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Random Review: The Klitz

The Klitz-Sounds of Memphis ’78 EP (Spacecase Records)

The original all-girl Memphis punk band! This record seemingly came out of nowhere, but is essential for any collector of local music. Recorded in 1978 by Alex Chilton and Sam the Sham, and championed by  Jim Dickinson, how much more street cred do you need? Sounds of Memphis features four tracks of raw and primitive punk rock, including the Chilton song “Hook or Crook” and the local hit “Hard Up.”

Pick this record up at any local record store in town, or directly from Space Case Records, but first check out this truly bizarre video featuring Jim Dickinson and The Klitz as they try to answer one of the burning questions of the last century: “what is punk rock?”

Random Review: The Klitz

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Jack Oblivian at the Buccaneer Saturday Night

Don Perry

Jack Oblivian returns to a familiar place this Saturday when he performs with Data Drums and the Tennessee Screamers at the Buccaneer. In case you’ve been living under a rock for the past 20 years, Jack Oblivian got his start in The End (Punk from Corinth, MS) before doing time in the Compulsive Gamblers, The Knaughty Knights, The Oblivians and about 50 other bands. Jack practically has the keys to the city at this point and shouldn’t be missed, but make sure to get to the Buccaneer early to check out Data Drums (featuring Chuck Vicious of the Oscars) and The Tennessee Screamers. $5 gets you in.  The video below from Rocket Science Audio should hold you over until its time to rock.

Jack Oblivian at the Buccaneer Saturday Night

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Happy Birthday, Elvis.

COURTESY OF LANSKY’S ARCHIVES

Elvis with Dewey Phillips

Whether skies are grey or blue, Memphis has a thing for the King, who would have been 80 today. Let’s not think about the movies or the carpet pile.Those are for fools to ponder. His best work was done here in Memphis. At Sun, he changed the world. At American, he reasserted himself into the culture as one of the ultimate honkey badasses of all time. It’s hard not to dwell on the lost potential and the genuinely tragic downfall. But under the artifice, there was a hell of a singer.

There are three videos after the jump that find him on his own terms: His first recording was for his mother. He paid for the session himself. The second is the sit-around from the ’68 Comeback Special. This is staged, but it’s an attempt to distance himself from the trappings of Hollywood schlock. The King floors his engine on “Lawdy Miss Clawdy.” Finally, some rehearsal footage: He’s started to slide at this point. But he is enjoying making music, and it’s a powerful thing to watch.  

Happy Birthday, Elvis Presley.

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Happy Birthday, Elvis.

Happy Birthday, Elvis. (2)

Happy Birthday, Elvis. (3)

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Memphis Dawls in Paste

Memphis’ favorite dawls, The Memphis Dawls, have charmed cool-kid music source Paste magazine. We’re not surprised, given how charmed we are. Yay! 

Memphis Dawls – Skin Like a Cage from Second Light on Vimeo.

Memphis Dawls in Paste

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Random Review: Native North America Volume One

Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985 
Light in the Attic Records

Native North America (Vol. 1) is a collection of Aboriginal folk, rock, and country made by the indigenous people of Canada and the Northern United States. The collection of songs touch on familiar artists from the time period like Neil Young, Johnny Cash, and Leonard Cohen, but the politically charged lyrics are from artists who have lived through struggle rather than those who made a living singing about it.

The musicians featured on Native North America (Vol. 1) also had limited access to studios and recording time, and because of the political climate of the day, the majority of the albums they were able to create never got the air-time or recognition they deserved. As is normally the case with under-appreciated and undocumented music, many of the albums featured on Native North America (Vol. 1) are nearly impossible to find. 

Touching more on the struggle certain artists on this compilation faced, Light in the Attic says:

“With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.” 

“Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.”

Now, thanks to this extensive collection from Light In The Attic, these powerful songs of freedom, hope and despair can finally be heard. The collection is available on both Vinyl and CD with information on both packages below. 

The deluxe 3xLP set includes 60 page book with comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations), housed in a “Tip-On” slip case with three “Tip-On” jackets.

The deluxe 2xCD set features a hard-cover 120 page book with comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations).

Copies of Native North America (Vol.1) are available from Light in the Attic. 

Random Review: Native North America Volume One

Random Review: Native North America Volume One (2)

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Reunion Stomp with Buck Wilders

Local record collector, audio engineer and DJ Andrew McCalla was behind the scenes on some of the best local releases from the last five years before eventually leaving Memphis for Austin, Texas.  Luckily for us, McCalla is back in town for awhile, which means he’s got time to throw another Buck Wilders & The Hookup party. If you’re into doo wop, northern soul, or rock and roll from the 50’s and 60’s, then Bar DKDC is where you should plan on being tonight. The party starts at 10:00 p.m. and it’s free. Check out the classic video from The Equals below to get an idea of what’s in store for tonight.

Reunion Stomp with Buck Wilders

 

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Bah Humbug: 2014’s Memphis Music Letdowns

J.D. Reager

The Memphis music scene enjoyed many triumphs in the past year, which my colleagues have already discussed and celebrated. But 2014 also saw its share of failure and disappointment – two things I consider myself something of an expert on. So, to borrow an old catchphrase from local sports-talk radio personalities Chris Vernon and Gary Parrish: 2014, I’m hating on you. (P.S. – shout-out to the brain trust that helped me put this list together. You know who you are.)

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10. Venue Closings

Two longstanding Memphis music venues closed in 2014 – Midtown’s The Poplar Lounge (A.K.A. where the stars used to hang out) and Newby’s, the centerpiece of the Highland strip. And while the Newby’s space sits vacant, The Poplar Lounge has been replaced by a second location of the Bartlett heavy metal bar Rockhouse Live. 

9. Beale St. Cover Charge Fiasco

In August, the Downtown Memphis Commission experimented with a $10 cover charge to walk down Beale Street after-hours on weekends. This was in response to a string of violent incidents in the area, but nobody seemed happy about the policy. Some even suggested racist motivations, and the fee was quickly abandoned.

8. Come Back Jake

Memphis musicians have, somewhat notoriously, always seemed to find greater success outside the Bluff City than within. This year, we lost a crucial member of the scene in Jake Vest – a singer/guitarist behind such bands as Tiger High, The Bulletproof Vests, Dream Team, Jump Back Jake, Clay Otis, and countless others – to Brooklyn, NY and a band called The Echo-Friendly.

7. Rick Ross

What’s more embarrassing than having a guy who rapped about drugging and raping women perform at the University of Memphis’ annual Memphis Madness event? Giving him the key to the city for opening a Wingstop.

6. Radio, Radio

In September, Entercom – a radio conglomerate that controls numerous stations across the country, including several in Memphis – decided to turn Classic Hits 94.1 into The Wolf, trading in classic rock (I.E., The Beatles) for modern pop-country drivel. To make things worse, the company fired longtime local D.J. Steve Conley. Ugh. And, oh, by the way – U of M radio still really sucks.

5. Gone Guitars

Local singer-songwriters Chris Milam and Myla Smith embarked on a tour together this fall, and all was well until all of their gear and merchandise was stolen in Jackson, MS. So far, none of it has been recovered.

4. Symphony of Destruction

In order to help keep the cash-strapped Memphis Symphony Orchestra up and running, members of the group agreed to take a 38% pay cut and continue playing; but the question still remains as to whether Memphis can realistically maintain a top-notch symphony in the long term.

3. Killer No-Show

Fresh off the heels of the release of his critically-acclaimed comeback album Rock & Roll Time, Memphis music legend Jerry Lee Lewis canceled his performance at the Cannon Center at the last possible minute. Fans waited for over an hour and a half before hearing the news: he had fallen ill and wasn’t up to the gig. Here’s hoping Mr. Lewis recovered fully and can make up the date in the future.

2. Violence (However Accidental)

Murphy’s, located at 1589 Madison, is an established local music venue and watering hole and has long been known as the “bar across the street from the (former) Antenna Club.” But a recent rash of violent encounters in the neighborhood (including one incident where a Murphy’s patron caught a stray bullet) has led some to question whether the business currently occupying the Antenna’s former space, a club called The Renaissance, is a public nuisance.

1. Death Becomes No One

Sadly, 2014 will be known as the year that took Memphis music icons Jimi Jamison, John Fry, John Hampton, Mabon “Teenie” Hodges, Don Mann, Jesse Winchester, Wendy Rene, and probably others that I’m forgetting, away from us. Rest in peace, y’all.

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Memphis Wax Honors John Fry

Memphis Wax Honors John Fry


Memphis Wax
will honor John Fry today with tracks from Ardent Studios’ illustrious history. Memphis Wax founder Frank Bruno is something of a Library of Congress when it comes to Memphis music. Fire up your Facebook and let Memphis Wax remind you of the legacy of John Fry. Here’s a sample to get you going. Thank you, Frank Bruno. And thank you John Fry.

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Ardent Founder John Fry: 1945-2014

Courtesy Ardent Studios

John Fry, Jody Stephens, John Hampton, and Jim Dickinson

Memphis is stunned by the loss of John Fry, founder of Ardent Studios. Following the loss of engineer John Hampton last Saturday, our music community feels like a biblical plague is upon us.

Fry’s combination of technical diligence and artistic experimentation was unique. His legacy is larger than the studio or recordings that he leaves behind. The mics, the rooms, and the records are sacred objects in Memphis. But it’s the people he influenced who will determine his legacy.

One of Fry’s many proteges, Pete Matthews, recently said in passing, “Memphis guys just know how to record acoustic guitars.” It’s true, and most learned from Fry or from someone who learned from him.

Jim Stewart’s studio is gone. Sam Phillip’s studio was restored. Fry’s place endured, a testament to his love for music and audio. We miss him and wonder how Memphis’ production world will survive in his absence. We look forward to reflecting on his and John Hampton’s influence in this community and the world at large. From a musical standpoint — from Hot Buttered Soul to Skillet — Fry’s influence is fortunately inescapable. Losing him and Hampton at the same time seems like a lot to endure, even for Memphis. Hang in there, and make a joyful noise for the lord of the manor. Rest in peace, John Fry.

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Weekend Music Know-It-All

Well, aren’t you Mr. Busy? You’re not going to stay home write sad entries in your diary; at least not with this much music going down. You have no choice but to go out, get bananas, and dance your bad self straight into the jailhouse. Don’t call me.

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Friday:

Amy LaVere and Will Sexton are back at Bar DKDC.

Songstress Faith Evans Ruch will celebrate the vinyl release of her latest album, After It’s Said and Done!, tonight at Co-Motion Studio in Crosstown.

Songsterer Graham Winchester is holding a competing album-release party over to the Buccaneer Lounge.

May the best act win.

Think I’m through? Son, don’t kid yourself. 

Paul Collins Beat returns to Memphis after a laurel-garnering set at this year’s Gonerfest. He’s at Murphy’s tonight with Talbot Adams, and the Subtractions. Let us pray a prayer of thanksgiving for the Subtractions and anyone, really, who is photographed in an El Camino.

Saturday

Just keep your disguise on, and all of this will blow over. You didn’t mastermind the jailbreak. Worry about that after hearing more good music.

Justice Naczycz, Mark Akin, and Karl Creech at Otherlands.

We mentioned Arkaics at the Bucc in the paper, so you are up to speed on that. RIGHT? Aquarian Blood joins in the melee. DJs Hoppe and Madfarm shake the foundations in-between the bands.

Need to sit down and take a breather? Forget it. That’s for the weak.

Gringos, Powers That Be, and IV are at the Murphy’s.

Remember, don’t call me.