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The Cheat Sheet

1. The local premiere of Craig Brewer’s award-winning film Hustle & Flow is held at Peabody Place. Hundreds of Memphians line a long red carpet, hoping to catch a glimpse of celebrities invited to the private screening. Nearby, the Peabody ducks thought, What’s the big deal? We do this twice a day

2. While the city slashes budgets in desperate cost-cutting moves, some government officials continue to enjoy lucrative car allowances. Division directors are reimbursed as much as $800 a month for their cars – an amount that will pay for just about any vehicle they’d care to lease, from a Vespa to a Viper. And Memphis Light, Gas and Water officials have an even sweeter deal – more than $1,000 a month. Okay, MLGW, can you please tell us again – with a straight face – why our utility bills are so high?.

3. Speaking of budget cuts, the city finally opens some public swimming pools, but 10 remain dry because we can’t pay for lifeguards. It’s always something, it seems. Maybe they could put just a little bit of water in those pools – just enough to dip your toes in. It’s hot outside!

4. Workers begin to widen Walnut Grove between I-240 and the Wolf River, a project that is scheduled to be finished in December 2008. In other words, the daily traffic jam there will be even worse for the next three and a half years. Better find another route to work, people. n

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Wonders on Wheels

We are going to kick them in the teeth right when they walk through the door.”

Sounds like Glen Campbell, vice president of the Wonders Series, is preparing for a rumble at the “Art of the Motorcycle” show, on display at The Pyramid through October 30th. Actually, he’s talking about the striking design of the exhibition, which features some 100 motorcycles from around the world, from a steam-powered 1884 Copeland to a Viking-inspired 2004 Honda Rune.

“It’s an avant-garde art exhibit, the kind of thing you might see in San Francisco or New York, but you’ve never seen this in Memphis before. Motorcycles are like sculptures in steel, rubber, and chrome, and we’ve displayed them like that,” says Campbell.

But a Wonders show devoted to motorcycles?

Well, it worked before. “Art of the Motorcycle” was originally produced in 1998 by the Guggenheim Museum in New York City, displaying more than 100 motorcycles from around the world. Considered a groundbreaking show for an art museum, it set new attendance records for the Guggenheim and then traveled to Chicago, Bilbao, Spain, and Las Vegas.

Memphis was going to be part of that exhibition tour, but because of scheduling problems, the show would have opened here in the winter –not a good time to host it, particularly when many visitors might ride in on two wheels.

But the staff at Wonders remained in touch with the Guggenheim Foundation. “Eventually we worked out a deal where we would essentially reconstitute the show,” Campbell says. “It would follow the same guidelines, the same curatorial intent, and the same concepts.”

The Memphis show, however, doesn’t include the same motorcycles. In fact, only five of the bikes from the original show are in this exhibit. When the Guggenheim exhibition ended, those bikes were returned to their owners. Wonders borrowed this exhibit’s bikes from collectors and museums throughout the United States and Canada.

The collection embraces the complete history of motorcycles, ranging from the Copeland steamer with a top speed of 12 mph (“Can you imagine riding something while sitting on a hot boiler about to explode?” asks Campbell) to a 1991 Suzuki Hayabusa that can take riders to a pulse-pounding 193 mph. In between, there are motorcycles from France (an 1897 Leon Bollée), the United Kingdom (a 1905 Royal Riley with a wicker sidecar, a 1929 Excelsior Super X, and a 1929 Scott Super Squirrel once owned by Steve McQueen), Italy (a 1927 Moto Guzzi and a 1956 Aermacchi Chimera), Germany (a 1942 KS-750 complete with machine gun mounted on the sidecar), Spain (a 1972 Bultaco 250 dirt bike), and even New Zealand (a 1994 Britten V1000 that had a top speed of 186 mph).

Memphis is represented by two bikes owned by Elvis Presley — a 1965 Honda Dream and a striking maroon-and-white 1957 Harley-Davidson. Elvis later sold the Harley to a friend, who held onto it all these years. One of the Wonders docents was overheard telling a group of visitors, “And a while back, he sold it to Graceland for $300,000.” Wonders won’t discuss the costs of some of these machines, but you get the idea.

Campbell understands that not everyone is fascinated by the roar of a mighty V-twin motorcycle — even one owned by the King of Rock-and-Roll:

“But I think this show will appeal to a lot of people. After all, we’ve had visitors who didn’t know anything about ancient China or the Medicis but almost universally loved the exhibits. The way we do it, the way we explain it, makes it work for the visitor who may not have a background in that particular subject.”

The motorcycles are arranged chronologically, each one mounted on a wooden or metal platform and illuminated by spotlights. An acoustiguide narrated by Tonight show host (and avid motorcyclist) Jay Leno tells the story behind each bike. It’s too bad, though, that “Do Not Touch” signs are mounted on each platform, because it’s tempting to hop aboard. What would it be like, one wonders, to hurtle down the road at 100 mph on a 1914 Cyclone — a ride made all the more thrilling since that machine, designed for track racing, didn’t have any brakes.

A red ribbonlike roadway (“sort of our version of the yellow brick road,” explains Campbell) twists through the exhibition. Along the way, text panels set each grouping of bikes within their historical context, and huge blowups of images from such classic films as The Wild One, The Matrix, and Easy Rider show the motorcycle’s role in popular culture.

The star-spangled “Captain America” chopper from Easy Rider is here — sort of. The original, considered one of the most famous motorcycles of all time, mysteriously disappeared before the 1969 film was released. But an accurate reproduction is on display, set off from the rest of the bikes by a mesh curtain — the motorcycle world’s version of the Mona Lisa.

Helping Wonders chief curator Stevel Masler acquire all the bikes were Ed Youngblood, who served 19 years as president and CEO of the American Motorcylist Association, and Pete Gagan, president of the Antique Motorcycle Club of America.

Gagan brought five machines from his own collection to Memphis. He participated in the original Guggenheim show and is enthusiastic about the Memphis version. “I think this is a wonderful exhibition,” he says. “The architects [Memphis’ Hnedak Bobo Group] have done a fabulous job laying it out, and the Wonders people have been great. This is the first time a show like this has appeared in the South, and there’s a lot of motorcycle enthusiasts down here who will want to see it.” •

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Cover Feature News

COVER STORY: Murder at the Miss Memphis Pageant

On the night of March 26, 1965, the auditorium of White Station High School was jammed with more than 1,200 people attending the semifinal competitions of the Miss Memphis Pageant. Since 1947, this had been one of the city’s biggest social events. The winner went on to the state finals and from there to the Miss America Pageant, and that Friday evening the panel of celebrity judges included Memphian Linda Mead Shea, the 1960 Miss America.

One of those among the crowd was 29-year-old Barbara Jean Smith known to her friends as Jean who had brought her three young children along to see the show. She had a special reason for getting the kids involved. Her husband, Joe, had volunteered to serve as chairman of the annual pageant, sponsored by the Memphis Junior Chamber of Commerce, or Jaycees.

Despite all the excitement, the kids David, 10; LaBonne, 8; and Michelle, 5 grew restless, so Jean left the auditorium during the 9:30 p.m. intermission. Her home at 847 Angelina was just five minutes away. She drove there, tucked the children into bed, and told the babysitter, 15-year-old cousin Elaine Boyuka, that she was returning to the school for the second half of the pageant. She would be back around midnight, she said.

No one except her killer ever saw her alive again.

The Next Morning

Joe M. Smith told police later that he wasn’t too concerned when his wife didn’t show up at the school after intermission. He knew she was tired and figured she had decided to stay home with the children. When the pageant ended shortly after 11 p.m., he had coffee with friends, then drove home in a Buick convertible loaned to him by the pageant.

Jean wasn’t there, and Joe assumed she had gone out with friends after the show, and they had somehow missed each other.

“I told the babysitter, ‘I’m going to lie down she’ll be here in a half hour or so,'” he told reporters at the time. “The next thing I knew, I was awakened by a fire engine. I looked at the clock, and it was 4 a.m. I was in a panic.”

His wife was still gone. Dressing quickly, Joe rushed to White Station and found the family’s yellow Ford sitting in the narrow lot between the school complex on South Perkins and Eudora Baptist Church next door on Poplar. Apparently Jean had returned to the school. But where was she? Using a pay phone at a nearby Pure Oil station, Joe called his wife’s friends but discovered that none had seen Jean since the previous night. He then drove back home, hoping his wife would be there. She wasn’t.

Not knowing what else to do, Joe returned to the school grounds with several fellow Jaycees, including Bob Jamison, Dan Forrester, and Vernon Ellis. Jamison remembers that the position of Jean’s car seemed odd. “That car wasn’t parked,” he says today. “It was just sitting in the parking lot, like maybe she was talking to somebody and got out of the car. When we pulled up there, and you saw the door was open, I just thought, Gee whiz.”

While waiting for the police to arrive, the men peered anxiously into the darkened windows of the school and searched under bushes. Years before, Jean had surgery for an aneurysm, and the men worried that she had perhaps blacked out in the school somewhere, so they awakened the custodian who lived on the grounds, and he unlocked the doors. All the rooms were empty. Then they went back outside and began to walk around the church building. Joe told a reporter from the old Memphis Press-Scimitar what happened next.

“We turned a corner, and Bob was still talking and suddenly stopped,” he said. “I knew it was something. I saw her about 50 yards away. She was lying face down. I started running toward her, but Bob caught me. I never did see how badly she was beaten.”

Ellis ran to the woman and discovered it was Jean.

“They took me away from the scene,” said Joe. “Nobody would tell me if she was alive. Finally, Dan came and told me she was gone.”

The rising sun cast light on a grim scene that morning. The body of Barbara Jean Smith lay sprawled on the edge of the parking lot, close to the southeast corner of the church building. Investigators would quickly determine that she had been clubbed in the head and then shot in the back three times with a .38-caliber weapon. Two of the bullets struck her heart; all three came out through her chest. She had then been shot a fourth time in the face, the bullet entering one of her nostrils. The gun had been held so close that her nose was burned with gunpowder.

The custodian lived in a small house tucked between the school and the church, not 50 yards from where the body lay. His wife, Jewell Freeman, told police, “I heard a bang, then another about 30 seconds later” at around 11 o’clock the previous night. The first sound was louder than the second, she remembered. “It could have been more than one noise going off close together. I thought it was firecrackers. I started to look, but didn’t.”

Investigators found Jean’s purse and shoes outside the double doors leading into the church complex from the parking lot. The purse was unopened and still contained her money and keys. Police also discovered the broken pieces of a revolver handle by the dead woman’s car and what appeared to be smears of blood on another door to the church.

The body was found fully clothed, and Jean had not been molested. “It just doesn’t make any sense,” her sister, Carol Kline, told The Commercial Appeal. “If it had been a sex maniac, it would make sense. But they didn’t even touch her.”

Who had killed Barbara Jean Smith, and why? And how did her body end up on the south side of the church building, when her car was parked on the north?

The Investigation Begins

Clues discovered by the police eventually answered some of these questions. They also revealed a frightening scene of a helpless woman fighting for her life.

The pistol fragments and a small pool of blood in the parking lot revealed that Jean had been slugged with the gun as she was standing near her car, and high-heel prints in the mud around the church building showed where the injured woman had run from her attacker. Also found were tracks from a “large-sized man’s shoe.” At one point, Jean apparently pressed her hand to her head, getting blood on it, and smears against the church doors showed where she had struggled to get inside.

But the doors were locked, and her killer caught up with her as she fled across the parking lot, shedding her purse and shoes as she ran. Just as she was about to turn the corner of the building, which would have put her in view of busy Poplar Avenue, her murderer shot her in the back, then fired the final bullet into her face as she lay on the asphalt.

Detectives from the Memphis Police Department’s Homicide Division immediately began a door-to-door search for suspects or witnesses. They took aerial photographs of the Poplar-Perkins area so they could verify tips or statements. Those pictures also gave them a view of nearby rooftops, on the assumption that the killer may have discarded the weapon by tossing it atop a building. Scuba divers even searched the lake at nearby Audubon Park for the gun.

The autopsy added another mystery to what was already a baffling crime. The medical examiner estimated the time of death between 10 and 11 p.m. meaning the killing occurred while the pageant was taking place just a few hundred yards away. According to the autopsy report, Jean’s stomach contained “relatively undigested fragments of what appear to be sliced green beans and a fragment of sliced pickle,” which should have been digested within an hour or so (suggesting that she had not gone directly back to the pageant from her home).

Investigators questioned the employees of Memphis restaurants. The Press-Scimitar ran Jean’s picture on the front page under a headline asking, “Did You See Her, or Serve Her?” Among other things, detectives wanted to know if she had dined alone or had met somebody that evening. They never found an answer.

At least one person noticed Jean’s car at the school that night. Mrs. David Parker, whose husband was production manager of the pageant, afterwards went with friends to the Carousel Restaurant (now the Half Shell) on Mendenhall for coffee. She and her husband then returned to the school auditorium about two hours later to help clean up. “Her car was the only one in the parking lot at 1 a.m. We couldn’t miss it,” she told a reporter. “We had to drive right by it. My husband remarked, ‘I wonder what Jean’s car is doing here so late?'”

But days passed, and nothing turned up. Police Commissioner Claude Armour announced, “All days off have been canceled by all our homicide officers, and I have detailed additional men to the investigation.” At one point, police suggested, “The way she was attacked and shot and the way that she ran indicated that she knew her killer.” That notion put a scare into everyone who had attended the Miss Memphis Pageant that evening. Would any of them be next, they feared?

The mother of Jean’s babysitter, Elaine Boyuka, told reporters the girl was terrified: “She believes the murderer thinks she may have seen him and will try to get her next.” Adults were nervous too. “We didn’t even go out of the house for the longest time,” recalls Bob Jamison. “We were afraid to. I just didn’t know what was happening.”

Police didn’t elaborate on any theories about the crime, but people were already wondering why Jean, after being confronted by her killer in the parking lot, didn’t run toward the relative safety of the crowded auditorium but instead fled in the opposite direction, around the deserted church building.

They also wondered if there was any connection between Jean’s death and the murder of Mary Elizabeth Barker, shot with a .38-caliber weapon inside her apartment at 2842 Kimball on Christmas Eve just a few months before. Then, two days after Jean’s death, another woman, Lessie Gates, was found shot to death inside the Coach House Restaurant she operated at 1085 Poplar. Armour tried to reassure nervous citizens. “I want to make it perfectly clear that there is no maniac at loose in Memphis responsible for these deaths,” he told the newspapers. (The Gates murder was later pinned on a disgruntled restaurant worker. The Barker killing, however, remains unsolved.)

After a week passed with no progress in the Smith case, homicide inspector Edward C. Swann didn’t try to conceal his frustration, telling the newspapers, “Some people are playing cat-and-mouse games with the police who have information that will aid in the investigation but, for one reason or another, are not giving them to police.” He admitted, “We need all the help we can get.”

That help never came. Barbara Jean Smith wife, mother, civic worker, den mother, Berclair School PTA president was laid to rest in Mt. Vernon Cemetery. “No one had anything except good words about her,” said a Press-Scimitar story headlined “She Was So Nice: Why Kill Jean?”

Memphian Ann Kane graduated with Jean in 1954 from Tech High. She remembers, “She was a real sweet girl. She took art and liked to draw. She was real outgoing and friendly. A lot of girls had ‘reputations’ in high school, but she wasn’t like that.

“I would never have thought something like this would have happened to her,” she continues. “When you’re looking through your old annuals, you think, Gee, I never thought that girl would have been murdered.”

A few days after the murder, Joe Smith told reporters, “She was always at my side. She helped me work through college. She raised these kids in the grandest fashion. We had a real, real deep love. This [the pageant] was going to be our last big civic project. We were going to really concentrate on our children and go on vacation.

“I’m really going to miss her.”

Looking for Suspects

When the police failed to turn up a suspect, it didn’t take long for friends and associates to wonder about Joe.

“It was very obvious the police thought Joe did it,” Jack Morris, a former Jaycees president, says today: “And listening to what they said we kind of suspected the husband did it. Either he had done it, or a complete and total stranger did it.” Even Jamison agrees it looked bad at the time for his pal Joe: “The way he talked, the way he acted, after everything was said and done, it was all but pointing at him. But nobody really said anything, because nobody really knew anything.”

Police never formally identified Joe as a suspect and made it clear that he was working with the authorities: “Mr. Smith has been down here several times voluntarily, and we have talked to him on the phone,” Swann told reporters. “He has cooperated with us in various ways.” Detectives questioned him off and on for more than a week, until attorney J.B. Cobb, hired by the family, put a stop to it. “I certainly think that eight days is long enough to question someone over and over,” Cobb complained to reporters.

Besides, what was the motive? Most people said the couple seemed very happy together. “She had a real nice figure and what I would call a flirtatious way about her,” remembers Morris. “But I never knew of anything, any infidelity she was involved in.”

As Jean’s sister said, it just didn’t make sense.

One immediate problem was what to do about the Miss Memphis Pageant, which was to conclude on Saturday evening the same day Jean’s body was found. The Jaycees finally decided the show must go on, and Judy Cobb was named the 1965 Miss Memphis.

On March 31st, the police commissioner held a press conference to announce well, not much. The Commercial Appeal reported that Armour said no arrests had been made, but “many suspects are being questioned.” In answer to a rumor that someone had actually confessed to the crime, he said, “I don’t know where these things get started. But I will say that we have not eliminated anyone as a suspect in this case.”

Have the other bullets been found?, a reporter asked, referring to the three slugs that passed through Jean’s body. Answer: “I don’t believe we care to comment on that.”

Has the murder weapon been found? Answer: “I don’t believe we want to say anything about the evidence at this time.”

Were any fragments of the gun handle found? Answer: “No comment.” And so on.

A week later, police revealed they were working on a bizarre theory that Jean had turned into the parking lot and interrupted a “peeping tom” who was peering into the school windows and watching the Miss Memphis contestants change their clothes. According to a Press-Scimitar story, “Mrs. Smith could have called out to ask what he was doing and the man could have turned, and they saw they knew each other, and he killed her.”

The paper didn’t reveal the source of this theory which disregarded the fact that the contestants actually dressed inside the school auditorium, not even close to where Jean parked her car.

Other people had other theories. “Suppose some man saw Jean driving alone back to the school and followed her,” said Morris. “He could have followed her into the drive, and it could have been a sex maniac.”

But police discounted that the murder was a random act, telling reporters, “The slayer probably knew her because of the brutal beating and the four shots, the last into her face to make certain she was dead.”

Those same reporters noted that Swann was “alternately optimistic and glum.” At one time, he told The Commercial Appeal, “doors are opening,” while later saying, “I can’t foresee any arrests at this time. We have questioned at least 80 or 90 people so far in this case. This one is a real mystery.”

In fact, Swann had personally carried evidence, including Jean’s clothing, to FBI headquarters in Washington, D.C. The results, he told reporters, were “enlightening,” but he wouldn’t explain why. Police also never revealed if the slug from Jean’s body matched any of the bullets taken from the body of Barker.

Even the time of death couldn’t be determined, adding to the confusion. Many people at the pageant that evening insisted they would have heard the gunshots if Jean had indeed been killed between 10 and 11 p.m. So the medical examiner, Dr. Jerry Francisco, revised his earlier statement and said Jean could have died as late as 2 a.m. “Only Sherlock Holmes and TV sleuths can pinpoint the exact time of a murder,” he admitted to reporters.

He also revealed one other detail. Jean had died instantly. “The bullet that killed her entered her back and pierced her heart,” he said. “The bullet in her face was not lethal.”

Even amid all the uncertainty, one thing struck a Press-Scimitar reporter as a bit unusual: “Security around this investigation is the tightest in recent years.”

A Year Passes

Joe soon resumed his job as credit manager at General Electric Credit Corporation. In May 1966 a little more than a year after the murder newspapers reported he was marrying Sarah Frances Cox, who worked in the same building as he did. GE gave Joe a promotion, and he moved with Sarah and his three children to Texas.

“The children love Sarah, and she loves them,” Joe told reporters. “We hope to make a new start in Houston.”

That same month, Jean’s murder was included in a Press-Scimitar cover story on five unsolved murders in Memphis. Attorney General Phil Canale revealed his office had new information about the Smith case: “Because of a bus driver, we now have evidence to think she was killed between 10 p.m. and 10:40 p.m., a time when a good many people were still at the pageant area.”

Who was this bus driver, and what did he see, exactly? Canale “would not elaborate.”

Even more mystifying, however, was a statement from police commissioner Armour in that same story. The police, he said, “have enough evidence on the Smith and Barker cases to convict. We know who the killers are. It’s just a matter of time, of waiting. You don’t make an arrest unless you know you have all the holes plugged up.”

Certainly a poor choice of words regarding shooting victims, but no arrests were made in either case.

Two Years Later

Two years after Jean’s murder, however, a special crime committee formed by Mayor William B. Ingram dropped a bombshell. Without revealing the source of their information, on April 22, 1967, the group told reporters that they believed a Memphis police officer was involved in her death.

Newspapers reported, “The officer had met Mrs. Smith a year before the slaying, had driven her home on one occasion, and telephoned her several times for a date. Mrs. Smith, it was stated, had complained to her husband that the officer was bothering her, and Smith had complained to the police department.” The officer was not named, but newspapers said he “reportedly holds a rank above that of patrolman.” Ingram would only say, “He is a suspect.”

That didn’t sit well with the police department. “They ought to name him,” complained police chief James C. MacDonald. “It’s unfair to all the other officers. By not naming him, they’re indicting me or any other law enforcement officer. Let’s call a spade a spade.”

The Press-Scimitar agreed. In an editorial, the paper declared, “The mayor has committed a serious blunder in making such a statement. By doing so he has cast a shadow of suspicion over hundreds of innocent law officers. If there is evidence definitely implicating someone in the crime, let a warrant be sworn out naming the individual suspect.”

That never happened. Forty years have passed, and no arrest was ever made in the murder of Barbara Jean Smith.

Still Unsolved

“Has it been that long? Forty years? I vaguely remember the name, but it’s just cold,” says John Carlisle, a former investigator with the attorney general’s office. “I imagine a world of investigators on that case are dead.”

He’s right. Four decades later, this cold case has grown even colder. Many officials with the police department and attorney general’s office have passed away, as have many of the Smiths’ family, friends, and associates. According to Jennifer Donnals, communications director with the district attorney’s office, most records before 1970 have been destroyed.

Quite a few people contacted by the Flyer couldn’t recall details about the crime. Bill Morris, county sheriff at the time and a former Jaycee, today says he remembers the case “just vaguely” since it was a city case, not a county one. “I couldn’t add anything of significance to your story,” he says.

Others simply do not want to discuss what happened on the evening of March 26, 1965. “I decided I would never talk about it again,” says one Jaycee today.

The Smith Family Today

Joe, now 72 years old, is still living in Houston. He and his second wife, Sarah, were divorced many years ago, and she passed away in February in Arkansas. Joe has since been married four more times. When contacted by the Flyer, he made it clear he did not want to talk about the events of 1965: “It’s really terrible for me, just to think about this.” His oldest daughter was 8 at the time of her mother’s murder. Now 48, married, and living in Texas, LaBonne Casey says, “We were brutally aware that my father was a suspect, and we were with my mother the night she died. It affects our lives to this day.”

She has haunting memories of the morning they found her mother’s body.

“That very night, I dreamed that my father had died,” she recalls. “When I woke up, the house was full of people, and I knew something was wrong, but I thought my dad had died, not my mother,” she says. “All day I asked for my dad, and finally they took us to my aunt and uncle’s house. I remember I asked for some comic books, and one of my uncle’s friends brought over a grocery sack full of comics, and that confirmed my worst fears that something awful was happening.”

LaBonne says she and her older brother and younger sister were taken back home later that day, and “our preacher and my dad told us that she had been killed.”

The murder was a devastating blow to the family. “Not only did I lose my mother that night, but in a manner of speaking, we lost my father too,” she says. “It was very traumatizing. I can honestly say that I was almost a lost soul, but I recovered, and I am now a productive, contributing citizen.”

When the police investigation appeared to reach a dead end, some of Jean’s personal belongings were given back to the family.

“They returned her purse to us,” LaBonne says. “My sister believes there’s a large bloodstain inside the purse. Of course, whether DNA would be intact after all this time, I have no clue. But we kids have looked at and touched that thing for 40 years.”

LaBonne has heard all the theories behind her mother’s death, including the notion that the killer could have been a woman. And there’s always the possibility that the murderer was a complete stranger whom Jean encountered in the dark parking lot that night in 1965. “That was my grandparents’ contention,” she says. “The official ‘party line’ to the children was that it was just a random act of violence.”

After all these years, she and her relatives are still waiting for answers.

“I can tell you that we are very interested to have some closure in this case,” she says. “It has been an ominous cloud over our family for 40 years. It’s always been my hope that someday somebody will come forward even if it’s a deathbed confession.”

That’s what it may finally take to solve this enduring mystery.

“Right now, I’m not going to open up the Barbara Jean Smith investigation, because there is just not enough new information,” says Captain James Fitzpatrick, head of the Memphis Police Department’s recently formed Homicide Cold Case Squad. “But I’m glad [the Flyer] is going to address this matter. It will get it back out there before the public, even though it has been 40 years. You never know what someone may recall or what they have been keeping within them all these years.”

Fitzpatrick has reviewed the complete homicide investigation report, which totaled several hundred pages. “It’s one of those investigations where you don’t see a motive,” he says. “I guess a prudent individual would say this had to be somebody she knew.”

According to the reports, both Jean’s and Joe’s cars were examined thoroughly before being returned to the family. Jean’s purse, found at the crime scene, was dusted for fingerprints and also returned. (“Unfortunately, we didn’t have DNA at the time,” Fitzpatrick says.) Police also conducted a paraffin test on Joe’s hands, looking for gunpowder that might determine if he had fired a gun recently. That test proved inconclusive.

“But we put him under the microscope,” says Fitzpatrick. Looking at his actions between Friday evening and Saturday morning, detectives “put together a timeline for him that for the most part eliminated him as a suspect. And I say for the most part. But not totally.”

Fitzpatrick believes that the old newspaper stories announcing the police were about to make an arrest were obviously premature: “Apparently they didn’t have enough [evidence] to take to the grand jury for an indictment.”

All the evidence collected during the original investigation is still stored in the MPD’s Property and Evidence Room. “If anything should come up,” says Fitzpatrick, “I am certain I could put my hands on it.” And, as he points out, there is no statute of limitations for murder.

Today, Barbara Jean Smith lies in lot 151-D of Memphis Memory Gardens (formerly Mt. Vernon Cemetery), west of Whitten Road. Her grave is identified by a double bronze marker. Between her name and Joe’s is a weathered scroll reading, “Together Forever.”<

Anyone with information about the slayings of Barbara Jean Smith or Mary Elizabeth Barker should call Captain James Fitzpatrick with the Homicide Cold Case Squad, 901-545-4600.

Categories
Letters To The Editor Opinion

15 years of Cranky Letters

Remember that famous scene from Miracle on 34th Street? Where all the mailmen drag in those huge bags of mail addressed to Santa Claus and dump them on the judge’s desk? Well, that same thing takes place every morning in the mailroom of The Memphis Flyer. Not a day goes by, it seems, that we don’t get hundreds — perhaps thousands — of letters to the editor, praising us for our insightful coverage of local issues and our thought-provoking editorials.

Now it’s true that not ALL of those letters are complimentary. Sure, over the past 15 years, we’ve received a few — just a smattering, really –of letters and postcards and e-mails that are somewhat critical of our work. Okay, let’s just fess up and admit it: Some of the things we have written about over the years have actually provoked some pretty nasty responses. For our 15th anniversary, we did a quick look through back issues and came up with 15 topics (in no particular order) that always generate cranky letters to the editor, such as:

1. Mud Island

“Who the hell wants to hang out at a place called Mud Island? Am I the only person who finds it odd to name an attraction after a watered-down form of dirt? We need a new name that will attract residents from all over the Mid-South with their bulging wallets and penchant for the cheap and tawdry. Let’s call it Camaro Island.”

— Sid Williamson, August 8, 1996

2. Goths

“Great job. You’ve just pissed off every goth in America with your review of Dark City. While it may be true that goths will like Dark City, we are not all vampire-killers and Marilyn Manson fans. It would be nice if your writers did some research on subjects that they obviously know nothing about. Next time, don’t look to Jenny Jones for information about goths; ask a goth personally.” — Anonymous, March 19, 1998

3. Tim Sampson

“For some time I have watched, first with amusement, then with amazement, and of late with simple irritation as Tim Sampson’s We Recommend column has degenerated into a ‘I Really Can’t Recommend Anything As I Don’t Know What I Am Talking About’ parody of a column. If you want to spend more than one iota of your busy life to find out what’s really out there, Tim, and coincidentally rescue your reputation as a savant from the ‘laughingstock junkpile’ to which you are increasingly being relegated, it’s not too hard to do. There may be life after Linda Gail, also.” — Walter Rumbarger, June 6, 1991

4. Abortion

“We cry ‘save the whales,’ we protect the eagles, we lament the decreasing habitat for wildlife — noble causes, to be sure, but who weeps for the unborn? Who do we hold responsible? I agree with those who feel that apathy is our greatest foe. We have lost that part of ourselves that allows us to feel for the unborn.” — Chuck Ryan, April 18, 1991

5. Jimmy Carter and/or Those Commie Bastards

“That’s it. I’ve had enough. I’ve suffered through reams of inane editorials from the Flyer crew, laughing and/or crying over the convoluted ‘logic’ and the absolute lack of economic insight, most notably in the tripe written a few months ago eulogizing the oh-so-impressive Jimmy Carter and, flying in the face of history, insisting that Ol’ Peanuthead was a pretty darned good president (nearly split a side on that one). But now the camel’s back is lying in umpteem pieces. Your editorial offering a nostalgic, teary-eyed farewell to our dear ol’ buddy communism was absolutely the most pathetic excuse for a philosophic position I have ever encountered.”

— Jody Callahan, January 23, 1992

6. George W. Bush

“Please pass the word to your editorial writers that George Bush is president of the United States. Elected. Confirmed. Inaugurated. Even with all the illegal votes The New York Times could round up in six-and-a-half months of digging. That’s The New York Times, you know, the Koran of leftists the world over. Even though no leftist paper in the hinterlands of America would dare reprint it any closer to the front page than the funnies, it is true — Bush is the man. Please notify your columnists and cartoonists, also. Thanks.”

— Mike Crone, December 6, 2001

7. That Liberal Media

“Your article ‘Liberal Media Myth’ proved one thing about The Memphis Flyer. It can be as sanctimonious, egotistical, and self-indulgent as any liberal newspaper in the country. No doubt the liberal media will go on deluding itself, as all narcissists do, because the system provides a built-in support group. There are plenty of self-righteous journalists around to give each other comforting pats on the fanny, even when mean old reality is battering the sanctuary doors open.” — William Rolen, September 3, 1992

8. Rush Limbaugh

“Rush fans are young and they are Christian and they are everywhere, especially in the classroom. So, I can’t tell you how relieved and grateful I am that someone as cool as Tim Sampson gets letters from young Christian women telling him to go fuck himself. At least I’m in good company.” — Anonymous, March 17, 2004

9. The Grateful Dead

“In regards to Paul Gerald’s ‘Just What IS It About the Grateful Dead?,’ first let me state that although I am not particularly a fan of the Grateful Dead, I do appreciate their music for what it’s worth. However, Mr. Gerald, did you intend for your article to be as lengthy and unending as one of the Dead’s concerts?” — Bill Andrus, May 12, 1994

10. Good Beer

“Hey, Flyer people, why don’t you ask that wino dude reviewer of yours to come off his high horse and do an article on something that really matters: Why honest civilians cannot walk into a convenience/grocery/beer store in Memphis and purchase a good-tasting beer — not a mediocre one or some bogus ‘licensed by the big boys’ import, but a good one? I know your ad rates; surely you have enough revenue these days to strap on some balls, Flyer.” — Sherman Willmott, May 26, 1994

11. Nekkid Women

“I was alarmed at the July 21st issue. The first thing I found was an article headlined ‘Hey Kids, Get a Load of These Knockers!’ I first thought surely this is not referring to women’s breasts; as I read on it was clear that it was. The article goes on to state that these were the Penthouse Pets’ breasts. I would like to know if you find this entertainment for the family?”

— Robin Smalley, August 4, 1994

12. Topless Dancers

“What [special prosecutor Larry Parrish] is doing for our city is an admirable task. But I guess a family man of values is the archenemy of a liberal rag like the Flyer. He won’t do business with many of your advertisers; I can’t see Mr. Parrish getting a tattoo or sleeping on a futon.” — James Hill, August 1, 1998

13. Tom Tomorrow

“Your disgusting cartoon, This Modern World, would be expected on the shelves of a pornographic bookstore, but not in a public media. How could the Flyer publish a series of explicit sexual relations depicting homosexuality, anal intercourse, and depravations under the banner of humor? Your editorial staff, which permitted this publication, is guilty of endangering the youth of our fragile society.” — John-Patrick Scott, April 23, 1998

14. Recyling (Yes, Recycling)

“I am convinced that your name comes from an airhead approach to journalism. Your paper constantly offers readers fluffy little overviews that barely skim the surface. [Environmental columnist Debbie] Gilbert was not once but twice given an opportunity to question some very real issues regarding local recycling efforts.” — Kathy McGregor, May 9, 1991

15. Vance Lauderdale

“I could do Lauderdale’s job with no effort at all since I have a B.A. degree from MSU. I could do his job dead drunk, I believe.” –Mary Shoat, March 31, 1994

Categories
News The Fly-By

Seventy Years Down the Drain

More than 50 members of the Maywood Homeowners Association applauded as Hugh Armistead described his plans to convert Maywood Beach into a planned subdivision and gated retirement community.

During the one-hour meeting held Tuesday night, June 30th, at Holy Cross Episcopal Church in Olive Branch, Mississippi, not a single person objected to the closing of the pool, which has been a popular swimming and picnic spot for Mid-Southerners for more than 70 years.

Armistead, an attorney who has owned Maywood since 1987, explained, “Previous owners told me that the more people you have, the more money you make. Well, I discovered that the more people you have, the more risk you take, and the more problems you encounter.”

A developer named Maurice Woodson opened Maywood on July 4, 1931, naming the beach after his wife, Mae. The sand for the beaches was trucked in from Destin, Florida, and the pool, with its slides and waterspouts, was promoted as “the beach within reach.” Times have changed. Armistead mentioned “a huge amount of crime coming in” and alluded to the previous Sunday when a young man broke into a car in the parking lot. Police were called to quell the fight that broke out when the thief tried to escape by running across the beach. That incident, he said, convinced him to close the facility one day earlier than originally planned.

The other factor was the increasing liability. “We’ve had a remarkable safety record,” he said. “In the past 15 years, we’ve never had a loss of life or a major claim. But that pool is more difficult to [life]guard than the beaches on the coast. The sand gets stirred up and it’s hard to see into the water.”

Most places like Maywood are no longer privately owned because of limits on liability insurance, he explained. “If the city or state owned it, there would be a $250,000 cap on any lawsuit. That’s the law. But I could be hit with a $6 million suit.”

Armistead outlined his plans to convert the parking area into lots for nine homes. The pool will be filled in and converted into a retirement community with as many as 30 residences.

“My intent is to capture the feeling of Harbor Town,” he said. “I’ll have an architecture committee come up with design guidelines. But I’m going to do this right. I’m not going to do anything bad and then run off,” pointing out that he has lived in the area for 52 years.

“I think I’m speaking for everyone here when I say I’m glad to see this,” one homeowner responded, and his comments were met with applause. “It’s a real credit to our community. Every year, I’ve seen more and more people just driving around out here — not the kind of people who would be visiting, either. We’re lucky we haven’t had a crime spree.”

Residents asked questions about keeping the trees, extending water and sewer lines, and adding fire hydrants. One concern was Mirror Lake, which is replenished by runoff from the pool. Armistead said he wasn’t sure how the lake would be affected by his project.

Even so, everyone seemed pleased with the news. “I’d rather see a real community here than that pool any day,” said another resident.

That sentiment wasn’t echoed by visitors who came to Maywood the day before, expecting to splash in the pool one last time. Instead, they were greeted by a scrawled sign reading “WE ARE CLOSED” tied to the locked gate.

“Oh, the Woodsons must be turning over in their graves,” said one white-haired woman, peering over the wrought-iron fence. Workers dismantling a trampoline said that people had come by all day long, taking pictures of the Maywood sign and the pool, which had already been drained. “There were two women who drove here from Virginia,” said one fellow. “Some people even took off from work to be here on the last day.”

At the Tuesday meeting, Armistead said that selling Maywood wasn’t an option, nor was keeping it open. “It’s not that I just got sick of it and decided to close it,” he said. “That’s what I want y’all to understand.”

After the meeting ended, one young woman walking to her car said she didn’t understand. “He didn’t even try to advertise it,” she said, shaking her head. “He just wanted to close it. I’ve been swimming here for 17 years, and now I’ve got nowhere to go.”

Categories
We Recommend We Recommend

Eternal Egypt

Toiling in the blazing sun and using crude pulleys, ropes, rollers, and massive blocks of stone, slaves struggled for decades to build the great pyramids of Egypt outside the ancient capital city of Memphis. Today, workers from England and America are making use of considerably more advanced devices — electric lifts, acrylic paints, Plexiglas panels, electronic temperature monitors, and more — to re-create that ancient culture in the air-conditioned basement of The Pyramid in modern-day Memphis, Tennessee.

They’ve had just a few weeks to do it, but “everything will be ready, I’m sure of it,” says Brantley Ellzey, an exhibit designer working with Wonders: The International Cultural Series, which is presenting “Eternal Egypt: Masterworks of Ancient Art from the British Museum,” opening here June 28th.

The exhibit of 144 objects, culled from the largest and most important collection of Egyptian artifacts outside of Cairo, will present more than 35 centuries of Nile culture, from the Old Kingdom of 3500 B.C. to the Roman occupation of Egypt in the fourth century A.D. Objects on display range from exquisitely crafted gold jewelry to carved wooden sarcophagus lids to massive sculptures of lions and pharaohs.

Organized by the American Federation of Arts and the British Museum, the exhibit will visit eight American cities during its three-year tour, and moving such valuable objects around takes special precautions.

“They’re not so fragile that they can’t travel,” says Nigel Strudwick, assistant keeper with the British Museum, who is in Memphis with his staff to supervise the installation. “But they are all incredibly valuable, and they have to be carefully monitored, especially the wooden and bronze objects, because they react so easily to damp.”

Moving such treasures from the arid climate of Egypt to the less-than-arid climate of Memphis would seem to be a problem, but Strudwick points out, “These objects were originally made in a hot, basically dry environment, but they’ve been in the British Museum now for anywhere from 150 to 200 years, and they’re used to the British temperature and humidity.”

Another challenge is deciding how to showcase such a broad span of culture. Other Wonders shows focused on a particular historical figure, such as Napoleon or Catherine the Great, or a specific event, such as the sinking of the Titanic. Even the Ramesses the Great exhibition, which kicked off the Wonders Series in 1989, embraced the life and times of just one of Egypt’s many rulers.

“This show is different from Ramesses because this has more emphasis on art and the progression of art through the centuries,” says Nona Allen, Wonders’ public relations manager. “So you’ll see Early Kingdom art as opposed to the Ptolemaic Period, and you’ll see how the art progresses, and even how the mediums they use have changed.”

Visitors will descend into the exhibition past brightly painted murals which create the sensation they are entering an ancient tomb. The first artifact they encounter — to set the stage for the show — is a life-size (and lifelike) 7,000-pound red granite carving of a lion from the New Kingdom reign of Amenhotep III. After that, they pass through a series of 13 galleries arranged chronologically. The objects themselves are showcased in simple Plexiglas cases, but the galleries are dramatically lighted, and many of them are adorned with elaborate murals replicating the elaborate art found inside Egyptian tombs.

Highlights of the show include a massive quartzite sculpture of the head of Amenhotep III, a delicate calcite carving of a royal woman from the Fourth Dynasty, a brilliantly colored molded-glass perfume bottle in the form of a “Bolti-fish” (a symbol of renewal and rebirth to the ancient Egyptians), magnificent ebony statuettes of servants and minor officials that are so perfectly carved viewers can admire their muscles and toenails, and painted papyrus panels showing judgment scenes from The Book of the Dead.

Because of the emphasis on art, one added feature of this exhibition that hasn’t been a part of previous Wonders shows will be the “Imagination Station” activity center for children. Here, adjacent to one of the galleries, kids can try to assemble a large pyramid-shaped puzzle, make and decorate their own paper crowns (both Old Kingdom and New Kingdom versions), string together bead necklaces, make hieroglyphic rubbings off linoleum blocks, and even create their own Egyptian-style cartouche.

“It’s set up for families, so parents can participate with their children,” says Elisabeth Childress, a local artist and teacher who designed many of the murals in the exhibit and created many of the activities here. “It really does reinforce what they’ll see in the museum exhibit. They can see the different styles of crowns and jewelry in the galleries, and they can come in here and try to approximate them. Or they can just make anything they want.”

Childress even tested the projects with classes from different schools, and the kids liked everything they tried.

“It’s really been fun,” she says. “It’s just one of those things that comes together.”

Eternal Egypt:

Masterworks of Ancient Art from the British Museum

June 28th-October 21st, The Pyramid

Open daily 9 a.m. Last entry is 8 p.m., Tickets are sold for a specific date and time.

Prices: $14 for adults, $13 for seniors (60+), $10 for college/military with I.D., $6 for youths (5-17).

For tickets, call Ticketmaster at (901) 743-2787, visit the Eternal Egypt Web site (www.eternalegypt.org), or stop by The Pyramid box office at the north entrance during exhibition hours.