ve come to expect from our resident music historian.

Fitting, considering the upcoming release of Baz Luhrmann’s Elvis biopic, our food and party columnist Michael Donahue interviews Mario Torres, the senior food and beverage director at The Guest House at Graceland. Torres has a great story, which will come as no surprise to any devotees of Donahue’s column.

In this week’s film column, Chris McCoy takes on the newest installment in the Jurassic Park series, Jurassic World: Dominion. McCoy is always especially entertaining when he doesn’t love the movie he’s reviewing, and this week is no exception. I won’t spoil it any more than I already have, except to say that if you like actor Jeff Goldblum, this one is definitely worth your time.

That takes us through this week’s issue of Memphis’ only free print alt-weekly. I hope you’ll continue to pick up this paper on newsstands and read our new stories (posted daily) on the web.

As always, thank you for reading.

Categories
Letter From The Editor Opinion

Mass Death is No Price for ‘Freedom’

© Sheila Fitzgerald | Dreamstime.com
An obsession with guns is killing us.

I don’t remember the first time I shot a gun. I was raised around guns. I remember my grandfather telling me to hold a rifle pointed toward the ground, to make sure the safety was on. I remember my uncle laughing out loud when I refused to shoot right-handed. (It seems I’m left-eye dominant.) I remember my dad and uncles and older cousins shooting mistletoe out of tall trees. My mother used to work for Wild Hare, a sporting goods manufacturer that specializes in clay pigeons. 

I make all these points because, at first glance, I might look like someone who has a blanket distaste for firearms because I’m unfamiliar with them. That couldn’t be further from the truth. But we have a national obsession with guns, and it’s killing us. 

On May 14th, an 18-year-old white supremacist man shot and killed 10 people in a grocery store in Buffalo, New York. On May 24th, an 18-year-old shot and killed 19 young children and two teachers in an elementary school in Uvalde, Texas. It was the deadliest school shooting since Sandy Hook in December 2012. It’s been 10 years, and nothing has changed, except that some states have implemented permitless carry laws. 

There are obviously multiple factors at work. The shooting in Buffalo was motivated by a poisonous racist ideology, which we know because the perpetrator left behind a racist screed. Racism is one of this country’s most horrible diseases, one we often refuse to acknowledge. But we don’t have to allow violent, racist individuals access to military weaponry. We certainly don’t have to glorify such weapons, treating them as though they’re avatars of freedom, or, as former state Rep. Andy Holt used to do, giving them away as part of campaign events. 

There are multiple factors that contribute to the United States’ ongoing legacy of gun violence. But we would be fools not to admit that one of them is the sheer number of guns here. According to the most recent Small Arms Survey, the United States has the highest rate of civilian gun ownership in the world. We also face an epidemic of gun violence, and mass shootings here have become the norm. There is a link, and to deny it is madness. 

Last Saturday, six people were shot in Chattanooga, Tennessee. There is no time to grieve from one mass shooting before the next happens. The publication date for this issue of the Flyer is June 2nd, nine days after the shooting in Uvalde, practically an eternity in the news world. But the people in Uvalde and Buffalo face the rest of their lives without loved ones. That’s the real eternity. So I believe we cannot let the fury and hurt die down. We cannot move on. 

I am choosing here not to engage with many of the usual arguments around gun control or to acknowledge them only in the most cursory way. The concerns about the Second Amendment are spurious — an individual with a closet full of AR-15 rifles is not a well-regulated militia. Even the most well-armed individual has no hope of standing their ground against the entire military. No one really believes that “too many doors” in schools is the root of the problem. Mental illness, violent video games, those things are not unique to the United States. But we have a warped fascination with death, a fetish for armament, and a strange impulse to believe that freedom means never making compromises with the rest of society. 

Everyone should have the freedom to go to school, church, the grocery store, a concert, a dance club, or the mall without fear of death. I have almost had this job as the Flyer’s editor for a year, and I’ve already written about gun violence twice. Not because it’s a particular hobby horse of mine, but because it’s a sickness that plagues our nation and I believe I have a duty to acknowledge that. I believe we all do, because most Americans believe in common sense gun laws, in background checks, that no individual should be able to buy a weapon that will let them fill a room with bullets in seconds. 

There is a small minority that believes this constant parade of death is the price we must all pay for their freedom to own weapons of war. And they and the NRA and the elected officials who take campaign donations from them are holding the rest of us at gunpoint. 

Jesse Davis
jesse@memphisflyer.com 

Categories
Letter From The Editor Opinion

Angelic Panic

Photo: Info633933 | Dreamstime.com

Do you remember April? It seems like an age ago, but it was just three or so weeks ago. Time flies when you’re watching society descend into authoritarian madness.

Anyway, it seems that April 2022 was when the QAnon “groomer” panic really took center stage in the national media landscape, largely propelled by Republican-led criticisms against then-nominee for the Supreme Court, Judge Ketanji Brown Jackson. Georgia Rep. Marjorie Taylor Greene accused three Republican senators of being “pro-pedophile” for the crime of announcing they would vote to confirm Jackson. I hate to give that human garbage fire any oxygen, but unfortunately it’s necessary to illuminate my point.

This is how the radical right-wing branch has taken over the Republican party — anyone who doesn’t follow marching orders is not only ostracized but becomes the target of a smear campaign that needs no grounding in fact. (Now we’re getting to that “point” I mentioned earlier.) The current groomer panic has little to nothing to do with protecting children. I admit that most Republican voters do want to protect the innocent; that’s what makes this alarm bell such a powerful motivator. But the people weaponizing the word are operating from a place of political calculation, not a desire to keep kids safe.

Last week, a report by third-party investigator group Guidepost Solutions outlining the Southern Baptist Convention’s mishandling of sex abuse allegations made nary a ripple in the media landscape.

The report says that survivors of abuse shared allegations but were met with “resistance, stonewalling, and even outright hostility.” There are local examples, including Bellevue Baptist Church’s current pastor failing to immediately fire an offender, according to a Houston Chronicle report in 2019.

It’s heinous. It’s wrong that trust should be taken advantage of, that children are hurt, and that the protection of the organization is prioritized over the safety and support of victims. I’m sickened and saddened, and I cannot even imagine the hurt that the victims suffered. I also cannot help but notice that, when faced with real documented examples of the thing they claim to hate the most, there is relative silence from the right. The Guidepost Solutions report recommends the creation of an “Offender Information System” database. Here we have an actionable plan to help prevent further abuse. Why isn’t MTG tweeting about it? More recommendations are expected to be announced at a national meeting scheduled for June 14th-15th in Anaheim, California, so maybe people are waiting to see what happens. Then again, waiting for more information doesn’t seem to be in the wheelhouse for these folks.

If the allegations against the SBC are a little too charged, consider this. The same week, a Kroger store in nearby Southaven, Mississippi, was hit with more than $13,000 in fines over unsafe conditions and child labor violations. “Investigators have found the store allowed three minor-aged workers, all 16- and 17-years old, to load a trash compactor with the keys in the machine to allow operation,” writes reporter Bob Bakken for the DeSoto County News. “The Labor Department investigators also found the employer allowed a 15-year-old employee to work more than three hours on a school day and more than 18 hours during a school week, all violations of the federal child labor standards.”

It seems to me that church and business are often held up as being above reproach, so these real-world instances of child abuse and endangerment don’t fit an established narrative. Neither do they provide fodder for future mud-slinging against Democrats.

The week before, 192 out of 208 House Republicans voted against H.R. 7790, the Infant Formula Supplemental Appropriations Act, 2022, which would provide “$28 million in emergency supplemental appropriations to address the shortage of infant formula in the United States.” The bill passed, at least in the House, but with little help from the party of forced birth.

The groomer panic isn’t about protecting children. If it were, we would take abuse allegations and child labor violations seriously. If it were, the vote for the Infant Formula Supplemental Appropriations Act would have been unanimous, and the expanded child tax credit, which expired in December, would have already been renewed.

People will be hurt. Children and teens will continue to be put in danger, while misdirected malice will express itself as violence against the LGBTQ+ community. Words have weight, and no one should be treated as a pawn in a political game.

So please, think before you hop on the panic bandwagon.

Categories
Letter From The Editor Opinion

Latchkey Kid

Art: (left) Pamela McFarland; (right) Bryan Rollins

Like all homeroom teachers, managers, parents, and, yes, editors, I have a few axioms to which I return with regularity. One is that each issue of the Flyer needs to be a buffet. There should be something for everyone’s own particular tastes, and, ideally, we will tempt the news hounds with an arts column they might not usually seek out, feed the music lover some politics coverage.

So this week, I find myself not needing to comment on much of the larger stories making the rounds. It would be overkill, a buffet with three different kinds of Brussels sprouts. “At Large” columnist Bruce VanWyngarden covers the tragic shooting in Buffalo, and the way media echo chambers amplify the poisonous rhetoric of white supremacy. Jon W. Sparks looks at Ukraine in this issue’s excellent cover story, and film editor Chris McCoy does double duty by covering last weekend’s abortion rights protest. Toby Sells has the history and potential economic impact of the fabled third bridge over the Mississippi River on lockdown, and politics writer Jackson Baker unpacks the geographic intersections at the heart of the District Attorney race. And, in “The Last Word,” frequent Flyer freelancers Bryce W. Ashby and Michael J. LaRosa are absolutely on top of the situation with regard to immigration and education. To return to my buffet analogy, we have ourselves a healthy and comprehensive news diet this week.

So, with a deadline looming, I’m going to share an anecdote, something I had originally thought was Just for Me, an experience to be enjoyed but not recounted.

Last weekend, I took a walk. That’s not unusual. I take more walks than a retiree with new tennis shoes. This walk was something else, though. Almost a year after I moved back into my childhood neighborhood, I decided it was time to be hopelessly self-centered and walk past my childhood home while listening to the song I wrote about it. Was it needlessly sentimental? Without a doubt. Somewhat gauche, self-mythologizing to the point of egomania? You better believe it. But it’s not as if anyone would ever know about it, right? (Again, deadlines will make one do strange things — like confess to your entire print readership that you are a sad, sappy sucker.)

So, headphones on and music cranked, I walked past a particular house on Faxon. I thought about climbing a certain tree, watching for pill bugs in my dad’s flowers, about my sister’s old habit of eating my crayons. Do the new tenants still see orb-weaver spiders in the hedges, I asked myself. And I remembered my eighth birthday party, when I got a set of cheap toy walkie-talkies, and I wondered if kids still go wild for the things. In the age of smartphones, I imagine the shine has worn off.

The memories aren’t all centered on that house either. I walked past the Pham family’s house across the street and thought about Mailan and me chasing my fox terrier around the yard. Further down Faxon, I passed under the mulberry tree, the sidewalk stained in a Jackson Pollock spray of purple, where I used to pick berries with Aunt Sue, who wasn’t my actual aunt.

With fuzzed-out Fender guitars jogging my memory, I thought about baby albino raccoons walking in a line behind their mother, about being chased by a dog after school, about walking to Overton Park to catch tadpoles in Rainbow Lake. I remembered a one-legged cardinal splashing in a bird bath, season after season.

On the other end of the street, I passed the newly renovated house where Mr. Ben used to live. He was the man who first took my dad to donate blood, a tradition that my sister and I continue to this day. In a way, anyone who was ever helped by a pint of my O- is part of Ben’s legacy.

I got to experience something that was vanishing even then, though I was too young to realize how precious it was. I grew up knowing my neighbors, learning from them. I grew up, at least for about eight precious years, with a sense of community. I was within walking distance of public green space. I knew who in the neighborhood made the best cookies, who bought the fancy fireworks for July 4th.

There are places I could turn this column — the need for walkable neighborhoods; the way automobiles rewrote the built landscape; how “grind” culture and income inequality keep folks too tired and busy to enjoy that most wondrous of Southern pastimes, the leisurely porch conversation; that any demagogue who spreads fear and hate in a calculated attempt to fracture a community is the antithesis of all that’s good about humanity — but why bother?

If you can’t read between the lines, I don’t want to beat you over the head with those ideas. Besides, I’ve hit my word count, and once we get this paper off to press, I think I’ll have time for another long walk around the neighborhood.

Categories
Letter From The Editor Opinion

There’s Something in the Air

Bela Lugosi as Dracula (Photo: Wikimedia Commons)

Things seem a little different these days. Recently, I attended the Beale Street Music Festival, to cover the event for the Flyer, but also because live music is one of life’s greatest pleasures. After two years without writing a BSMF recap, pounding out 1,000 words the Monday after felt blessedly normal.

Don’t get me wrong. Those paying attention know that weekly positivity rates on Covid tests are ticking back upward. Covid isn’t gone. But events are happening, I’m vaccinated, and when I watched Cory Branan rip through “The Prettiest Waitress in Memphis,” I was able to enjoy the song instead of wondering just how many of the people in the crowd were Covid-positive. Anyway.

Last week, I went to a friend’s annual work party at a local brewery. That evening I met some friends for dinner and drinks. We shared stories, talked about work, and my friend admitted that she wasn’t moved by a recent live production of Macbeth she attended. Uncultured swine that I am, I said that for me, no theater-going experience has ever topped the time when, on a junior high field trip, I saw a college production of Dracula. (Remember that — we’ll get back around to it in a bit.)

As the evening came to a close and we prepared to head our separate ways, the conversation turned to a certain intangible but undeniable something in the air. I felt it at BSMF too — there were odd moments, times when the enthusiastic audience seemed not to know what to do. One of my dinner companions shared a story of a mild verbal interaction that spiraled into threats of physical violence. She described one of the parties involved being held back by her companions, clinging to the door frame, trying to pull herself across the threshold to start a fight.

Things seem a little different these days. There’s something simmering under the surface.

That was on my mind the next day when I caught a screening of the new Doctor Strange flick. It was okay. As a longtime fan of The Evil Dead, I appreciated the signature touches of director Sam Raimi. And there were moments when I thought, “Hey, here I am in a theater again. How wonderful is this?” The spell was nearly broken, though, by another moviegoer in my row who talked through the entire film. I considered saying something. I have before. Once I turned around and fake-apologized to a chatty couple, “Oh, gosh, I’m sorry. Did we stumble into your living room? It must be awkward for all of us to be here. I hope we don’t ruin the mood.”

But I kept my mouth shut. I thought about saying something, even considered being polite instead of snarky, for a change. Then I thought about being stabbed to death in a Marvel movie and decided it wasn’t worth it. Everyone’s on edge.

Things seem a little different these days. It’s been in the back of my mind since the March 2020 debate between now-President Joe Biden and Senator Bernie Sanders, when Biden said he was not in favor of Medicare for all or any single-payer system. Both candidates admitted we were experiencing an “unprecedented moment” in history, but in the midst of that moment, the leading candidate appeared more committed to maintaining the economic and social status quo than to finding a solution. More than two years later, I haven’t gotten over it. It just feels crazy, this insistence on individual solutions to large-scale problems. This belief that nothing should change. Or that civility or bipartisanship are goals to be prized in and of themselves.

Speaking of unchanging, some 125 years ago this month, Bram Stoker’s Dracula was published. Its plot points and motifs make the 19th-century novel a fair companion to today’s world. It’s a story of greed, wealth, and disease, of old systems refusing to die, sucking the life from young blood. Told in the form of letters, diary entries, and newspaper clippings, it gives the reader a broad view of the horror, something none of the characters can see as a whole. So the reader knows Count Dracula is a vampire, while the characters grope blindly in the dark. That’s often what it feels like these days.

Discussions on pressing problems are siloed, divorced from a larger reality. Meanwhile, we soldier on, going to work, paying bills, meeting friends for dinner and to discuss that certain something that taints the atmosphere, like the stench of burned sugar wafting from another room. People discuss workforce issues without mentioning the more than 994,000 Americans who have died of Covid. The shortage of baby formula hit the headlines the same week as the SCOTUS Roe leak. Something must be done to address these issues — but nothing that risks fundamental change.

There’s something in the air, and we’re reaching for the air freshener instead of looking for the source.