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Book Features Books

Memoir chronicles the life and times and music of Jim Dickinson

As a tourist on the Dickinson Delta Musical Expedition, the decision of where to stop on your journey will be a difficult one. Baylor University? East Memphis? Muscle Shoals? West Memphis? Miami? Hollywood? Where will you climb out of that “canary-yellow Ford Torino with racing stripes, a full race cam, and three on the tree” to walk around and stretch your legs a bit?

Linger. Take in the sights. But get ready to move again, because your road map is Jim Dickinson’s long-awaited memoir I’m Just Dead, I’m Not Gone (University Press of Mississippi; with Ernest Suarez), and it is a Benzedrine-fueled romp with one hell of a soundtrack.

I first came to know of Dickinson as the pianist on “Wild Horses” off the Rolling Stones’ 1971 album Sticky Fingers. I knew that he produced The Replacements’ 1987 album Pleased to Meet Me at Ardent Studios.

But I knew little else until I jumped on the ride that is this book.

Though he was born in Little Rock and grew up mostly in the Berclair and East Memphis neighborhoods of Memphis, Dickinson’s musical journey took him through the dusty notes of Texas blues as a student at Baylor where his interests lay in the theater arts, in drugs and alcohol, and in chasing down the ghosts of heroes and legends such as Blind Lemon Jefferson. “There was no doorway to the past,” he writes. “No Rosetta Stone to unlock the blues’ secrets.” Yet, it was in chasing those specters that he came to know himself and what it was he was passionate about.

He spent his formative years in Texas and at then-Memphis State University avoiding the Vietnam draft and honing a craft he wasn’t yet sure how to utilize. Like so many young men and hopeful musicians from his era, it was a folksy Jewish boy from Minnesota who would turn Dickinson’s world on end. Bob Dylan completed what Elvis Presley, Little Richard, and Furry Lewis had begun. His education began in earnest at places such as the Plantation Inn in West Memphis and even closer to home. “I discovered a burgeoning bohemian scene at the Cottage Coffee House in Midtown. The Cottage served coffee, featured poetry readings, and flamenco guitar music. There was a chess game in the corner. It was a great place to hang.”

Dickinson’s book is a history of white-boy blues, folk, and rock-and-roll in Memphis. He paid his dues at the Cottage Coffee House, the OSO, and the Bitter Lemon and spending time with other misfits at Beatnik Manor. He conceived of the Memphis Folk Festival and the Memphis Country Blues Festival, both at the Overton Park Shell.

He made his bones recording with Larry Raspberry and the Gentrys at Chips Moman’s American Sound Studios. It was the gig that opened his eyes to the possibility (the magic) of producing records. His big break came as a producer at Criteria Studios in Miami for Atlantic Records. It was there that he put together the house band the Dixie Flyers and recorded such acts as Aretha Franklin, Delaney & Bonnie, Sam the Sham, and Carmen McRae alongside industry legends Jerry Wexler and Tom Dowd.

Dickinson would later return to Memphis, where he was most at home, with jaunts to Los Angeles and New York as his talents were needed. What we learn from the journey is that it isn’t so much the locations but the people who populate them. This singer/songwriter/producer/misfit knew everybody, and if you recognize half of the names, then you’re probably in the book as well. A companion tome with bios and discographies of all the names Dickinson drops would serve the reader well. But no matter how many colleagues and compatriots he mentions, there’s one that’s the most important and that shines through chapter after chapter: Mary Lindsay, his wife and partner in crime. Their marriage was the one adventure that ever really mattered to him.

The adventure ends too soon. Dickinson died in 2009 at the age of 67 following triple bypass surgery. With him, he took a wealth of music history and knowledge, but what he left — the music, the stories, the rambling good times — will keep us entertained forever.

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Book Features Books

Lydia Peelle’s The Midnight Cool

Lydia Peelle, by her own admission, is a time traveller when she’s writing. In her new novel, The Midnight Cool (Harper), she takes us along with her to the American South of 1917 and the beginnings of World War I.

At the center of Peelle’s book are mules, the most maligned and stubborn of beasts. The author has a soft spot for them and writes with compassion about the animal anomalies. “A lot of the elements of the book have long-captured my imagination: The relationship of men and horses and mules is one, horse traders and that subculture and characters is another,” she said by phone from her home in Nashville.

The story follows two less-than-ethical horse traders, Billy Monday and Charles McLaughlin, skilled at masking the flaws of lesser animals and at smooth-talking customers, respectively. The tables are turned when they themselves are duped and Charles purchases a spirited (read: dangerous) horse from a wealthy man in fictional Richfield, Tennessee. Perhaps Charles is mesmerized by the stateliness of the sedated mare, or perhaps it’s the horse owner’s daughter, the beautiful Catherine Hatcher, clouding his judgment. Either way, the two hustlers find themselves in possession of a man-killing horse and, Charles, anyway, of a lovelorn heart.

Against the backdrop of the beginnings of a Great War in Europe, we learn the connection of the two men — a middle-aged Irish immigrant (Billy) and the teenage son of a prostitute. Charles has dollar signs in his eyes and a youthful obsession over the wealthy. Thus is he drawn into the coterie of Catherine’s father, Leland Hatcher, just as he’s pulled further in by his daughter’s charms. War and love begin to take a toll on the men’s relationship even as they take on the task of supplying war mules to the U.S. government. The action comes to a head as Charles is forced to make a decision between his life and country, his love and duty, and a secret and truth.

Peelle is a masterful storyteller who has honed her craft with short stories and the collection Reasons for and Advantages of Breathing (Harper Perennial, 2009). The Midnight Cool is her first novel and is rich with voice and in detail, the sense of place as familiar as her own backyard. “The writing and research evolved side by side,” she said. “The research was like a treasure hunt. One door led to another and another, until about halfway through the drafts I realized I had opened one literally onto my back doorstep.”

She grew up on her grandfather’s farm in upstate New York and has had a lifelong love affair with horses. “My father was the first person in his family to leave the farm, so it’s in my blood,” she said. “When I was growing up, we would go back to the farm, but all of the animals were gone so there were empty barns and empty pastures that really captured my imagination.” While in college, she worked giving horseback riding lessons and leading trail rides, and she ran horses at a horse auction, the first place she came in contact with the horse-trading subculture.

Only recently, though, did she become acquainted with mules, true characters within her book as they plow a straight and true furrow through the storyline. “You cannot tell America’s story without talking about mules,” she has said about the horse-donkey hybrids. “Mule power essentially built the physical infrastructure of our cities and our country: the roads, the power lines, the telephone lines, the transcontinental railroad, etc.”

Peelle has a long road to travel in the countryside of literature, and, though some will be short jaunts, I look forward to these longer walks through the lives of her characters and the times that have passed.

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Book Features Books

On Paul Auster’s latest and bookstores.

I’ve been a fan of Paul Auster’s since I picked up a copy of his 2004 novel, The Brooklyn Follies, while perusing the shelves of Bookstar, the long-gone bookseller in Poplar Plaza. In the years since, I’ve delighted in finding Auster’s books by making my way down the “A” shelf until I, hopefully, found something I’d never read. And many of them — Oracle Night, The Red Notebook, The Music of Chancehave been found this way.

His last novel, Sunset Park, was published in 2010. It’s been a long time since I had a new bit of Auster, so I was excited by this month’s release of 4 3 2 1: A Novel. So excited, in fact, that I contacted Henry Holt and Company for an advance reader’s copy. What arrived in the mail is a soft-back brick, clocking in at nearly 900 pages. By far, it’s Auster’s largest offering, larger even than The New York Trilogy, which is actually three stories in one, yet is a third of the size of his new one.

This novel, though, is four novels in one, really, and the clever structure of it takes some getting used to but is well worth the effort. Archibald Isaac Ferguson is born in 1947, and we follow his life as he ages. It’s a typical boy’s life with days filled by baseball, friendship, school, bullies, summer camp, and the first whisperings of sex. But it’s not such a simple coming-of-age story as this — young Ferguson splits off into four separate Fergusons, and each one leads a life different from the others. Chapters are laid out as 1.1, 1.2, 1.3, 1.4, and on to 2.1, 2.2, etc. In one stepping-stone “life,” Ferguson’s father’s appliance store burns to the ground, causing his story to take a different turn from the Ferguson whose father’s store swells with success and the consequent wealth.

4 3 2 1 illustrates that some paths are chosen for us while others present themselves due to choices we make. I’ve always made a point of choosing to shop in bookstores, but I will admit that I’m just as apt to click a button and have a book delivered to my porch as anyone. It’s a simple choice, really, but a salient one as we watch the Booksellers at Laurelwood prepare to join Bookstar (and Borders and Mid-America Books and Pinocchio’s) as mere memory.

The locals hold a special place in my heart. I worked at Bookstar as a second job in the months leading up to my wedding in 1994. Years later, as young parents with a toddler, we found moments of calm in the children’s section of Booksellers (then Davis-Kidd) as our son explored and we read. Burke’s Book Store hosted a reading and signing for me when my novel was published in 2015. These are memories that will last a lifetime and places I’d hoped to take my own children and, eventually, grandchildren. I need them to stick around. We all do. Bookstores are gathering places, communal think-tanks where young parents become reenergized and their children can become familiar with the world and their community all in one place.

Auster’s own bookstore of choice is the independent Community Bookstore in Park Slope, Brooklyn, and he told Travel & Leisure magazine, “The shop is a crucial part of my neighborhood.” And in The Brooklyn Follies, he writes of fictional bookstore Brightman’s Attic: “Thousands of items were crammed onto the shelves down there — everything from out-of-print dictionaries to forgotten bestsellers to leatherbound sets of Shakespeare — and Tom had always felt at home in that kind of paper mausoleum, flipping through piles of discarded books and breathing in the old dusty smells.”

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Blurb Books

Digital Baldwin @ Rhodes College

Presented by Rhodes College, this presentation will highlight aspects of James Baldwin’s works and their relevance in today’s cultural moment.

A writer and social critic, Baldwin often published works providing insights on race, spirituality, and 

humanity that also have become references for post-civil rights discussions of race in America. Free and open to the public, the event is presented by the Memphis Center at Rhodes as part of the college’s Communities in
 Conversation series. Digital Baldwin will feature Professors Zandria Robinson and Ernest Gibson of Rhodes College and Professor Terrence Tucker of the University of Memphis. Each will introduce, screen, and discuss a video clip of Baldwin as a means to inform, to contextualize, and to highlight aspects of Baldwin’s work.


This conversation follows from prior events at Rhodes and in Memphis featuring Ta-Nehisi Coates and Jesmyn Ward, who along with the #BlackLivesMovement, have turned Baldwin’s work into the cultural touchstone of the moment.

The Rhodes College Communities in Conversation series provides the insights of scholars, philosophers, historians, journalists, and other thought leaders on the big issues faced nationally and around the world. Find Communities in Conversation on Facebook.com/Communities.in.Conversation on Twitter @Rhodes_CiC, or on Instagram @cic1848.

Digital Baldwin
Thursday, Feb. 2nd
6 p.m.
Hardie Auditorium of Palmer Hall
Rhodes College

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Cover Feature News

20<30: The Class of 2017

Did you see that? That awful year that was 2016? The bad news, untimely deaths, and unexpected results left us sifting through the ashes of that dumpster fire for anything salvageable. What we found were these 20 young people who don’t have their eye on any calendar, but on their careers, communities, and challenges. They see only possibilities, and their optimism is infectious. Bring on the new year. They’re ready.

Mark Brimble

Mark Brimble

A scientist, comedian, and Englishman walk into a bar. Stop me if you’ve heard this one. The punch line is that they’re all the same person: Mark Brimble. And the bar is the taproom at Memphis Made Brewing Company, where Mark and partners, the Comma Comedians, started Drafts and Laughs, a monthly comedy show.

If the comedy doesn’t work out, he’s got this other thing to fall back on. As a PhD candidate at the University College London, he works with St. Jude researching gene therapy treatment for hemophilia.

That’s something we know nothing about, but we do understand drinking beer and laughing. Mark first became interested in comedy watching shows similar to NPR’s “Wait Wait … Don’t Tell Me!”

“It was almost ridiculously middle-class humor we grew up with,” he says. He decided to attempt stand-up to overcome his fear of speaking when presenting medical research. “The best thing I thought I could do was to throw myself into that environment.”

Mark found more than applause and work in Memphis, though. He also found a fiancée, Laurin Riggins, a nurse at Methodist Healthcare. Where Mark’s work will take him is anyone’s guess, but we’re all pulling for a stay in Memphis. And that’s no joke.

Kayla Rodriguez Graff

Kayla Rodriguez Graff

Kayla Rodriguez Graff is scared of two things: bees and dentists. Understandable, unless the company you’re building relies on bees and dentists. SweetBio developed a membrane made of medical-grade manuka honey and proteins used in oral surgery to fill in gaps after a tooth extraction, allowing the bones to regrow and gums to regenerate while preventing infection.

Kayla is COO of the company, and her brother, Isaac Rodriguez, is CEO. “He’s two years older than me, and, from a pretty young age, he was interested in biology and I was always interested in business,” she says. She majored in business at the University of Minnesota but says she took as many engineering classes as possible. Her love of computer science was evident when she moved to San Francisco. “I actually sold my car to learn how to code.”

With a background in entrepreneurship and corporate retail, it was natural to partner with Isaac when he brought the idea for SweetBio to her. They brought it to Memphis in 2015 for the ZeroTo510 medical device accelerator at Memphis Bioworks Foundation. Kayla has lived all over and says Memphis is a “hidden gem” in the medical device community.

Broderick Greer

Broderick Greer

Broderick Greer has more than 25,000 followers on Twitter. Why? Because Broderick has something to say. The curate at Grace-St. Luke’s Episcopal Church first logged onto Twitter in 2009 to share with friends, but two years ago he visited Ferguson, Missouri, and his shift in focus changed to racial justice. “I’d always been passionate about LGBTQ advocacy and inclusion, being a gay person myself, so a lot of it is just personal interest,” he says.

Broderick grew up in a devout Missionary Baptist family in Fort Worth, Texas. The grandson of the church pianist spent every Sunday in church and every Thursday night at choir practice. “My parents, by the time I was 14, knew I wanted to be a minister when I grew up.”

GSL is his first job out of seminary, and his duties include coordinating ministry to people in their 20s and 30s through the Theology Live podcast, bringing in a local theologian, pastor, or thinker to discuss theology. He also puts on a monthly young-adult brunch, oversees chapel for school, and coordinates City of Soul, an Episcopal Service Corps program.

Sheleah Harris

Sheleah Harris

When we called Sheleah Harris, she was on break. A teacher for Bartlett High, it was the week after Christmas, and she wanted to just put her feet up. “If you hear noise in the background, it’s just some kids,” she said. They are nieces and nephews she’s watching for a few days. A chore? Not for this protector and advocate of children.

Sheleah comes from a family of educators and, though she resisted at first, entered the vocation with a passion, attending the University of Memphis to further her career. Once in the school system, she learned about homeless students while attending a training session, and went into action, founding the nonprofit Living Grace a year ago. She educated herself and learned what it was they needed most — school supplies, toiletries, monetary donations. They needed transportation, and Sheleah attended a MATA board meeting to plead her case. It did not fall on deaf ears. Now there are free passes for those students in need.

“These are things that we take for granted, and people really don’t think about this population of children,” she says. “I want to be an advocate for our homeless children.”

Larissa Redmond Thompson

Larissa Redmond Thompson

Larissa Redmond Thompson has taken a tragedy in her life — the death of her fiancé caused by someone texting and driving — and woven it into a life-saving tale that she takes to teenage drivers through her own nonprofit, Collegiate Life Investment Foundation (CLIF). “I started it just to bring awareness of the dangers of distracted driving throughout the state,” she says. Since 2012, CLIF has partnered with the University of Tennessee and the Collierville court system to grow into several programs providing teen traffic safety to high school students.

Her passion for involvement is seen in her day job as program associate with the Memphis Medical District Collaborative, which brings together the area’s institutions and stakeholders to make the district more livable, economically prosperous, clean, and safe. “It’s perfect for me,” she says. “I love Memphis. It’s my heart, so anything building the brand of Memphis, building specific areas up to their best potential was ideal.”

Larissa gives this advice for all: “You have to care about getting home safe, and about the person in the other car who has a wife or a child, about them getting home safe. If you treat driving as a caring activity, we’ll all be safer on the highways.”

Mahal Burr

Mahal Burr

Mahal Burr grew up with a sense of social justice imparted by her mother. She even has photos of herself as a baby at rallies and protests. She carried that sensibility with her through high school at Ridgeway and Lausanne and into the BRIDGES program, where middle and high school students are empowered to reach across racial and socio-economic divides.

After graduating from Carleton College, she came back to Memphis and threw her passion into Stand for Children and Teach for America. Eventually, though, BRIDGES called her back, and today she is the community action coordinator. As such, she co-founded Incarcerated Youth Speaking Out for Change, runs the CHANGE program, and puts together community action for the 1,200 students who are part of the COLLABORATE program. “My job is to create opportunities for them to figure out how they want to be part of transforming their community,” she says. “It’s actually a lot of fun and allows a lot of creative energy.”

Last year, her sense of fairness led her to Standing Rock to join the protests against the Dakota Access Pipeline.Working with today’s youth on issues such as mentoring and police violence may be more important than ever over the coming four years or so, so I ask if she’s up for the challenge. “One-hundred percent.”

Whitney Hardy

Whitney Hardy

Whitney Hardy has been dubbed a “serial entrepreneur” by those who know her. This sobriquet couldn’t be more fitting. She remembers “always creating things” as a kid, and her first endeavor was a neighborhood soft drink stand. Not lemonade, on the advice of her mother, local entrepreneur Carolyn Hardy, who said lemonade wouldn’t sell. “I started learning about profit margins at 5 years old,” she laughs.

Whitney went on to UT-Knoxville for undergraduate and graduate degrees in accounting. From there it was to Atlanta, but the Bluff City siren kept calling. “Memphis was blowing up. I just kept thinking, ‘There’s so much stuff happening in Memphis right now, this is the place.'”

She came back in 2014 to work with her mother, but found she wasn’t seeing enough being done for the LGBTQ community, leading her to start Out901.com and be named temporary director of the Outflix Film Festival in 2016.”

There were other issues as well. “I love opera, I love ballet, and going to those things, I realized there weren’t people under 40 there,” she says. This led to the founding of Young Arts Patrons, a membership-based nonprofit designed to create a network of arts philanthropists and patrons under 40 through programs and events that engage and educate.

Grace Weil

Grace Weil

As the development director for Planned Parenthood Greater Memphis Region, Grace Weil’s job overseeing all fundraising may be exponentially more hectic — and more necessary — following November’s election. Then again, it may be somewhat easier as well. “Our donations easily quadrupled if not more after the election,” she says. “I think it’s unfortunate circumstances, but I’m always glad to see the outpouring of support.”

Not backing down goes back a long way with Grace. She was on her mother’s lap as a toddler at nonprofit board meetings in San Antonio, Texas, and got kicked out of calculus class her senior year of high school for arguing with her teacher about abortion.

When it came to college, she looked for one in a city with a “strong nonprofit network.” She found that at Rhodes College for a double major in International Studies and Political Science. Her interests ran toward public health issues, and, after graduation in 2011, she went on to work with Americorps VISTA and Hope House.

Planned Parenthood became home in 2015, and she and her boyfriend were some of the first tenants to move into an apartment at Crosstown Concourse.

And what advice would she give those worried about what the next four years might bring? A play right out of her own book: “Be public. The best thing you can do for Planned Parenthood or any social justice cause right now is to not be silent.”

Katie McWeeney

Katie McWeeney

Her art explores human connection and the conscious and subconscious ways that we communicate, and as the first executive director of the Broad Avenue Arts District, it’s that connection, and the stories that go with it, that interests Katie McWeeney.

The 10-year-old arts district has existed solely as a volunteer endeavor until now, and Katie, hired last October, recently secured its 501(c)(3) nonprofit status. She has her work cut out for her as she harnesses the energy of the street and its relationship with the rest of the city.

“There’s going to be a social and visual alignment, there’s a lot of development coming up, a lot of movement happening,” she says. “The Hampline paving schedule is starting in April, that will extend all the way down Tillman to the Greenline, so we’ll get that connectivity.”

She moved to Memphis from Louisiana for her MFA in Interdisciplinary Studies at Memphis College of Art after studying architecture and fine art at Louisiana Tech. She worked with Crosstown in its early stages of development, before moving on to consult with for-profits and nonprofits, such as Indie Memphis.

“Broad Avenue is kind of this weird, untouched area that’s got so many interesting people and interesting stories.”

Jimmy Sinh

Jimmy Sinh

Odds are you’ve had a meal or two at the Sushi Jimmi food truck. If not, you’re doing mealtime wrong, especially if you haven’t had the Red Dragon or 901 Sushi Burrito. In the coming weeks, though, the need to pinpoint where owner Jimmy Sinh has parked his truck will be less pressing. The old Wendy’s at Poplar near the Union overpass, just west of the Library, will be home to a brick-and-mortar version.

It’s a dream come true for the chef, who moved with his parents to Memphis from Los Angeles in the third grade. While he can enumerate the positives of his adopted hometown over L.A., the West Coast is where his love of food was born. Specifically, the less expensive Hispanic and Vietnamese food bought from street vendors. His mother, too, was an inspiration. Jimmy is one of seven kids, so the woman was feeding a packed house of her own.

For Jimmy, food equals art, and you see it in his dishes and hear the passion for it in his voice. He’s an artist. He’s also the father of four children (ages 5 months to 9), so please, visit his restaurant before it’s time to buy a food RV to accommodate so many mouths.

John Martin

John Martin

If John Martin could have written his own story, it’s just the sort of plot he may have imagined. In the beginning, he hoped to do just that, with dreams of being a novelist. “I just don’t have the attention span or the talent to write a 200-page book,” he admits. But he carried that love of the printed word through White Station High and into the journalism program at the University of Memphis. It was with him as sports editor for the U of M’s Daily Helmsman and as a freelancer covering recruiting for the sports department of The Commercial Appeal. Expertise on his subject matter saw him make appearances on Gary Parrish’s sports-talk show on the radio, and when CA columnist Geoff Calkins was offered a show on ESPN 92.9, he accepted with the caveat that Martin had to be his producer. “It jump-started my career in radio,” Martin says.

Now, John can be heard on “The Jason and John Show” at 92.9 daily from 11 a.m. to 2 p.m., partnering with former CA sports columnist, Jason Smith. “The most interesting parts of sports radio are not breaking down a game,” he says. “The thing I enjoy the most is applying something of my own experiences to something an athlete has done or said. It’s when sports intersects with society.”

Spencer Blank

Spencer Blank

It was just a few years ago that the Memphis Symphony Orchestra was in financial trouble, heading toward an overture of insolvency. Today, happily, the MSO is strong and flourishing. So says director of operations Spencer Blank, who joined the organization in 2015, after the troubling period. “It was a real hard moment when I came in, not knowing what the future was,” he says. “It was sort of like a team of social activists that just said, ‘Well, here we go, there’s only one choice but to bring it every day.'”

Bring it, they have. Spencer is not just a fiscally minded general manager, but a pianist and opera singer who has toured the U.S. and Europe and performed off-Broadway. “It always looked so much more glamorous than it ever felt from the inside,” he says. He went back to school at the University of Texas-Austin for a master’s in arts administration and came to Memphis with a dedication and passion for both music and management.

Spencer is formidable at his desk, on stage, and in a scrum — when not planning for his team to perform a Rachmaninoff concerto, he hits the field with a different sort of team as a member of the Memphis Blues rugby club. “I’m the gentle, artistic one contemplating the meaning of life in the corner, so it’s even more hilarious.”

Michalyn Easter

Michalyn Easter

As a community advocate, Michalyn Easter puts her money where her mouth is. She began the grassroots nonprofit Our Grass Our Roots in North Memphis three years ago as a way to bring together the community development corporations and neighborhood groups already in place to ensure they have the best resources, representation, and advocacy. She also bought a home there when she returned from graduate school at Columbia.

Michalyn grew up in the area around Klondike, Chelsea, and North Watkins. As a child, she wanted to be a dentist, but her grandmother was a longtime teacher and her own passion for history led her on a route that went from North Memphis to Christian Brothers University and points north. She planned to stay in New York for five to eight years, but came back after three when her father passed away.

Michalyn teaches AP World History at Overton High School and in “looking for an avenue to help while touching as many people as possible,” she founded her nonprofit. “We took a step back and said, ‘What’s something we can do without reinventing things that have already been attempted or things that are already in process?”

Rochelle Brahalla

Rochelle Brahalla

In case you think to question Rochelle Brahalla’s devotion to agriculture, know that she has founded a “plant focus group” of like-minded friends to meet in her home and discuss popular landscape plants. “We’ll do a mini-research project on the plants and explore plant perceptions, because I’m really interested in seeing how people perceive plants and how they come across in that human social behavior experience.”

While that’s in her off-time, her day job is as project manager for The Kitchen Community, the nationwide nonprofit founded by progressive entrepreneur Kimbal Musk to design, build, and sustain gardens in public schools.

Rochelle grew up digging in the dirt in upstate New York. She studied landscape architecture at Cornell University and followed a friend and AmeriCorps to the fertile land of the Delta in 2014. Here, she’s worked to design and construct 75 gardens with various school districts and hopes to get another 10 completed this year. “It’s a dream job for me,” she says. “I work in school communities and design productive landscapes.”

She calls Memphis “a great place to come of age. It just feels like a very personal place.”

Ryan Carroll

Ryan Carroll

Many teachers work in classrooms strung with crepe paper and strewn with colored pencils. Ryan Carroll’s environment offers a far different perspective. As the lead instructor for HopeWorks, a nonprofit bringing personal career and development classes to underserved areas, Ryan’s classrooms are at 201 Poplar and the Penal Farm, where he prepares inmates for GED and High School Equivalency Tests. He also instructs incarcerated juveniles on the ACT test as a volunteer.

He’d originally considered a different career, but the numbers just didn’t work out. “I went to graduate school at the University of California-Santa Cruz for mathematical physics, and I moved back to Memphis to be with my family,” he says. “I was tired of doing pure math all by myself in a cubicle. I wanted to do something in the community.” He started volunteering at 201 Poplar and was surprised to find there was no GED program, so he started one.

His students really want to engage in learning, and, while the classes are a way to stay busy and maybe impress a judge, they also build confidence and give them momentum in the right direction. “It’s a point of pride that helps them get out of the negative environments a lot of them have to go home to.”

Tierinni Jackson

Tierinii Jackson

If, while listening to Tierinii Jackson sing, you’re transported by thoughts of Aretha Franklin or Stevie Wonder, that’s no coincidence. She points to these icons as inspiration. Likewise, if you’re transported to a Sunday morning church service, that is also no coincidence. She was brought up in the church with musician parents and attended choir practice regularly.

These days, she fronts the band Southern Avenue, recently signed to Concord Music, which owns the Stax record label. Yes, Stax. There may be no more sacred ground in Memphis than the corner of College and McLemore. Of being on the label, Tierinii says, “It seems like a responsibility and at the same time an honor, because I grew up with [that music].”

Southern Avenue’s new, self-titled album, recorded at Jim Dickinson’s Zebra Ranch and Music+Arts in Midtown, will drop on February 24th, and the band continues to tour at a hectic pace, no easy feat for this mother of two. Family is important, and she notes the help of her family with childcare, as well as with keeping the beat — sister, Tikyra, is the band’s drummer.

Brian Thurmond

Brian Thurmond

Brian Thurmond’s life on the line began in his mother’s kitchen and in front of the television with the Food Network. He went to the grocery store with her, and she showed him the basics, but he never thought of cooking as a career at that point.

His first job — as dishwasher for Restaurant Iris — opened a door. He worked his way up the line, then went to L’École Culinaire, and last fall opened his own restaurant — 148 North — in Collierville. “My wife was pregnant with our first child, and I decided it would be a good time to find out if I could do my own thing and find my own place and support my family by myself,” he says.

Kelly English, owner of Restaurant Iris, was supportive of Brian and helped him find the location. “Opening a restaurant is such a different animal that you can’t really prepare anybody for it,” Brian says. “He just had my back.”

Even with years of kitchen experience, training from a respected institution, and the blessing of one of the city’s most respected chefs, Brian still had the opening-day jitters. “It’s all on you. You can’t pass it off onto somebody else,” he says. “It’s your recipes, your train of thought, so it’s very stressful. At the end of the day, we’re trying to get to happy customers with full bellies.”

Brandon Marshall

Brandon Marshall

Brandon Marshall may be the only person on this list who’s been arrested twice and garnered a few citations for the very reason he’s on the list. Then again, graffiti has never been so accepted as it is now. City leaders have embraced the iconic murals sprouting up on barren walls all over the city. Likewise, the media looks at it with a different perspective, and Brandon cites a Memphis Flyer cover story, some years back, for helping to lead that charge. And he’ll take some of the recognition as well, thank you very much. “I like to think I had a part in bringing the murals to Memphis,” he says. “I’ve done about 30 commissioned works of all different styles in the last five or so years.” Brian’s also become an advocate for graffiti art and has curated several festivals surrounding the art form.

Though he’s never taken an official painting class, his work can be seen all over town. Some of his favorites can be seen in the alley at the Rendezvous and on the walls of Halle Stadium. He’s responsible for a Marc Gasol portrait on Airways, MLK at Aspire Hanley Elementary School, and the iconic I (heart) Memphis mural in Cooper-Young, among many others.

Another passion for Brandon is music. He organized a hip-hop festival held at the Brooks Museum of Art last year and hopes to do the same in 2017.

Faith Evans Ruch

Faith Evans Ruch

Her music was birthed from a longtime love of Broadway musicals and writing poetry. In 2011, Faith Evans Ruch began backing the words with her own guitar, and she had a career in the making. Well, a second career.

When Faith isn’t crooning to a crowd, she’s a nurse in labor and delivery at Regional One Health, bringing new potential music lovers into the world. “Growing up, I knew that I loved taking care of people,” she says. “I’ve always been very invested in the care of others. I’m a nurturer by nature.”

Music and nursing are both rewarding and stressful in their own ways, but Faith’s found a balance that caters to her emotional, caregiver, and personal needs. “I look at my nursing job as where I get to go take care of others, and when I come home and I play my guitar, that’s when I take care of myself.”

And we’re lucky to be a part of at least one of those careers. Faith plays around town and recorded her first album, 1835 Madison, in 2013. Her second will be released this spring and is being recorded at famed Royal Studios, home of Al Green and Ann Peebles.

Madison Harrison

Madison Harrison

If Madison Harrison had a car, her start-up company, MadAir Decks, probably wouldn’t exist. Before the skateboard was art, it was simple transportation. “For about a year, I didn’t have a car, so I started skating everywhere — to the grocery store, to Walgreen’s, to work,” she says. At the same time, she was coming into contact with more and more artists from Memphis College of Art at Babalu, where she works. Wanting to showcase their talent, and with the ember of entrepreneurism burning in her soul, she and partners Amber George, Jake Barrett, and Alya Bandealy founded MadAir.

Each skate deck is hand-painted according to the artist’s style and protected with sealant. Are they meant to be ridden or hung on the wall? “Buyer’s choice,” Madison says. She tells the artists that the board has to be rideable, but MadAir also sells mounting fixtures to hang them like a Picasso.

Distribution is done solely through madairdecks-memphis.com right now, but she has her sights set on a brick-and-mortar store in the next couple of years. In the meantime, Madison is marketing and showcasing the artwork through a series of events held at Memphis Slim House.

The Memphis Flyer would like to thank Loflin Yard for the use of their lovely space for our 20<30 photo shoot.

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Book Features Books

A literary Christmas wish.

By the time this pre-apocalyptic year began winding down — the day after the presidential election, actually — I decided to cocoon myself in literature. For a couple of weeks, I even tuned out social media and ate nothing but a steady diet of novels and short stories. More than mere entertainment, fiction is a life force — it’s where we learn about morality and decency and cultures not our own. Reading fiction is an essential distraction and something I plan to do as much as anything else throughout the new year and beyond.

I want you to join me. More than that, all I want for Christmas is for the writers and readers in Memphis to come together. Over the past year, I’ve engaged with more of you, and something close to a community has begun to coalesce, and it’s been transformative. Memphis is known as a haven for musicians, and the visual arts have a strong community, as do the performing arts and independent filmmaking. These communities (which overlap, by the way, in a Venn diagram of immense talent and unanimity) are part of what make Memphis such a unique and wonderful place.

It’s time for the literary arts of Memphis to claim its legacy built upon the pages of Peter Taylor, Shelby Foote, William Faulkner, James Jones, and even John Grisham. There are so many dedicated and creative writers in the community today — Jamey Hatley, Corey Mesler, Nat Akin, Kimberly Richardson, Greg Hunt, Cary Holladay, Margaret Skinner, and far too many others to mention here — and you need to get to know them all. Readers abound as well, as evidenced by the crowds at booksignings and the proliferation of book clubs.

What I’d ask Santa for, though, is a single organization to gather these folks up and give them a home and an ongoing calendar of events to sate their literary appetite. There are those out there giving it the old college try. There are actual colleges, in fact, such as Christian Brothers University and nonprofits like Literacy Mid-South. Their Memphis Reads and Mid-South Book Festival events are just two of the highlights of readers and writers coming together in 2016.

Other than those, that’s about the only evidence of it, I’m afraid. And these two institutions don’t even work together. Instead, one event was held one week, ending on a Sunday, and the other began the following Monday morning. Bookends of literary appreciation weeks with barely gap enough for a piece of flash fiction to be at home; and they weren’t on speaking terms. What a wonderful time of year it would be if these entities worked together, pooling their knowledge, passion, and resources to bring even more nationally known writers, publishers, and agents to town to discuss what it is they do.

Story booth is another haven for the community and possibly one of my favorite places in town. This book-lined, “hidden” sanctuary is part of Crosstown Arts with programs for visiting writers and school children in some of the hardest-to-reach schools in Memphis. It’s under a transitional phase at the moment, as Crosstown Arts prepares to inhabit and program multiple spaces throughout the Crosstown Concourse development to open over the next couple of months. Its reach into the schools and into the writing community has become invaluable, and I hope to see it continue and expand.

For CBU, Literacy Mid-South, and story booth to come together, possibly even under a single, overarching nonprofit, to celebrate the literary arts and engage area schools to encourage a love of literature in young readers and writers with year-round programming, and with the backing of our wonderful local bookstores and world-class public library, is an item at the top of my wish list for that jolly old elf. A Christmas miracle? After what 2016 has handed us, let’s hope a love and regard of reading becomes a bit of reality in the coming year.

Categories
Book Features Books

The nearly home-grown press Sartoris Literary Group

Here in the Book Review Department of the Literary Arts Wing of The Memphis Flyer, I’m sure to carefully inspect the return address of every package that comes across our loading dock; each package is meticulously filed according to publishing house. It’s a greased chute from New York to our little shelf in the literary world, and they’re all here — Penguin, Harcourt, Knopf, HarperCollins. Increasingly, though, one pile has grown far bigger than the others, and it’s from a little (nearly) homegrown press.

Sartoris Literary Group was founded five years ago by James L. Dickerson, a prolific writer with substantial ties to Memphis as a reporter with The Commercial Appeal for six years back in the 1980s. He then went on to found Nine-O-One Network in 1986, a music magazine that, at the time, was third in national circulation behind Rolling Stone and Spin.

Meanwhile, he published books — about 20 by the time he decided he’d seen enough of what New York could do and start up his own enterprise. “With five out of the seven major New York houses foreign-owned, we’re one of the few American-owned publishing houses left besides university presses,” he says.

Astute readers will recognize the title of Faulkner’s first Yoknapatawpha County novel, but Dickerson went a step back for the name of his business. “[Sartoris is] a Chickasaw word that means ‘water flowing over flat land,'” he says. “I’m from the Delta, so it seemed like a good name.”

With Sartoris, one will find a focus on the South. Despite his move to the Jackson area in Mississippi, Dickerson lived in Memphis for 13 years and has an intense affection for our city. He seeks out local writers and has an affinity for its music, publishing Memphis Man: Living High, Laying Low, the memoir of musician/songwriter/producer Don Nix; and The Rock Trenches: Journal of a Music Industry Executive by Phillip Rauls, a Memphis-born music promoter for Stax Records, EMI, Atlantic, and 20th Century Fox, who worked with the likes of Led Zeppelin, Creedence Clearwater Revival, the Eagles, Robert Palmer, and the Red Hot Chili Peppers.

“I get a steady stream from Memphis, and I hope that continues because I want more,” he says. He calls on his past life as a music writer, word of mouth, and referrals to find those like Nix and Rauls.

Dickerson himself has written both fiction and nonfiction, and he is the official biographer of Elvis’ guitarist Scotty Moore. Next year he’ll release his biography of record producer Chips Moman. But his ear for fiction is sharp as well, and Sartoris last week dropped Cold Eye, a new collection of short stories by Margaret Skinner, a former English instructor with the University of Memphis and author of the novels Old Jim Canaan and Molly Flanagan and the Holy Ghost. The mystery novel Memphis Hoodoo Murders by Kathryn Rogers came out last year.

Dickerson’s love of music resonates in Mojo Triangle by Mardi Allen. This travel guide takes the tourist from New Orleans to Memphis to Nashville, soaking up each area’s contribution to music with brief bios of local artists along with practical information regarding food and lodging, and music venues and historical points of interest.

Dickerson averages about 15 books published each year, and he’s hoping to up that number to at least 50, so I’ll be making more space on the shelves here in the Book Review Department of the Literary Arts Wing of The Memphis Flyer.

In addition to increasing the number of books, Dickerson plans an anthology of short fiction by Southern writers in the near future. For that, he says, he’ll be calling for more Memphis scribes.

“Memphis is important to me,” he says. “I love the city. I loved living there and had a lot of adventures there.”

Categories
Blurb Books

Going to Jackson: James Cherry to Discuss and Sign His New Novel

Let’s not forget our neighbors to the east. This Saturday at ComeUnity Café in Jackson, Tennessee, author James E. Cherry will be reading from, discussing, and signing his latest novel, Edge of the Wind. The Clyde Gilmore Jazz Combo will perform and refreshments will be served. 

In the highly suspenseful Edge of the Wind (Stephen F. Austin State University Press), Alexander van der Pool, a sensitive but deeply troubled 25-year-old black man, is off his meds and has begun hearing voices, especially that of Bigger Thomas, Richard Wright’s iconic character. Having been holed up in his sister’s bedroom in southwest Tennessee for two months, Alex has done nothing but read and write poetry. He is convinced that writing poetry is his life’s calling and sets out to visit a local community college to have his work evaluated. But life takes a terrible turn when those at the college reject him and his work and try to kick him out. Alex takes matters into his own hands and holds the literature class hostage.

 

Noted poet Nikki Giovanni has said of Cherry: “Let me say it plain: James E. Cherry can write.”       

And local author Arthur Flowers says, “Cherry is a master of the word, providing light in darkness, dropping knowledge and taking no prisoners.”

 

Cherry is the author of six books, including Loose Change, Still a Man and Other Stories, Shadow of Light, and Bending the Blues. He has been nominated for an NAACP Image Award, a Lillian Smith Book Award, and as a finalist for the Next Generation Indie Book Award for Fiction. His work has been published nationally as well as in Nigeria, Canada, France, and China. Cherry has an MFA in creative writing from the University of Texas at El Paso and resides in Tennessee with his wife, Tammy.

 

James E. Cherry

ComeUnity Café

218 E. Main Street

(Jackson, Tennessee)

Saturday, Dec. 17th

1 p.m.

Categories
Blurb Books

Dr. Cary Fowler Returns Home to Celebrate His New Book on the Global Seed Vault

Memphian Cary Fowler is returning this weekend to discuss and sign his new book, Seeds on Ice: Svalbard and the Global Seed Vault.

 

Fowler attended Rhodes College and is best known as the “father” of the Svalbard Global Seed Vault. He has been described by UN Secretary General Ban Ki-moon as an “inspirational symbol of peace and food security for the entire humanity.” The Seed Vault provides ultimate security for more than 850,000 unique crop varieties, the raw material for all future plant breeding and crop improvement efforts. Fowler proposed the creation of this Arctic facility to Norway, headed the international committee that

 developed the plan for its establishment, and now chairs the international council that oversees its operations.

 

This big, beautiful book is the comprehensive story of how the Vault came to be. Its breathtaking photographs by Mari Tefre offer a stunning guided tour of the vault, the windswept beauty and majesty of Svalbard, and the enchanting community of people in Longyearbyen.

 

More on Fowler:

He served as the executive director of the Global Crop Diversity Trust from 2005 to 2012. Fowler has received several honorary degrees, including an Honorary Doctorate of Law degree from Simon Fraser University, and an Honorary Doctorate of Humanities degree from Rhodes College. He received the Right Livelihood Award with Pat Mooney in 1985 for his work in agriculture and the preservation of biodiversity. Fowler has also received the Vavilov Medal from the Russian Academy of Agricultural Sciences. In 2010, he was one of 10 recipients of the 16th Heinz Awards (with special focus on global change). In 2012, he was awarded the “Wind Beneath my Wings” award jointly with his wife Amy P. Goldman at Bette Midler’s annual “Hulaween” party. He was the baccalaureate speaker at the 2013 Rhodes College commencement ceremonies and received the 2015 William L. Brown Award for Excellence in Genetic Resource Conservation from the Missouri Botanical Garden. He is the author of the books, Unnatural Selection: Technology, Politics, and Plant Evolution, and Shattering: Food, Politics, and the Loss of Genetic Diversity (with Pat Mooney).

 “The Global Seed Vault is an extraordinary project, and Seeds on Ice is an extraordinary book — in equal measure fascinating, beautiful, and haunting.” — Elizabeth Kolbert, author of The Sixth Extinction

Fowler has been to the top of the world to ensure the safety of the diversity of crops globally. Make the trek to The Booksellers at Laurelwood on Saturday to hear all about it.

Dr. Cary Fowler
The Booksellers at Laurelwood

Saturday, Dec. 10

2 p.m.

Dr. Cary Fowler

Categories
Blurb Books

Jim Dees to Discuss Oxford, Faulkner, and the Year That Was 1997

In 1997, Jim Dees was a cub reporter for the Oxford Eagle, learning the intricacies of handling breaking news, obit craftsmanship, and the post-deadline drink. He was 40 years old. It would go on to be an exciting and tumultuous year for Oxford, Mississippi, our neighbor to the south.

 

To celebrate the centennial of local hero William Faulkner’s birth, the town fathers had decided to erect a statue of the scribe on the town square just across from the courthouse. In the wake of what seems like a benign enough idea, the sleepy town erupted in conflict over where the statue would go, whether it would be standing or sitting, and just who would have ultimate control over such decisions. The town mayor squared off against the Faulkner family with sculptor Bill Beckwith caught in the middle. And Dees was there to record it all.

 

Other things happened that year — the rap group 2Live Crew came to town for a show that raised some eyebrows and some ire, and a group of citizens took exception to the idea (and action on behalf) of some trees being bulldozed. Sam Phillips showed up, as did Henry Kissinger, James Brown, Shelby Foote, the FBI, Willies Nelson and Morris, James Meredith, and ’90s-era celebrity attorney Johnnie Cochran.

 

In his new book, The Statue and the Fury: A Year of Art, Race, Music and Cocktails (Nautilus Publishing), Dees — now the host of the Thacker Mountain Radio program — recounts all of the ups and downs of the circus that was 1997 with humor and in downhome detail. He’ll be at The Booksellers at Laurelwood this Friday evening to discuss and sign the book.

Dees is also the author of Lies and Other Truths: Rants, Raves, Low-Lifes and Highballs, and the editor of They Write Among Us: New Stories and Essays From the Best of Oxford Writers.

“Only Jim Dees could take a small-town controversy and turn it into the backbone of such a terrific book. This is the kind of inspired eye for detail and recognition for the absurd that Robert Altman would have loved. A truly unique reflection on a storied Southern town at a turning point. I’m so glad Dees was there to document it all and write this funny and insightful true story.” — Ace Atkins

The Statue and the Fury reads like a fever-dream. The writing of Jim Dees turns out to be just as gonzo as his shirts, and that’s saying a lot. For those of us who wish we could live year-round in Oxford, this wild book is as close as you can get without having to pay property taxes.” — Harrison Scott Key

 


Jim Dees

The Booksellers at Laurelwood

Friday, Dec. 9

6:30 p.m.