Categories
Food & Drink Hungry Memphis

FOOD NEWS BITES: The Return of Karen Carrier’s “Dō Sushi Pop-Up”

Kona Strawberry Roll. It’s what a foodie’s dreams are made of.

It’s a sushi roll I had for the first time at Karen Carrier’s Dō Sushi Pop-Up, which she held two years ago. I can still taste this sweet-and-savory (my favorite) amazing concoction. I haven’t had one since.

The pop-up was held in Carrier’s Bar DKDC, which is at 964 Cooper Street next to her Beauty Shop Restaurant in Cooper-Young. She originally opened the space as Dō Sushi, a Japanese restaurant, in 2003.

Well, Carrier is doing another Dō Sushi Pop-Up from 4:30 p.m. until they run out of food Thursday, November 14th, at Bar DKDC.

Karen Carrier (Photo: Courtesy Karen Carrier)

And, yes, they are going to include the Kona Strawberry Roll. It’s made of crab, masago, seared walu, strawberry, and a sweet soy reduction. “It’s so good,” Carrier says.

Sam Cicci, a former colleague, is also a fan of the roll. “Honestly, it’s probably one of the best rolls I’ve had,” he says. “I usually prefer a more savory roll, but the way the crab and walu play off that light layer of sweetness from fresh strawberry slices, it’s so easy to gobble the whole thing up immediately.”

The spicy seared scallop roll, another popular sushi roll that Carrier will bring back for the pop-up, is made of crab, avocado, masago, and sriracha aioli. “It’s got that wonderful, smoky grilled flavor.”

Seven sushi rolls will be a featured, as well as other items like nigiri and sashimi. They also will feature cooked items, including crispy duck spring rolls with shiitake mushrooms.

The Dō Sushi story is wonderfully quirky. “We opened Beauty Shop in 2002. And I had to take over the space next door,” Carrier says.

She turned that space into a general store, where they sold Vespas, Giraudon men’s and women’s Italian shoes from New York City, Amy Downs hats, Dinstuhl’s candies, assorted cheeses, coffees, refurbished bikes from the 1950s that were hung in the windows, and prepared food to-go from Carrier’s Another Roadside Attraction catering. “We were so ahead of our time. If it opened 10 years later we would have been packed.”

So, Carrier said, “I can’t do this. Retail is not for me. I need to have a bar.”.

Her chef, Eric Doran, said to her, ‘Why don’t we open a sushi bar? We don’t need a vent hood.’”

“I said, ‘Perfect.’”

That was in January 2003. Joining her were Mindy Son and Stacey Kiehl. Carrier and Doran came up with the ideas for the sushi and she and Kiehl made them. She hired Brett “Shaggy” Duffee to do the hot food, including all duck spring rolls, crispy dumplings, and all the tempura items. 

“The sashimis, the raw fish, that was sort of my part. The sushi part I stayed out of.”

Carrier also served her mother’s matzoh ball soup, “Bobo’s Chicken Matzoh Ball Soup,” which was named one of the 10 best phos in the United States by Bon Appetit magazine, Carrier says. The soup is made with lokshen kugel. “I grew up with that stuff.”

About 10 years later, Carrier’s thoughts about selling sushi changed after she saw sushi being sold at the Exxon service station at Ridgeway Road and Poplar Avenue. “I said, ‘Oh, no, no, no, no.’ I came back to work at the Beauty Shop and I said, ‘I’m losing the bar.’”

There was just something about sushi being sold at a gas station that didn’t sit well with Carrier.

So, instead of the sushi bar, Carrier said, “I want a music club.”

She turned Dō Sushi into Bar DKDC, which is now a popular music venue. The name is an acronym for “Don’t know. Don’t care,” which was Carrier’s response when people asked her what she was going to call her new music club.

As most people know, Carrier can come up with a new idea and implement it at the drop of a hat. “I get bored.”

Also an artist, Carrier says her restaurants are “just art projects. They’re just paintings.”

And, she adds, “You’ve got to stay on the edge. You’ve got to stay current.”

Asked why it took two years to do another Dō Sushi Pop-Up, Carrier says, “Life happens. It just dawned on me, ‘Oh, man. I want some sushi.’”

Categories
We Recommend We Saw You

WE SAW YOU: 901 Hot Wing Festival

Stewart Guenther recently had people in tears. And it wasn’t because of a funny joke he told.

Guenther, who participated in the 901 Hot Wing Festival, let people try the wings he cooked using a wing sauce made from the Carolina Reaper pepper. That pepper, one of the hottest in the world, is only surpassed, according to a Google search, by one known as Pepper X.

Guenther’s team, Whiskey & Swine, was among the 15 teams participating in the event, which was held November 2nd at Grind City Brewing Company. “We mostly compete in barbecue contests, in which chicken is one of the categories,” he says. “We do chicken, but it’s always chicken thighs. We’ve never turned in wings for competition except at this event.”

Grind City owner Hopper Seely created a new brew — Cranberry Beret —for the occasion. “It’s a cranberry seltzer, but it uses real cranberry juice,” Seely says.

Cranberry Beret is available in the tap room, he adds. 

Categories
Food & Wine Food & Drink

Amelia Gene’s Offers New Menu Items

Executive chef Nate Henssler is keeping Amelia Gene’s restaurant as fresh and innovative as the dishes on his menu.

Take the Derenburger cheeseburger, which Henssler added about a month ago to the menu at the restaurant at 255 South Front Street, adjacent to the Caption by Hyatt Beale Street Memphis hotel. The burger, named after their pastry chef Jessi Derenburger, is available only at the bar after 9 p.m. on Fridays and Saturdays. It fits in perfectly with Henssler’s concept for Amelia Gene’s, which he describes as “a modern American chef-driven restaurant.”

Henssler, who butchers the meat, uses the “chain,” a piece of meat on the side of the tenderloins used for their prime filet mignon. He also uses the trimmings from their short ribs.

Jessica Henssler, Nate’s wife as well as the restaurant’s general manager, suggested they do a bar burger. “Jessica actually had the idea of doing some kind of a secret bar menu item, to try and drive some business toward the end of the night.”

Since by 9 p.m. they “still get a good amount of bar traffic,” they wondered how to get guests “to enjoy some food while they’re here and utilize some product. So, we took the short ribs and this tenderloin and tinkered with it to make a blend.”

They also tinkered with different cheeses on their cheese cart, but decided to use American cheese on the cheeseburger. In addition to caramelized onions, they “dress the bun with a garlic mayonnaise, spicy pickled yellow peppers, and then it’s served with hand-cut fries.”

The fries are made in-house using twice-cooked potatoes.

Derenburger makes the sesame seed brioche hamburger buns for the cheeseburgers, which sell for $25. “It’s a 10-ounce burger, so it’s substantial.”

They’re not on the menu, so it’s up to the server and the bartender — as well as customers who’ve tried them — to spread the word about the hamburgers. “We make 10 on Friday and 10 on Saturday. And we’re selling out.”

Henssler is also changing his Thursday night five-course tasting menu almost weekly. “We started off in the summertime and it was vegetarian. And dishes changed every week. We started adding some proteins to the menu.”

The price for the Thursday night special has gone from $50 to $60, but, Nate says, “It’s still an incredible deal.”

For an additional $30, diners are served wine that pairs with each course.

“Sometimes the last course is a cocktail,” Henssler adds.

This week’s special will include Nate’s 30-layer lasagna, which includes layers of béchamel as well as Bolognese made with scraps from the tenderloins and short ribs. He probably will include monkfish, which recently was added to the menu and has been very popular.

As for the regular menu, Nate says part of it changes monthly. “We change at least one or two items. As you see a new menu go on, another menu item comes off.”

His Rohan duck dish is one item that hasn’t left the menu since Nate added it. “It’s still one of our four top sellers.”

The crispy duck dish, which Henssler calls “a play on duck à l’orange,” takes five days to produce. As he said in a 2023 Memphis Flyer interview, “The legs we cure in a salt and sugar mix with soy spices. And we cure that for a day, cooking it in its own fat. Confit.”

The dish includes butter, garlic, shallots, and Belgian endive. And, he says, “It’s served with the same sauce we make from the duck bones with orange puree and kumquats preserved in honey.”

On a slow night, they might sell four or five Rohan ducks, Nate says. On a Friday and Saturday night, 20. And, he adds, that dish takes about 45 minutes to prepare from when the order comes in until it gets to the table.

Amelia Gene’s closed for two weeks during a traditionally slow period last August to “save labor and give the staff a chance to have some time off. “I’ve been going seven days a week for a year and a half.”

He and his wife spent about two weeks in Chile on a trip that included Santiago and Patagonia. “We visited some wineries and ate some amazing food.”

And “for sure” he added some Chilean items to the Thursday night five-course menu after they returned, Nate says. Since its not king crab season, he’s waiting for his vendor to get some Chilean king crab. “They’re sourcing it for me right now.”

The Hensslers are currently talking about doing a “pastry cart takeover” of their cheese cart for the holiday season. Also, he says, “We’re getting a lot of requests for whole carrot cake and whole chocolate cakes.”

Since his wife came on as general manager last June, private and semi-private events at Amelia Gene’s are picking up, Nate says. “She is very good at what she does.”

As for a husband and wife working together, Nate says that type of relationship “works best when it’s all about communication. Like a marriage.”

And, he adds, “If something goes wrong, it’s usually my fault.”

Henssler, who grew up in New Hampshire, has worked at top restaurants in Las Vegas and Chicago. He moved to Memphis in 2022. He’s also a managing partner in the Carlisle Restaurant Group. 

Categories
Hungry Memphis

FOOD NEWS BITES: A Toast to the New Science of Spirits

The upcoming Science of Spirits at Lichterman Nature Center sounds like an exploration into the world of the supernatural.

Well, it’s not. Halloween is over. These “spirits” are the drinkable kind.

The event, which will be held from 6 to 9 p.m. Friday, November 15th, is now part of a trio of events that includes Science of Beer and Science of Wine.

Just like the beer and wine events, guests will travel from station to station sampling bourbon, but, this time, they’ll learn about the science of making American whiskey.

Bourbons include Buffalo Trace Kentucky Straight Bourbon, 1792 Bourbon, Traveller Whiskey, Sazerac Rye, Benchmark Selects Casks  Single Barrel, Benchmark Select Casks Top Floor, Rich & Rare Reserve, and Buffalo Trace Bourbon Cream.

Food from Bain BBQ, Huey’s, and Graz’n will be available.

Mark Edgar Stuart will perform.

Guests must be 21 to attend. All proceeds will benefit the Museums of Science & History (MoSH) programming, summer camps, STEM workshops, and more. MoSH is the umbrella group that includes Lichterman Nature Center, Pink Palace Museum & Mansion, Mallory-Neely Historic Property, and Coon Creek Science Center.

Upcoming events include Science of Beer, which will be held January 17, 2025, at Pink Palace Museum & Mansion, and Science of Wine, which will be held in spring 2025 at Pink Palace.

For more information, go to moshmemphis.com.

Categories
Music Music Features

Local Tina Turner Tribute Band Taking Off

Melanie Pierce has two Tina Turner wigs. She describes one as the “big hair ’80s” wig and the other, the “short, bouncy with curls” wig.

Turner’s later curly hair style still had “a rock-and-roll feel, but more of a classy rock-and-roll feel,” says Pierce, who, along with La-Shon Robinson, are founders of Elevation Memphis: A Tina Turner Tribute Experience. They will be part of the Beale Street Brass Notes Walk of Fame ceremony honoring the late singer November 9th at 3 p.m. at Alfred’s on Beale. Memphis guitarist, songwriter, and recording artist Robert Allen Parker also will be featured at the event.

There’s probably nothing you could ask Pierce and Robinson about the late singer that they can’t answer.

It all began when they went to see Tina: The Tina Turner Musical in February 2023 at the Orpheum Theatre. Both women were familiar with Turner, but they were awestruck after they went to the show.

“I am a child of the ’80s,” Robinson says, recalling when she saw the 1984 video for Turner’s “What’s Love Got to Do With It.” “I was like, ‘Woah. My God. Who is this mature lady? She’s walking with all this confidence in this video. I’ve got to find out more about her.’ And from there I became fan.”

A native of Grenada, Mississippi, Robinson, a sergeant in the Army National Guard, already had an alternative band, Elevation Memphis. “We do covers of all genres — from ’60s to today’s hits. And we also have original music.”

After the Tina musical at the Orpheum, she thought, “Hey, let’s add Tina.”

Robinson plays flute, tambourine, and a little percussion, and Pierce plays bass and the African djembe drum in the cover band. “Our keyboardist Derrin Lee has played an integral part in all of the arrangements for our Tina tunes. And he’s been with us almost since day one. And it’s been almost four years.”

The band also includes core member dancers and musicians. “We have great dancers and we do have some of the best musicians in Memphis,” Pierce says.

Robinson and Pierce write the originals. “We currently have six originals out right now streaming,” Robinson says.

Almost immediately after they put the Turner tribute together, she and Pierce were referred by Memphian Richard Day to perform their show at the Tina Turner Museum at the West Tennessee Delta Heritage Center in Brownsville, Tennessee. They met Turner’s granddaughter, great-grandson, and a lot of her first-cousins, Robinson says. “And they all look just like her.”

Robinson and Pierce became friends with the family members and they began Facebook-ing each other.

More and more people began asking them to play at their venues, she says.

And “next thing you know” they were invited to perform at the Brass Note ceremony, Robinson says. “We will perform 25 minutes of Tina’s biggest hits.”

Robinson doesn’t portray Turner in the tribute show. “I don’t do Tina. I wear a wig, but Melanie definitely has the look. And when I tell you she studies day in and day out to perfect her — I’ve never seen anybody put in so much work and dedication.”

“I’m learning her every day,” Pierce says. “Her elegance. The way she carries herself on stage. Her confidence on stage.”

And, she says, “Anybody would love to impersonate Tina just because of who she is and just the name. Everything about her.”

Asked how she’d describe Turner, Pierce says, “I would say that she’s very calm. Looking at her interviews, she’s very educated. She just has a peace when you listen to her speak.”

Pierce studies Turner’s voice. “I do try to talk like her. I have made some songs where my sound is similar to her, but I think because I’m bringing the look and that confidence and that presence on stage, sounding like her is not even the thing. ‘I can feel Tina in you.’ ‘You are the next Tina.’ That’s the type of feedback that I get.

“But I do work really hard to talk like her when I am talking in the microphone. I would say Tina’s stage voice is so powerful. It’s raspy. It’s very rock-and-roll.”

And, she says, “Tina Turner has the best legs. I definitely don’t compare to her legs, but I think I have pretty nice legs. I don’t need insurance on them, though. Tina definitely did.” 

A native of West Memphis, Arkansas, Pierce got into singing three and a half years ago. “It was just karaoke from time to time.”

Robinson, who worked with her in an office back then, invited her to try out for her Elevation band. “She asked me to come and audition because she heard me playing the djembe with my friend, jamming out at my house. And we had a video on Facebook [of us] jamming out. She said, ‘I really want you to sing. Do you sing?’ I said, ‘No, I’ve never been in a band. I don’t know anything about it.’”

Pierce sang but “just for fun around the house. But not thinking about growing up and being a singer.”

After being coached by Robinson, Pierce got in the band.

When they began getting ready to do the Turner tribute, Pierce began working on the Turner look. “I started off just ordering my first wig off of Amazon. Just because I needed something.”

When ordering it, Pierce says, “I just put in ‘Tina Turner’ and this big hair wig came in.”

Now, she says, “People make me custom wigs.”

In addition to her “rock-and-roll hair,” Pierce dresses like Turner. She describes the look as “female, classy, but sexy rock-and-roll. She wears the dresses with the tights. With the fishnet tights. With the high heels. I do dance in heels.”

Portraying Turner carries over into her daily life, Pierce says. “I have more confidence because I’m having to play a very confident woman.”

Pierce changes her persona from the cover band to the Turner tribute. “I get in ‘Tina’ mode as soon as I hit the stage. I’m ready to go. Ready for whatever crowd, whatever genre of music we do.”

And, she adds, “Tina is always ready. She’s bold. She’s daring. She’s a visionary. She’s fearless.”

They perform their Turner tribute at Memphis locations, including Neil’s Music Room and Lafayette’s Music Room, but not very often. “We don’t want to water it down here in the city,” Robinson says. “So, we’re just starting to go outside Memphis. Arkansas last weekend. St. Louis. Nashville.”

They’d love to one day take their Tina Turner show to Las Vegas. “People have already reached out.”

So, what do they think Tina Turner would think of their band if she were still alive? “I think that if Tina saw us from day one till now, she would definitely say she is very proud of us,” Pierce says. “She can see how hard we’ve been working to improve our show. And she would tell us we have what it takes to be the best Tina Turner tribute band of our time.”

Categories
Food & Wine Food & Drink

Keith Clinton and Chez Philippe Make a Great Pair

It says something when a restaurant is named “Best Hotel Restaurant” twice.

It also says something when that restaurant’s chef held that title during both wins.

Chez Philippe at The Peabody was named “Best Hotel Restaurant” last September in USA Today’s annual 10 Best Travel Awards. And Keith Clinton was chef de cuisine both times the restaurant received the honor.

“This is the second year we’ve won in a row,” says Clinton, 36.

Asked how he felt when he heard the news, Clinton says, “It felt good and made me proud of my team and made me proud of our local growers we source from. We rely on that a lot to drive the script of our menus.”

And, he adds, “It’s kind of like music. They’re filling in all the chords and we are just playing them.”

According to the news release, “Chez Philippe is known for its modern American cuisine with classical French presentation and as one of the most romantic dining experiences in Memphis.”

It also points out Clinton’s “passion for incorporating local and seasonal ingredients into his culinary masterpieces.”

In a 2023 Memphis Flyer interview, Clinton told how he goes the extra mile for his diners — and not just with the food. Chez Philippe patrons are researched after they make their reservations. Using information from LinkedIn and other sources, Clinton likes to surprise his diners with information about themselves. Like telling them where they’re from, where they work, where they went to school. It’s a great way to personalize someone’s dining experience.

Recently, a woman dining at Chez Philippe told Clinton, “I’ve done my research on you.”

“And I said, ‘I’ve done my research on you, too,’” Clinton says. He already knew she was in the fashion and clothing business.

Clinton also uses information he gathers from servers, who overhear conversations during dinner. “Like they came here in 2019 or they were married at The Peabody 20 years ago. We know it’s their anniversary because they put that in their guest notes. Who they are and where they’re from.”

And servers are good about picking up bits and pieces of information. One server overheard a couple talking about how they got married at the old location of Felicia Suzanne’s Restaurant. Clinton asked them how long it’s been since they were at the restaurant. They said they hadn’t been since they were married. So Clinton hired a carriage ride for them to take after dinner. They got to drive past the venue where they were married. “People are just so blasé about what they are saying and don’t think people are listening.”

But last January Clinton added another twist to the Chez Philippe dining experience. He calls it the “Kitchen Course.”

About halfway or more through their meal, diners are invited to the kitchen. Their server says, “The chef has invited you to the kitchen to do a quick course with him.”

Opening snacks from a month ago — fig, apple, almond (Photo: Justin Fox Burks)

People think what goes on in a kitchen is a “magical process,” Clinton says. So when it’s time for the meal’s intermezzo, the diners, if they choose to, are escorted by the maître d’ to the kitchen where they eat the intermezzo, which might just be a one-or-two bite granita, and “hang out and chat for five or ten minutes.”

The maître d’ then escorts them back to their table. “It’s kind of a hybrid of a ‘chef’s table,’ where the guest is eating in there the whole time.”

Clinton’s kitchen course “makes it so exclusive” to one table. “They feel special because they were invited.”

As for his food, Clinton says, “I’m always pushing myself.”

Currently, Clinton offers a 14-course menu, which incudes “surprise canapés.”

And, he says, “We change one thing a week instead of doing a seasonal menu.”

Instead of changing all 14 items, the one item he does change usually depends on what is in season at the farms he uses for a particular food. Clinton is loyal to the growers. So whenever his grower runs out of the blackberries or whatever he buys from that particular producer, Clinton doesn’t try to find blackberries from somebody else. “When he’s done, I’m always done,” he says. “I’m exclusive to them.”

The only menu item that has not changed since Clinton began is tuna, pomelo, and avocado. “My favorite of all time.”

Wilson Farms Blueberry Semifreddo (Photo: Chris Coles)

If any of his diners want to turn the tables and do some research on Clinton, they might discover he’s from Memphis, went to Bartlett High School, and, when he was in his 20s, played drums in an indie band, The Incredible Hook.

“It was music first and then it became both and then it became all cooking.”

Clinton still has a piano at his house. “It’s a very old, but very nice, extremely heavy piano. We just moved and it was so heavy it broke their dolly.”

But he only plays it now “in a passing manner.”

His wife Meredith, who was the sous-chef for almost a year at Bog & Barley, now works at Ben E. Keith Foods, a food purveyor.

They both cook at home. “It’s kind of like whoever is off that day. I’m off; I will cook. She’s off; she will cook. And if we’re both off, we go out.”

He also takes off his chef’s hat — figuratively speaking — to make time for their son Carter, 8. It’s “difficult to turn it off,” but Clinton knows he “has to be a good father.”

They do everything from picking strawberries together to playing video games together. “So that helps motivate me to turn it off and on.” 

Categories
We Recommend We Saw You

WE SAW YOU:  Monogram Foods’ Meat Me in Memphis

“Meat” rhymes with “eat,” so that’s apropos for the “Meat Me in Memphis” gala. Everyone was encouraged to eat.

The gala is the annual fundraiser for the Monogram Foods Loves Kids Foundation.

Monogram founders Karl Schledwitz and Wes Jackson, and their wives Gail and Suzanne, were at the food tasting event, which was held October 21st at the Renasant Center.

About 700 attended the gala, which, in addition to cuisine from 12 food stations, featured music by Sound Fuzion from University of Memphis and both live and silent auctions.

“We believe this year’s Monogram Loves Kids Gala raised the most money from one event in the history of Memphis,” Schledwitz says. “Over $1.1 million. 

“This was our 14th year and each year it keeps getting bigger and better. And this year was no exception. It was phenomenal.”

Categories
Food & Drink Hungry Memphis

FOOD NEWS BITES: The Haunted Piano at Grawemeyer’s

People still remember the old Grawemeyer’s restaurant, where they enjoyed wiener schnitzel, apple strudel, and other German cuisine.

But how many of them remember the haunted piano that resided at the restaurant at 520 South Main Street?

I frequented Grawemeyer’s, but I never heard the piano, which isn’t a player piano, play by itself. But others have.

It’s also included in the “Haunted Rooms America” website and can be seen in the movie, Christmas at Graceland: Home for the Holidays on the Hallmark Channel.

Since pianos seem to be coming back to Memphis eating/drinking establishments, including Elwood’s Shack on Park Avenue and Zinnie’s on Madison Avenue, I asked Cynthia Grawemeyer to tell me the history of her haunted piano.

“I play the piano,” Grawemeyer says. “So, our daughter at the time, Leah, was probably 8 or 9 years old. She wanted a grand piano. That’s all she kept saying. I wanted one, too.”

Cynthia’s late husband, Mark Grawemeyer, kept looking for a good deal on a grand piano. “One day he found this piano for sale on Craigslist at such a great price.”

So, Cynthia and Mark drove to an apartment in Millington, where the piano was located. They were greeted by a man in his 30s. “This piano takes up the entire tiny little dining room. And the guy is chain smoking one cigarette after another. The whole place smelled like smoke. He was sweating and nervous and kept loosening his tie.”

Mark asked him, “Why are you selling it? You must be moving. You need to get rid of it?”

The owner told him he still had six months on his lease, but he was staying at a friend’s apartment. And he said, “I can’t stay in this apartment with this piano.”

Mark offered to give him a lot less than the man was asking for the piano. “The guy said, ‘I’ll sell it to you at that price if one, you pay me cash, and two, you keep the piano. You don’t sell it. Keep it for your daughter like you said because it’s a family heirloom.”

And, Cynthia says, “The guy said his mom lived in a house in Frayser and she was getting older. His family wanted her to be in a safer place.”

The man told them they were in the process of moving his mother to Knoxville, but she never made it. “She was killed on the piano.”

According to the story, three intruders broke into her home. “The mother’s boyfriend was there. He shot one of the intruders, but they shot her and then him. I think he may have been surprised. But she got blood on the piano. So, then he felt like the piano was haunted.

“He said this piano was her prized possession and she had gotten it from her parents as her 16th birthday present. It’s an old Hamilton Baldwin piano. An old stage piano that they said could have come out of Chicago.”

The Grawemeyers took the piano anyway. “Mark thought he had found a deal.”

Then things began happening. And, Cynthia says, “I’m not ordinarily a ghosty person.”

She was playing the piano one winter afternoon while Mark was at work. “The dog was laying up under the piano and I’m in this big room and there’s nothing but me playing classical music and that dog.”

Then she suddenly felt something. “You know when you’re in a house and it’s wintertime and you’ll open the window and you get the suction feeling when you let the air in?”

That’s what she felt. “The dog stood up under the piano and his hair stood on top of his head and he was growling.”

Cynthia thought Mark had let himself in the house, which made air rush in. She called to him, but he didn’t answer. She got up and checked the door, but she discovered the deadbolt was still fastened on the inside. “I remember I had locked the door from the inside.”

About a week later, Cynthia was asleep in bed and Mark was in another room. When he returned to the bedroom, he said, “Wow, what was that beautiful piece you were playing?”

Cynthia asked him what he was talking about? She told him she didn’t get up and play the piano. He said, “You didn’t get up and play the piano and go back to sleep? I swear I heard the piano playing.”

The Grawmeyers later moved the piano to their restaurant, Grawemeyer’s. But, apparently, that didn’t stop the piano from doing its thing. A man they knew told him he was entertaining friends by taking them to different downtown restaurants. They walked past Grawemeyer’s after it closed. “He swears he heard the piano playing by itself from the inside.”

He wasn’t the only one with a similar story. “Tenants who lived in my building or next door called me and said, ‘That radio got left on at the restaurant.’ They could hear the piano playing. But nobody would be there.”

Darryl Taylor, who worked at the restaurant and now works at the Grawemeyer home, heard the piano play by itself when he was at the restaurant. He asked Mark who was playing it. “He said it was the ghost piano,” Taylor says.

But Taylor also heard the piano play by itself play at Cynthia’s house. He thought it was the Grawemeyer’s daughter, Emily Alagic. But Emily told him she thought she was hearing him play it. 

And, Taylor says, “They didn’t just play a note. They played a nice long tune.”

So, why doesn’t Grawemeyer sell her haunted piano?  “I wouldn’t mind getting rid of it,” she says. “I actually have a nicer one that I play. It has so much history and story I’d feel bad getting rid of it. I’m assuming one day Leah will put it in her house in Texas. She’s in Fort Worth.”

Post script: “A new player piano sits where my piano sat at South Main Sushi,” Cynthia says.

That’s the restaurant that occupies the space at the old Grawemeyer’s. Cynthia still owns the building. But the “player” on that piano is mechanical. Not metaphysical.

Categories
We Recommend We Saw You

WE SAW YOU: RiverArtsFest

Danny Barlow recently attended his first RiverArtsFest, which was held October 19th and 20th on Riverside Drive.

“We kind of stumbled on it,” says Barlow, who attended with Kendra Hall. “We were Downtown doing a picnic and were looking for food.”

He was impressed with a man out of California who made watches. “I want to get connected with him. I want to get a couple of watches made.”

Around 165 artists markets were featured at this year’s event, which marked the 18th anniversary of RiverArtsFest, says founder and longtime board member Chuck Mitchell.

He had great feedback from the artists. “All of them are thrilled with their experience here,” Mitchell says. “Hopefully, they sell a lot of artwork, but they’re always happy with how we treat them, load them in, and provide lunch for them in our hospitality tent.”

And, he says, “We’re really trying to make it great for the artists to share a great experience in Memphis. And all love being in Memphis and being Downtown.”

Artists also head to Beale Street “and other areas after the festival closes each day.”

Categories
Food & Wine Food & Drink

Monique Williams Opens New Biscuits & Jams Location Downtown

Dinner — as well as breakfast, lunch, and brunch — is now being served at the new Downtown location of Biscuits & Jams at 24 B.B. King Boulevard, adjacent to Hotel Indigo.

The restaurant, which provides food services for the hotel and the public, recently held its grand opening.

Williams, who also owns Biscuits & Jams at 5806 Stage Road in Bartlett, Tennessee, says the new location has “a little more city vibe” since it’s in a Downtown hotel. “A certain type of upscale-ness you would think of a restaurant that’s attached to a hotel,” she says.

The Juke Speakeasy at Biscuits & Jams, which features a bar, food, and live music for people 25 years and older, is downstairs, where the iconic Memphis Sounds night spot used to be located. “I had been there in the past when it was Memphis Sounds. Very nostalgic. I thought we could do our own little take on that space.”

The new Biscuits & Jams location doesn’t have the same feel as the Bartlett location, which is “like walking into grandma’s house. A lot more cozy.”

But both places have her grandmother’s vibe, Williams says.

Her grandmother, the late Laura Stepter, was the inspiration for Biscuits & Jams as well as The Juke, she says. “You get two sides of Laura in here.” 

“My grandmother worked for Memphis City Schools. She did all types of different cakes, pies, and breads. She cooked for so many people. She made biscuits every day. Homemade biscuits. This is like a love story to her.”

Server China Crump

Biscuits & Jams upstairs is bright and airy, with light coming through the windows and an open kitchen where diners can see cooks “moving and grooving.” 

The decor is in green, gold, and tan. “Those earthy tones.”

Williams also includes pictures of different musicians hanging on the wall. “We serve biscuits and jam and preserves and ‘jams’ music.”

“Downstairs is all inspired by my grandmother in her younger days. She was a ‘preacher’s kid.’”

Her grandmother’s father was a minister in Indianola, Mississippi, in Sunflower County, but that didn’t stop Stepter from following her own path, Williams says. “In her younger days, she made moonshine.”

Stepter made brandy from the peach skins she collected after making her peach preserves. Williams says her cousin, who is a Biscuits & Jams co-owner, remembers how her Uncle Hoover got “deathly ill” and “almost died from getting into the moonshine our grandmother made.”

“Moonshine light fixtures,” which resemble Mason jars people used as moonshine containers, hang from the ceiling. The doors look like barn doors, tin is used on the front of the long bar, and the tabletops and chairs are made of rustic, distressed wood. “We wanted you to make believe you stepped into a juke joint. It has that kind of look to it.”

Performers Steve Bethany and Gerald Richardson

The Juke Boom Boom Room is a small, private, eclectic room off the side with a TV and comfortable chairs where guests can just relax.

The Juke Speakeasy at Biscuits & Jams features “moonshine-infused beverages,” Williams says. “Our signature cocktail drinks are made from moonshine.”

For now, items on the upstairs menu at the Downtown Biscuits & Jams are identical to those on the Bartlett restaurant’s menu. They include “a lot of the signature items that people have grown to love from the Bartlett location. But we will be introducing some different dishes with a certain amount of flair to them. A lot more Cajun, Creole dishes.” 

In other words, “Some delicious updates to the menu and more, with very intricate culinary items that I think people will love.”

Signature items include shrimp and crawfish Benedict, shrimp and grits, gumbo, and hamburgers.

And, on the upcoming dinner menu, Williams says, “You’ll see some alligator.”

An Alligator Corn Dog will be one of them. “It’s actually alligator that I marinated and I cooked. We batter it and fry it.”

They’re served on a stick with “different mustards. Cajun mustard and all that. And regular table mustard.”

Another upcoming dinner item will be Seafood Monica, which is made with a buttery Chardonnay, rotini noodles, shallots, cream sauce, and “other goodness.”

Williams also is planning to add catfish and grits with crawfish gravy, which has been a popular special at the Bartlett location.

A new brunch item is Lemon Ricotta Pancakes, which are thin, light, and similar to crepes. They’re served with blueberry syrup.

In addition to ordering food from the upstairs menu, customers can order from The Juke menu at night. Items include cheese charcuterie trays, crab cakes, truffle fries, and crab and crawfish bisque.

Her Bourbon Beef Sliders come with onion jam, arugula, and bourbon barbecue sauce, Williams says.

The Juke menu items, which also can be ordered upstairs at Biscuits & Jams, include cheese charcuterie trays, crab cakes, truffle fries, and crab and crawfish bisque.