Categories
News News Blog

Snkrr Bar, Swish Teamed Up for “Sneakerhead” Fundraiser

The term “sneakerhead” is not a name that is designated lightly. 

Those who are privy to this moniker may be familiar with standing in long lines to obtain the newest release, or scouring online marketplaces and groups to secure some of the most enviable kicks. It’s an industry taken seriously, especially in Memphis.

“A lot of people don’t know, but Memphis is actually the sneaker distribution capital of the world,” explains Dominique Worthen. “Nike is the No 1. sports footwear company in the world. When you order a pair of shoes and you’re in Alaska, then it has to touch Memphis.” 

Worthen is the founder and owner of Snkrr Bar, a shoe restoration store located in Midtown, with locations in Atlanta and Houston. 

“It was very interesting to me that there was no place that refurbishes, cleans, and restores Nikes, when they all come from Memphis,” Worthen said. “We’re strategically placed in Memphis. It’s been crazy.”

Worthen has long taken pride in his sneaker collection. In fact, his sneakerhead days date back to his childhood, which was formative to Snkrr Bar’s inception. As a child, Worthen lived in Flint, Michigan, where he he grew up “extrememly underprivileged and poor.”

“I always cherished a nice pair of sneakers,” Worthen said. “I didn’t have much growing up, and that’s what kind of got me in this business. 

“I always knew how to maintain a pair of sneakers for a long time. … I wasn’t able to afford a bunch of sneakers when I was younger. So, I had to make it stretch; I had to make it work. I picked up a bunch of tricks of the trades and tips before I opened up my business. As an adolescent, I was just trying to stay fresh.”

Worthen recently partnered with Fred Griffin, the founder and creative director of fashion brand Swish, to host “Sneak and Link,” an event for Memphis creatives to “collaborate” last month.

The event was advertised as a “sneaker art experience” at The Hendrix on Walnut Grove. Patrons were encouraged to grab some kicks, grab a friend, and partake in a sneaker customization experience. The event promised “swish vibes,” with the dress code being “put that shit on.” Creativity was in the hands of attendees, with the option to either paint a canvas or a pair of their favorite kicks.

The event itself was born out of collaboration. According to Worthen, Jones visited the Midtown location and sparked a conversation on ways that the two could give back to the community, and “invoke change.”

“It was a brainchild of both of ours,” Worthen said. “I don’t think either of us can singlehandedly take credit for it.”

Griffin founded Swish during his days at Mississippi State University, but relaunched the brand during the pandemic.

“It’s a brand that looks to uplift through sports and culture,” Griffin said. “Through this brand, different events [like the Sneak and Link event] allow me to tap into the culture and give back.”

Giving back plays a major part in Griffin’s creative purpose, as he initially hoped for the event to inspire not only creatives in the community, but children in the community who are aspiring creatives. In fact, the name “Swish” pays homage his to his early years as an athlete.

“They used to call me ‘Swish,’” Griffin said. “It kind of just stuck. When I got to college I started playing around. … I’ve always played around with fashion. In fact, my brother and I had a brand in middle school where we sold stuff in school and what not. In college, I just took the name Swish and put it on t-shirts and what not.”

While it started out as a creative pastime for Grffin, it didn’t take long for him to realize the brand’s potential. He credits his signature pink Memphis Tiger shorts that flooded our timelines for so long as Swish’s first big break.

“I’ve had NBA players wear my stuff,” Griffin said. “Bow-Wow came and did the Millennium Tour and I styled him for that. I’ve grown so much from there.”

Griffin explains that the defining aspect that made Worthen a viable partner was their shared intention to accomplish their dreams, while also giving back tot the community.

“We’re grinders,” Griffin said. “We both have a goal and a mindset to try to be great, and to do that in a way where we can accomplish our goals and dreams while giving back to the community.

“We’ve been able to connect in that way. … in doing some marketing work for the Grizzlies, I was able to bring him in and do a lot of different work there. We both had the same ideologies and the same goals as far as where we want to go and what not.”

The event was modeled after sip and paint, but instead of canvases, patrons took their creativity to sneakers. 

The creators had always planned on giving the funds raised from the event to schools in some capacity. In fact, one of their sponsors, T-Mobile, helped them halfway. However, a week prior to the event, they visited Cummings Elementary school, who recently had a ceiling cave in.

“In trying to be the most effective, and really reach those who needed it the most, instead of doing several schools, we just focused on one school. We all felt like they needed that help right away.”

In combining their donations, Griffin and others were able to show up to Cummings’ open house, held at the Boys and Girls Club, to hand out donations and supplies to 250 students, as well as teachers. Griffin says that he hopes to hold the event again, and keep it going.

“I think the event has potential to reach a lot of people in the city, but also give back as well,” he said. ”Everything I do, I try to — in some way — make it loop into giving back. At the end of the day, yes, I’m starting to garner a name for myself, and influence others, and the city, but none of it means anything if I can’t help others or help the ones that come from my community come up.

Categories
Music News News Blog News Feature

New Blues Foundation Interim CEO Wants to Get “Back to the Basics”

Kimberly Horton was recently named interim president and CEO of The Blues Foundation after the departure of former president and CEO Judith Black.

Horton, originally from Jackson, Mississippi, has served as a manager and agent working with artists like Billy Price, Dexter Allen, Lady A, and more.

The Memphis Flyer spoke with Horton as she prepares to move to Memphis to fill this role. — Kailynn Johnson

Memphis Flyer: Tell us a little bit about yourself.

Horton: I’m just me! I’m a native of Jackson, Mississippi. I’m a mom of two — I have a 26-year-old daughter, and a 15-year-old son. I have been working in the music industry since 2008. My daughter is going to be taking over my company, Heathrow Muzik Box, LLC,  since I’ve been appointed interim president and CEO of The Blues Foundation. 

I have a master’s from Belhaven [University] in management and a master’s from Jackson State University in public health, and I’m looking forward to moving to Memphis.

What do you think of the state of blues in Memphis right now? Do you think it’s going strong? Is it weak?

That’s kind of hard to answer, because I think that the blues is always going to be going strong. It’s just having people in place to have it out on Front Street. I think Memphis is definitely a place where the blues, in my opinion, will always be going strong.

Do you think locals still love the blues? What about tourists?

The blues is a part of the culture in Memphis. Not just in Memphis, it’s part of the culture. Especially for the African American race. You know Willie Dixon said it best, “Blues is the root, everything else is the fruit.” So, all of the music that we listen to, whether it’s rap, gospel, R&B, all of that has something to do with the blues in some shape, form, or fashion. So, definitely locally, nationally, internationally, yes, it’s going.

A lot of your knowledge of blues comes from first-hand accounts. Do you think this makes your interest in blues a little more personal?

Oh, yes, definitely. Being able to touch, and listen to, and be in contact with — especially coming up in the South, of course — the blues was the real deal. I didn’t know what I was singing at the age of six. “The Thrill Is Gone” and “Sweet Sixteen,” those were two of  B.B. King’s songs that my dad would play quite often. At the age of six, to be able to actually see him, and meet him was like, “oh my gosh.” Most little kids were ready to see The Jackson 5, I was ready to see B.B. King. So yes, definitely. Even being in close contact with living legends of today as well, I love it. It’s where I’m most comfortable.

So, what do you think about the future of blues in Memphis?

It’s going to keep going. We’re going to make sure that young people know it’s there, and how and why they got the music that they’re listening to, and hopefully bring interest to the younger generation. Growing and thriving.

How do you plan on bringing a new generation of blues in, while also maintaining its already rich history?

The educating part of the blues has dropped off a little bit. [We will be] getting back into blues, and bringing back blues in the schools, exposing the younger generation to exactly what it is, where it came from, how we got where we are. 

[We’ll get] the school enrichment programs back in place and do outreach into the community to make sure young folks know the blues is where you got your rap from. The blues is where you got your everything from. That’s going to be one of the major plans. 

Hopefully, being able to partner with the Recording Academy to do some work with Grammy U, which reaches out to the university capacity for younger folks. Everybody thinks that the blues is sad and drowning, but it’s not. The blues is actually life. So, just getting them re-exposed to where it came from.

Piggybacking off of that, you said you’re looking to work with a new generation of blues artists as well, and bring more diversity in. Why do you think diversity is so important in blues?

I’m saying diversity not just in color but I’m talking about gender as well. We have some wonderful female artists that are blues artists, and a lot of the time they get overlooked because they don’t play a harmonica or a guitar, but they actually sing the blues. So, bringing diversity in that aspect, as well as making sure that our people — my people — know that we still have an obligation to the heritage of the blues.

You kind of touched on it just then, and a little earlier with some of the educational outreach programs that you all plan to do. Are there any other changes that you plan to make at the foundation? Even as interim CEO?

There are, but I’m not at liberty to speak about those at the moment. I want to wait until I actually get into the office full-time. My main change is to get the confidence of the artists back. They’ve lost confidence in the foundation, so I want to gain the artists’ confidence back, to make sure they know that we’re there, we’re here, we’re thriving, and we’re intending on making sure that the awareness is available.

So, what makes you excited about stepping into this role? What are you most excited about?

I’m most excited about working in an area that I love, that I have a true passion about — being able to come in and actually make some positive changes for the foundation. Just getting everything back to the basics — getting back to what it used to be, and better.

Categories
News News Blog News Feature

Millennials, GenZ Discovering Elvis Thanks to New Film, TikTok

As someone who grew up in the early 2000’s, I knew of Elvis in three distinct ways. 

I knew that many of his songs had narrated a film, Lilo & Stitch, that was on constant replay in my house. On Full House, I knew that Graceland was the ideal location for Uncle Jesse’s dream wedding and that a convincing look-a-like had helped him learn the importance of family. An honorable mention is the memory of a nine-year-old me singing the lyrics “Elvis, Elvis let me be. Keep your pelvis far from me,” in my best Rizzo impression during recess.  I knew of him in the ways that he influenced pop culture, but I never explored the oeuvre of Mr. Presley.

It wasn’t until a few weeks ago that I, like many other Gen Zers, began to feel responsible for his death. Yes, there are at least a handful of twenty-somethings who feel responsible for the death of a man who died years before we took our first breaths. Or, at least that’s what Colonel Tom Parker, played by Tom Hanks, led us to believe in Baz Luhrmann’s film, Elvis.

The feeling of being gaslit by the narrator is just one of many shared reactions to the film. During your nightly scroll on TikTok you’re bound to see videos set to Doja Cat’s “Vegas” sparking some type of conversation about the film or about Elvis himself. Clips of Austin Butler play simultaneously next to a video of Elvis, showing his arguably perfect impersonation. A few scrolls later, you’ll be led down a rabbit of Elvis’ entire filmography in three minutes or less. 

“I think with the release of Elvis, we’ve definitely seen a resurgence in Elvis within pop culture recently, though his presence has been felt for much longer,” said Bobbi Miller, a pop culture expert and the host of “The Afternoon Special” on TikTok. There, she has a following of more than 366,700 as “your friend who knows just a little bit too much about pop culture.” 

It’s important to note that there are devoted twenty-something Elvis fans whose entry to fandom happened prior to the film’s release. 

“I was a fan before the movie and went into hiding upon its release,” Meghan Moody said while also explaining how her father was able to obtain a copy of Elvis’ high school graduation program for her.

While the film may serve as just another element in Elvis lore for longtime fans, it can be argued that the film has also opened the opportunity for a new generation to be exposed to the King of Rock, birthing a new era of Elvis fandom.

It can be hard to pinpoint exactly what “does it” for fans of the film. In a viral clip, Butler can be seen on stage teaching Jimmy Fallon how to “shake, rattle, and roll.” As he dances across the stage, you may wonder how big of a role that Butler’s performance plays into the like-ability of the icon.

“This is a tough one because Austin Butler’s performance really does question where Elvis stops and Austin Butler starts,” said Miller. “He really embodied the character. I do think it’s a mix of both, or more so, one dressed as the other … I think the voice he chose to use for Elvis and the general aura of the character is very alluring. This, coupled with the fact that the movie doesn’t go out of its way to show Butler as Elvis at his absolute lowest, or ugliest, might’ve aided in people falling for Butler as Elvis.”

Miller argues that the love for nostalgia can be a major contributor as well.

“It’s the nostalgia of it all,” she said. “I think before these biopics, Gen Z and Millennials are definitely aware of these stars, but biopics only heighten their awareness. 

“More often than not, these biopics, similar to Elvis, don’t go out of their way to show these stars at their most awful. In fact, they often elicit sympathy in the audience. This isn’t always the case, but it definitely happens. However, I think it’s mostly nostalgia.”

Miller said Gen Zers and Millennials love to discover things from the past, and she believes that biopics are the perfect vehicle for this. 

“Nostalgia will always be trendy,” Miller notes.

While Reddit threads are flooded with educational material for fans who came straight from the movie theater, and women promise to perfect their bouffant hairstyles for Halloween, it can definitely be argued that a new generation is discovering The King.

Categories
Art News News Blog

A Look Inside Memphis’ First Anime-Themed Tattoo Shop

When walking into Inkatsuki Tattoos, one may feel as if they’ve been transported into the ultimate fandom fantasy. The walls are adorned with anime lore including posters from My Hero Academia, and pixel art made from perler beads of Luffy and Saitama. An enviable Funko Pop collection featuring Charizard, Mirio Togata, Tomura Shigaraki, and Laxus Dreyar is housed in the same vicinity of a figurine army featuring Naruto and Todoroki.

The store’s name itself is even a nod to anime culture, juxtaposed with tattoo artistry according to Jarvis Ross, the shop’s owner. Ross took the name “akatsuki,” which is what he describes as a “black sheep team.”

“It’s a black sheep team from Naruto, a popular anime … Akatsuki …Inkatsuki, a team of dope, black sheep tattoo artists.”

Ross says that he has been a longtime fan of anime, dating back to the days where his cousin would collect Dragon Ball Z action figures.

“Back when I was like 8, he came from Cali with all these foreign action figures, and he was telling me about them. He put me on the show, and I’ve been watching it ever since.”

Inkatsuki, located on Lamar Avenue, is the first anime-themed tattoo shop in Memphis. Ross and his team also specialize in wood carving, shoe customizations, piercings, and more.

Ross’ shop recently went viral on Facebook, with a post that has more than 2,000 shares and close to 700 likes. The post is flooded with comments and reactions from prospective customers expressing their excitement for this one-of-a-kind experience and those eager to hop onto Ross’ table hope for sleeves dedicated to showcasing their love for anime.

“I’m deep into anime, and I have an anime community on Facebook as well [Memphis Hidden Leaf Village]. So I used [anime] as my theme for my shop.”

Ross originally opened a private shop under the same name on Airways back in 2021, but recently moved into a bigger space in April. 

While Ross’ shop is advertised as a tattoo shop, he tells me that he’s a jack of all trades.

(Credit: Jarvis Ross)

“I’m an artist,” Ross elaborates.

“I do all types of art. Woodwork, paintings, tattoos, graffiti, T-shirts, customizing shoes — I like creating things.”

One of the most formative settings for Ross’ early work was during grade school, where he says that he would be in the back of the classroom drawing. While most students used their notebook margins and desks as canvases, Ross used his and his classmates’ arms.

“The teacher asked me what I wanted to be when I grew up, and I just blurted out ‘I want to be a tattoo artist,’ and I went back to drawing on someone’s arm,” Ross recalls.

“I was rebellious at the time, but I ended up becoming a tattoo artist for real.”

While Ross’ classroom would serve as a primitive shop, he explains that he didn’t really get into tattooing until he was in college.

“I used to spend my money on tattoos. I asked the man who was doing my tattoos, ‘How much do you make in a day?’ He said anywhere from 50 [dollars] to 1,000 depending on your clientele and how much work you put into it.”

Ross says on that same day, the artist let him practice his first tattoo on himself on the spot.

“I tattooed ‘I did this myself,’ on my leg.”

The artist’s work has since evolved from his protege days, with a number of favorites in his portfolio.

“I did a Samurai Jack piece on a color blind client a couple of years back. Even though he couldn’t see red, he said it looked great and he loved the piece.”

As Ross reflects on the recent exposure gained from the viral post, he realizes how grateful he is for his community and his team.

“I’m very thankful for everyone sharing the Facebook post and showing love to Inkatsuki Tattoos, and for the Inkatsuki team, N3ko, Nay, Corey, Gates, and Nicki.”

Corinthian Smith (Credit: Jarvis Ross)

The community aspect is important to Ross and his business, whether online or offline.

“When the community is doing bad, I’m doing bad. When my customers and the economy are doing bad, then they don’t have the money to spend and get the things that we offer,” he explains.

But Ross isn’t one to let circumstances keep him down long. He says even if he has to get a “9-5,” he’s still making content.           

Categories
News News Blog

The Forge Memphis to Bring Zipline Experience to Mud Island

The Forge Memphis has recently introduced a $10 million private investment into Mud Island.

The project “will require no incentives from any governmental bodies.”

According to The Forge Memphis, the project is “an aerial adventure course with accompanying programming and activities designed to deliver unique year-round activities for adventurers of all ages.

The project was presented to Memphis City Council on Tuesday, August 9th, and according to Doug Carpenter, founder of Doug Carpenter and Associates (DCA), “takes very little footprint off of Mud Island.”

“I think that it leaves so many open opportunities for other people, organizations, and  businesses to join us in activating Mud Island … I think that’s an area that people are really impressed with, the amount of activity we can generate with as little groundspace that we have to take.”

Carpenter said there was originally an idea to put a zipline across the Mississippi River. After hiring a firm to do a study on the area, Carpenter also asked for a study on Mud Island.

“Mud Island has been looking for a solution,” Carpenter said. “It’s a really unique piece of property and requires unique responses. The feasibility of a zipline across the Mississippi River did not work out, but the Mud Island potential was really large.”

Katie Elizabeth Carpenter joined Doug and Frank Ricks, principal and founder of LRK, an architecture firm based in Memphis, as a co-founder to develop a business plan. In the process, the team met Jeremie Bacon, founder of The Forge Adventure Parks.

Doug said that for the last two-plus years, the team has been designing, redesigning, and evaluating how they could “be a positive catalyst for the reemergence of Mud Island.” 

“Our design team has created a course that is really remarkable in an urban setting,” Doug said.

The Forge Memphis will include a Skybridge zipline tour, an aerial challenge course and climbing areas, and a food and beverage operation in the current Gulf Grill space.

According to the press release, the Skybridge tour will include two ziplines, with the first carrying guests “500 feet from the top of the Skybridge over the Wolf River Harbor toward the Memphis skyline, connecting with a custom-built tower and elevated rope bridge.” The second will “carry guests almost one quarter of a mile over the Wolf River Harbor at speeds up to 50 miles per hour, landing near the Mississippi River model’s Gulf of Mexico.”

(Rendering courtesy DCA)

“It’s really a remarkable zipline experience over the Harbor, where you have views of the city, day and night. Then you have views of Arkansas, and the flood plains, and the mighty lights on the bridges,” Doug said.

Doug added that behind the Gulf Grill is a depressed area that will have two to four climbing elements that will “blend in with the treescape there.”

The planners also hope the project activates Mud Island with music festivals, races, summer camps, and other programming.

“It’s a public space, so we want it to be a public space. We love the Riverwalk, it’s quite frankly one of the coolest things around, and we want more people to experience that. Our grand vision is that at any time, if you went on Mud Island with no prior knowledge, you would find something interesting to participate in, to watch, and to listen to,” Doug added.

There is also room for educational programming for school groups on topics such as water conservation and water ecology, says co-founder Katie Elizabeth Carpenter.

“It’s more than just a zipline. I think that’s something really important that we want to emphasize. There’s lots of opportunities for programming and activations outside of the adventure aspect,” Katie Elizabeth explained.

“It’s not just entertainment, there’s an educational component. It’s really important for us, in Memphis, to provide that to people who quite honestly, may not have had those experiences outdoors, in this kind of environment,” Doug added.

The Forge Memphis anticipates a nine- to 10-month construction period with hopes of a grand opening in the summer of 2023. 

While Doug said the next steps are to execute a lease agreement with Memphis River Parks Partnership and the City of Memphis, the other components of the business plan have been accomplished.

“We have designed and engineered plans for all of it, and we will be privately funded. We are asking for zero subsidies from the city, or the state … or any of those bodies. We truly are a lease agreement away from executing the plan. Once that’s done, that will start the construction calendar essentially.”

Categories
News News Blog

Wolf River Conservancy Receives $1 Million NAWCA Grant

The Wolf River Conservancy recently announced that it received a $1 million grant. According to Deb Haaland, U.S. Secretary of the Interior, this grant is “part of a larger, $95 million effort to conserve and restore more than 300,000 acres of important habitats across North America.”

Funding for this grant was made possible by the North American Wetlands Conservation Act (NAWCA), the Migratory Bird Conservation Commission, and the U.S. Fish and Wildlife Service.

“We’ve protected nearly 19,000 acres of land, and we do that in a variety of ways. … conservation easements, where the owner retains ownership, but they are restricted as to what they can do on the property,” says Ryan Hall, director of land conservation for the Wolf River Conservancy. “Also fee simple purchases. A lot of that ends up being public land that is protected forever. Our mission is to preserve and enhance the Wolf River and its watershed. Our land conservation, land protection actions are really what drives that.”

“We’re building out the Wolf River Greenway throughout the city of Memphis. We’re about halfway done, about 14 miles completed out of 26. We’re trying to activate that greenway,” Hall adds.

Hall describes the greenway as a “paved path through the city of Memphis along the Wolf River.”

“Also, at least once a month we do river trips down different sections of the river, so you get to experience different sections of the Wolf from the state of Mississippi and all the way to Downtown Memphis.”

In reference to the Wolf River Conservancy, Steve Cohen, Tennessee District 9 Congressman, stated, “The work they do is transformative, and this NAWCA grant underscores our government’s commitment to organizations that are committed to ensuring the viability of our ecosystems and environment for the future.”

According to the Wolf River Conservancy, “NAWCA is the only federal grant program that is dedicated to the conservation of wetland habitats for migratory birds.”

“It’s money set aside for the purpose of protecting wetlands and adjacent uplands, primarily for migratory bird species,” Hall adds.

“Think of waterfowl that go up and down the Mississippi Flyway. You can also think of anything else that migrates like hummingbirds which go from the Yucatan Peninsula all the way up through the United States into Canada.”

NAWCA funding affects the United States, Canada, and Mexico. While Hall explains that the funding is very robust, it can be quite difficult to obtain one of these grants.

“We went through a pretty rigorous grant application,” Hall explains. “You have to secure a pretty healthy level of match money and we were able to do that with some conservation easements that we protected here recently in Shelby County. We also got some large match partners; for instance the State of Tennessee is a match partner in our grant for $100,000. A couple of years went into the background of putting this all together.”

This is the second time that the Wolf River Conservancy has received this grant, with the first time being in the late ’90s when it received $1 million to protect the Ghost River section of the Wolf. Hall says they are hoping to apply for the end of next year (2023.)

Hall says that the conservancy has recently closed on a property in Piperton, Tennessee.

“It’s beautiful wetlands that recharge the Memphis Sand Aquifer, and it’s going to actually be added into the Wolf River Wildlife Management area, so it’s actually going to become public land,” says Hall.

“That’s the beauty of this NAWCA grant. Not in every case, but in many cases you get to grow protected land, you know that the public can have access to, but also serves wildlife purposes, aquifer recharge purposes, and wetland preservation purposes. That’s the step that we are in now; administering funds to protect lands,” he adds.

The next property on their list is closer to Confluence Park, which is north of Downtown, Hall adds. 

For Shelby County specifically, Hall says that there is going to be more protected land.

“The wetlands, particularly in Fayette County, Tennessee, and even further upstream in Benton County, Mississippi, and one of our target properties to protect is in Benton County. So those wetlands have a really close relationship with the Memphis Sand Aquifer.”

Hall explains that the rain filters through wetlands, and in about a week or less recharges the drinking water, “ensuring safe, clean, drinking water that all Memphians like.”

“That’s the biggest impact, even if you never leave your house.”

Categories
Food & Drink

Memphis to Your Mouth: 32 Years of D’Bo’s Wings

On August 2, 1990, David and Leticia Boyd’s mission to bring the “Buffalo wing” to Memphis came into fruition as the first D’Bo’s Daiquiris, Wings & Seafood opened as a food truck.

Almost 32 years and thousands of customers later, D’Bo’s has grown into multiple locations around Memphis, with franchise locations in Michigan and others on the horizon.

It’s the next step in the growth and expansion of D’Bo’s, says Julian Boyd. Boyd is the son of David and Leticia and is proudly carrying the torch that his parents laid of being responsible for making Memphis the “Hot Wing Capital of the World.”

“It’s been a fantastic ride, and we are so grateful for everything that has taken place,” Boyd says.

“We’re known for the blues, we’re known for the barbecue. However, because of D’Bo’s, Memphis is known for its wings. There were no wing places in Memphis like this 32 years ago, but to be able to set the standard at the way it’s set to now, it’s a great thing to be able to see. We’re bringing that Memphis to your mouth. That’s the way that we’re looking to do this thing. Memphis to your mouth, and Memphis to your market.”

It’s no secret that hot wings are a staple of Memphis culinary culture. That fact is something that many Memphians are proud to boast about, especially when visiting new cities. However, it seems that no other city can produce a hot wing the way the Bluff City does.

“We opened one in Detroit in February. That one up there is doing fantastic,” Boyd says. “It’s such an exciting opportunity because we’re breaking into new markets. It’s all about the strong foundation that was set by David and Leticia Boyd.”

Boyd recalls memories from his formative years when he and his late brother David Boyd II would be at the first brick-and-mortar location on Kirby Parkway and Knight Arnold, standing on crates and operating the cash register.

Photo: Benji Aird/Airdography
New owners Ashlei and Ross Williams pose at D’Bo’s Riverdale’s reopening.

“That was fun for us back in the day. So now it’s so much fun to be invested in the business in this way and focusing on the growth and development through franchising and finding franchise partners,” he says. “If we’re going to do this franchising thing the right way, we have to be hands-on and supportive to ensure the success of every single location because at the end of the day, that’s our family name up on that building.”

There are currently two locations that sport the Boyd moniker in Memphis, with one of the original locations being newly franchised. D’Bo’s on Riverdale is now owned and operated by a sister-and-brother duo, Ashlei and Ross Williams.

The Williams siblings were born and raised in Memphis, and are eager to bring their entrepreneurial spirit and family legacy of hospitality to the D’Bo’s franchise.

“About two years ago in the pandemic, my sister and I knew we were both at an area where we wanted to pivot and explore new opportunities,” Ross says. 

Ashlei explains that one of the positives of the pandemic was that many of her creative services were booming, and she wanted to be smart with her revenue. This created the perfect opportunity for Ross to “circle back and pitch himself again,” which was around the time that D’Bo’s started franchising.

“The company is positioned now to grow … and for Ashlei and I as young entrepreneurs, not only did I want to invest in a brand that was exciting and that we liked, but also one that is positioned for growth,” Ross explains.

“It’s also about being Black millennial entrepreneurs. It’s important for us to tell the story of legacy. Tell the story of what legacy can look like. I think we’re personally interested in expanding the footprint of Black businesses in general, and franchising is a great way to do that and bring more Black owners in,” Ashlei adds.

Ashlei also says it’s been a joy to work with Julian as another Black millennial. 

“You can pass something down and the next generation can take it over and improve it and make it better. We’re just excited to be on the journey here for this legacy location and what it means to Memphis.”  

Categories
News News Blog News Feature

Inaugural Memphis Hip Hop Architecture Camp to Aid in Diversity in Architecture

The Downtown Memphis Commission (DMC) and Design Marketplace Material Bank have partnered to bring the Hip Hop Architecture Camp to Connect Music on Vance this week.

The Hip Hop Architecture Camp was created in 2016 by Michael Ford, a licensed architect. The week-long camp is designed to “introduce underrepresented youth to architecture, urban planning, creative place-making and economic development through the lens of hip hop culture.”

The camp is based on “four Cs,” which are creativity, collaboration, communication, and critical thinking. According to the DMC, students will work in unison with architects, urban planners, designers, community activists, and hip hop artists throughout the camp to “create unique visions for their communities ​​which include the creation of physical models, digital models, and the creation of a Hip Hop Architecture track and music video summarizing their designs. ”

“Downtown has to be everybody’s neighborhood,” says Brett Roler, the DMC’s senior vice president of planning and development “We’re trying to build a Downtown for everybody. … We try to make decisions through that lens. ‘Are we building a Downtown that is fair and equitable and inclusive and inviting for everyone in Memphis and across Shelby County.”

Roler says that this is a part of the DMC’s commitment to “promoting diversity, equity, and inclusion in our city’s future.

“We know that diversity, it just doesn’t happen by accident. So, what we’re trying to do is take intentional steps to invite people, to encourage people to be proactive in making a Downtown that everyone feels connected to.”

According to Roler, the Hip Hop Architecture Camp is an opportunity for students to gain exposure to architecture by using hip hop music and culture as a catalyst while also showing them the many ways that they can play a role in their community.

“You might say ‘What’s hip hop got to do with architecture?’ and I think that’s a fair question,” Roler said. “However, if kids feel like hip hop and music [are] something that [young people] are comfortable with, something that is accessible to them. There are ideas and principles that apply equally to architecture and hip hop. Whether we’re talking about form, rhythm, structure, it’s all the same. I think Michael has found a way to take something that can be boring, and esoteric, and complicated more accessible and interesting.”

Only 2.8 percent of architects in the United States are minorities, according to the DMC. While a 2022 report from the National Council of Architectural Registration Board states that diversity efforts in the architecture field have improved, the DMC says that minority groups continue to be underrepresented.

(Courtesy Hip Hop Architecture Camp)

“If Downtown is really going to be a place for everyone, then everyone has to help create it,” Roler continues. “People of color are woefully underrepresented in the design field, architecture, urban design, and landscape architecture.

“What I love about Hip Hop Architecture Camp is that it gives us the chance to show kids that they can be a part of creating neighborhoods that you love. You can play a role in building great places and great neighborhoods.”

Roler says that they initially explored other options for camps, such as producing their own. However after seeing the success of the Hip Hop Architecture Camps in other cities as well as the way the experts teach students important concepts in a fun and appealing way, they decided to bring the camp to Memphis.

The DMC is also helping to sponsor an architecture camp hosted by the Memphis chapter of the American Institute of Architects (AIA), which Roler says is geared more so to students who have already solidified that they want to pursue a career in architecture. Roler says that he hopes the Hip Hop Architecture camp will serve as a “feeder” for the AIA camp to continue diversity efforts in architecture, as this camp is for students who may be unfamiliar.

“How do we ensure that the people building Downtown are reflective of our broader community?” Roler asked. “If our broader community is 65 percent African American, I think we need more people of color building Downtown, developing Downtown, opening businesses Downtown, and that’s what we are working on.”

Categories
News News Blog

‘For Women Who Need a Moment’

It’s no secret that the pandemic began a shift in conversation on wellness and self care. It opened up a dialogue on how different populations deal with their mental health, and the many ways that we choose to treat and approach it.

Wellness and self-care don’t have to be expensive, and they don’t have to consume hours of your time. That sentiment is one of the driving forces behind Memphis native Olivia F. Scott’s company Freedom at the Mat.

Freedom at the Mat is a wellness brand that provides weekly YouTube content in the form of affirmations, meditation, yoga flows, and interviews with wellness advocates.

“It’s really our mission to make sure we are getting content out to women of all socioeconomic classes throughout the world,” Scott explains.

Scott says that the content is specifically and strategically targeted to be under 30 minutes, in order to cater to women who say “I don’t have time to take care of myself.”

“Naturally, you find that women, by our nature, we are nurturers, and we take care of other people, and we don’t take time to prioritize our own self care,” Scott continues. 

Along with accessible self care, Scott’s company manufactures and retails yoga mats that are available to purchase through her website.

Fifteen percent of the profit made from Freedom at the Mat’s paid classes, journals, and yoga mats goes to nonprofits that are dedicated to serving women. One such recipient is Grace House in Memphis.

Shortly after graduating from Central High School in 1991, Scott found herself in a number of places from Missouri to Chicago and New York, where she says she was able to create a career for herself. 

Health had always been a part of Scott’s life because of her lineage. Her mother, her sister, and her grandmother all died at the age of 65, and Scott knew that from a young age, she would have to watch her health.

While she was always conscious of her health, it was when she started to experience burnout in her mid to late 30s that she decided that she needed to really figure things out.

“I was on this hamster wheel in New York, and I had this really amazing career, but I didn’t have any balance. I did [yoga] one time when I was in Chicago, and I was like, this is so boring I’ll never do yoga, it’s so so boring,” she recalls.

After taking a power vinyasa class and becoming a registered yoga teacher, Scott says she realized that yoga was her saving grace.

“Women are so busy, and our lives are also busy. You may not have another moment to yourself to actually pray or to set the intention for your day or move your body, so I wanted to make sure that I didn’t leave anything out, that I wasn’t only focusing on the physical or only focusing on the mental.”

While her own experiences helped to push her to start her company, Scott says her familial experiences are a big part of her “why.”

“My sister struggled with substance abuse for about 35 years,” she says. “When she passed away I realized that the world has so much happening every single day. I think about my sister, and I say ‘If she knew that there was a place that she could go in her home that was accessible to her, would she have been able to better combat the demons in her head?’” 

Combined with her sister’s struggles, and a car ride through Frayser, Scott realized that sometimes women don’t always have the resources to be able to figure out safe coping mechanisms.

“I saw the dire poverty in Memphis, and I thought ‘I wonder are these people thinking about their wellness?’”

Scott said she answered her own question, as, by necessity, people are often only thinking about survival. 

“The moment I saw that section of North Memphis, I said ‘I may never be able to reach those women per se … but I want to contribute to an organization that I know is contributing to their health and wellness.’”

(Photo: Courtesy Olivia F. Scott)
Categories
News News Blog

Homeownership: Is It Out of Reach for Young Buyers?

A recent post detailing median apartment asking rents for May 2022 has gone viral on social media. The comments section on the story, “Rents across U.S. rise above $2,000 a month for the first time ever” by Chris Arnold, is rife with speculation, commiseration, and accusation.  

The story, which was posted by NPR, details numbers from a Redfin report that shows that asking rents for available apartments had risen 15 percent from a year ago, and had also risen above $2,000 a month for the first time. The post received a mix of reactions, with many agreeing that these numbers are “unsustainable.”

“Mainly it’s because we have a lack of housing inventory available,” explains Amy Schaftlein, executive director of United Housing, a nonprofit affordable housing agency.

According to Schaftlein, at the beginning of the Covid-19 pandemic, rates were low, causing more people to “rush into the market,” in order to to take advantage of low interest rates. 

She continues, “Because rates were some of the lowest that we’ve seen, you have a whole bunch of people trying to get into homeownership, and we haven’t been building new homes, especially at the starter home level in about 10 years. So the Great Recession has really stopped new home builds from happening over the last 10 years.”

Schaftlein explains that these historically low rates, combined with historically low inventory, led to a rush in demand, which in turn pushed up housing prices across the board. That is not just at selling price. The same applies for rent.

“You’re having people on the lower-rent side being able to stay in their homes because of the eviction moratorium and some of the rent assistance, but then you’re not seeing new rents or new homes coming,” says Schaftlein.

Factoring this in with inflation and rising costs, the Federal Reserve has had to raise interest rates, which causes people who are homeowners and “stuck at these low rates” not to move.

“With an overly competitive real estate market with millennials and GenZ’ers not able to get in because it’s too competitive to get a home loan, many people gave up,” Schaftlein continues. “Even millennials with a higher income represent a huge increase in the amount of rent applications.”

Those who can afford to buy, and are opting to stay out of the home ownership market, are choosing to stay out due to the highly competitive nature of the market, pushing them to move toward renting, which causes rent prices to go up, Schaftlein says.

There are a number of reasons why younger people are not qualifying for loans in a timely fashion, such as student debt, as well as new trends in employment.

“We’re working differently,” Schaftlein says. “A lot of people that are contract workers aren’t going to be able to show that 24-month work history necessarily, because they may be entrepreneurs, or do more contract type of work.”

Schaftlein says that this type of work is typically harder for loan officers and lenders to underwrite, which, in turn, makes it harder for the applicants to qualify to get mortgage loans, even if they have the income and show it in the bank.

Remote work has also removed the pressure for people to “put down roots,” Schaftlein says. This allows people the freedom to move around and have more flexibility in their jobs, which she believes also contributes to the idea that younger people are no longer considering being homeowners.

Another factor is out-of-town investment by larger companies, who can afford to invest capital unavailable to individual buyers. As the Flyer’s Toby Sells wrote in his 2019 cover story “Dream Denied,” “More and more Memphians are missing out on the American Dream, especially if you consider homeownership a centerpiece of that dream. Wall Street corporations are sucking up homes in struggling neighborhoods, spitting them back out as rentals, and — in doing so — sucking out wealth and access to upward mobility, particularly in African-American communities.”

Still, while many are postponing the dream of being homeowners, there are still those who prefer that option.

“Rent prices definitely scare me,” 22-year-old Yazmeen Berkley says.

“I hear my peers talk about how high the rent is and how they have to make ends meet or how they’re tired of bills and although that will be my reality soon, I’m really thankful right now that it’s not.”

Berkley has decided to stay home with her parents, as they told her that they weren’t “rushing her to move out of the house.” It’s an option that is not available to everyone. But taken along with Schaftlein’s comment about millennials (who are now between 26 and 41 years old) representing an increase in the number of rental applications, it helps show a change in the age at which Memphians are attempting to achieve homeownership.

T’airra Fuller, 27, has lived in Collierville for two years for “an elevation in her career.” Fuller lost her job during the pandemic, and had to move back to Mississippi. Six-months later, Fuller says that rent had gone up to $1,100 and says that she is now paying $1,200 in rent. While she is paying for location and a promise of safety, she prefers to be in the process of purchasing a home.

“The house thing isn’t going too great right now,” Fuller says. “It’s kind of hard being a single woman and you’re the only one bringing income into the household. I had to take on another job. I quit my second job [retail], but I’m working on having my own independent call center, because it’s hard. You have to make ends meet. Some people have two incomes coming in, I have one.”