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Star Chef: Ann Barnes

Four Weddings and a Funeral was already taken as a movie title, but caterer Ann Barnes says that could also be the title of the book she’s planning to write one day.

“I did four weddings and a funeral on the same day,” she says. 

During her almost 50-year career, Barnes has cooked for movie stars, musicians, famous authors, ambassadors, royalty, one archbishop, and five United States presidents.

She’s prepared meals for two (a candlelight engagement party in a park) and for up to 3,000 people (the opening of Wolfchase Galleria in 1997). 

“My jaws are still dropping,” Barnes says. “Just wild and wonderful opportunities. One thing led to another.”

In addition to catering, Barnes, who is owner of Corinne’s Very Special Catering (named after her mother, Corinne Batson), owned Just for Lunch restaurant, which had three locations: 4730 Poplar, 4706 Spottswood, and 3092 Poplar Avenue. Her sister Susan Overton, who owned A Very Special Tearoom in Little Rock, Arkansas, was the inspiration for her Just For Lunch restaurants.

A Dignified Start

Born in Little Rock, Barnes initially learned to cook from The Essential New York Times Cookbook, the Neiman Marcus Cookbook, and Better Homes & Gardens New Cookbook. “I never cooked one time until I got married. I got all those for wedding presents.”

Barnes moved to Memphis in 1967. Three years later, she began doing cooking jobs for friends and family for fun. Her criteria has always been: “If it doesn’t look pretty and taste good, I won’t serve it.”

Dixon Gallery and Gardens was where she did her first public catered luncheon. “It was an ordinary lunch — an avocado with shrimp salad and fruit, some good rolls, muffins, and maybe aspic.”

She didn’t realize until the day after the luncheon that she’d cooked for the French ambassador, who was the honoree. “If I’d have known, I would have thrown in an extra strawberry,” she jokes.

“After that I had the good future of cooking for many ambassadors,” she says. For a particular Russian ambassador, Barnes made “ice bowls out of ice with flower petals in them so we could serve borscht. We put a little cream with the beet juice. It looked exactly like Pepto Bismol.”

Fit for a Prince

Among other dignitaries she cooked for was Prince Edward, the Duke of Edinburgh, the youngest son of Queen Elizabeth II. Prince Edward was at an event Barnes catered in Oxford, Mississippi, where she’s done many catering jobs. (She was told she “had done weddings for anyone who had a street named after them in Oxford.”)

The event for Prince Edward featured “an elevated Southern menu,” she says. She remembers making pecan-encrusted catfish. She may have made a “grits cake” (with cooked grits, butter, and cheese). And, she says, she probably served “eggs Creole,” which is made with andouille sausage and eggs with crawfish sauce poured over it.

Barnes and her staff weren’t supposed to speak to Prince Edward. “They told us, ‘Don’t talk to him. He’s very formal.’ Well, he wanted to talk. It was a fancy, seated dinner. He wanted to sample a lot of Southern dishes. He talked to servers. He talked to me.”

The dessert buffet was in another room. They served peach pan pies (aka “fried pies”), bourbon pecan pie, and banana pudding. The buffet also included crème brûlée, but not served in the thin little ramekins like those favored at restaurants, Barnes says with a bit of distaste. They were “served in casserole dishes. Served at the table. The old-fashioned way.”

“The Scotland Yard people said, ‘We’ve been all over the world and this is the best food we ever had,’” she says.

Prince Edward gave her a brass bookmark with a ribbon tied to it. “I thought that was nice.” 

Barnes cooked for many former presidents, including the conversational Bill Clinton. (Photo: Courtesy Ann Barnes)

A Presidential Path

Other notables Barnes catered for include Jehan Sadat, wife of Anwar Sadat, then-president of Egypt. She prepared a high tea for her at “an intimate gathering in someone’s home.”

Barnes did a reception for 2,500 people for writer/commentator William F. Buckley Jr., host of TV’s Firing Line. It was to celebrate the episode of the show taped in Oxford, Mississippi. “He was very nice. Kind of very Harvard proper, you know what I mean? Very blue blood.”

One of the show’s guests who attended the dinner was former United States Secretary of State Henry Kissinger. He talked to Barnes like they were old friends. “He took his shoes off. He said he was more comfortable with his shoes off.” He also took the tops off the different little sandwiches on the buffet and looked at them, Barnes says. She asked if there was a problem. “He said, ‘No, no, no. I just wanted to see.’”

Then, she said, “He would politely put them back on and pop them in his mouth.”

Barnes has cooked for former presidents Barack Obama, Jimmy Carter, George H.W. Bush, George W. Bush, and Gerald Ford, but she didn’t get to talk to them like she did Bill Clinton, who was the guest at the home of Gwen and John Montague. He went back in the kitchen and “smiled and waved,” Barnes says. “He looked up at me. I had an apron on. [He said,] ‘What’s going on back here?’ I was trying to look dignified. He took a bite of something as he left the kitchen and said, ‘Good groceries.’”

Meeting and cooking for the Dalai Lama was one of her most cherished memories, Barnes says. “He never quit smiling.”

She made chive dumplings for him — he’s vegetarian. She made flowers out of vegetables as garnishes. 

The Dalai Lama’s entourage — “big, burly men” — didn’t use plates at the buffet, Barnes recalls. “They reached into the chafing dishes and scooped it up and ate it. I tried to hand them plates. They said, ‘No, no. It’s good.’”

Chef to Stars

The laundry list of celebrities Barnes has fed includes Marlo Thomas and her husband Phil Donahue, Julie Andrews, Tiger Woods, and race car driver Dale Earnhardt.

She cooked for Sam Shepard and Jessica Lange at Just For Lunch. “Somebody called me and said, ‘These people are in town. Can they come and eat lunch?’ We were packed.”

When she learned it was Shepard and Lange, she asked some friends who had been at their table for a long time if she could have it. “Most of my customers were my friends.”

Shepard and Lange “couldn’t have been nicer,” Barnes says. Lange wanted a cappuccino, but “I didn’t have a cappuccino machine, or it was broken or something, so I put on a clean apron and walked out and said, ‘Oh, gosh. Our cappuccino maker is broken, but we have really good coffee. We have great beans.’” Lange smiled at her and said, “That will be fine.” “She was gracious about it.”

At a Southern writers conference in Oxford, Barnes cooked for Eudora Welty, John Grisham, and Willie Morris. “Willie Morris signed one of his books,” she says. 

Barnes also “did a lot of backstage catering” for people. She didn’t get to talk to all of them, but she cooked at events attended by Al Green, Justin Timberlake, Aerosmith, Journey, The Temptations, Dan Aykroyd, Barry Manilow, Tom Brokaw, Katie Couric, Al Roker, and Joe Cocker.

Barnes remembers catering for Aaron Neville and his band at Germantown Performing Arts Center. “I won the joke-telling contest,” she remembers. “We all prayed together.”

She made “something Russian” for ballet star Mikhail Baryshnikov at the old Ellis Auditorium in Downtown Memphis. Barnes isn’t sure what she made, but it might have been little blinis and caviar with sour cream. 

Of all the celebrities Ann Barnes has cooked for, Julia Child stands out the most to her. (Photo: Courtesy Ann Barnes)

But of all the celebrities she’s cooked for, noted chef Julia Child stands out the most. “That was really the highlight in my culinary life,” she says. “Julia Child and Jacques Pépin, all those people taught me everything.”

Barnes “watched every episode” of Child’s The French Chef TV show. And at one time or another she made “every recipe” in her Mastering the Art of French Cooking cookbook.”

“Cooking is just magical. And what she taught me is it’s not always going to come out right. So just be fearless. And do it again until you get it right.”

She told Child, “I’ve been looking forward to meeting you. And I heard you make a good chicken salad.”

For the luncheon, Barnes prepared stuffed eggplant, tomato aspic, fresh fruit, and quiche, but she also made her chicken salad, which impressed Child. “She pointed to the chicken salad and said, ‘Now, that’s a chicken salad.’ It wasn’t all chock-full of grapes and stuff. It had poached chicken, a few crunchy greens like celery in it, and our homemade mayonnaise dressing. She appreciated the simplicity of it. And said so.

“No president, no queen from Egypt, or any of the top dignitaries could compare with me getting to serve lunch to Julia Child. ‘Am I in a movie? Is this real?’ But this is too real. She was as down-to-earth as you could imagine.”

Barnes gave Child some leftovers to take with her. “We wrapped some rolls and muffins in Saran wrap.”

Four Weddings

Finally, there was the memorable “Four Weddings and a Funeral” day in Clarksdale, Mississippi. 

She catered three weddings that day and was turning into the driveway at a home, where the fourth wedding was to take place. “A woman came out frantically waving her arms. Kind of hysterical. I said, ‘We’re just coming to unload.’ And trying to keep her calm, I said, ‘I’ll move the truck.’ She said, ‘No, no, no! She’s dead!’”

Barnes said, “I’m so sorry. How awful. The bride?’ She said, ‘No, no. Her mother.’ I said, ‘Oh, dear.’”

Barnes was backing up the truck when another woman came out and said, “We have people from all over the world here, a lot of people from Germany and France. We are moving to the Bottle Tree Bakery and we are calling it a ‘wake’ or a ‘remembrance.’”

She ended up unloading the van “and had it all set up before the guests arrived. Put the wedding food all along the bar. All the finery, all the silver. It was unbelievable when it was happening.”

As for the couple who was going to say their vows, Barnes says, “They did not get married then, but I understand they got married the next day.”

So, technically, she says, “I guess we couldn’t count that as a wedding.”

Cooking With Purpose

Barnes doesn’t just cook for the rich and famous. “It’s never just been about the food. It’s been about the people and participating in this wild adventure.”

They had a strategy worked out for people who couldn’t afford to eat at Just for Lunch in Chickasaw Oaks. “If someone walked in and asked, ‘How much does lunch cost?’ we’d pretend they had won a contest.”

She would tell the head waiter that this person had just won that day’s contest. As the “winner,” they were treated to a free lunch. And they were treated “like they were the finest diner. I’m as proud of that as feeding the Queen of England.”

Barnes is also part of the Project Green Fork food rescue, where she gives leftover food to Church of the Holy Communion, which repackages it immediately for people who are hungry. “There are so many ways to not waste food and let people who need it, have it.”

And she’s now part of The SOW Project with chefs Ben Vaughn and David Krog. “[It’s] a completely free culinary program to teach disadvantaged people the hospitality business.”

Barnes hired one of her friends, retired restaurateur and consultant Mac Edwards, to be the manager at Just For Lunch in the ’80s. “She is one of my mentors and has always made herself available for advice and counseling,” Edwards says. “The only reason she has not had more public recognition is because she is so humble and just goes about her business of throwing great events. Ann deserves to be considered in the same light as any other prominent Memphis restaurateur or caterer over the last 50 years.”

No matter who she’s cooking for, that person stands out, Barnes says. She likes to say, “My next bride is my next most important customer.” 

And she will treat her like she’s the most important customer she’s ever had. 

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Spring Fairs & Festivals 2025

April showers bring April festivals, and then there are May festivals, and June ones, and July and August. And we don’t even have time to get to September. That’s right, friends (may we call you that?): It’s time for the Spring Fairs & Festivals Guide. 

April

Month of Jazz at Crosstown Arts
A monthlong celebration of jazz. 
Crosstown Arts, various dates through April 30 

Memphis Tattoo Festival (Photo: Courtesy Memphis Tattoo Festival)

Memphis Tattoo Festival
If you can dream it, you can tat it. 
Renasant Convention Center, April 4-6

TrollFest
Don’t be a troll; instead, learn how to take better care of the environment at this festival. 
Memphis Botanic Garden, April 5

Wine, Food and Music Spring Festival
Wine all you want. Notice I said “wine,” not “whine.” 
Beale Street Landing, April 5

Foodees Food and Culture Festival
Does it bother me that it’s not spelled “Foodies”? A little. Do I care? Not when the festival is bringing 70 food trucks and 100 crafters and makers. 
Riverside Drive, April 11-13

TrollFest (Photo: Abigail Morici)

Brewfest
You’re cruising for a brewski. 
Mississippi Ale House, Olive Branch, MS, April 12

Cooper-Young Porchfest
Get out of my head and onto my lawn (for free porch concerts, obviously). 
Cooper-Young Historic District, April 12

Juke Joint Festival
No need to be a juke box hero when you can go to the Juke Joint Festival. 
Clarksdale, MS, April 12

Orbit Fest
You’ll want this fest in your orbit: seltzers, vendors, music. It’ll be a blast.
Crosstown Brewing Company, April 12

Cooper-Young Porch Fest (Photo: Brandon Dill)

Shelby Forest Spring Fest
A Mardi Gras-themed fest with wildlife and cultural exhibits, plus music, food, arts and crafts, and more.
Meeman Shelby Forest State Park, April 12

Shop Black Fest
Black businesses for the win.
Bass Pro Drive + Riverside Drive, April 12

Taco & Tequila Fest
Taco ’bout tequila. 
Butterific Bakery & Cafe, April 12

The Mid-South Korean BBQ Festival
A backyard cooking competition of traditional American barbecue and Korean barbecue.
Grind City Brewing Company, April 12

Juke Joint Festival (Photo: Courtesy Juke Joint Festival)

Black Arts & Wine Festival
Shop visual art by Black creatives and sample wines and liquors from Black brands.
Pink Palace Museum & Mansion, April 13

Concerts in the Grove
Enjoy an outdoor concert or two.
Germantown Performing Arts Center, select Thursdays, April 17-June 26

Africa in April
Salute the Republic of South Africa.
Robert R. Church Park, April 18-20

Good Vibes Comedy Festival
LOL IRL.
Hi Tone, April 18-20

Earth Day Festival (Photo: Courtesy Shelby Farms Park)

Earth Day Festival 
Where fun meets sustainability, and sustainability meets you.
Shelby Farms Park, April 19

Shell Daze
Dazed and confused, more like dazed and I don’t know where I was going with this … so I guess I am confused. But this festival is not confusing! It’s all about music: Lettuce, Daniel Dato’s Cosmic Country, Grace Bowers & the Hodge Podge, and The Velvet Dog.
Overton Park Shell, April 19

Art in the Loop
Let me loop you in: It’s the art festival in East Memphis.
Ridgeway Loop Road, April 25-27

Double Decker Arts Festival
A two-day (a double-day?) celebration of food, music, and the arts.
Oxford Courthouse Square, Oxford, MS, April 25-26

Trolley Night
Explore galleries, restaurants, bars, and shops open late with activities on the street every month. 
South Main, last Friday of the month

23rd Annual World Championship Hot Wing Contest and Festival
Wing, wing, wing, this festival is calling for you. 
River Garden Park on Riverside Drive, April 26

Spring Craft Fair
Find crafts and one-of-a-kind treasures.
Meddlesome Brewery, April 26

Taste the Rarity
Get weird with beer.
Wiseacre Brewing Company, April 26

Mimosa Festival (Photo: Courtesy Mimosa Festival)

Mimosa Festival
Mimosa is a fun word to say, and this festival is even funner (and that’s a fun word).
Autozone Park, April 27

32nd Rajun Cajun Crawfish Festival
Heads, you suck. Tails, you pinch.
Riverside Drive, April 27

May

Experience Memphis Gardens
Roses are red; violets are blue. I’d love to walk Memphis’ gardens with you. 
Various locations, May 1-June 15

Memphis in May International Festival
Salute South Korea at this festival.  
Memphis, May 1-31

Mississippi Wildlife Heritage Festival
Go wild with food, art, games, expos, contests, crawfish, and more. 
Downtown Leland, May 2-3

RiverBeat Music Festival
This year’s headliners are Missy Elliot, The Killers, and Anderson .Paak & The Free Nationals.
Tom Lee Park, May 2-4

Cigar & Whiskey BBQ Festival 
Cigars, whiskeys, barbecue — it’s in the name. 
Agricenter International, May 3

Bookstock
This fest is for the books. Literally. 
Benjamin L. Hooks Central Library, May 3

Café du Memphis
Beign-yay! (And shrimp and grits and café au lait. Yay for all!)
Overton Park Shell, May 3

Overton Square Crawfish Festival
Go cray for the crayfish. 
Overton Square, May 3

The Big Squeeze Food Truck Festival
When life gives you lemonade, wash it down with food truck fare and music.  
Germantown Performing Arts Center, May 3

Memphis Greek Festival
Say: Opa! And bring three cans of nonperishable food for free admission. 

Annunciation Greek Orthodox Church, May 9-10

World Championship Barbecue Cooking Contest 
Mind your Ps and ’cues — mostly your ’cues because I’m not sure how helpful those Ps will be.
Liberty Park, May 14-17

SmokeSlam
Talk about a smoke show.
Tom Lee Park, May 15-17

DreamFest Weekend
Sweet dreams are made of this: a weekend of Memphis music.
Overton Park Shell, May 16-18

Ruby Bridges Reading Festival
Enjoy book giveaways, children’s activities, and storytelling.
National Civil Rights Museum, May 17

Trans-Fest
A celebration of the trans community. 
Wiseacre Brewery, May 17

Uptown Arts Festival
Expect art, music, beer, and a good time. 
Grind City Brewing Company, May 17

Bluff City Fair
This fair isn’t bluffing when it comes to fair foods, carnival rides, and attractions.
Tiger Lane at Liberty Park, May 23-June 1

Memphis Dragon Boat Festival
Dragons will race. Well, dragon boats. 
Hyde Lake at Shelby Farms Park, May 31

Memphis Italian Festival
Where everyone’s Italian.
Marquette Park, May 29-31

Memphis Margarita Festival
Some people claim there’s a festival to blame, and it’s this one. Wastin’ away again at the Memphis Margarita Festival … 
Overton Square, May 31

Memphis Vegan Festival 
No animals were harmed in the making of this festival.
Fourth Bluff Park, May 31

June

Juneteenth Shop Black Festival
Shop from 100 Black businesses.
Fourth Bluff Park, June 1

Tupelo Elvis Festival
Get ready to rock and roll. 
Downtown Tupelo, June 4-7

Memphis Pride Fest Weekend (Photo: Courtesy Mid-South Pride)

Memphis Pride Fest Weekend
A four-day celebration embodying the spirit of the LGBTQ community.
Various locations, June 5-8

Memphis Crafts & Drafts Festival Summer Market
This event is no rough draft. It was perfectly crafted to fit all your summer market needs. It’s also put on by the Memphis Flyer, which I’ve heard is pretty awesome. 
Crosstown Concourse, June 7

Fried Chicken Fest
Why did the chicken cross the road? To get to the Fried Chicken Fest? That doesn’t sound right. The fest is fun for humans though! It’s got fried chicken (with apologies to the chickens that crossed the road), music, and lawn games.
Germantown Performing Arts Center, June 7

Craft Food & Wine Festival
Delicious food, exquisite wines, and live music, all while supporting Church Health.
The Columns, June 8

Betonia Blues Festival
With a lineup with the likes of Nick Wade, Jimmy Duck Holmes, Chris Gill & Sole Shakers, and Bobby Rush featuring Mizz Loew, you know you’re in for a good time.
Blue Front Cafe, Bentonia, MS 

Memphis Brewfest
Just brew it. 
Shelby Farms Park, June 21 

Record Fair
Girl, put your records on. Tell me your favorite songs from Goner Records, River City Records, and Shangri-La Records ’cause this is the place to buy all your music.  
Soul & Spirits, June 21

July

Delta Soule Picnic Festival
Expect R&B and Southern soul music.
Warfield Point Park, Greenville, MS, July 5

Memphis Summer Cocktail Festival
Get your drink on.
The Kent, July 12

August

Planted Rock Vegan Festival
We will … we will … rock you (as long as you’re a plant). This fest promotes vegan foods and will give healthy living tips. 
Collage Dance Center, August 5

FedEx St. Jude Championship
Here’s where I’d insert a golf pun, if I knew any. If you know about golf, I assume you know about this championship. 
TPC Southwind, August 6-10

Elvis Week (Photo: Courtesy Elvis Presley’s Graceland)

Elvis Week
The Elvii are coming! The Elvii are coming! And they’re showing up for music, panels, contests, movies, fan meet-ups, tours, and more. 
Graceland, August 8-16

Skol-astic Book Fair
Ah, book it. Book it real good. 
Soul & Spirits, August 9

Memphis Chicken & Beer Festival
People like chicken; people like beer. 
Simmons Bank Liberty Stadium Field, August 16 

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Beale Street Bound

“Would you like to take a look inside?” asks Josh Harper of the Memphis Music Hall of Fame, as I stare at the white and pink letters on a black door, spelling out some of the most revered words in the annals of rock-and-roll fashion: Lansky Bros., Memphis, Since 1946. That’s an offer no inquisitive journalist can refuse, and when Harper turns the key, it’s as if he’s opened a portal into the past. The brick walls of the clothier’s longtime location at 126 Beale Street, now vacated in favor of the newer Lansky at the Peabody boutique, exude an aura of living, breathing history, dating back to the structure’s incarnation as Burke’s Carriages in the early days of Beale.

“The building used to be two buildings that were bricked together,” says John Doyle, executive director of both the Memphis Music Hall of Fame (MMHOF) and the Memphis Rock ‘n’ Soul Museum. “On the second floor, they shoed horses. There was a ramp on the outside of the building where they walked the horses up there. A saloon was on the first floor. And the original hardwood floors are still there; the original beams are still there.”

Doyle has every reason to savor the history of the location, beyond the fact that the MMHOF museum was sandwiched between Lansky’s and the Hard Rock Cafe there for nearly a decade. Helming a museum makes one partial to the legacy of any building, especially when it’s destined to be the home of the very exhibitions you manage. And that’s precisely what’s in store for the Memphis Rock ‘n’ Soul Museum. 


Artists’ renderings of the future J.W. and Kathy Gibson Center for Music  
Photos: (top) Courtesy Memphis Rock ‘n’ Soul Museum; (bottom) Courtesy Mike Curb Family Foundation

A Movable Feast

The move was made public one year ago at a press conference outside the building that featured Doyle, businessman J.W. Gibson, and host Priscilla Presley, where it was announced that Memphis Rock ‘n’ Soul Inc., the nonprofit that operates both the museum and MMHOF, had purchased 126 Beale from Lansky’s for $5 million with funding from Gibson, Mike Curb, and other benefactors. The highlight of the event was the unveiling of a sign marking the address as the new “J.W. and Kathy Gibson Center for Music” that will include MMHOF, Rock ‘n’ Soul, and the Mike & Linda Curb Music Center.

As reported at the time by Bob Mehr in the Commercial Appeal, Gibson, who is chairman of the museum’s foundation board, said, “It’s Memphis music that I’m committed to, and that I think is sorely missing tremendous opportunities year after year. Since I’ve been on the board, I’ve been preaching the notion that we need to take advantage of the talent that Memphis has and the history we have. Memphis music is substantial to the music industry internationally. However, locally, what are we doing to uplift that industry, to support that industry? We saw an opportunity here.”

Naturally, migrating the museum into the space will take some time, but the institution has long had patience on its side. Now in its 25th year, Rock ‘n’ Soul occupies a unique niche in the local museum ecosystem. For one thing, it was launched by the Smithsonian Institution, the first of that venerable organization’s exhibitions to be located outside the Washington, D.C., area. Moreover, Rock ‘n’ Soul was uniquely peripatetic even before it opened, with its origins rooted in a traveling exhibition. 

As Doyle explains, “When the Smithsonian was celebrating their 150th anniversary as a museum system, they decided to get some of their stuff out in the world and did an exhibit that toured the country. It included the ruby slippers from The Wizard of Oz, Abraham Lincoln’s stovepipe hat, and other things, but the centerpiece of it was an exhibit about the origins of America’s music. It featured the quote that ‘In the quest to identify the roots of rock-and-roll, all roads led to Memphis.’ And they actually tapped some Memphians to do some of the research. David Less, here in Memphis, who has been head of the Blues Foundation and is a record producer and author, conducted over 60 oral history interviews with Memphis musicians who were still alive at the time.”

That ultimately led to siting the brick-and-mortar Memphis Rock ‘n’ Soul Museum in the Gibson Guitar Factory, a block south of Beale Street, in 2000. But though Gibson was not destined to keep that facility in operation in perpetuity, the museum had already migrated by the time it closed. As it turned out, Gibson wasn’t the only business interested in having a music museum in its corridors. The Grizzlies were coming.

Doyle explains that the NBA team “wanted a music museum to be part of the FedExForum campus because they were theming the basketball arena with a Memphis music thing. Anyone who’s come to a Grizzlies game recognizes that Memphis music is pretty prevalent through there. It was wise on the Grizzlies’ part to really embrace that aspect of the city’s culture. So they wanted a music museum to be part of the campus, and the Rock ‘n’ Soul board and staff preceding me raised, I think, $1.3 million to convert what was going to be a three story building into a four story building, so that Rock ‘n’ Soul would encompass the first floor.”

And that’s where it has stood since 2004, when the FedExForum opened. “We can never say enough about the Memphis Grizzlies. To have a nonprofit museum developed by the Smithsonian Institution, that pays no lease, is pretty unheard of. We’re the envy of most of the nonprofits in the city, and that’s out of the graciousness of the Grizzlies.” Indeed, the museum has thrived there for 20-odd years, and only last month, USA Today included Rock ‘n’ Soul among the top 10 music museums in the country as part of their 10Best Readers’ Choice Awards series. That puts it in the company of the Johnny Cash Museum, the Patsy Cline Museum, and the Country Music Hall of Fame in Nashville; the Rock & Roll Hall of Fame in Cleveland; the Musical Instrument Museum in Phoenix; the Museum at Bethel Woods in Bethel, NY; the Motown Museum in Detroit; the Birthplace of Country Music Museum in Bristol, Virginia; and the Woody Guthrie Center in Tulsa, Oklahoma. 

A Weird Coincidence

Thriving as it is in its current location, one might well ask why Rock ‘n’ Soul would move at all. And at one time, several of the museum’s board members were asking the same question. But at least one of them was inclined to think big.

“We had a strategic planning session a few years ago,” Doyle says, “and we were talking about things like improvements to the museum exhibits, expanded programming, and starting an endowment for the longevity of the organization. And then one board member threw up their hand and said, ‘What if we dreamed about having our own building, and both museums being under one roof?’ And another board member said, ‘Are you crazy? We pay no lease at FedExForum, thanks to the Memphis Grizzlies. Over at the Memphis Music Hall of Fame, we pay no lease, thanks to the Hard Rock Cafe [the anchor tenant in Lansky’s building, serving as MMHOF’s landlord]. We would be stupid to do something like that!’”

But even as they spoke, events were coalescing to nudge them out of their comfort zone. As Doyle explains, “It wasn’t two months later that Hal Lansky came into the lobby of Rock ‘n’ Soul and said, ‘I need to talk to you about something. The Hard Rock Cafe is leaving Memphis.’ This was in June of 2023. And I said, ‘When are they leaving?’ He said, ‘Thirty days from now.’ And I said, ‘Are y’all going to get another tenant in there who can serve as landlord for the Memphis Music Hall of Fame?’ And he said, ‘No, probably not. We’re probably going to put the building up for sale.’

“So I went to our board and said, ‘Remember that idea that some of us said was the stupidest idea anyone had ever come up with at a strategic planning session? It looks like it’s coming true.’ And so, with a very visionary board of directors, our soon-to-be board chairman J.W. Gibson donated a million dollars towards the purchase of the building. Then we wrote a grant, and the Assisi Foundation of Memphis graciously donated a million dollars. And then Mike Curb with Curb Records, who owns Elvis’ home on Audubon and funded the [Mike Curb Institute for Music] at Rhodes College, stepped up with $2.5 million, and in eight months, we purchased the building.”

That was just the beginning, of course. Expanding and creating new spaces for public engagement will incur costs far beyond the purchase of the building itself. “We then started a capital campaign to raise another $15 million to renovate the building, to do upgrades to both museums’ exhibits, to make them bigger and better, to have a performance space, so that we can assist musicians, to have a studio, so that we can assist students, and grow the gift shop. And now we have that underway. It’s kind of a surreal moment.”

Furthermore, both Rock ‘n’ Soul and MMHOF will live together in a space that’s undeniably, inherently historical. As Doyle points out, that’s something that other Memphis music tourist destinations have that Rock ‘n’ Soul has never possessed. “There’s only one place where you can have Sun Studio. The Stax Museum [of American Soul Music], even though the building was demolished, they rebuilt a replica on the same site. And then obviously, you can’t move Graceland. The fact that we tell the complete Memphis music story separates us somewhat from our other partners in the field of music here, around Memphis.” Yet that has also meant that Rock ‘n’ Soul has lacked any obvious, charmed location. But that’s about to change. 


John Doyle and Priscilla Presley (Photo: Courtesy Memphis Rock ‘n’ Soul Museum)

Keith Richards at 2015 MMHOF Induction Ceremony (Photo: Courtesy Memphis Rock ‘n’ Soul Museum)

Sacred Ground

Although Rock ‘n’ Soul won’t move for another year or two, the upcoming location is already spurring on a new groundswell of support for the museum. As it turns out, there’s nothing like having a Beale Street address. “Priscilla Presley is very engaged about what we’re doing,” says Doyle. “She’s obviously engaged because Elvis was tied to that building. But she also considers Memphis home, despite the fact that she lives in Los Angeles — as she’s said, she lived at Graceland longer than she lived anywhere in her life, being a military brat. And so she’s gone with me twice to the State Capitol to talk to legislators and the governor about how important this is, not just for the Rock ‘n’ Soul Museum, but for Memphis music and for the future of Beale Street, the safety of Beale Street: to have daytime and family-friendly programming, to enhance what the clubs and restaurants are doing. We’re looking forward to working with the Beale Street merchants, to be a good partner there, even though we’re on the other side of Second Street from the Beale Street Historic District.”

Mike Curb, for his part, also sees the move as potentially creating a critical mass around Beale Street. “We’re kind of hoping to do on Beale Street what we did in Nashville’s Music Row, where we bought quite a few buildings. … We’re going to do something really special.”

A whole new world of possibilities is opening up, in part because of a significant increase in square footage, but also because of what the Hard Rock Cafe left in its wake. “Fortunately, when Hard Rock Cafe left town,” says Doyle, “they left every plate, every fork and spoon, the most incredible kitchen equipment you’ve ever seen, and a stage with full sound equipment, full lights. Everything was left for us. I guess it was a housewarming gift. And we have great space in the building, double the space that we currently have for our two museums’ exhibits, so we could make room for a performance space, a larger gift shop, a recording studio to help students with podcasts, and host Beale Street Caravan, that sort of thing. We can have summer camps for kids, music performances, private facility rentals, anything that you want in that space, and still keep the museums running. This building is going to afford that.” 

Naturally, putting the museums at the head of the entertainment district will make them both more visible, and, together under one roof, able to attract more visitors. Most of all, they will be both on and of Beale, the old carriage shop’s brick walls, where a saloon’s rowdy crowd once fought, courted, and raised toasts, exuding the street’s spirit. Within those walls, Rock ‘n’ Soul and MMHOF will embody the very history they celebrate. As Doyle puts it, “Those are the things that make us sacred. We are moving into sacred ground.” 

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Cover Feature News Sports

Madness!

The Memphis Tigers are back in the NCAA tournament. This is progress. Even better would be a pair of wins and the program’s first trip to the Sweet 16 in well over a decade. But let’s think ambitiously. With six wins needed to cut down the nets as national champion, here are six factors that could make this March memorable for Memphis.

Forget history, especially the previous six seasons. With the exception of forward Nicholas Jourdain, Penny Hardaway’s first six years as Tiger coach mean absolutely nothing to the current roster. The Wiseman Affair. The Lost Postseason of 2020. The Missed Timeout against FAU in the 2023 NCAA tournament. And (blech) the Nosedive of 2024. Sure, this is Tiger basketball history, but it cannot so much as enter the brainwaves of the last man on the Memphis bench.

In his seventh season at the helm, Penny Hardaway led the Tigers to a 16-2 league record and earned AAC Coach of the Year honors.

Following the Tigers’ season-opening win over Missouri way back in November, PJ Haggerty (new to the program from Tulsa) emphasized the good chemistry he felt with his new teammates, actually emphasizing “no beef,” no tension between players just establishing their roles. Guard Tyrese Hunter (new to the program from Texas and this season a first-team All-AAC selection) said this Memphis team has “no ego,” that he and his teammates have “blinders on” for a shared mission.

Point guard Tyrese Hunter suffered an injury to his left foot in the AAC semifinals. His status for the NCAA tournament is unclear.

Read between those lines and you recognize the after-effects of a 2023-24 season where egos were indeed a variable, where a beef or two seemed to compromise any mission, let alone that of a deep NCAA tournament run. Three weeks after that opening win, the Tigers beat both Connecticut (the two-time defending national champions) and Michigan State in Maui to more than clean the slate for a new team, a new campaign. The slogan for the 2024-25 Memphis Tigers should be … This is now. What can today bring?

When asked about his current team and a strength that can help it succeed in tournament play, the 2025 AAC Coach of the Year doesn’t hesitate: “Our unity. We all have the same goal. It hasn’t been that way around here in past years. It’s been kind of selfish. Some people have been so good, they felt they could do it on their own. With this group, our biggest attribute is our unity. We’re together as one.”

Stars must star. While the players must keep those blinders on, we can turn to history for some guidance in what to expect when the Madness tips off. And every Final Four run the Memphis Tigers have made has featured a Leading Man: Larry Finch in 1973, Keith Lee in 1985, and Chris Douglas-Roberts or Derrick Rose (take your pick) in 2008. A sophomore sensation by the name of Hardaway took the Tigers to the Elite Eight in 1992. You get the idea.

PJ Haggerty is this team’s alpha, and he will need to seize that role — maybe even inflate it — for the Tigers to reach the Sweet 16 for the first time in 16 years. The AAC Player of the Year is already just the seventh Memphis player to score 700 points in a season. (He needs 22 to break Dajuan Wagner’s program record of 762.) Haggerty scored 13 points in six minutes to fuel a second-half comeback at UAB on March 2nd that essentially clinched the AAC title for the Tigers. He poured in 42 in the AAC tournament quarterfinals, a win over Wichita State in which his teammates combined to score 41.

“He’s a dreamer,” says Hardaway. “He sat home and watched the NCAA tournament when he was young, like we all have. To have this situation now — ranked the number-one shooting guard in the country, conference player of the year — he’s still dreaming. He may have hoped for all this to happen, but now that it’s actually here, he’s excited.”

Dainja! Dainja!! FedExForum announcer Geoff Mack found his muse with the arrival of Dain Dainja. The Tigers’ big man with soft hands (a transfer from Illinois) has often raised the arena’s energy level with a gentle hook shot or follow-up slam. And when that energy peaks, Mack will bellow into his microphone, “DAINJA! … DAINJA!!” It’s the happiest reaction to something, yes, dangerous we’ll witness near a basketball court.

Dain Dainja tops the Tigers in rebounding and earned first-team All-AAC recognition.

Hardaway inserted Dainja into the Tigers’ starting lineup for their showdown with UAB on January 26th, a game that would determine first place in the American Athletic Conference. Dainja hit 10 of 12 shots and pulled down eight rebounds in only 25 minutes of what proved to be an easy (100-77) Memphis victory. Memphis has only lost one game since. 

How critical is Dainja to a deep run for the Tigers? He and Moussa Cisse are the only “bigs” Hardaway has in his rotation, the closest players — in body and style — to an old-fashioned center. They will be needed to protect the rim on the defensive side and provide interior threats (particularly Dainja) when the Tigers have the ball. Pay attention to fouls for either of these players. And expect Hardaway to leave them on the floor even if they accumulate four. “Going small” might be a strategy, but not when it’s forced.

Dainja vanished in a game at Wichita State on February 16th (four points and a single rebound in 20 minutes of playing time), and the Tigers lost in overtime to a very beatable Shockers team. A week later at FedExForum, Dainja (Dainja!) scored 22 points, pulled down 11 rebounds, and blocked four shots in a 19-point victory over FAU. “It shows me that he cares,” said Hardaway after Dainja’s resurrection against the Owls. “These guys care. They want to come back and do better [after an off game]. He knew he let himself down [against Wichita State]. He has so much pride and he came back hungrier.”

As for the now of it all, Dainja — yet another first-team All-AAC honoree — actually mentioned “getting old” after the Tigers beat Temple last month. (He’s 22.) His basketball life is about winning. The busier Dainja finds himself this postseason, the more danger Memphis opponents will experience.

Clean the glass. There’s one unifying thread when you examine the Tigers’ five losses this season: more rebounds by their opponent. If you consider every rebound an extra chance to score, Temple had 24 more opportunities (49-25) in the Owls’ seven-point win in January. That ugly loss at Wichita State? The Shockers pulled down 54 rebounds to the Tigers’ 45.

Memphis is not a big team. Dainja, Cisse, and Jourdain will be trusted with much of the rebounding responsibility, but smaller players — Haggerty and Colby Rogers, to name two starters — must earn a few extra possessions for the Tigers to win the close games to come. And beware foul trouble for the 6’9” Dainja or the 6’11” Cisse. Losing either for an extended stretch would force Hardaway to play “small ball,” and against the wrong opponent, that can go sideways fast.

“Once Dain gets going,” notes Hardaway, “you have to double-team him. And we can tee up threes; we love that advantage. He’s bought into the role we have for him. He knew Moussa was coming and didn’t know how much time he would get. We need him to score, so we make him comfortable.” If the Tigers are to advance this month, they need Dainja to rebound, too.

Unheralded hero. Or two. The margin between victory and defeat in the NCAA tournament is miniscule. Three years ago, in the second round, the Tigers led the top-ranked team in the country (Gonzaga) at halftime, only to stumble in the second half. Two years ago, had an official granted the Tigers the late-game timeout players requested during a scramble, it may have been Memphis (and not FAU) that advanced to the Final Four.

Remember that win over Connecticut last November? The Tigers found themselves going to overtime against the second-ranked team in the country, but with Haggerty having fouled out. Into the spotlight strides another PJ, last name Carter. The UTSA transfer proceeded to make six consecutive free throws and drain a three-pointer to all but personally deliver a season-changing upset to his new team. 

Haggerty and Dainja must have a productive supporting cast for Memphis to advance in the Big Dance. Will Carter be the one to grab some national attention off the bench? Maybe it will be Rogers, at times a long-distance threat (and others virtually invisible). If the current Tigers have a “glue guy,” it’s Jourdain, the lone veteran, now wrapping up his second season under Hardaway. The senior has started every game this season after starting 25 upon his arrival from Temple for the 2023-24 campaign. Jourdain had a pair of late put-backs at UAB that helped seal the Tigers’ biggest win in conference play. His averages of 6.4 points per game and 5.6 rebounds are mere whispers of his value. Depth is an overrated factor for a 40-minute basketball game, but a surprise performance is always welcome. One or two can shift that precious margin for victory in the right direction.

Embrace the unlikely. Hardaway is associated with the number 1, and for obvious reasons. But the retired jersey number below his name that has hung from the rafters above the Tigers’ court for 30 years now is … 25. Could such a celebrated-but-forgotten pair of digits be an omen for a 2025 tournament run under Coach Hardaway’s watch?

Consider that these Tigers won the first AAC regular-season crown in program history. This was not predicted back in November. (UAB was picked to win.) These Tigers climbed to a ranking of 14th in the AP poll, the highest Memphis has been ranked after Valentine’s Day since 2009 (John Calipari’s last season as head coach). This was not predicted back in November, as the Tigers began the season outside the Top 25. These Tigers have nabbed a 5 seed in the NCAA tournament. Also not predicted, and how significant, you ask? Memphis has reached the Sweet 16 ten times since seeding began in 1979, but never seeded lower than sixth.

As for the crucible of NCAA tournament play, consider the Tigers’ record this season away from FedExForum: 16-3. Not only have they won an ocean away from home (Maui), but they’ve won at Clemson, at Virginia, at Tulane, and at UAB, smaller arenas packed with crowds loudly rooting against their success. This Memphis team may encounter an opponent with more talent, maybe more luck. But it’s hard to imagine the Tigers being intimidated by what’s to come with all the madness. 

“They want to be champions,” emphasizes Hardaway. “They’ve come together and bonded. They’ve set out on a mission, and they’re not letting anything distract them. We’ve had a couple of bad games in conference, but these guys are locked in. They’re together. That’s why we’re so resilient.” 

Seeded 5th in the West Region, Memphis (29-5) opens play on Friday in Seattle against Colorado State (25-9).

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Cover Feature News

Legislatin’

Lawmakers gonna law-make, and committee agendas for the Tennessee General Assembly are filled to the brim with a vast and complex array of proposals for a better Tennessee (depending on where you sit). 

Hundreds of bills filed in Nashville cover everything from far-right-fueled covenant marriages to hunters finding wounded deer with drones to rules that take the high out of Tennessee cannabis products — and so much more.

Here are a few bills we’re watching. 

Senator Brent Taylor (Photo: wapp.capitol.tn.gov)

Gender transition (SB 0676)

Senator Brent Taylor (R-Memphis) says this law ensures that if a gender clinic takes state funds to perform gender transition procedures, they’ll have to also perform “detransition procedures.” 

The bill also requires a report to the state on a ton of information about any transition procedures: the age and sex of the patient, what drugs were given to them, when the referral was made, what state and county the patient is from, and a complete list of “neurological, behavioral, or mental health conditions” the patient might have had. Almost everything but the patient’s name and WhatsApp handle. 

Forever chemicals (SB 0880)

The U.S. Chamber of Commerce is pushing this bill, and maybe not just in Tennessee. 

When Mark Behrens, a representative of the U.S. Chamber of Commerce Institute for Legal Reform, explained it to a Senate committee last week, he specifically mentioned PFAS (also called forever chemicals by some), which are found in nonstick cookware, firefighting foam, and more. He also broadly mentioned “microplastics” and “solvents.” 

Behrens claimed these may have a PR problem but they may also be in a situation where “the science [on them] is evolving and they may not have an impact on human health, or that impact may be unclear.” 

So rather than the state banning them for just having a bad rap, any ban would have to be based on “the best available science.” 

Senator Janice Bowling (R-Tullahoma) asked if this could be used to keep fluoride out of drinking water. No, she was told. 

Medical Ethics Defense Act (SB 0955)

“This bill prohibits a healthcare provider from being required to participate in or pay for a healthcare procedure, treatment, or service that violates the conscience of the healthcare provider.” The bill itself is scanty on details. On its face, it sure sounds like it’s aimed at the LGBTQ community.            

But bill sponsor Senator Ferrell Haile (R-Gallatin) said it was a “straightforward bill,” covering things such as assisted suicide or whether or not a pharmacist felt comfortable prescribing birth control. 

Deer and drones (SB 0130)

This one is straightforward. It would allow hunters to use drones to find deer they shot.  

WHO now? (SB 0669)

With this bill, Taylor, the Memphis Republican, says pandemics can only be declared by the American, baseball-and-apple-pie Centers for Disease Control and Prevention (CDC), not the Swiss, soccer-and-Toblerone World Health Organization (WHO).

Senator London Lamar (Photo: wapp.capitol.tn.gov)

Cash for STI tests (SB 0189)

Senator London Lamar (D-Memphis) wants to give higher-education students in Tennessee $250 for taking a voluntary test for sexually transmitted diseases. 

Felonies for protestors (SB 0672)

You know how Memphis protestors like to shut down the Hernando DeSoto Bridge? Well, Taylor, that Memphis Republican, would make that a felony. 

But it’s not just big roads and protestors. The bill applies to anyone obstructing “a highway, street, sidewalk, railway, waterway, elevator, aisle, hallway, or other place used for the passage of persons or vehicles.” Those would be Class E felonies. 

But if the “offense was committed by intentionally obstructing a highway, street, or other place used for the passage of vehicles,” it would be a Class D felony. 

What’s in a name? (SB 0214)

This bill would prohibit any public facility to be named for a local public official who is currently in office — and for two years after they leave office. The same prohibition would also apply to anyone who has “been convicted of a felony or a crime of moral turpitude.”

Covenant marriage (SB 0737)

This bill creates “covenant marriage” in Tennessee. And the most important thing the bill caption wants you to know about the law is that this kind of marriage “is entered into by one male and one female.” 

Covenant marriage is, like, a mega, pinky-swear marriage. To get it, couples have to go to premarital counseling and their preacher or counselor or whoever has to get notarized and some kind of pamphlet to be printed by the secretary of state. 

Getting out of a covenant marriage is, like, way hard. A partner would have to cheat or die, be sentenced to death or lifelong imprisonment, leave the house for a year, or physically or sexually abuse the other partner or the couple’s children. 

These types of marriages are only available now in Arizona, Arkansas, and Louisiana. 

Oh, and if you wonder where this is coming from, check out a video posted on our website that shows Senator Mark Pody (R-Lebanon), one of the bill’s sponsors, at church talking about “wicked” gay marriage. — Toby Sells 

Taylor sponsored SB 0217. (Photo: Joshua Rainey | Dreamstime.com)

Clearing Homeless Camps (SB 0217)

A bill would give those living in homeless camps three days to vacate if their camp is targeted for removal in a new program that could cost around $64 million each year from the state highway fund. 

Senate Bill 0217 would require the Tennessee Department of Transportation (TDOT) and other agencies to regulate “the collection, storage, claiming, and disposal of personal property used for camping from the shoulder, berm, or right-of-way of a state or interstate highway, or under a bridge or overpass, or within an underpass of a state or interstate highway.”

The bill, sponsored by Taylor, coasted through its first vote by the Senate Transportation and Safety Committee last week with only one Democrat voting against it. Taylor said he had experience in trying to clear areas of personal property and called it the “most complicated thing [he] had done as an adult.”

“What this bill does is simply allow TDOT to go into communities like Memphis, Nashville, Chattanooga, Knoxville, or any other community and to go ahead and preplan how they’re going to deal with homeless encampments and go ahead and work with social services networks in that community,” Taylor said.

Taylor said this network will include law enforcement, so that all the duties will already be spelled out when an encampment needs to be removed. He also said this bill does not criminalize homeless people.

“This serves not only the state and the local community, but this serves the homeless folks as well,” Taylor said. “When they identify a homeless encampment that needs to be cleared, there’ll be nonprofits and social services available to the people in homeless encampments. We all have empathy, but whatever has driven somebody to have to live under a bridge, their lot in life is not getting better by living under a bridge.”

Taylor said the bill will help communities develop a memorandum of understanding (MOU) to tackle this issue in a way that’s beneficial to both the city and the homeless. Senator Heidi Campbell (D-Nashville) asked if the bill outlines how their belongings will be stored, to which Taylor responded that the decision would be left to the board.

“I understand the intent,” Campbell said. “I have a similar thing happen in my district. I just am concerned without the direction from the legislation, the homeless peoples’ items and things need to be considered, that we’re putting the discretion to be able to take stuff away from homeless people in somebody’s hands where it might not have been before.”

Lindsey Krinks, co-founder of Housing for All Tennessee and Open Table Nashville, noted citizens’ concerns for the bill — specifically, the disposal of homeless people’s belongings.

“What this bill doesn’t tell you is that the campsite removal costs will be passed down to local governments; we’re really concerned about that,” Krinks said. “We all want to see the number of people living in encampments decrease, but the way we do that is not to play a game of Whack-A-Mole. It’s to break the cycle of homelessness through providing housing and support to people.”

Krinks said the bill does not address homelessness nor the deficit of housing or shelter. She noted that the bill’s “aggressive” deadline of removal three days after receiving a complaint does not allow people to secure permanent housing.

Taylor said this bill will address these concerns as the agencies and TDOT will help people get connected to the services they need. He said continuing to let people live in encampments without services does not provide them with extra support.

“If you support homeless people and want to get them the services they need and help them live in dignity, then you would support this bill because we’re able to make that connection when we clear a homeless encampment between a person in need and social services they need to connect them,” Taylor said. — Kailynn Johnson

Happy high? (HB 1376)

State Republicans propose either stricter cannabis rules or none at all. 

Despite warnings that the hemp industry would be decimated, the House Judiciary Committee passed a measure last week that would put stricter regulations in place.

Sponsored by House Majority Leader William Lamberth (R-Portland), House Bill 1376 would place the industry under the Alcoholic Beverage Commission instead of the Department of Agriculture and remove products from convenience and grocery stores. Only vape and liquor stores would be allowed to sell some hemp products.

The House bill was slated to be heard this week in the Commerce Committee where agreements with the industry could be reached. 

“It does ban [derivatives] THCA and THCP. The reason for that is we have not legalized marijuana in this state,” Lamberth said.

Hemp is distinguished from marijuana in that it contains a compound called delta-9 THC. Cannabis with a concentration of less than 0.3 percent delta-9 THC is defined as legal hemp in Tennessee — and federally. Cannabis with concentrations greater than 0.3 percent is classified as marijuana and is illegal to grow, sell, or possess in Tennessee.

Hemp flowers also contain THCA, a nonintoxicating acid that would be banned in Tennessee under this bill. When heated or smoked, the THCA in the plant converts into delta-9 THC — an illegal substance in Tennessee in greater than trace amounts.

Clint Palmer, a representative of the hemp industry, told lawmakers the bill is similar to one passed in 2023 that led to a lawsuit against the Department of Agriculture that remains in litigation.

If the new measure passes, Palmer said, hemp businesses will be forced to shut down, even after spending millions of dollars complying with state regulations.

“Bill sponsors have said it’s the Wild West in regards to the current hemp program. This is far from the truth,” Palmer said. 

The 2023 law put new restrictions on products containing THC, he said, and noted retail stores, manufacturers, and distributors are required to be licensed or face criminal charges. Palmer added that regulation is lacking from the Department of Agriculture, despite a 6 percent tax on hemp-derived products, half of which nets the department $1 million a month.

Lamberth has said that consumers should know the ingredients when they buy a hemp product. But Palmer said those are listed on labels, based on the 2023 law.

The House leader also indicated that the industry appears ready to sue the state again because the federal Farm Act sets standards on hemp. Palmer didn’t acknowledge whether a lawsuit could follow the new bill’s passage, but he said the Alcoholic Beverage Commission doesn’t “have a clear understanding of the hemp plant, and it’s clearly shown in this bill.”

The Senate version of the bill, sponsored by Senator Richard Briggs (R-Knoxville), is to be heard next by the finance committee. Briggs said last week as soon as the products are heated, they become marijuana.

“We could withdraw the bill and let’s just put another bill out there that says we’re going to have recreational marijuana,” Briggs said. “Let’s be perfectly honest. It’ll help the businesses, we’ll have great revenue, and everybody smoking the stuff will be a lot happier.” — Sam Stockard, Tennessee Lookout

Healthcare on the Hill (SB 0402 / SB 0403 / SB 0575)

Senate Democratic Caucus Chairwoman Senator London Lamar (D-Memphis) introduced SB 0403 and SB 0402 to tackle the issue of medical debt. SB 0403 proposes that hospitals match the amount of money they receive from the government to cover “uncompensated care” in erasing medical debt. According to the Tennessee General Assembly, taxpayers paid $153 million to cover payments for 107 hospitals.

“If a hospital takes public money, they should lift patient debt in return,” Lamar said. “Healthcare should heal, not bankrupt. This is about real relief for working people — helping families stay in their homes, invest in their futures, and live with dignity.”

SB 0402 seeks to further alleviate the toll of medical debt as it would remove its inclusion from credit reports. Lamar called medical debt an “unfair financial harm.”

Lamar has also long been an advocate for reducing the state’s maternal health crisis. The state has historically had the worst maternal mortality rate in the country. To aid in this, Lamar filed SB 0575, which would require new mothers to receive information about postpartum warning signs from hospitals.

“There’s an education gap women are experiencing as far as resources, what to do, and how to go through this process,” Lamar said. “In an effort to ensure that women have the best pregnancy outcome possible, we want to make sure we’re providing them with more tools in their toolbox to protect themselves and their child in this process and after.”

Lamar said this bill would add an extra layer of accountability to make sure hospitals and birthing centers are doing their part to educate women. The senator said that medical deserts create a significant gap in accessing quality care even before they seek pregnancy care. She went on to say pregnancy outcomes are reliant on the mother’s lifestyle before and after the process.

“We have an unhealthy community that is deprived of access to resources and doctors,” Lamar said. “There is a financial burden of not being able to afford the healthcare they need. Healthcare is really expensive. It’s very elitist. It’s the haves and the have-nots, so if you don’t have the money to have insurance or pay out of pocket, then you don’t get healthcare. That stems down to Black women who are less likely to have the care they need, rural women in rural areas who are experiencing poverty don’t have access [to care.]”

The idea of providing equitable healthcare and rights have extended to reproductive bills such as HB 0027 sponsored by Representative Aftyn Behn (D-Nashville). The bill, which has been supported by groups such as Tennessee Advocates for Planned Parenthood, states that everyone has a “fundamental right to make decisions about their reproductive health care.” HB 1220 also protects reproductive freedom as it safeguards the right to choose whether or not a person wants to use contraceptives.

Some GOP bills, like the Medical Ethics Defense Act mentioned above, seek to curb access to care. Meanwhile, SB 0139, sponsored by Senator Adam Lowe (R-Calhoun), would mandate hospitals accepting Medicaid to collect and report citizenship status about patients, and report these demographics to the Tennessee Department of Health. The department would then submit this information to state government officials to track the impact of “uncompensated care for persons not lawfully present in the United States and other related information.” — KJ 

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Cover Feature News

Spring Arts Guide 2025

When Groundhog Day came, I never bothered to find out if he saw his shadow. Even now, I still haven’t bothered. All I know is that it’s time for me to write the Spring Arts Guide, and that is enough for me to know that spring is here — and so are the arts: visual, theater, dance, and otherwise. 

ON DISPLAY

“Regenesis”
Johnathan Payne works at the intersection of drawing, collage, embroidery, beadwork, and painting. 
Clough Hanson Gallery, through March 27

“Accessories”
Althea Murphy-Price presents arrangements of armatures and accessories inspired by beauty tools and everyday objects.
Sheet Cake Gallery, through March 29

“Tales from the Journeys”
Nelson Gutierrez’s work examines the psychological and social consequences of conflict.
Sheet Cake Gallery, through March 29

“Beyond the Surface: The Art of Handmade Paper”
Explore the shape-shifting quality of paper.
Memphis Brooks Museum of Art, through April 6

“An Occasional Craving”
Chris Antemann cheekily re-envisions the concept of porcelain figurines.
Dixon Gallery & Gardens, through April 6

“House of Grace”
The Memphis debut of Floyd Newsum’s large paintings on paper and maquettes for public sculptures.
Dixon Gallery & Gardens, through April 6

“Who Is That Artist?”
Interact with Jorden Miernik-Walker’s photography-based work.
Dixon Gallery & Gardens, through April 6

“Small Spaces”
Jennifer Watson’s jewel-like paintings.
The Dixon Gallery & Gardens, through April 13

“A Journey into the Shadows”
Nelson Gutierrez’s three-dimensional cutout drawings.
Crosstown Arts, through May 11

“Engorging Eden”
Rachel David transforms everyday furniture into fragmented expressions of life’s chaos, joy, and loss. 
Metal Museum, through May 11

“From the Ashes”
Maritza Dávila-Irizarry integrates printmaking, mixed media, photography, and video to confront a studio fire.
Crosstown Arts, through May 11

“Supernatural Telescope”
Danielle Sierra’s deeply poetic reflection on memory, love, and spirituality.
Crosstown Arts, through May 11

“The Colors of the Caribbean”
Juan Roberto Murat Salas’ works of bold colors and dynamic compositions.
Crosstown Arts, through May 11

“Trolls: Save the Humans”
Thomas Dambo’s larger-than-life fairy tale, in which art and nature intertwine.
Memphis Botanic Garden, through May 21

“Light As Air”
Explore the beauty in tension. 
Metal Museum, through September 7

“Calida Rawles: Away with the Tides”
Picturing water as space for Black healing.
Memphis Brooks Museum of Art, March 19-September 7

“Summer Art Garden: A Flash of Sun”
Khara Woods’ sun-drenched shades, dazzling patterns, and geometric sculptures.
Memphis Brooks Museum of Art, April 17-October 20

“Colleen Couch and Dolph Smith: Walk in the Light”
Showcasing the arc of Smith’s oeuvre, new works by Couch inspired by him, and recent collaborations by the two artists.
Dixon Gallery & Gardens, April 20-June 20

“with abundance we meet”
Suchitra Mattai’s installation is made of “fruit” sculptures, ripe with possibilities, conjuring wombs and fertility spirits.
Memphis Brooks Museum of Art, May 22

ON STAGE

A Body of Water
This darkly comic, existential mystery play will leave you laughing, guessing, and gasping until the very last second.
TheatreSouth, through March 9

12 Angry Jurors
Tempers get short, arguments grow heated as jurors convene during a murder trial. 
Germantown Community Theatre, through March 16

Beauty and the Beast
Based on Disney’s film, the classic story of Belle and her beastly bestie.
Theatre Memphis, through March 30

Orchestra Unplugged: Beethoven’s Fifth Symphony
Robert Moody explores the mind of Beethoven and his most celebrated work.
Halloran Centre, March 6

Children of Eden
Follow Adam and Eve’s descendants through storms and strife.
Bartlett Performing Arts & Conference Center, March 7-9

Elena Urioste to play Piazzolla, Shostakovich, and Richter’s Recomposed (Photo: Courtesy Iris Collective)

Recomposed: Elena Urioste
The celebrated London violinist performs Recomposed by Max Richter, an interpretation of Vivaldi’s Four Seasons
Crosstown Theater, March 8

Dance Nation
A group of girls fight to find themselves in the preteen competitive dance world.
TheatreWorks at The Evergreen, March 14-23

Thoughts of a Colored Man
The first Broadway play written, directed, produced by, and starring Black men.
Hattiloo Theatre, March 14-April 6

Shakespeare in the Cemetery
Tennessee Shakespeare Company actors perform one hour of Shakespeare’s best death scenes.
Elmwood Cemetery, March 15

Variations on a Theme 
Opera Memphis’ curated evenings span opera, musical theater, and vocal music. 
Opera Memphis, March 15-16| April 26-27

Scheherazade and Butterfly Lovers Concerto
Robert Moody leads the Memphis Symphony Orchestra (MSO).
Cannon Center for the Performing Arts, March 15 | Scheidt Family Performing Arts Center, March 16

Celtic Concert: A Celebration of the Emerald Isle
The Slainte Singers bring the Irish magic.
Germantown Community Theatre, March 16-17

The Great Gatsby
World Ballet Company takes you back to the Roaring Twenties.
Cannon Center for the Performing Arts, March 2

Punk Rock Girl!
Rough and unapologetically authentic. 
Playhouse on the Square, March 21-April 13

Tick Tick BOOM!
The story of the composer of Rent.
TheatreWorks @ The Square, March 21-30

Dance, Girl!
Celebrating Black girlhood through poetry, dance, and music.
The Green Room at Crosstown Arts, March 22

Bartlett Community Concert Band
Offering both classical masterpieces and modern movie soundtracks.
Bartlett Performing Arts & Conference Center, March 28

Chloé Arnold’s Syncopated Ladies
A renowned touring female tap group. 
Germantown Performing Arts Center, March 28

R.E.S.P.E.C.T., a tribute to Aretha Franklin at the Orpheum Theatre (Photo: Jeremy Daniel)

R.E.S.P.E.C.T.
An electrifying tribute to Aretha Franklin. 
Orpheum Theatre, March 30

The British Isles – Mendelssohn’s “Scottish” and Grainger’s “Danny Boy”
A sweeping musical adventure.
Crosstown Theater, March 28 | Scheidt Family Performing Arts Center, March 30

Black Violin: Full Circle Tour
Mixing classical depth and hip-hop’s pulse.
Orpheum Theatre, April 1

Dragged Thru Time: Goldie & BeBe’s Extravagant Adventure
Two drag queens accidentally warp through time and must navigate history’s most iconic moments.
TheatreWorks @ The Evergreen, April 4-12

Lessons Learned: A Tap Concert
Hot Foot Honeys probe the human condition through dance. 
Germantown Community Theatre, April 4-5

Saint Joan
George Bernard Shaw’s chronicle of the heroism of French army leader Joan of Arc.
Tennessee Shakespeare Company, April 4-19

The ICON, Babbie Lovett, Fashion Legend
Tennessee Ballet Theater’s homage to the life and legacy of one of Memphis’ most influential leaders.
McCoy Theatre at Rhodes College, April 4-12

The River Bride
Cazateatro Bilingual Theatre Group’s charming story of mystery, love, and family.
TheatreWorks @ The Square, April 4-20

Some Like It Hot
Two musicians flee mobsters after witnessing a hit in Prohibition-era Chicago. 
Orpheum Theatre, April 8-13

Silent Sky
The story of 19th century astronomer Henrietta Leavitt.
Theatre Memphis, April 9-19

Homecoming
Brothers Randall and Miles Goosby return to their hometown, playing chamber music with friend and pianist Zhu Wang.
Highland Capital Performance Hall at GPAC, April 10

Memphis Symphony Big Band ft. Joyce Cobb & Patrice Williamson
A mix of timeless classics and exciting new arrangements.
Crosstown Theater, April 12

The O’Kays
Three young men chase fame and fortune in Memphis’ 1970s R&B music scene.
Halloran Centre, April 19, 2 p.m.

Angels in the Architecture
With Balanchine’s Donizetti Variations, a grand season’s end from Ballet Memphis. 
Germantown Performing Arts Center, April 25-27

Caroline, or Change
A Black maid for a Jewish family is trying to take care of her own kin at the dawn of the Civil Rights movement. 
Playhouse on the Square, April 25-May 18

Cougars
A play set in the high-octane world of a Memphis car dealership. 
TheatreWorks @ The Square, April 25-May 4

Rumors
A wedding celebration turns chaotic.
Theatre Memphis, April 25-May 11

Orchestra Unplugged: Peter and the Wolf – More Than a Children’s Story
A whimsical setting for Prokofiev.
Halloran Centre, May 1

The Drop That Contained the Sea
The MSO with Memphis Symphony Chorus and guests perform Tin’s gem.
Scheidt Family Performing Arts Center, May 4

Cabaret
The great musical of decadence and Nazis. 
Germantown Community Theatre, May 9-25

Chicken & Biscuits
Can two sisters at odds set aside their differences to honor their father? 
Playhouse on the Square, May 9-June 1

Buckman Dance Conservatory’s Spring Celebration of Dance
A blend of ballet and contemporary dance.
Buckman Performing Arts Center, May 10-11

Symphony in the Gardens
A Mother’s Day tradition with the MSO Big Band.
Dixon Gallery & Gardens, May 11

The Boy Who Kissed the Sky
A musical inspired by the early life and influences of musical icon Jimi Hendrix.
Hattiloo Theatre, May 16-June 8

Romantic Masterworks by Rachmaninoff and Saint-Saëns
The MSO’s take on the “Egyptian” Piano Concerto and other works.
Cannon Center for the Performing Arts, May 17 | Scheidt Family Performing Arts Center, May 18

La Calisto
A jewel from the golden age of Venetian opera.
Playhouse on the Square, May 21-23

A Particle of Dread: Oedipus Variations
A reimagination of the ancient Greek tale as a modern thriller. 
TheatreWorks @ The Square, May 23-June 8

AROUND TOWN

SneakFest Sneaker Expo
For fans of sneakers and urban fashion.
Agricenter International, March 22, 1-11 p.m.

Metal Petals + Healing Roots
Art from disassembled gun parts collected during the Guns to Gardens initiative.
Metal Museum, March 29  

The Dixon and Theatre Memphis present Women in the Arts.  (Photos: Courtesy Dixon Gallery & Gardens)

Women in the Arts

On Saturday, March 8th, Dixon Gallery & Gardens and Theatre Memphis will co-host their fourth Women in the Arts event, a day celebrating the women shaping the arts in Memphis. As in years past, the event will have performances, demonstrations, classes, panels, and an artist market. 

When the event kicked off in 2021, Kristen Rambo, the Dixon’s communications manager, says, “It was like, why is there not an event like this happening in Memphis? … Once it started, we didn’t want to stop.”

The day’s full schedule will be posted to the Dixon’s website on Friday, March 7th, with programming planned for both the Dixon and Theatre Memphis campuses. Guests can take a free shuttle to and from both locations throughout the event. 

“There’s something for everyone to do, whether you’re an extrovert or an introvert,” Rambo says, adding that the event is family-friendly. “We also have some of our community partners that are going to represent themselves and maybe have an activity, like the Memphis Public Libraries, the Metal Museum, Women in Memphis Music, Girl Scouts of [the United States of] America, and Cazateatro [Bilingual Theatre Group]. … So that’s something we always like to highlight as well — supporting all the arts communities in Memphis so we can all improve the arts.” 

“Memphis is so full of amazing women, artists, and arts administrators, people who might not be artists themselves but work and thrive in the arts,” Rambo adds. “And whether that artist is a performer or visual or anything in between — we have some comedians coming — it’s just an exciting way to highlight these artists on one fun, special day. And of course, we should be celebrating women artists all throughout the year, but you can be really embedded in the Memphis art scene and still meet and see people you’ve never met or heard of before at this event, which is so exciting.”  

Women in the Arts, Dixon Gallery & Gardens | Theatre Memphis, Saturday, March 8, 11 a.m.-3 p.m.

Luminarus’ cavern wall in progress (Photo: Courtesy Alison Heverly)

Luminarus

Yvonne Bobo and a collective of artists, students, and astronomers are building a planet at Off the Walls Arts (OTWA). The planet will have crochet pods, a cavern wall, and sculptural flora and fauna. “It’s a performing arts place, so we’re gonna have all kinds of events in it — music, dance, just a place for the community to explore,” Bobo says.

The project began from conversations about the extraterrestrial unknown. “We started to think about it in a social situation: What would we do if we ran into aliens? What would we share with them? And if we don’t have the same language or culture, we can share through art, through music, through dance. They’re sort of like our mediums that we can try to express who we are.”

As such, this new planet, created through these media and host to these media, is called Luminarus, Bobo says, because “we’re gonna illuminate people, shine a light on people’s talents.”

Since the first Saturday of February, OTWA has hosted Community Build Days, inviting anyone, regardless of skill, to help construct the multimedia installation inspired by the cosmos. “We built it around an idea of community, and it’s nice to see a community forming,” Bobo says. “People seem to be really energized by the project and what they could bring or how it could kind of feed their creativity.”

People are trying their hand at carpentry, seeing their progress come to fruition at the end of the day; they’ll get a chance to learn large-scale crochet later on as the building progresses. In the meantime, 3D artists can submit their work to make up the flora and fauna in the installation. “We’re just doing a massive call,” Bobo says. “Let them be weird; let them do their thing; let’s just tell stories.”

Students from Bellevue Middle School and Crosstown High School are also participating, with some of them creating sculptures for the group exhibit and others taking part in an alien fashion show. “Everyone knows that art departments are often not well-funded,” Bobo says. “So we like to bring in artists in the community to help to enrich their art programs.”

Also in collaboration members of the Memphis Astronomical Society will provide their photography of galaxies and constellations. The group is also hosting an Evening Astro-Watch on March 7th at 5 p.m. at OTWA to capture the imaginations of Luminarus builders. 

So far, with all these partnerships (and more), Bobo says, “I feel like I made the infrastructure, and now it’s just taking off, getting its own life. That’s what’s valuable with a collaboration. Maybe one person starts the sentence, but it keeps evolving, and then it’s way more interesting than I could have just imagined on my own.”

Luminarus will open Saturday, May 10th, 6 to 8 p.m. The first major event following will be a free family-friendly community day on May 17th that will include the student-led alien fashion show. Other events, both family-friendly and adult-only, are on the horizon. To participate in the Community Build Days or to submit work, visit offthewallsarts.org. 

10-Minute Play Festival

This April, Hattiloo Theatre will host its inaugural 10-Minute Black Theatre Festival. “Part of putting it on is to explore the hidden talent we have here in Memphis,” says Jarrod Walker, Hattiloo’s theater manager. “We’re very intentional about cultural storytelling and giving voices to those people who may need an outlet to express their voice.”

In the fall of 2024, Hattiloo opened submissions for the festival, accepting works only from Shelby County residents. “The pieces had to amplify the Black cultural experience in some way,” Walker says. “We wanted to talk about the diaspora because a lot of times, once people think about Black experience, it’s very unilateral. So we want to show the diversity in these stories. … We’re a free-standing Black theater, one of four in the nation, and part of our mission and vision is to amplify these stories.”

The chosen plays are Lele Uku by Levi Frazier Jr., Peekin’ by Velvet Gunn, Dr. Buzzard’s Original Savannah Band Saved This Jewish Lesbian by Sarah Ellin Siegel, Vindication by Dabrell Thompson, Cutting Corners by Danica Wilks, and honorable mention Elderberry by Najwa Watson.

Walker hopes that the play festival will “give someone their big break. Some of these, they may workshop and go back and do some rewrites, and who knows, they may end up being developed into a full-length piece.”

Not only that but the 10-minute plays may see some directorial debuts or even acting debuts for others in the theater community. “We just did Black Odyssey, and we had an actor and it was on her bucket list. So she was like, you know, ‘I’m a seasoned woman. I’ve always wanted to try and audition.’ And she got cast in the show and did a phenomenal job on stage. So, hopefully, this may be someone else’s story with this festival.”

Auditions for the 10-Minute Black Theatre Festival will be held on March 22nd at 10 a.m. at Hattiloo Theatre. The festival will take place April 24th to 27th. 

Categories
Cover Feature News

The Battle for Midtown

Editor’s note: Citywide planning, land use discussions, zoning, and the potential economics of it all are far too broad and dense to ever be covered in a single news story. (So are other considerations about income, race, and population loss.) Please consider this piece the beginning of our coverage on Memphis 3.0.

For this one, we’ll take you inside one of MidtownMemphis.org’s information meetings and share a Q&A rebuttal about it all from John Zeanah, director of the Memphis and Shelby County Division of Planning and Development (DPD).

Memphis 3.0 will “sell out” Midtown neighborhoods to investors and businesses looking to cash in on (but maybe never really care about) the attractive communities residents in those places have built over decades.

That’s a very basic expression of the argument voiced for months now from MidtownMemphis.org. The volunteer group is fighting the plan with a series of information meetings, an online information hub, and yard signs — sure signs that a Midtown fight has gotten real.

Passed in 2019 and devised by former Memphis Mayor Jim Strickland’s administration, Memphis 3.0 is a document guiding the growth of Memphis. It’s up for its first-ever five-year renewal. A major strategy for sustainability in the plan has been to support some of the city’s anchors like Crosstown Concourse, Overton Square, and commercial areas around Cooper Street.

However, MidtownMemphis.org argues the locations for these anchors and the planned density that could surround them aren’t fair. For example, group members say a lot of density is planned for Midtown but very little for East Memphis.

Also, adding density to certain places around Midtown means multifamily homes, the group says, instead of single-family, owner-occupied homes. They fear profit-minded landlords will use 3.0 to work around zoning laws to create duplexes or quadplexes, won’t upkeep these properties, create transient tenants, and make neighborhoods less attractive for potential buyers. They say this could slowly destabilize neighborhoods into ghosts of their current selves.     

“What we’re against — and we have history on our side — is destabilizing the neighborhood to support Crosstown,” said MidtownMemphis.org volunteer Robert Gordon, who has spearheaded the battle against 3.0. “[The plan] is going to wreck Crosstown, wreck the neighborhood, and, consequently, wreck the city. And if you don’t believe me, go back to Midtown in 1969. Go back to Midtown in 1974. Go back to Midtown when it was zoned like the [Memphis 3.0] future land use planning map envisions zoning.”

All of it, they say, could lead to a showdown at Memphis City Hall next year as council members review the changes for a vote.

However, John Zeanah, director of the Memphis and Shelby County Division of Planning and Development, said the 3.0 plan won’t do what MidtownMemphis.org fears it will do.

“The goal is to make sure that our community has healthy, stable anchors that are supported by healthy, stable neighborhoods,” Zeanah said. “The suggestions that we would take extreme actions to destabilize neighborhoods is really puzzling. It doesn’t come from anything that we’re saying as a part of our meetings. It doesn’t come from anything the plan is saying.”

Nearly 60 people gathered for a MidtownMemphis.org Memphis 3.0 meeting earlier this month. (Photo: Toby Sells)

Inside a MidtownMemphis.org 3.0 meeting

A dreary, cold, wet February night was not enough to stop a crowd from sloshing through puddles to hear about how the Memphis 3.0 plan could “sell out our neighborhood,” as the signs say. Nearly 60 people gathered for a MidtownMemphis.org 3.0 meeting earlier this month at Friends For All.

MidtownMemphis.org has been holding meetings like these since September. Other info sessions — six in total — have been organized at Otherlands Coffee Bar, the Cooper-Young Community Association building, and the Benjamin L. Hooks Central Library. Gordon said it was in January that planing officials stopped working with MidtownMemphis.org on the 3.0 issue.

At the latest February meeting, Gordon took the stage before a slideshow projected on a screen behind him. He described MidtownMemphis.org as a “sort of neighborhood association for neighborhood associations,” meaning his group meets monthly with Midtown neighborhood groups from Central Gardens, Cooper-Young, and more. MidtownMemphis.org also plants trees around Midtown and oversees the community garden next to Huey’s Midtown.

Gordon told the crowd he entered public planning discussions as a NIMBY (not in my backyard), concerned that the Poplar Art Lofts plan in 2019 would push noise and exhaust onto those enjoying Overton Park. This led him to the MidtownMemphis.org organization and he’s been a volunteer with the group ever since.

Gordon described the 3.0 plan as a “city guide” and a “North Star” for Memphis-area planning efforts. The plan’s motto, he said, reverses the sprawl strategies of years past and embraces the idea to “build up, not out.” While the motto is the essence of the plan, Gordon called it “quite misleading.”

One critical foundation of the Memphis 3.0 plan is where that growth inside the city’s footprint should happen. The plan says that growth should happen around anchors. These anchors, picked with the help of residents, are usually commercial areas like Overton Square, Crosstown Concourse, Cooper-Young, and others.

To Gordon, city planners dropped a compass point on these anchors and drew a circle around them. Inside those circles is where the 3.0 plan wants to grow, he said. This is a critical foundation of MidtownMemphis.org’s argument against the 3.0 plan, with Gordon saying, “I’m not alone in thinking that’s a bad way to make plans.”

“So, you may have bought your home in a single-family neighborhood, but the future land use planning map sees in the future … a change to a more dense kind of neighborhood,” Gordon told the crowd. “One of our big issues with [3.0] is right here at the core of it: the anchors. We don’t agree that an anchor necessarily warrants this kind of density. Nor do we agree with what are called ‘anchors.’ For example, let’s just point out, Overton Park is not an anchor.”

The anchor model and the density projections that come with it are brush strokes too broad to paint the intricacies of planning something as complex as Midtown neighborhoods, Gordon said. This is seen at a macro level in the plan as the city is divvied up into 14 planing zones. In this, Midtown, the Medical Center, and Downtown are merged into one zone called “Core City.”

“I think that is a mistake because Midtown is residential housing, and Downtown and the Medical Center are not,” Gordon says. “So, let’s start by saying those should be separated.”

But Gordon easily shifts into the micro: the dense, complex, nitty-gritty of 3.0 that could allow single-family neighborhoods to legally be chopped into quadplexes, new units built where they can’t be now and, he says, destabilize Midtown neighborhoods.

The density models from anchor planning in 3.0 are the easiest way for a developer to create multifamily in a single-family zone, he said. They’ll pay “professional convincers,” basically development lobbyists at Memphis City Hall, to speak to planning boards like the Land Use Control Board or the Board of Adjustment and ask for a special zoning change on property from single family to multifamily.   

“This professional convincer is going to go in there armed with information from Memphis 3.0 and say, ‘This is what the city wants,’” he said. “So, in short order, your single-family neighborhood is going to begin to show multifamily buildings. And people who are looking for houses to buy are going to go, ‘Wait a minute. I remember this as a single-family neighborhood. What’s that four-plex doing there?’”

While the process may move slowly, he said, it could be a deciding factor for potential Midtown homeowners who might not want to gamble their biggest investment “on a neighborhood that’s in flux.”

A neighborhood could get multifamily zoning even if it’s not in one of those anchor density zones, Gordon said. The Memphis 3.0 plan designates some entire streets for higher density, regardless of where they lie, he said. So, even if your neighborhood passes all the other tests, a developer could use the street designation as an argument for, say, a four-plex on a street. Later, another developer could come in wanting the same thing nearby because there’s already one across the street.

A third way Gordon told crowd members a neighborhood could get density through 3.0 is from degree of change. He joked it was the “dreaded degree of change” because it was harder to explain. The term, he said, basically means how money gets into a neighborhood. The 3.0 plan outlines three categories, he said. In it, the city works alone or with developers to fuel projects in certain neighborhoods, based on the need, and that could mean high-density housing.

“If you’re in a ‘nurture’ neighborhood, the city’s going to throw a lot of money at you,” Gordon said. “If you’re in an ‘accelerate’ neighborhood, the city’s going to throw some money at you but they’re going to try and get private investment to come in.

“If you’re in a ‘sustain’ neighborhood, then the city’s is going to say that private investors are going to take care of that.”

Memphis 3.0’s future land use planning map envisions denser neighborhoods. (Photo: Courtesy Memphis and Shelby County DPD)

A contentious question of motivation

The Q&A portion of the meeting found a raw spot in discussions around Memphis 3.0 and the density topic in general. The basic question: Are single-family housing proponents seeking to bar low-income people from their neighborhoods?

Abby Sheridan raised the point gently at the MidtownMemphis.org meeting. The reason she and her family moved close to Crosstown, she said, was to be within walking distance of the Concourse, for the density. She went to the meeting to see what the opposition to 3.0 was about, she said.

“Don’t be afraid of density,” she told the crowd. “Just because we allow for different types of housing doesn’t mean it’s an automatic guarantee.

“I’ve lived in multi-unit neighborhoods for most of my adult life. They are thriving, vibrant communities.

“If we, as Evergreen [residents], believe that diversity is our strength, y’all are really showing your colors tonight.”

The comment sucked the air from the room that was quickly filled with side chatter, sighs, and low gasps. Emily Bishop, a MidtownMemphis.org volunteer, responded, saying owner-occupied homes stabilized Cooper-Young in the late ’80s when she bought her home (once a duplex, she said) there. 

“The businesses were nonexistent in Cooper-Young,” Bishop said. “There was one Indochina restaurant. [The neighborhood] was light industrial at best.

“There was no zoning change that brought density back. What makes a neighborhood thrive are owner-occupied homes with people who get involved, who do the code enforcement work, who get rid of slumlords, and who support the local businesses.”

In all, Bishop said Memphis doesn’t have a housing shortage; it has an affordable housing shortage.

“And there again,” Sheridan said, “what I’m hearing you say is … ‘not in our neighborhood.’”

Gordon jumped in to cool off the topic by saying that MidtownMemphis.org really is simply in favor of doing smaller plans for distinct neighborhoods.

Joe Ozment spoke plainly.

“I’ve been doing criminal defense in this city for 33 years and I’ve seen what’s happened in areas like Hickory Hill and Cordova when you add density,” he said. “We don’t want that in Midtown.”

Jerred Price, president of the Downtown Neighborhood Association, and his board attended the meeting to “support the neighbors.” He and the board agreed that Downtown should be a separate planning bloc from Midtown. He said the anchor-and-compass method “shouldn’t be a strategy for development.”

Dropping “one of those special, little circle-drawing thingamajiggers” at St. Jude Children’s Research Hospital would mean high density for the single-family neighborhoods like Uptown, he said. But higher density could be welcomed on the other side of the interstate there because it’s in the Downtown core.

“So, even for us, those circles don’t make any sense of our communities,” Price said. “We stand with you on that.”

Asked about the timeline of the Memphis 3.0 proposal, Gordon said public meetings will continue through this year. Revised plans with that public input would then be published. Then, the Memphis City Council would vote on them, likely in 2026.

“If the future land use planning map hasn’t changed,” he said, “we will continue to marshal forces and the idea will be a showdown at city council.

“We would bring many citizens up there to protest a map that is not properly planned and does not look at what is stable in Midtown, is determined to destabilize Midtown for the benefit of commercial anchors, and is giving a free pass to other parts of town.” 


Q&A with John Zeanah

John Zeanah is the director of the Memphis and Shelby County Division of Planning and Development. He said overarching city plans like Memphis 3.0 are nothing new; they’re even mandated for cities in certain states. 

Among those plans, Memphis 3.0 stands out, Zeanah said. It has won awards from the American Planning Association and the Congress for the New Urbanism. Memphis 3.0 is the city’s first comprehensive plan since 1981.

We asked him to respond to the movement against the 3.0 plan, which was authored by his office. — Toby Sells

Memphis Flyer: What do you make of the arguments about 3.0 from MidtownMemphis.org?
John Zeanah: Memphis 3.0 was adopted six years ago. So, when is it going to do those things [that MidtownMemphis.org argues] if it hasn’t already?

They’re saying the plan is up for a five-year review.
We’re undergoing our first five-year plan update now. One of the things that we’re doing as a part of the five-year plan update … is conducting a comprehensive look at the zoning map and understanding how well our zoning works with [Memphis 3.0].

I think part of the misunderstanding is the claim that we would necessarily rezone areas, according to the plan, to the most intense use or the most intense zoning district that could be conceived. And that’s not the case.

First of all, [Memphis 3.0] is general in nature. It — and the future land use map that they are so worried about — is meant to be general, with a generalized land use map. 

I think there’s some misunderstanding about whether the future land use map is calling for all these new things to happen. It’s an expression of what’s existing today. In some cases, it’s a mix of both.

Suffice to say, as we are going through the five-year plan update and we’re thinking about how zoning is a tool to implement the plan, our orientation is not to just apply the most-intense zoning district. There are changes to zoning that may not always be in residential areas. In fact, I’d say most of the zoning changes that will end up being recommended are in some of our commercial areas and commercial corridors.

The goal is to make sure that our community has healthy, stable anchors that are supported by healthy, stable neighborhoods. The suggestions that we would take extreme actions to destabilize neighborhoods are really puzzling. It doesn’t come from anything that we’re saying as a part of our meetings. It doesn’t come from anything the plan is saying.

They’ve said developers could use the future land use planning map as another arrow in their quiver. They could argue that while multi-family homes may not be allowed in a zone now, they could point to the suggestion in Memphis 3.0 and make a case for their project at city hall.
One cannot simply point to a generalized land use map and say, “Well, because this area around an anchor is a mixed-use type, I should be entitled to do the most intense thing that is part of this mix.” That’s no. 1. And no. 2: The plan does not have the authority to entitle that. That’s the role of zoning.

So, if you live in a neighborhood that is predominantly single-family and your zoning is single-family detached, and it is a stable neighborhood, there is no reason for the city to propose changing the zoning for the neighborhood. You are the healthy, stable neighborhood that is helping to support the anchor nearby. That is a good thing. That’s what we want to help preserve. 

Categories
Cover Feature News

The Feagins Fiasco

I’ve watched every school board meeting since Dr. Marie Feagins was elected superintendent of Memphis-Shelby County Schools a year ago.

I’ve read the board’s resolution that terminated her contract last month, and the special counsel’s 209-page investigation of the board’s allegations against her.

I’ve read Feagins’ response to the allegations in her two-page email to board chair Joyce Dorse-Coleman on January 6th, and her 14-page “official response” to the board January 14th.

I’ve read Feagins’ startling allegations against the board in the 31-page lawsuit she filed in Shelby County Circuit Court earlier this month.

I’ve read every relevant public document and heard every public statement made by all parties involved in the latest disaster that has befallen our local public school system. And I’ve read news articles, opinion columns, politicians’ comments, and angry social media posts about the sordid mess.

I still don’t get it. I still don’t understand why Feagins was fired after less than a year on the job.

Michelle McKissack (Photo: Memphis Shelby County Schools)

The three examples of “professional misconduct” the board leveled against her might have justified a public reprimand, but not a public execution. At best, as six-year board member Michelle McKissack argued, they reflect “growing pains” for a superintendent who started working in April and a board with four members elected in August. At worst, well, we don’t know.

In her recently filed lawsuit, Feagins paints a picture of school board members bowing to local political and financial interests and conspiring behind the scenes — in violation of the state’s open meetings law — to find reasons to fire her.

But board members who voted to fire her, and the special counsel’s January 21st report they relied on to do so, paint a very different picture, one of a renegade superintendent running roughshod over the district and making “false and/or misleading” statements to the board about her intentions and actions.

The public record so far, to say the least, is inconclusive.

The special counsel’s report concluded that Feagins “violated her employment contract no less than eight times and deviated from Board policy on at least nine occasions.”

Six of the nine alleged policy “deviations” pertained to a single board policy — 1013, or the Superintendent Code of Ethics. That three-page policy, approved in 2017, contains 15 “statements of standards” the superintendent must follow, including: “I will endeavor to fulfill my professional responsibilities with honesty and integrity.” Vague enough for you?

As for the eight alleged contract violations, all pertained to a single paragraph in her contract. “Ethical conduct: The superintendent in all aspects of her interactions and transactions related to carrying out her duties of superintendent, agrees to represent, enforce, and adhere to the highest ethical standards.” Whose ethical standards? Which ethical standards?

“I will point out,” McKissack wrote in a January 13th letter to the board, “that Superintendent Feagins is not accused of theft, fraud, or any criminal misconduct.” What she mostly is accused of is making “false and/or misleading” statements to the board about three allegations of “professional misconduct.” That covers 13 of the 17 alleged contract violations.

The four other “violations” were attributed to Feagins’ failure to provide a document or report to the board in a timely manner. Feagins said those failures were unintentional and the result of “staff oversights.” The public record seems to support her version.

Photo: Ariel Cobbert

The Termination Resolution

First, the termination resolution claims that Feagins “misled the board” about “overtime abuse” she brought to the board’s attention last July. “Dr. Feagins never presented any evidence suggesting that her statement was true, and she did not correct or clarify her statement to the public,” the board’s first allegation reads. But Feagins told the board last July and again in December and January that she based her comments on “documented fiscal reports” of overtime pay records for 2022, 2023, and 2024.

“I provided at least three years of data to the board,” Feagins said after hearing the charges against her read aloud at the December 17th special called meeting.

There are no records that the board ever asked for or reviewed the data or tried to substantiate Feagins’ claims about overtime abuse.

Second, the termination resolution claims that Feagins accepted and deposited in the district’s account a $45,000 donation to the district from the SchoolSeed Foundation “without Board approval.”

“At a [November 19th] Board Work Session, Dr. Feagins misrepresented her knowledge of and involvement in depositing the unapproved donation check in violation of Board Policy,” the board’s second allegation reads.

Feagins said she didn’t learn about the donation until November 8th, the result of “a staff oversight,” and “promptly submitted the donation to the Board” at its next meeting, November 19th. The board approved the donation December 3rd. Two weeks later, five board members used it to charge her with “professional misconduct.”

The special counsel’s report cites two emails Feagins sent to staff in July that “irrefutably establish” that she knew then about the check. But neither email mentions a $45,000 SchoolSeed check, which records show wasn’t received by the district until August 13th.

Third, the termination resolution claims that Feagins “was dishonest with the board and public” about missing a deadline for a $300,000 federal grant to help homeless students. Feagins acknowledged that her staff failed to meet the September 30th deadline, but said the state subsequently allowed the district to use the funds for various expenses related to helping homeless students. “We missed the deadline,” she told the board December 17th.

The board’s allegations and investigation do not say how much — if any — of the $300,000 grant (leftover Covid-relief funds) was used or forfeited. The special counsel’s report to the board states that Feagins’ comments about the grant were “only accurate to a degree, but not completely.” That could sum up the board’s allegations against Feagins: only accurate to a degree, but not completely. 

“Clerical errors,” McKissack called them at the December 17th special board meeting. At least five board members at that meeting were clearly determined to fire Feagins. They didn’t explain why Feagins or board members in her corner didn’t see the resolution to fire her until a few minutes before the meeting. They didn’t respond to questions that Feagins or four other board members raised about the specific allegations in the resolution.

Sable Otey (Photo: Memphis Shelby County Schools)

Missing Pieces

They did raise a slew of other issues that weren’t in the resolution or the special counsel’s report. Board member Sable Otey, elected August 1st, blamed Feagins for the suicidal thoughts of an educator in her district, and the firing of a teacher in her district. She also claimed teachers were texting her with complaints about the superintendent. She didn’t present any evidence of her claims, and they weren’t included in the resolution.

Towanna Murphy (Photo: Memphis Shelby County Schools)

Board member Towanna Murphy, elected August 1st, blamed Feagins for the injury of a special needs child in her district, and for putting other special needs students at risk. She didn’t present any evidence of her claims, and they weren’t included in the resolution.

Natalie McKinney (Photo: Memphis Shelby County Schools)

Board member Natalie McKinney, elected August 1st, accused Feagins of creating “a climate of fear and intimidation” in staff across the district. She didn’t present any evidence of her claims, and they weren’t included in the resolution.

Various board members blamed Feagins for the district’s problems receiving sufficient staff and materials for online learning, dual enrollment, remedial instruction, and student assessment. They didn’t present any evidence that Feagins was to blame for those problems, and those complaints weren’t included in the termination resolution.

Amber Huett-Garcia (Photo: Memphis Shelby County Schools)

Board member Amber Huett-Garcia, who voted not to fire Feagins, said many of the complaints were “highlighting the woes of a district that is under-resourced [with] generational challenges” that began decades before Feagins arrived.

McKinney pushed back. “Our [board] seats have given us a bird’s-eye view of the working of the district,” McKinney said. “We see things the general public does not see.”

The general public still is not seeing those things. The superintendent works for the board, but the board works for the public. The board owes the public — not to mention Feagins, her staff, teachers and parents, and other public officials — a thorough, clear, compelling, and public explanation for why she was fired.

There was a fourth and final accusation in the termination resolution: “The board has also become aware of certain patterns of behavior by Dr. Feagins that are not conducive to the effective operation of the District in the best interests of students, including but not limited to her refusal to communicate and/or cooperate with valued District partners.”

That accusation was not included in the 209-page investigation, nor in the list of 17 alleged contract or policy violations. But I suspect it probably comes closest to explaining what went wrong. Feagins could be prickly, curt, and dismissive, even in public board meetings, in stark contrast to her predecessor Joris Ray, who resigned under a cloud in 2022.

A Direct Approach

At board meetings, Ray was unfailingly polite and solicitous, usually thanking board members profusely and formally by title and name for every question. His staff members did the same. Ray began meetings by asking his staff to join him in reciting the district’s motto: “Together we must believe. Together we can achieve. Together we are reimagining 901.”

Feagins didn’t have a motto or lead a cheer. Her responses to board members’ questions were more direct and could include a cold stare or a disdainful “for the record” or “let the record show.”

I suspect that Feagins was fired because a majority of board members didn’t like her, didn’t like how she was managing the district, and were getting complaints from central staff administrators, principals, local nonprofit leaders, and favored local contractors.

They were being told that Feagins was moving too fast and going too far and stepping on too many toes in her efforts to restructure the top-heavy district to address the loss of Covid funding and to give classroom teachers more support and more authority. But that’s just speculation. Just about everything you’ve read or heard about why Feagins was fired is speculation.

Feagins has called the allegations against her “meritless and baseless.” Earlier this month, she sued the school board and asked the court to void the board’s 6-3 vote to fire her. 

In the lawsuit, Feagins claims that Althea Greene, Dorse-Coleman, and several other board members violated the state’s open meetings law by meeting secretly beginning in August to plan ways to terminate her contract.

It’s likely the litigation will end with a quiet, off-the-record settlement much like Ray’s agreement to resign in 2022. Which means the public may never know exactly why Feagins was fired.

What’s Next?

So now the school board is at odds and searching for its sixth superintendent since the 2013 merger upended the entire system. The Shelby County Commission has ordered a forensic audit of the school district’s budget. The state is threatening to take over the school board. State Representative Mark White (R-Memphis) plans to introduce legislation to create a new nine-member board that would oversee the local board. “This would be a management intervention,” White told Chalkbeat Tennessee.

Public education is under duress. The governor plans to spend nearly half a billion dollars a year offering private school vouchers to high-income parents. The Trump administration is prioritizing private “school choice” funding and gutting the U.S. Department of Education. Public schools are preparing for massive safety net cuts and immigration raids and conducting regular “active shooter drills.”

Meanwhile, schools and teachers continue to try to address the academic, social, and emotional needs of students traumatized by poverty, community violence, school shootings, and the pandemic. And constant political turmoil. 

David Waters, a veteran journalist, has covered public education in Memphis and Tennessee off and on for 30 years. He is associate director of the Institute for Public Service Reporting at the University of Memphis.

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Cover Feature News

Bluff City Love Stories

Love is in the air, so they say every time Valentine’s Day rolls around, but isn’t love always in the air? At least, we find that to be the case after delving into these three Memphis couples’ love stories. With class president battles, spilled spaghetti, and flutes and pianos, these stories are, dare we say, better than any rom-com.  

Patrick + Deni (Photo: Justin Fox Burks)

Deni + Patrick

Patrick and Deni Reilly are at work together every day. Patrick is the chef and they’re both owners of three restaurants: The Majestic Grille, Cocozza American Italian, and the upcoming Cocozza American Italian location in East Memphis.

They remember when they met. Patrick, who is from Dublin, was general manager at the Gibson Lounge at the old Gibson Guitar Factory. Deni, who is from New Jersey, worked with DoubleTree hotels. Sean Costello introduced them at his concert in 2001 at the Gibson Lounge.

“I was pretty smitten,” Deni says. “I thought he was pretty cute.”

“I said we should go out to lunch sometime,” Patrick says. “And she leaned over and kissed me. And I said, ‘Or maybe dinner.’”

“I gave him my number,” Deni says.

They began dating. Deni remembers when her parents visited Memphis and met Patrick for the first time. Her mother told Deni’s sister, “She’s in love.”

“I was headed in that direction,” Deni says.

“It’s one of those things,” Patrick says. “We were friends for a while. Then we dated for awhile. We broke up for awhile. I was divorced and I was really gun-shy about another relationship, so it took a minute. I don’t know when I knew, but I knew when I made that commitment. And that was a couple of years later.”

Popping the question backfired at first, Patrick recalls. “I had a plan. I was going to propose at McEwen’s.”

He was all set to propose. “I had the ring, which my friend Suzanne Hamm helped me pick out, and I had it all arranged in my head.”

They went to dinner. “But for some reason they kind of rushed us out. They dropped the check on us really fast.”

So, Patrick didn’t have time to propose.

And, Deni says, “I also spilled spaghetti sauce all over my shirt.”

Patrick then came up with Plan B. The Christmas tree was still up at the Peabody Hotel, so he suggested they have a drink in the lobby. He thought that would be “a fun romantic spot” to ask for Deni’s hand.

But, he says, “There was a fire alarm or something and 200 people in their pajamas with blankets in the lobby. It was so strange. We ended up going home.”

“He lit the fire and some candles, took the ring out of his pocket and said, ‘Here,’” Deni says.

Patrick told her, “I’ve been trying to give you this all night.”

“I think I laughed and kissed him and said, ‘Yes,’” Deni says. — Michael Donahue

David + Holly (Photo: Courtesy David Shotsberger)

Holly + David

Music brought them together, and their music remains decades on.

“We met in piano class,” says David Shotsberger.

It was a mandatory class for serious music students on the campus of Penn State University, piano proficiency. In it, students sat at their own keyboards, listening to themselves on headphones. The professor could select which student to hear and speak to with a special headphone setup. A few keyboards away from his own, Shotsberger saw another student named Holly.   

“I noticed her, and the professor noticed me noticing her and told me — through the headphones — to pay attention to the lesson,” Shotsberger says, laughing.

That was 1993. Holly studied flute performance. David studied music composition and theory. He was a hometown guy, from right there in State College. She was from Pittsburgh. They became friends.

About a year later, they ran into each other on campus and agreed on a date. Dinner was at the then-Penn-State-famous Gingerbread Man (or G-Man). The restaurant closed in 2014 to make way for Primanti Brothers, an iconic Pittsburgh sandwich shop and bar.

Whatever David and Holly talked about on that first date stuck, and that conversation almost certainly included music. For years, the couple would talk about music, play music together, and go to shows together. Holly would travel with, occasionally sing with, and sell merch for David’s family’s traveling gospel and country group, New Life.

The two stayed together and married in 1998 at the Eisenhower Chapel right on the campus of Penn State. That was May. By July, David had selected the University of Memphis for his doctoral work and the couple relocated to the Bluff City. By then, Holly earned a master’s degree in speech language pathology and a job hunt in a new city loomed.

“ I think when you’re that young, you’re just a little bit more adventurous, maybe, willing to go do new things and go to new places when you know no one there,” she says. “So, moving to Memphis felt like an exciting adventure at the time.”

They stuck together, relied on each other, established Memphis as home base, and made friends. Memphis was temporary, anyway. Who knew where they’d end up after David finished his doctorate program?

Turned out, Memphis had plans for David and Holly. He earned a one-year appointment at the U of M and later became the director of operations for the Memphis Symphony Orchestra for a couple of years. Holly worked as a speech language pathologist in early intervention clinics in Marion, Arkansas. David is now the creative director for Advent Presbyterian Church and directs the jazz band and teaches music technology at Rhodes College. The couple raised two children together, and Holly now works as a speech language pathologist in the Memphis-Shelby County Schools.

Memphis and music have remained constants in David and Holly’s lives and relationship over two decades here.

“For sure it’s about the people that we’ve met here,” Holly says. “Memphis has brought many dear friends that we’ve done life with for 25 years or so. They’re family now. So, that makes Memphis home.”

They still play music together and know each other in a special way that only musicians can. David says Holly is the person he’s played music with the longest, around 32 years or thereabouts.

“She’s one of the best musicians I’ve ever met in my life,” David says. — Toby Sells  

Anthony + Patricia (Photo: Courtesy Patricia Lockhart)

Patricia + Anthony

In high school, Anthony and Patricia Lockhart ran against each other for class president. Patricia won, but Anthony, to this day, claims it was rigged. 

“Now that is slightly true,” admits Patricia. “I think the principal had something to do with it. I didn’t get the popular vote, but I got the teacher vote.”

Still, that didn’t stop Anthony from asking her out once they were at the University of Memphis. “The light hit my skin just right one day,” she says. Anthony says they were distant friends and he wanted to see where things would go, so he looked up her email address in the campus directory.

“She sent her number back real quick,” he says. 

For their first date, they went to McAllister’s Deli and the movies at the Malco Paradiso. Neither of them can remember what movie they saw, but they know it was a good first date and they know it was March 2005, an anniversary they still celebrate today. “I’m forced to do that,” Anthony says, to which Patricia replies, “Oh my gosh, you are not forced; you are highly recommended to comply.”

By November, Patricia had moved into Anthony’s, and by April, Anthony proposed. A year later, they were married. “This is not a story we recommend of our kids ’cause this is just the way the cookie crumbled for us,” Patricia says. “My aunties even were like, ‘Patricia, wait five years.’ And I didn’t see the point in waiting because I knew that I was going to be with him.”

“We had fun. We wanted to do everything together,” Anthony says. “We had a great time growing and experiencing each other. It was like we were progressing together. We had a lot of firsts together.”

“If I were to give advice to people, I would say the person that you married is going to change,” Patricia says. “The Anthony that’s sitting beside me is different from the Anthony — in some ways, not a whole lot of ways — that I married, that I started dating 20 years ago. His views have changed; taste buds have changed. And it’s all about loving a person through their changes, and Anthony has seriously loved me through all of my quirky changes and mood swings, especially with hormones and having kids — all of the things.”

“Communication is definitely necessary, either good or bad,” Anthony adds. “[You need to] have an open mind and communication.”

Today, Patricia, an assistant principal and writer (sometimes for the Flyer), and Anthony, a site inspector for the Memphis and Shelby County Division of Planning and Development, are parents to four children: Eve (11), Elijah (13), Elliott (13), and Aiden (16).  The kids say their favorite parts of their parents’ marriage are their humor, how well they get along, and “the way dad looks down at mom and [she] looks up at [him] when [they’re] in the kitchen standing close to each other.” And Eve, especially, likes that she can poke fun at them. 

“We’re a big family, and we enjoy each other, like genuinely enjoy being around each other,” Patricia says. “And what I love about being a parent with Anthony is that I could walk in and be like, ‘I’m a 20 percent parent today. That’s it.’ And he’s just like, ‘Okay, I got 60, and 80 is enough for today.’”

“I think parenting definitely helps you kind of grow a little bit,” Anthony adds.

But in between parenting and working, the two also know to make time for each other, to date each other. “I’ll be at work, and sometimes being an assistant principal is extra, extra stressful,” Patricia says. “I’ll get this calendar alert and it’s him putting a date on my calendar.” — Abigail Morici 

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Cover Feature News

20<30: The Class of 2025

Every year, the Memphis Flyer asks our readers to nominate outstanding young people in Memphis who are making a difference in their community. We chose the top 20 from an outstanding field of more than 50 nominations. Memphis, meet your future leaders, the 20<30 Class of 2025. 

Austin Brown
Director of Development and Communications, Community Legal Center (CLC)

A native Memphian, Brown decided to stay in the city and attend Christian Brothers University. There, he became the philanthropy chair for Sigma Alpha Epsilon. Brown says the experience changed his life. “We did a bunch of volunteering opportunities. Just getting a chance to see up close and personal the disparities in the city showed me a lot of the things I wanted to address in my professional career, and in any way I could.

“What makes Community Legal Center unique is, unlike some other legal aid organizations you may be familiar with, CLC offers services at a low cost, and on a sliding scale, depending on household income and household size,” says Brown. “We’re about filling in that justice gap and helping the people in the forgotten middle. So, people who probably make too much money to qualify for free legal services, but they don’t make enough to afford a private attorney. I’m here to make a just Memphis. Simple as that.”

Liv Cohen
Membership and Community Engagement Coordinator, WYXR

“I grew up in Oxford, Mississippi. Memphis was the cool city to come to on a weekend, and I just kind of fell in love with it,” says Cohen. 

She found her niche at the community radio station, WYXR. “I interned my senior year of college, and then just convinced Robby [Grant, WYXR founder,] to keep me around. … I manage all of our individual giving and memberships, so if you’ve ever gotten an email asking to donate to WYXR, it’s probably from me. 

“I’ve found myself deeply rooted in the music community here, and it’s unlike anything else I’ve ever experienced or witnessed. People really care about each other here. The music is just unbeatable, and yeah, I’ve really found my people here and I love it. … I would love to see a city that really invests in creative types and puts them in positions of leadership as well.” 

Leon Cunningham III
Agent, New York Life Insurance

“I think Memphis is, right now, a land of opportunity,” says Cunningham. He’s got a lot of irons in the fire. In addition to his work in the insurance field, he is also dedicated to volunteerism. “I think I’m making an impact here from a financial place, but a philanthropy piece is something that I could hang my hat on at the end of the day.”

One of his passions is mentoring. “Embracing Brotherhood [Foundation] is a social group I kind of started through networking in Memphis. It’s centered around youth, but also minority males, helping them get connections throughout general areas and regions, supporting them in business and life.” 

As if that’s not enough, he’s also a professional model, working on national accounts through the Tribe Talent Management. “I was definitely shy. It opened me up. It helped me be comfortable in my skin.”

Hugh Ferguson
Biomathematics Research Student, Rhodes College

“I’ve always been interested in being a doctor, since I was probably 11 or 12,” says Ferguson. “I have a heart condition and other health conditions, and the care that I’ve received from other doctors has inspired me to make sure other people have that same access.” He volunteers for Remote Area Medical. “We go into rural areas, mostly in Tennessee, that lack proper healthcare. We set up remote clinics and get doctors around the region to help. We usually treat about a thousand people at each clinic.”

This inspired his research into AI-assisted ultrasound devices. “We’re working on, not replacing [X-ray machines], but offering an alternative to help underserved communities. You can’t learn how to care about someone from just reading about science. You have to go into field work, and experience humanity, what it needs, and realize that you’re more than just a person. There’s a whole story behind you.”

Antonella Reyes Flores
Case Manager, Endeavors

When unaccompanied immigrant children arrive in Memphis, Flores takes care of them. “It can be anything from helping them enroll in a school, or connecting them to something like Church Health and getting them their updated vaccinations, or getting them a PCP. If they’re struggling with mental health, connecting with mental health services. Or just connecting them to a local food bank. Maybe they are trying to get onto a local soccer team, or they want to get involved with the church. I’m there to have a feel for what they need, and fill those gaps. 

“I want to build an inclusive Memphis. Everyone has their niche in Memphis, whether you’re a Fortune 500 company or you’re a nonprofit or higher education, there are so many overlaps. We need to keep working together to help the next generation of Memphis. We have to put so much back into our youth. These are future doctors, teachers, engineers. We’re doing our part to guide them into helping build such a great Memphis.”

Zavier Hayes
Owner, Zavier Hayes Shelter Insurance

During the pandemic, Hayes got a job offer to work in insurance. “I’m thinking, ‘Nobody’s going to take a chance on me. I’m 23 years old! I’ve barely got a year of experience.’ … They took the chance, gave me my own office in Mumford.” 

Now, he’s his own boss. “You’re an independent contractor; you’re being your own entrepreneur. There’s some days where it’s harder than others, and there’s some days where it’s like, man, I just wish I could copy and paste this day, and have this be every day. It’s a journey, and I truly enjoy it.”

In his off hours, he coaches basketball at Northpoint Christian School. “I love working with kids. It’s a chance to give back. I tell my players, ‘I was just in y’all’s shoes 10 years ago.’ And this is my chance to say, ‘Hey, if this was younger me, this is exactly what I would teach you guys to do.’”

Raneem Imam
Musician

Originally from the Bay Area, Imam’s family is Palestinian- and Lebanese-American. “I call myself an Arabic cocktail, so I’m really mixed with a lot of great things to make a juicy cocktail,” she says. “I’ve always been singing. My mom says I was getting on top of tables and singing to guests, and convincing her to come to my room for short musicals that I would perform for her and my grandmother.”

At Rhodes College, “I ended up majoring in music and falling in love with Memphis music and all the opportunities that I could seize while I was there. I didn’t know where the road was going to lead, obviously, but I feel like it’s just a part of my life motto to start where you are.” 

Her plan to hit the ground performing after graduation was stymied by the pandemic, but she found an audience through virtual gigs. Now she’s pursuing music full-time and working on a full-length album. “I’m kind of exploring this line between funk, R&B, and pop, while also toying around with some Arabic influence because I haven’t seen that yet.” 

RaSean Jenkins
Board Office Advisor, Memphis-Shelby County Schools 

“I got a scholarship to University of Memphis when I was studying Japanese history and language,” Jenkins says. “I was going through my neighborhood one day, and I had so many questions about why are we so separated as a city. What led Memphis to be this way? It ended up becoming my major, and I ended up becoming an urban historian.” 

Jenkins is currently on track to finish his Ph.D. at the University of Memphis. “I’m writing my dissertation on A.W. Willis and his family’s work to integrate segregated spaces in the Mid-South.” 

Teaching is in his blood. “I’ve been a mentor for Memphis-Shelby County Schools since I was 18, and also I do mentoring with the city. I want to be a professor one day, but I am very dedicated to our district here in Memphis and Shelby County. I would not like to leave the district. I would love to stay and just continue to grow here, but I really see myself being a college professor one day for sure, teaching history.”

Alexxas Johnson
Associate Attorney, Spence Partners 

“I do general litigation, so the easiest way to describe that is, everything except criminal [law] — except when I have to do criminal [law],” says Johnson. “So really, just a smorgasbord of things, which I love, because I’m somebody that is creative by nature. I thought when I decided to become a lawyer, I was a little bummed because I feel like lawyers are in this gray area, with not a lot of time to create and be innovative. There are so many rules and procedures, and of course it’s a very old career field, governed by things that happened in 1935. But thankfully, in the way that I write and craft my arguments, I’ve learned to become creative in this career field.” 

A native Memphian, Johnson returned home after attending college at Alabama and a stint in Miami to attend law school. “Who doesn’t want to be a part of Memphis? I mean, everyone steals our swag anyways, so you might as well come here.” 

Noah Miller
Multidisciplinary Artist

Filmmaker, photographer, printmaker, and painter, Miller does it all. His most recent exhibit, “Days,” ran for seven months at Crosstown Arts. “I’m interested in so many different things. The world is abundant! But most of the time, I have an idea that feels like it could be better represented in a different medium, whether that’s painting, sculpture, music, or film. Film is the greatest medium of all because it’s everything packed into one thing. It scratches every itch for me. But I’m someone who wants to do it all: write the script, build the set, shoot the whole thing myself, edit, and even record the soundtrack. … This is why I’ve gravitated toward painting. I can realistically have something finished by the end of the week.

“Memphis feels like the biggest ‘punk’ city to me in the sense that everyone just does exactly what they want here (or they should be), and you can get away with it! It’s a very genuine place.”

David Oppong
Project Engineer, Allworld Project Management

Inspired by his scientist father, Oppong decided to pursue engineering. “I realized that whatever I wanted to do in life, I wanted to have a direct impact on people and help make people’s lives better. I’ve seen that through civil engineering because people are the most direct result of all the infrastructure that we have in this world. I knew that if I could be around to affect the change and have a positive impact on people’s lives, then I would feel fulfilled in my purpose to be an engineer. 

“We work with MATA on a number of capital projects, and the very first project that I had a chance to be a part of — and eventually got a chance to lead — was their electric bus program, which was for the procurement and implementation of up to 50 electric buses within their fleet. 

“I grew up in the city, and I stayed because I knew that I wanted to be part of the change to make this a better place.”

Phoenix Powell
Community Advocate/Health and Wellness Specialist, OUTMemphis

Powell’s work for OUTMemphis includes cooking weekly community meals. “I found that I really have a passion for advocacy and made a decision to do it as my work last year. I feel like advocacy and cooking go hand-in-hand because any civil rights movement that you look at, things like food and music have always been a part of it. I’m able to use food as a way to give back. … Now the stakes feel a little bit higher than they have been.

“The work we do here is really needed. Every day, people come in and tell their stories. The common denominator is, they don’t really have a support system. They don’t have a group of people that they can feel like, ‘This is like my family.’ And when I’m cooking, I never like to shortcut things. These folks come to us when they don’t have anything. I’m not going to give them the bare minimum.”

Juan Sanchez
Project Engineer, Turner Construction Company

A native of Memphis with “proud Mexican origins,” Sanchez was the first person in his family to graduate from college. “I was born here, raised here, went to school here, went to university here, currently working here. I’m currently building Memphis and building the communities that I’ve been a part of. So it’s all been full circle.” 

Among the projects Sanchez has been the “boots on the ground” for are the Memphis Sports and Events Complex, the Shelby County Health Department, and the soon-to-be-opened Alliance Health Services’ Crisis Center. Project engineer, he says, is “a two-word title, but it has many different responsibilities. … A lot of what I do is coordination and problem-solving among our contractors, design team, and clients to assure construction advances safely, within budget, and on schedule.”

Sanchez takes time to recruit other Hispanic and minority kids into the science and engineering fields. He was the first-ever guest speaker for the University of Memphis’ Society of Hispanic Professional Engineers. “There’s much more for Memphis in the future, much more building, and I’m just excited to be a part of that.” 

Josh Shaw
Musician, Blvck Hippie

“I started playing piano when I was 11,” says Shaw. “Music was just my own way of spreading my wings.”

Shaw’s band Blvck Hippie had a great year in 2024, touring extensively, and playing a huge gig at the Overton Park Shell. “Getting to play the Shell was just crazy! I found this little goal list I wrote out when I was a junior in college — my musical bucket list, basically. The top three were, one, tour. The second one was, do a European tour, and the third one was, play the Shell.”

Shaw completed all three items on their list last year and won the Indie Memphis music video competition for the second year in a row. Even sweeter, they got to bring their young daughter to the Shell show. “She got to see me play for the first time! That was just kind of a dream come true.” 

Ciara Swearingen
Family Inn Advocate, Room in the Inn

Swearingen was already a volunteer for Planned Parenthood when she became pregnant at 22 years old, while a student at the University of Memphis. “Going through my pregnancy, I didn’t get a lot of support from my OB-GYN,” she says. 

After having to advocate for herself while enduring a high-risk pregnancy, she became an advocate for others in the same position. “There are things that, growing up, especially in the Black community, nobody prepares you for when becoming a mother. … There are so many women, especially in the city of Memphis, that are struggling to let their doctors know, ‘Hey, I’m feeling this type of way. Is this normal?’

“Once baby gets here, and you’re in the hospital, that’s the most important time for moms to command and demand in their pregnancy. Luckily, I had my mom there with me when I had my son, but there are a lot of Black women in the city of Memphis who don’t have this support.” 

JoElle Thompson
Entrepreneur, The Four Way, Center for Transforming Communities

In 2002, Thompson’s grandfather decided to reopen the shuttered Four Way restaurant after seeing it on a Travel Channel list of the best soul food restaurants in America. “It was the only one that was closed,” Thompson says. 

Her family devoted themselves to “keeping the legacy alive because so many people from Stax and just around the neighborhood of LeMoyne-Owen College, … even Martin Luther King and notable people around the country, knew about the Four Way when they came to Memphis because it was a community staple. We’ve tried to continue that legacy.” 

While working at the restaurant, she also earned a master’s degree in public health and was recruited as a community organizer at the Center for Transforming Communities (CTC). “My project that I’m doing right now with CTC is a community cookbook, specifically based in South Memphis, to honor people like me and some of my friends who are third, fourth, and fifth generation South Memphians because there’s such a rich legacy in our community. I’m trying to capture the history and voices of our community.” 

Katelyn Thompson
Policy Director, Tennessee Senate Democratic Caucus

“I love Memphis because it’s in my DNA,” says Thompson. “It runs through my veins.” 

Thompson is passionate about politics and wants to spread the word about participating in our democracy. “When I went to Tennessee State University, I had started the bus to the polls, and a lot of students didn’t even know that they could vote. … My wish to every school and university is that we could do better with that in educating our students so they can be involved because our students are the future. They’re going to be the ones to keep us moving forward. And if they don’t know what they’re supposed to do, then we’re going backwards.”

She’s already made a splash in Tennessee political circles. “It is such an honor to serve as the youngest policy director for the Tennessee Senate Democratic Caucus, and I am beyond grateful for the opportunity to work with both Mayor Paul Young and Senator London Lamar. Their leadership and trust in me have been instrumental in my journey, and I truly admire their commitment to serving our community.” 

Margaret Tong
Entrepreneur, Mochi & Mi, Bao Toan Kitchen & Bar

Tong was born and raised in Memphis, but “growing up, my classmates were predominantly white and Black. It was very rare for me see Asian people. Once I got myself into the Asian community, I felt more sense of belonging, with people that understand you, understand the culture.”

Tong helped put on the first Asian Night Market, which has seen explosive growth over only two years. “We didn’t expect to have such a big turnout because we were like, ‘Oh, the community is small.’ … And then I saw that crowd! I was glad I was behind the table. There was more room behind the table than there was in that crowd!”

Growing up, her mother had a nail business, but the pair decided to go into the food business together. Now, they’re the force behind Bao Toan Kitchen, the newest restaurant in Crosstown Concourse. “I’d like to see a Memphis that helps each other,” she says. “I love the people, the sense of community here, the Memphis pride here.”

Connor Webber
Staff Attorney, Tennessee Innocence Project 

Why did Webber become an attorney? “I get asked that a lot, and the answer is that I like to argue.”

An internship at the Davidson County district attorney’s office led him to the Tennessee Innocence Project. “We investigate and litigate cases of wrongful conviction in the state of Tennessee. … We received more applications from Shelby County than any other county in Tennessee. This was clearly where the need was, and they asked me to move here and open the office with them. I said, ‘Absolutely.’”

One of the first cases they tackled was Ricky Webb, who had been convicted of a “heinous crime” in 1976. “We started looking into his case almost 50 years later, and there was a lot of evidence that was covered up that really proved that he was in fact innocent. His conviction was overturned in October [2024]. It became formal on Halloween, and he became the fourth-longest serving exoneree in United States history. He served just shy of 47 years in custody.” 

Haley Wilson
Actor, Choreographer 

Wilson first came to Memphis for the annual United Professional Theater Auditions at Playhouse on the Square in 2019. She made her debut as the lead in A Closer Walk with Patsy Cline. “I played one of my dream roles, a country artist that I had always listened to growing up, and also started my company member position at the same time.” 

Since then, she has performed in more than 30 shows, earning an Ostrander Award for Best Supporting Actress in Natasha, Pierre & The Great Comet of 1812, as well as three other BroadwayWorld Awards nominations. She’s taught and choreographed at Houston High School, St. George’s Independent School, and Memphis University School. “I like to live other people’s stories to the best of my ability,” she says. “Sometimes being yourself is hard, and so getting away and getting to be someone else for a little bit is what I strive for. Today was a hard day for Haley, but I’m going to go be someone else for a little bit and just get away from that.” 

The Memphis Flyer extends special thanks to Sondra Pham Khammavong, 20<30 Class of 2024, for serving on this year’s selection committee.