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Ocean Deep

Iwona Rhodes’ “Seaside and Beyond” at ANF Architects channels a longing for the ocean.

In literature and art, water holds many symbolic meanings — rejuvenation, renewal, sorrow, purification, to name a few. But for artist Iwona Rhodes water represents home — her seaside home in Gdynia, Poland, and the home “where we come from and eventually we all will return to one day.”

The ocean, Rhodes writes in her artist statement for her upcoming “Seaside and Beyond” show at ANF Architects, is “a place of creation.” It’s “like a God-Father figure who serves us, forms us, and through his beautiful nature is also comforting us.”

It’s only natural for Rhodes to see water this way. She grew up close to the beach. She worked on a cruise line. She now lives in a river city. Water, despite its versatility, has been the most constant theme in her life.

“I’ve always been obsessed,” she says of the organic form that inspired the more than a dozen paintings in “Seaside and Beyond.” “My paintings are a reflection of the majestic nature of oceans with their endless forms and capabilities.”

“When I was creating this collection, I felt like it was coming to me, so this is something I’m just enjoying,” Rhodes says. “I had a sudden desire to paint blue abstraction and experiment with media.”

Part of that desire stemmed from her dad’s passing three year’s ago. “I was just missing him, and the ocean always. Why I’m so far from the ocean? When I came back home [from Poland to Memphis], I felt this coldness.”

Photos: Courtesy Iwona Rhodes

So she painted her own oceans — 14 times over on canvas using acrylic and mixed media, opting for impressionist and expressionist styles over realism. “I’m good at realistic painting, but this is more honest,” she says, adding that the paintings tap into her own emotions — her nostalgia for the shores that raised her, her longing for the depths of the oceans and the mysteries they contain.

Though she initially agreed to 20 new paintings for this ANF exhibit, Rhodes was satisfied with her 14. “I said, ‘I’m done.’ This is pure.”

But then she started her new job teaching art at Compass Community School to students in kindergarten through eighth grade. Since she immigrated to America, she’s worked in the corporate world, and teaching, as one can imagine, has been a completely different experience.

“I love this job,” she says. “Literally when I’m leaving school, I’m physically exhausted, but I’m so happy. I’m coming back home and I cannot stop talking about my schooling, showing artwork to my husband. And it’s just amazing. It’s also very inspiring for me. … Teaching only for 10 months inspired me so much, I’m doing an extra six [pieces] inspired by my students. Now I have an idea for another collection.”

In February, Rhodes explains, she taught her students about Alma Thomas, an African-American artist who taught in Washington, D.C. in the 20th century. “She was so successful. Like, every second kid in Washington, D.C., could say that there was a point in his life she was teaching him art. But for me, she’s an inspiration because she was so well educated and she wanted to give back to society by educating tons and tons of kids, and at the end of her life she was rewarded by becoming a true artist. And I love her art. It’s very inspiring.”

For her classes, Rhodes asked her students to create sunrises and sunsets by using pieces of construction paper. “I was in shock when I saw [the results,” she says. As Rhodes scrolls through photos of her students of her work, she praises each one genuinely: “Mind-blowing,” “The creation of this, how she came with this? I have never seen anything like that,” “This is mesmerizing. I love this,” “Okay, this is my inspiration.”

These works inspired by Rhodes’ students will be revealed at the ANF show. “There’s a lot of things altogether, but it’s very honest,” she says, adding that she’ll also display a few line drawings, some of which have been published in her book Heart Traces.

These graphics are linear profiles, witty, ambiguous, and self-reflective in nature. It’s a kind of visual poetry, in a way, which is fitting for Rhodes as she grew up loving to write. “My Polish language and literature professor hated me when she discovered I was going to study fine arts, not literature,” she laughs.

Always the creative, Rhodes says these linear graphics came during a drought of creativity while working in advertising. “I was craving ‘true art,’” she says. “Advertising is like compilation; you use somebody else’s ideas. I was so depressed. I was really unhappy with myself. I wasn’t painting. I knew so much about art, and I wasn’t using it.”

So she turned to a divine intervention of sorts and waited for inspiration to come to her in a dream, and it did — at least, the vision for her Angelic did, a simple line drawing of an otherworldly profile with angel wings capping off the ends of the lines at the neck.

While her other drawings didn’t come from a dream, Rhodes says, they are “a treat for the intellect.” They’ll make you think; some may make you laugh.

In all, for “Seaside and Beyond,” Rhodes hopes viewers will feel a range of emotions. The ocean-inspired paintings might offer profound feelings of serenity or a bit of wonder. The Alma Thomas-inspired works might provide a bit of light or inspiration, and the line drawings may extend a sense of reprieve as they once did for the artist herself.

Join Iwona Rhodes for the opening of “Seaside and Beyond” on Friday, May 10th, from 5 to 7 p.m., at ANF Architects, 1500 Union. Admission is free, and refreshments will be provided. “Seaside and Beyond” will be on display through June 5th, Monday to Friday, 8 a.m. to 5 p.m.