At Thursday’s groundbreaking ceremony for the Metal Museum’s transition to its new home at the former Memphis College of Art building, Carissa Hussong showed off her decked-out hardhat, complete with diamonds and black flames sprawling across the cap. “Yes, the diamonds are real,” she said. “’Cause who doesn’t need a hardhat with their name and diamonds on it?”
The hardhat, she revealed, was gifted to her on her first day on the job 17 years ago by James Wallace, the museum’s founding director who preceded her. It was always destined that the museum would expand in some way, though it wasn’t always known that it would take over the Memphis College of Art’s campus. That suggestion wouldn’t come until 2018, and even then it was met with some hesitation, until eventually that hesitation subsided as the move became more and more logical.
“The museum has been called a hidden gem. This has a lot to do with our current location,” said Richard Aycock, the museum’s board president, at the ceremony. “Our programs have changed lives, and I can’t tell you how excited we are about the possibilities this expansion gives us to expand our educational opportunities. It will increase our educational offerings sixfold in a place that’s easily accessible by foot, by bike, by car, or by public transportation. The expansion gives us room and space to teach advanced metalworking techniques to more students.
“In addition to addressing the needs of our community, we are very excited and honored to become a part of the Overton Park family and to continue the Memphis College of Art’s legacy of art and education.”
Part of honoring the college’s legacy also means honoring its original architecture and architects Roy Harrover and Bill Mann, so the museum engaged the help of Los Angeles-based wHY Architects and Memphis-based LRK.
“This project is a true example of how you can work with the existing fabric to highlight its unique features, and then thoughtfully add on to it to serve future generations,” said Krissy Buck Flickinger, senior associate architect with LRK.
Quoting from the original National Register nomination for Overton Park, she continued, “‘The building is an outstanding example of contemporary architectural design, distinguished by its freestanding concrete sunbreak, folded plate roof structure and generous roof terraces, and balconies, all of which will be preserved and will live on.’
“The historic materials will be used, restored, and retained. I already talked about the folded plate roof. We have terrazzo floors. We have steel windows that are all original and in beautiful condition. We’re restoring the 350-seat auditorium. We’re reimagining the library and the cafe space. … And we’re letting the once art studio spaces live on as art gallery spaces. … And the second vital piece to this project is the addition of the innovative metalworking facility with its own expressive design that draws inspiration from and complements Rust Hall.”
The designs are complete, and construction is ready to begin, with a projected completion date of 2026.
The museum’s current site at 374 Metal Museum Drive will eventually be converted into a space to host an artist-in-residence program, as well as an events space.
As Aycock reminded guests at Thursday’s event, “The Metal Museum is the only institute in the United States dedicated to the art and craft of fine metalwork. There is nowhere else in the world where you can go and look at a beautiful exhibition of exquisite metalwork, then go to the shop and watch that metalwork being made, and even take a class and make some with your own hands. It is a special place. It is a place that metalsmiths from all over the world come and that many here in this country call home.”
