One of the hallmarks of Louise Page’s sound is the arranging skill she brings to her songs. Her solid piano playing always keeps things grounded, but her crack band often supplements that with horns, inventive rock guitar, and other elements. That’s not the case with her latest album, though. The whole point of Play Nice, an album written and recorded during the first year of the pandemic and released in 2021, is to strip all of that away. Befitting the isolation of those times, the album presents only a singer and her piano: intimate, raw, and real.
The unvarnished sound is matched with some of her most personal lyrics as well, and that’s one of the striking qualities of this single, “Little Icarus,” where she questions both her own trustworthiness and that of her lover or other person in her life. And yet, like the fabled mortal of Greek mythology who flew too close to the sun and suffered for it, there’s a romantic yearning in the song as well. It’s a theme ripe for bringing to life visually, and Page, director Ben Siler, and producer Chris McCoy (the Memphis Flyer’s film editor) have done so with stunning clarity.
As Page herself writes, “I’ve always loved using mythological references in my music, and the story of Icarus has been one that I’ve loved for quite some time — it has inspired so much art, both ancient and contemporary. Something I loved about working with director Ben Siler was his interest in making homages both to the original story of Icarus and also to the various works across time inspired by Icarus.”
Look for local rapper and producer Lawrence Matthews for his star turn as Icarus here. Often celebrated for crafting his own videos with a painterly sense of the visual, he brings that same attention to detail and artful integration to this project. And if the song asks some tough questions, it also revels in romance, with palpable chemistry between Page and Matthews as the video progresses.
As Page further contemplates the song and the video, there is certainly love here, but … it’s complicated. “From my perspective as the writer, the song ‘Little Icarus’ is a love song, albeit a tragic one, that the Sun is singing to Icarus,” she writes. “My thought process was, while the sun isn’t a personified character in the original myth, the sun is responsible for melting Icarus’ wings. One might say the sun is responsible for his downfall — although most would say his own hubris brought about his fall. This thought process of personifying the sun became a metaphor for myself and my own fears about hurting others and being hurt by love.”
Page is also quick to share the credit for this vivid teleplay with her collaborators. “Ben Siler, the director, had the idea of there being two Louises in the video — one inspired by Sun God imagery and one more inspired by David Bowie in The Man Who Fell to Earth. These two versions of self are open to interpretation by the viewer. Is one version of Louise reality and the other fantasy? If so, which is which? It’s up to the viewer to decide.”
