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T.O. Fuller: A Hidden Natural Gem in Memphis’ Own Back Yard

“Who cooks for you?” might be the number one question asked at T.O. Fuller state park in South Memphis. It won’t be asked by visitors. It will be asked of visitors — from a resident barred owl, aptly named Hero.

Barred owls are indigenous to this area and have a distinctive call that sounds like a question to many, specifically the question, “Who cooks for you?” This inquisitive bird found a place at the park’s interpretive center, formerly the golf clubhouse for the old course that closed in 2012. Four years later, this state-of-the-art nature center opened, where injured animals are nursed back to health and released back to the wild.

Who cooks for you? Ranger Decoda Muller and Hero the owl.
(Photo: Justin Fox Burks)

Hero sustained injuries that would not allow him to be released. He shares the center as his home with a screech owl, a turtle, and a corn snake with similar stories. To earn their keep at the center, the resident animals are employed by park rangers for teaching opportunities on and off the park grounds. 

Also earning his keep is the fourth park manager in the history of T.O. Fuller State Park, Jimmy Warren, who took the reins from Ranger Calvin Robinson in March 2017. Nearing his four-year anniversary as park manager, Warren, a retired Memphis police officer, talks about park features, activities, and possibilities. He has a personal vested interest in the park, as the first park manager with roots in the area.

Ranger Jimmy Warren poses while holding a terrapin.
(Photo: Justin Fox Burks)

“This state park was built in 1938 by the Civilian Conservation Corps, and was the first state park opened for African Americans east of the Mississippi. It was named after Dr. Thomas O. Fuller in tribute to the man who was an African-American educator, leader, and pastor for our community,” Warren says.

“After 30 years as a community officer, I wanted to come back to my neighborhood and do what I could for my park, my neighborhood, and my community,” Warren continues.

Warren grew up one block from T.O. Fuller Park and attended nearby Mitchell High School. The park was his backyard, the place where he and his family enjoyed all the amenities it had to offer.

His memories include a classmate who lived in the area where the C.H. Nash Museum at Chucalissa stands now. The area was called Chucalissa Village in recent history while Native Americans still lived on the property. The Choctaw Nation tribe, led by Chief Grady Jones, made their own clothes and jewelry, among other things. Warren remembers the daughter of Chief Grady, Mitchell High School classmate Sandra Jones. Her family gifted Warren some bowls made by their tribe. He laments that after seeing an Antiques Roadshow episode where similar bowls were appraised at a high value, his gifts were long gone.

After four years under his leadership, what has Warren done with the park? And what does he have planned? Increasing foot traffic was a goal at the top of Warren’s list.

At the interpretive center, a program has been implemented called Conservation Consequences. It serves the students in local public schools — specifically those in the 38109 ZIP code and Whitehaven. Topics are focused on preservation (including the resident critters) and life skills. Rangers talk about conservation and preservation, while community leaders engage students in conflict resolution skills — and the consequences of not using those skills.

A Tires to Trails grant was recently awarded to the park. It combines efforts to clean up the area with creating ADA-compliant usable trails by recycling old tires that were gathered during a recent MLK Day of Service. A company in Bristol, Tennessee, grinds them to concrete consistency for usable trail-building material.

Current park amenities include a baseball and soccer field, basketball courts, a swimming pool, and tennis courts. Where the golf course used to be is now open grassy and hilly land, an area perfect for watching wildlife.

Aerial views of T.O. Fuller State Park show acres of fields and forest.
(Photos: Justin Fox Burks)

Warren says that when he was a kid, he used to watch Eddie Payton — the brother of the former Chicago Bears great, Walter Payton — play golf where the grassy area is now. He vividly remembers Eddie running around the golf course to intimidate his opponents. The intimidation tactic, Warren says, was due to the fact that Payton liked to bet on his golf game but was really bad at golf.

“He [Payton] had these huge legs like tree trunks and wore shorts, so he could run around the course and try and scare his opponents,” reminisces Warren, with a chuckle. “The end result is that I witnessed him lose money, a watch, and various other personal items. He was just bad at golf.”

Warren is happy that the public can now enjoy watching eagles, deer, ducks, and numerous other wildlife species where Eddie used to run.

Many of the plans to increase park traffic have been put on hold or have been transformed to fit current health mandates. Ranger Jessica Gossett is tasked with maintaining and implementing evolving programs as the pandemic rules and regulations wax and wane.

Snake charmer? No, that’s Ranger Jessica Gossett.
(Photo: Justin Fox Burks)

Leaning on her educational background through AmeriCorps and substitute teaching, Gossett says, “Through play, children learn about the environment. Play is learning. Programs focus on hands-on and recreational play. Sometimes that means I just go out there and play games, have fun, and run around with young park visitors.”

Some programs Gossett has in the works, awaiting relaxed health mandates, are a program teaching about light pollution, a weather teaching program (developed by a University of Memphis intern), and a geology teaching program. Future activities she hopes to initiate as more people get vaccinated, include LARPing, yoga, and fieldwork.

Look for tree-planting opportunities in April and a program in development called Backyard Greens that showcases plants at the park — and in your backyard — that were brought by settlers to our area. These include purple deadnettle and henbit, two very similar plants in the mint family. One is invasive. Both are edible. Participants will learn to identify and use these plants, as well as other common weeds, in salads and for medicinal purposes.

For now, most programs are still virtual or on-demand. Gossett recently initiated some virtual programs on T.O. Fuller Park’s Facebook page, which include a Black History series, a Living History series about enslaved and free women, and a Black Women’s Suffrage in Tennessee presentation, in honor of the centennial of the 19th amendment.

Gossett says he has noticed a drop in park visitors who may not know that the day-use area is open. “The day-use area is great to view wildlife. If you are still and quiet, you’ll meet great blue and little blue herons, as well as the occasional beaver.”

Catching a beaver at play one day in the day area, Gossett videoed the semiaquatic rodent and posted its activities on the park’s Facebook page. She’s also come face-to-face with a beaver during a survey of the wetlands.

“Beavers are territorial. While surveying the wetlands for an upcoming wetland hike that is in the works, I was stopped by beavers. By ‘stopped,’ I mean they rammed my kayak. Earlier that same day, I accidentally scooped up a diamondback water snake in shallow waters with my paddle.”

Rangers Jessica Gossett, Jimmy Warren, and Decoda Muller
(Photo: Justin Fox Burks)

In case you are wondering, Gosset said that the beaver was more concerning. Diamondback water snakes are non-venomous.

Ranger Decoda Muller works in tandem with Gossett but uses a different skill set. Muller, who has a carpentry background, has designed bat boxes with donated supplies. While there are many bats who call the park home, Gossett says she wants more, because she was bitten by a mosquito recently. She hopes to find students or scouts who want to put together, paint, and install more bat boxes throughout the park under Muller’s direction.

Muller is currently presenting the birds of prey and reptile programs on demand. Weed wrangles, traditional hikes, kayaking, plant programs, tree-planting, and birding programs will be scheduled in the near future.

As of now, the pool and basketball courts will be closed this year. Other areas that host low-contact sports are open, including soccer fields, baseball fields, and tennis courts. Reading programs that can be accessed virtually and that feature park storyteller Mother Wit (Joy Scott) and the rangers will be added, as well as prerecorded Native American history presentations.

The 1,138 acres of parkland have lots of self-guided activities, Gossett says, especially after a rain, when the ephemeral creeks (temporary creeks) are flowing.

“Along the Discovery trail near the visitor center, these creeks pop up after a rain. At this time, visitors can find crawdads in the muddy silt and see raccoons who come out to feast on them. Native American homestead features like brick and ceramic remnants can be found while the creeks are running,” Gossett says.

T.O. Fuller is the only state park within the Memphis city limits. The park protects and showcases a unique natural habitat while offering a wide range of outdoor recreational assets. Rangers Warren, Gossett, and Muller invite you and your group to come out and experience the magic.

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U of M Theatre’s Online Presentation of The Women of Lockerbie

Many readers may remember when Pan Am Flight 103 exploded over Lockerbie, Scotland, in 1988, leaving a permanent scar in the form of a massive crater — and a life-affirming catharsis.

Students of University of Memphis Theatre and Dance will engage the audience with traditional Greek elements of tragedy in a modern production. The play seeks to reevaluate how we deal with hate in our world and shows us how vital a final gesture rooted in love can be.

Madisen White, a freshman at the U of M, landed the leading role in The Women of Lockerbie. An unexpected change in her educational plans gave way to this amazing opportunity. The Memphis native attended high school in Temecula, California. Planning to earn her college degree in San Francisco, the pandemic altered her itinerary. Her parents felt it would be best for her to come back home to Memphis to attend college. She agreed. Memphis recognized her talents by casting her as Madeline Livingston, the character who lost her 20-year-old son in the crash.

Courtesy of University of Memphis Theatre/Photo by Alice Berry

Madisen White portrays a grieving mother who lost her son in the Lockerbie plane crash.

“The events are real, but the characters are fictional,” White says. “The characters are representational. My character represents a grieving mother who has lost a child.”

White’s voice openly elicits the raw feelings of her character. She hesitates when asked about the other characters, finally exclaiming, “I don’t want to give anything away!”

Seems there might be a lot more to this performance.

What White does want the public to know: “The performance is about healthy grieving and the fact that grieving does take time. You need a community to grieve.”

The Women of Lockerbie, online from University of Memphis Theatre, memphis.edu, Thursday-Saturday, Mar. 11-13,

7:30-10 p.m., free.

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Memphis Black Restaurant Week Kicks off March 7th

This is the sixth year for Memphis Black Restaurant Week. The weeklong event encourages Black-owned businesses to offer dining deals that will bring in new customers and raise awareness. Eat. Empower. Engage.

I already see some of my favorites on the list. I also see some local spots that are new to me. If you look through the list, you might find yourself in the same sauce of a situation. Be adventurous.

Look through the list hungry, not hangry. Event coordinator Cynthia Daniels of Cynthia Daniels & Co. says that this year many restaurant specials will be ordered for curbside pick-up or through a delivery app. If you have an issue with delivery and you are hangry, you might be tempted to give the restaurant a bad rap. Instead, take up any delivery issues with the food delivery app.

Courtesy of Bala’s Bistro

Chicken Specialty from Bala’s Bistro

In addition, Daniels says that she knows the restaurant industry as a whole is in an upheaval right now. To keep the confusion to a minimum, blackrestaurantweek.com will post location updates.

“Every morning I’ll let you know who’s open that day and what time they’re open,” says Daniels. “It’ll be super easy. All you have to focus on is where you want to support and where you want to be eating.”

On the list of offerings, you’ll find traditional soul food, barbecue, and fried chicken, alongside sophisticated fusions and African cuisine. Try them all and get a taste of what our Black-owned Memphis restaurants have to offer.

Memphis Black Restaurant Week, for participating locations visit blackrestaurantweek.com, starts Sunday, Mar. 7, and continues through Mar. 13.

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Becca Hand’s “Queens” Showcases Paintings of Empowered Memphis Women

As February slides into March this week, Black History Month gives way to Women’s History Month. What better way to celebrate than with a winning Hand of inspiring “Queens?” Becca Hand is the artist, and her “Queens” exhibition showcases photo-realistic portraits of empowered women in Memphis.

The timely exhibition blends a realistic style with influences from a graphic design background, drawing inspiration from traditional playing card iconography. Starting with the classic Queen of Hearts, Diamonds, Spades, and Clubs, the project went on to address more challenging themes, such as time, joy, passion, courage, balance, and more.

Courtesy of Inferno

“Queens” by Becca Hand

Hand says, “While topics of each painting are idealistic and abstract, the real underlying theme is gratitude for the amazing women in my life who have helped shape me.”

In addition to painting, Hand is a partner and graphic designer at Paradigm Marketing & Creative. Having experimented with many different types of artistic interests over the years, from typography to woodworking to interior design to calligraphy, she consistently comes back to painting as one of the true passions of her life.

Get an early peek at Hand’s work during Eclectic Eye’s highly anticipated annual sale through February 27th. Independent eyewear brands will be up to 75 percent off, and a portion of each frame purchased will be donated to the Justice and Kindness Everywhere Foundation to help local restaurants provide meals to out-of-work hospitality workers. It’s a win-win.

“Queens,” Eclectic Eye, 242 S. Cooper, opens Monday, Mar. 1, 10 a.m.-5:30 p.m., and continues through Mar. 31, free.

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Cazateatro Hosts Afro-Latino Week Online

Get ready for a culture fusion infusion as Cazateatro Bilingual Theatre Group brings an African and Latin blended experience during Afro-Latino Week.

Cazateatro says, “We strive to create a bridge between different cultures and backgrounds. The upcoming event will be in honor of Black History Month connecting the valuable contribution of Afro-Latinos in America and Latin America.”

Flickr/Cerimônia de Abertura do II Encontro Afro Latino

Afro-Latino Week

The week opens Wednesday night with Venezuelan percussionist Anyose Diaz bringing his sonidos Venezolanos (Venezuelan sound). On Thursday, the rhythm continues during a virtual Afro-Latino bomba dance class via Zoom with Redobles de Cultura, a popular Afro-Puerto Rican band based in New York. Talk about bomba music and its roots with the band on Friday. And the roots are deep. Bomba music dates back to the early European colonial period in Puerto Rico. It comes out of the musical traditions brought by enslaved Africans in the 17th century.

The week closes on Saturday with a conversation, “From Africa to Mexico.” Guest speaker Yves Tchakomi is a doctor of pharmacy and a photojournalist who founded the Nzima gallery. The gallery’s goal combines science and art by bringing together visual artists “passionate about photojournalism and wishing to have an impact on social dialogue by promoting multiculturalism, human rights, ecology and healthcare access.”

Afro-Latino Week, online from Cazateatro Bilingual Theatre Group via Facebook Live, cazateatro.org, opens Wednesday, Feb. 24, and continues through Feb. 27, free.

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POTS’ Virtual Production of “I Am My Own Wife” Opens Feb. 19th

Playhouse on the Square continues its 52nd season with on-stage performances streamed right to your living room.

“Offering productions in this new format gives us the exciting opportunity to meet the demands of our patrons, but also keeps our team and community safe. In addition, we have the chance to share who we are and what we do to a much larger national audience, and that is pretty exciting,” says director of community relations, Marcus Cox.

Bill Simmers

Charlotte von Mahlsdorf

Art does, after all, have its place during a national crisis. During Nazi Germany’s national crisis, traditional art was the only acceptable art. “Degenerate” art was not allowed. Or as Nazi Germany called it, modern art — gasp and pearl clutch. They would not have allowed the play I Am My Own Wife, penned by playwright Doug Wright and based on the true story of a real-life German trans woman, Charlotte von Mahlsdorf. She managed to survive both the Nazi onslaught and the repressive East German Communist regime. She was a tough cookie.

Michael Gravois will play the role of Mahlsdorf — again. He first performed the one-person play at Circuit Playhouse in August 2006. The production earned Gravois and director Stephen Hancock Ostrander nominations. The production was also nominated in the 2007 Ostranders for best play. Associate director and resident company member Dave Landis will direct this current production.

I Am My Own Wife, online from Playhouse on the Square, playhouseonthesquare.org, opens Friday, Feb. 19, 7-10 p.m., and continues through Feb. 28, $25.

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Opinion The Last Word

Dream Safaris: Savoring the Treasures of a Difficult Year

We are coming up on the one-year anniversary of COVID-19 lockdowns. It’s been a tough year for everyone. My family learned that it would have been a tough year even without COVID. 

A couple of months after the lockdown last March, my dad was diagnosed with acute leukemia. He was gone by August. It left a hole in our family and uncovered a secret: My mom has dementia. My dad had covered for her to the point that my siblings and I had no idea. With my dad gone, I moved into my mom’s home to care for her.

I always said that dad was my mom’s oldest child. It was a description he relished and often bragged about. He was fun. He laughed at his own jokes, usually because no one else did. Mom, on the other hand, was a pragmatist. The two of them together were a living sitcom.

There was the time they accidentally left the video cam running while touring on vacation. When they queued up the VCR to show the family their tour on film, the tape rolled and mom’s voice said sweetly, “There’s the town square,” while filming a nondescript government building. Things changed dramatically as the camera jostled on the seat and mom’s shrill voice said, “Turn left! Turn left! I told you to turn left. You ruin everything!” The camera slid back and forth on the seat filming the dashboard as the screeching U-turn was heard, followed by a single word from my dad, “Goddammit!”

You could hear a pin drop as mom shut off the VCR saying demurely, “I guess we left the camera on.”

Everyone in the room simultaneously burst into laughter because those few seconds of video evidence encapsulated every single car ride with those two. Bar none.

Now, dad’s gone, and when I moved in with mom, it was strange at first. She was my mom. But she wasn’t my mom. She forgets what happened five minutes ago but remembers details from decades ago. When we made our traditional ravioli at Christmas, mom insisted that we could only use Italian sausage from Barzizza’s Italian Meat Market. A Google search told me that the market hadn’t been open for business in 50 years. I did find Dino’s Meat Market off Chelsea on North Willett, thanks to Google. We went on an Italian sausage adventure. The meat market was not as mom remembered. It was the kind of place where you bring a deer you just shot to be processed. Not really a storefront, though they did sell us some sausage.

Mom asked, “Where are the meat cases?” 

To which I replied, “Mom, they don’t really do that anymore.”

“Then where do people buy their Italian sausage?”

Ugh. 

MartinBergsma | Dreamstime.com

Cruising down memory lane looking for curbside “treasures”

Then I realized we were near Tad Pierson’s new digs. Y’all know Tad with American Dream Safari. He drives the pink Cadillac tours around town. He honks and waves while he’s entertaining guests to our city. I turned the corner. His truck was a signal that he was home. We spent the day with Tad telling us stories and giving the nickel tour of his place. He showed us some weathered wood he’d found from a felled tree that resembled Trump’s hair. It was fun. Mom’s quest for bygone days turned into a magical adventure.

One activity she really likes is curb shopping. She calls the items she picks up from the curb “treasures.” Recently, she hit a new low with this activity. While we were cruising for treasures, she said, “Oh, look. There’s something red on the curb. What is that?”

I said, “A riding lawnmower.”

“Let’s get it.”

“Mom. The guy is sitting on it and cutting his lawn with it.”

“Well, it’s on the curb isn’t it?”

“Let me get this straight. We are going to pull over, knock the guy off his mower, and load it in your minivan. Is that what you are proposing?”

“I guess we better leave it.”

“Yeah. Let’s go with that plan.”

The next day, she decided she wanted to clean out her garage. I did what any dutiful daughter would do and took a nap. When I woke up, she had a mound of discarded items on the curb. It made me tired. I took another nap. When I woke up, she was curb shopping from her own pile.

Even though the past year has been in the crapper, sometimes the best treasures are the ones you already have — like this extra special time with my mom.

Julie Ray is the Flyer‘s calendar editor.

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Stax Hosts Virtual Black History Month Celebration

Traditionally, the Stax Music Academy has hosted live, in-person performances in celebration of Black History Month. That’s now history due to the COVID-19 pandemic and safety-related issues.

This year, an online variety show will be made available for free to students, schools, and youth organizations. A pay-what-you-can donation option will be available for others to enjoy this show honoring Black history.

The performance event, Rhythm & Revolution: Expressions of Struggle, Collaboration, and Peace, will feature songs by well-known artists in a blend of R&B classics mixed with original music from Stax Music Academy students, plus Civil Rights Movement music and more.

Courtesy of Stax Music Academy

Young Stax Academy performer

“As important as the Black History Month lessons are in this virtual production, it is more than anything a show of sheer entertainment,” says Stax Music Academy executive director Pat Mitchell Worley.

Companion study guides will be available for those who register as “Educator” on Eventbrite. The guides will offer a deeper educational experience helping young people to process some of the thoughts and feelings that arise in the concert topics. Youngsters in grades 4-12 can also enter a songwriting competition with a cash prize for the winner.

Significant locations in Memphis including Stax Museum will be featured in the show. Also online for Black History Month is the Stax Museum Virtual Tour, featuring elements of a traditional museum tour with other components highlighting the history of Stax Records and Memphis music through those who lived it and continue to be impacted by its legacy.

Black History Month Celebration: Rhythm & Revolution: An Expression of Struggle, Collaboration, and Peace, Online from Stax Music Academy, staxmusicacademy.org, and Stax Museum, staxmuseum.com, Wednesday, Feb. 17, free with registration.

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“Dis/contented Realities” Exhibition Opens at Urevbu Contemporary

You may have heard that the pioneering and ambitious Art Village Gallery on South Main in Downtown Memphis has been renamed Urevbu Contemporary. After a one-year hiatus, the gallery is debuting its first physical exhibition in time for African-American History Month.

The exhibition, “dis/contented realities,” presents a range of works from five emerging artists to watch from Nigeria, Cameroon, and the United States: Sophia Azoige, Samuel Dallé, Árá Deinde, Amarchi Odimba, and Kaylyn Webster.

To promote safe art appreciation, the gallery offers socially distanced art-viewing appointments in seven different time slots.

Courtesy Urevbu Contemporary

Untitled work by Árá Deinde

“Though the paintings in the exhibition are unified by their figurative imagery, each of the artists approaches their subject from a fresh perspective according to their own individual aesthetics, representing a spectrum of styles ranging from the abstract to the naturalistic,” explains Urevbu Contemporary in a post to social media.

Through layers of oil and acrylic — and, in some cases, unexpected additional media — the paintings of “dis/contented realities” are informed by the rich, personal histories and experiences of the artists they represent.

Confronting issues of race and identity, immigration and diaspora, beauty and friendship, the artists grapple with issues of the current moment. Some of the individuals in the exhibition advocate for a restructuring of reality, others stimulate their audience to confront the political and social landscape. The paintings are placed in conversation with one another, allowing the viewer to appreciate and explore the connections and the conflicts of the artists’ respective viewpoints.

Opening reception for “dis/contented realities,” Urevbu Contemporary (formerly Art Village Gallery), 410 South Main, Saturday, Feb. 6, 5:30-9 p.m., free with registration.

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Pink Palace’s “Dinosaurs in Motion” Exhibit Opens Jan. 30

The Pink Palace Family of Museums shuttered its doors on December 23rd. One month later, the Pink Palace Museum of Science and History is opening back up in a big way — with dinosaurs. Rawwwr.

The museum’s new “Dinosaurs in Motion” exhibit, opening January 30th, will get the temporarily extinct dinosaur season reanimated. This new exhibit is an interactive STEAM (science, technology, engineering, arts, and mathematics) experience built for visitors of all ages. As a STEAM-minded exhibit should, it will engage and educate visitors with 14 fully interactive, recycled metal dinosaur sculptures. The sculptures feature exposed mechanics inspired by actual fossils. An amazing blend of art, science, and innovation, the exhibit weaves in sketching, sculpting, kinetics, biomechanics, observing, and experimenting. Every piece is interactive for visitors to touch and learn.

Courtesy Pink Palace Museum of Science and History

Full STEAM ahead!

“The exhibit goes beyond merely the history of dinosaurs,” says Bill Walsh, museum marketing manager. “It shows the biomechanics of these amazing creatures in an intriguing and artistic way that allows the visitor to have a hands-on, interactive STEAM experience.”

The moving, human element to the exhibit lies in the story of the artist, John Payne. Through video and interactive touch, visitors will walk away with Payne’s inspiring message: “If you can dream it, you can do it.” The exhibition is one that inspires guests to learn, discover, and create.

Get to the museum before the exhibit’s ex-STEAM-tion on May 2nd or you’ll be really saur.

“Dinosaurs in Motion,” Memphis Pink Palace Museum, 3050 Central, opens Saturday, Jan. 30, and continues through May 2, $15.