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Citizens Call On City Officials To Act In MATA’s Budget Crisis

Riders and citizens are calling on city leaders to intervene regarding the effects of the Memphis Area Transit Authority’s(MATA) newest budget.

These comments come days after the $67 million budget was approved unanimously by the agency’s Board of Commissioners. Prior to the approval, interim CEO Bacarra Mauldin and her team had been open about how the budget would affect both riders and personnel with routes being suspended and more than 200 employees being laid off.

While MATA had been vocal about these proposed changes, this didn’t make it easier for the public to accept, and are calling on the city to intervene.  In a statement released by the Moral Budget Coalition, Bennett Foster, executive director for Memphis For All said these changes will affect “tens of thousands of Memphians,” and the city “has the power to prevent that.”

“Chronic underfunding has already led to reduced transit services, hitting hardest in majority Black neighborhoods that depend on public transportation the most,” Foster said in a statement. “This situation jeopardizes public safety, economic mobility, and racial justice. Enhancing MATA is not only vital for connecting residents to jobs, healthcare, and education–it is also crucial for the economic growth and overall quality of life in Memphis.”

The Moral Budget Coalition has asked for Mayor Paul Young and the Memphis City Council to allocate at least $20 million to MATA. They have several recommendations such as increasing property taxes, re-allocating portions of rainy day funds, and increasing vehicle registration.

MATA officials have noted that the city has historically been their primary funding source. During this year’s budget season, Memphis City Council allocated $30 million for Fiscal Year 2025.It was also during this budget season that officials said they would be more involved in MATA’s budget moving forward.

Members of the coalition spoke about how citizens are dependent on public transit for their transportation needs. Foster said the city is primarily responsible for maintaining transit service, and that he felt MATA had not been a priority in current and previous administrations.

“We are here to make sure that cycle of chronic disinvestment in public transit and public services –it begins and ends here,” Foster said. “If we don’t take action now – it’ll be too late. If MATA is cutting their employees in half, cutting their service by 30 percent we’re gonna lose access to federal funds, we could lose formula funds that match our budget and we’re gonna get into a debt spiral.”

The public also made comments during this month’s meeting. One attendee said they didn’t agree that the agency was out of options for revenue and suggested that the city tax airplane passengers, real estate transactions, football and basketball tickets, as well as offering Beale Street transportation.

“If you don’t think this is a desperate situation, I’m telling you it is,” the attendee said. 

Funding has long been an issue for MATA since the pandemic. During Tuesday’s board meeting, Mauldin stressed this saying that the agency struggled to receive consistent funding as CARES funds ran out.

“MATA has operated for a number of years without any increases in the amount operating funds made available to it,”  Hamish Davidson, external CFO of J.S. Held LLC  said during Tuesday’s meeting. “It has managed to survive and indeed grow beyond its means through the provision of the CARES Act funds made available post Covid.”

Davidson said MATA cannot sustain itself without the increase of funds, and they receive 95 percent of their funding from federal,state, and local funds. The other 5 percent comes from advertising and farebox revenue. Davidson said that historically funding had not stayed static, but it has reduced with no regard to inflation, and that the last two budgets were deficit budgets.

In addition to rising operating costs a majority of MATA’s costs stem from employee compensation and benefit packages. Davidson also said they have reached a new collective bargaining agreement for union members.

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On the Fly We Recommend We Recommend

On the Fly: Week of 08/30/24

Ride the Cyclone 
Germantown Community Theatre
Performances through September 1
Picture it: A creepy abandoned amusement park. The ghosts of five high-schoolers who died on a roller coaster. A mechanical fortune-teller with the power to return only one of the youths to life. Oh, the decisions to be made. The fights to be had. How morbidly delightful. All of this is thanks to the regional premiere brought by Germantown Community Theatre. Performances end this weekend. Showtimes are Friday and Saturday at 7:30 p.m. and Sunday at 2:30 p.m. Tickets ($16-$26) can be purchased here.  

Delta Fair & Music Festival
Agricenter International
Friday, August 30-September 8
It’s fairly obvious that this festival is a fair shot at a great time, with games, rides, and all your fair classics. It is the Delta Fair, after all. You can enjoy the children’s barnyard, mechanical bull rides, the petting zoo, the rock wall, theme days, special events, and live music. Gate admission is $15/adults (13 and older), $10/youth (5-12), free/children (4 and under), and $10/seniors (65 & older). You can also purchase tickets at Kroger. Wristbands for rides are $25, except for Saturdays, Sundays, and Labor Day when they are $30. For more information, visit deltafest.com

Orion Free Concert Series: MonoNeon
Overton Park Shell
Friday, August 30, 7 p.m.
MonoNeon is playing at the Shell for FREE. F-R-E-E, that spells free. Alex Greene wrote about him back in July (read that article here), so you know he’s cool. As with any Orion Free Concert, picnic baskets, coolers, beverages, blankets, and lawn chairs are welcome, as are leashed dogs. Good Groceries Mobile Diner, Stick ’Em, Green Beetle, and Juiced What You Needed will be on site selling their fare. 

Healthier 901 Fest
Shelby Farms Park
Saturday, August 31, 10 a.m.-2 p.m.
Writing these weekly “On the Fly” posts means I have a healthy appetite for events, and this event is all about health. Coincidence? Yes. Did I force a segue with the word “health”? Also, yes. But here we are, and here is the Healthier 901 Fest, a festival devoted to making Memphis healthier through fitness classes, food trucks with healthy options, fun ways for kids and adults to get active, giveaways, and more. Find out more about the event here

First Tiger Game of the Season
Simmons Bank Liberty Stadium
Saturday, August 31, 11 a.m.-5:30 p.m.
The Tigers will take on the North Alabama Lions. Wooooo! Before kickoff at 6 p.m., the Tiger Tailgate Team will host the annual BBQ Extravaganza with a cocktail bar of Grind City brews, domestics, cocktails, and the drink of the day, The Lion Tamer. The Tiger Walk is at 3:30 p.m. 

WLOK Stone Soul Picnic
The Coronet
Saturday, August 31, noon-7 p.m.
To quote a great writer — not like Mark Twain or Sappho, but I’m sure this quote will end up in one of those books of quotes — so to quote a great writer, my coworker Jon — Jon W. Sparks — I couldn’t tell you what the W stands for, but I’ll tell you what he wrote — “What’s fresh, free, and fun even after 49 years? How about the WLOK Stone Soul Picnic, which has become a Memphis tradition with a mix of gospel tunes and modern R&B. It’s happening Saturday, August 31st, from noon to 7 p.m. at The Coronet (formerly the Memphis Music Room), 5770 Shelby Oaks Drive. It’s nonstop entertainment with giveaways, kids’ activities, and food trucks. Throughout the day, top musical groups will perform, including headliner The Canton Spirituals, an award-winning gospel group that pioneered the mixing of traditional gospel with modern R&B. Read his full article on the event here

UNAPOLOGETIC Presents Nubia Yasin and Eillo Followed by Kid Maestro
Bar DKDC
Friday, August 30, 10 p.m.
To quote Alex Greene from this week’s music column: “You might think you know UNAPOLOGETIC. How could a Memphis music fan not know the likes of Cameron Bethany, AWFM, and PreauXX — or producers like C Major, Kid Maestro, and IMAKEMADBEATS? And yet there’s always more simmering below the collective’s surface than what its public-facing (or face-masking) side reveals. For example, at 10 p.m. this Friday, August 30th, at Bar DKDC, some talent whose faces may seem new to UNAPOLOGETIC fans will top the bill. And yet, paradoxically, they’ve been involved in the organization’s background for years, part of what’s always ‘simmering below the surface’ there.” The artists Alex speaks of are Nubia Yasin and Eillo, and they’ll be performing with Kid Maestro. Cover is $10. 

901 Day
For many places, September 1st is just the first of the month, but for Memphians, it’s 901 Day, the day to celebrate the city. Here’s just a short of what you can do on your 901 Day:

  • 901 Days in the Ravine: Celebrate your city down in the Ravine over three days. On Friday (4-10 p.m.), The Poor and Hungry and Hustle & Flow will be showing in the Ravine. On Saturday (1-10 p.m.) and Sunday (1-7 p.m.), there will be live music by James and the Ultrasounds, DJ James, and Turnstyles. On Sunday (1-7 p.m.), expect a vendor market; music by Church Brothers, Zoe, and Jeff Hulett Band; a Memphis Roller Derby demonstration; and an Opera Memphis pop-up performance. | Memphis Made Brewing Co., Friday, August 30-September 1
  • 901 Fest: Friday’s lineup includes John Nemeth, Terrance Simien, and DJ Witnesse; Saturday’s features Showboats, Lucky 7, Dead Soldiers, and DJ Qemist; and Sunday’s has The Wilkins Sisters, Talibah Safiya, and Marcella Simien. | Railgarten, Friday, August 30-September 1
  • 901 Day on Broad Ave.: Visit shops and businesses on the street throughout the day to see what they’re offering. | Broad Ave., Saturday, August 31 
  • 901 Day: Hosted by the one and only Sydney Neely, featuring headliner Big Boogie, and special guest performances by Kia Shine and Al Kapone, this day will have a youth talent show, Memphis Jookin battle, poetry slam, fashion show, DJ battle, flashmob, live paintings, and so much more. | Beale Street, Sunday, September 1, 10 a.m.-7 p.m.
  • 901 Day at Ghost River Brewery: Celebrate all things Memphis on 901 Day at Ghost River Brewery & Taproom with local brews, live music, art vendors, tattoo artists, and good vibes. | Ghost River Brewing Co., Sunday, September 1, 10:30 a.m.-11 p.m.
  • 901 Day Celebration: Grind City will have drink specials, plus free people and pet caricatures and Memphis-themed music. | Grind City Brewing Company, Sunday, September 1, noon-10 p.m.
  • 901 & Only Get Hitched by the Ditch: Wiseacre hosts four back-to-back wedding ceremonies for 901 Day. | Wiseacre Brewing Company, Sunday, September 1, 1-8 p.m.
  • Turnt 901 Day Celebration | Lamplighter Lounge, Sunday, September 1, 2 p.m.
  • 901 Day Memphis Jookin Warz: See Memphis very best dancers performing live Downtown on Main Street. | Rumba Room Memphis, Sunday, September 1, 6-10 p.m.
  • Open Genre – 901 Day Edition: Celebrate 901 Day as 10-plus DJs showcase their skills and knowledge of Memphis music. | Ugly Art Co., 635 Madison, Sunday, September 1, 6-11:30 p.m.

There’s always something happening in Memphis. See a full calendar of events here.

Submit events here or by emailing calendar@memphisflyer.com.

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News News Blog News Feature

Investigation Urged on State Sen. Brent Taylor’s Online Posts

A West Tennessee prosecutor has requested a state investigation into a Memphis senator for allegedly breaking state law by posting documents online containing a defendant’s personal information, possibly after obtaining it from the Gibson County Sheriff’s Office.

District Attorney General Fred Agee confirmed to the Tennessee Lookout he filed a complaint with the Comptroller’s Office and Tennessee Bureau of Investigation, asking them to investigate whether Sen. Brent Taylor (R-Memphis) put information on X showing a man’s birth date and Social Security number, which would be a Class B misdemeanor accompanied by nearly six months in jail.

Agee, a Republican whose prosecutorial district covers Crockett, Haywood, and Gibson counties, requested the appointment of a pro tem prosecutor to look into the matter. He said the items were posted online for at least 10 hours.

“With all the identity theft that goes on daily, I felt I had a duty to report it and to also ask for a special prosecutor since [Taylor’s] social media post was directed toward me,” Agee told the Lookout.

Taylor responded to questions by text message Tuesday, saying he posted the public record “for the benefit” of constituents and West Tennesseans to show an example of “outrageous plea deals” Agee reaches. He reiterated his claim that Agee and Mulroy are “soft on crime.”

“When I discovered one of the dozens of documents, that have been passed around more than a joint at a Willie Nelson concert, may have possibly contained a Social Security number, I quickly replaced them with newly redacted documents out of an abundance of caution,” Taylor said.

As part of the investigation request, Agee said he asked the state’s investigative agencies to see whether the Gibson County Sheriff’s Office gave the information to Taylor. Separately, Gibson County Sheriff Paul Thomas has been indicted in connection with directing inmate labor to an outside company he owned as part of a $1.4 million scheme.

The situation stems, in part, from an op-ed Agee wrote Aug. 6 for The Daily Memphian supporting Shelby County District Attorney General Steve Mulroy, a Democrat accused of being soft on crime and threatened with an ouster by Taylor and House Speaker Cameron Sexton (R-Crossville). Taylor has said he will file legislation to have Mulroy removed from office during next year’s legislative session.

Taylor posted documents within the last two weeks to paint Agee as a liberal prosecutor by detailing a plea agreement Agee’s office made with Brewston Lamonte Cole, who has been convicted of multiple DUIs, drug possession, firearms possession, violation of the sex offender registry, and violation of probation. Cole was sentenced to 10 years in prison, but that was suspended for probation or supervision by Community Corrections. He had served nearly four months in jail already after having his bond revoked and will receive a harsher sentence if he doesn’t comply with probation requirements.

As part of that post, Taylor put up three Google Drive links containing the plea agreement document that listed Cole’s birthday and Social Security number. The Lookout has obtained screenshots of Taylor posts and those links, which have since been removed, and the documents reposted without the personal information.

The state Comptroller’s Office declined to confirm it has been requested to investigate the matter.

Tennessee Lookout is part of States Newsroom, a nonprofit news network supported by grants and a coalition of donors as a 501c(3) public charity. Tennessee Lookout maintains editorial independence. Contact Editor Holly McCall for questions: info@tennesseelookout.com. Follow Tennessee Lookout on Facebook and X.

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We Recommend We Recommend

Say Amen to the Stone Soul Picnic

What’s fresh, free, and fun even after 49 years? How about the WLOK Stone Soul Picnic, which has become a Memphis tradition with a mix of gospel tunes and modern R&B. It’s happening Saturday, August 31st, from noon to 7 p.m. at The Coronet (formerly the Memphis Music Room), 5770 Shelby Oaks Drive. 

It’s nonstop entertainment with giveaways, kids’ activities, and food trucks. Throughout the day, top musical groups will perform, including headliner The Canton Spirituals, an award-winning gospel group that pioneered the mixing of traditional gospel with modern R&B.

It continues a long tradition that’s even older than the Beale Street Music Festival (born in 1977). It was in 1974 that a couple of staffers at WLOK thought that the station’s listeners would enjoy some music and food. They didn’t know how right they were. They got the King Cotton company to provide some meat, Wonder Bread to bring the buns, and Coca-Cola to supply the beverages in hopes that a couple of hundred people would show up at Martin Luther King Riverside Park. But thousands of people turned out and it’s been going strong ever since.

Art Gilliam acquired the station a couple of years later and kept the picnic going. The station’s music was R&B but has since changed to gospel, but the event remains free and joyous. And WLOK — still under Gilliam’s leadership — remains a community station with not just music but programming that includes, among other topics, civic issues and health information.

Here’s the musical lineup for Saturday:
12:05 p.m. – Deborah Barnes
12:20 p.m. – Memphis Youth Arts Initiative
12:35 p.m. – Memphis Baptist Ministerial Chorus
1 p.m. – Cedric King & Restoration
1:25 p.m. – Tamara Knox
1:45 p.m. – The Mellowtones
2:15 p.m. – Patrick Hollis & United
2:40 p.m. – Vincent Tharp & Kenosis
3:15 p.m. – Roney Strong & the Strong Family
3:50 p.m. – Josh Bracy & Power Anointed
4:25 p.m. – The Sensational Wells Brothers
5 p.m. – The Echoaires
5:35 p.m. – The Canton Spirituals

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Food & Drink Hungry Memphis

Sushi Jimmi Opens Poke Paradise Restaurant

 Jimmy “Sushi Jimmi” Sinh is back with a new restaurant, Poke Paradise, which he owns with his wife May.

The restaurant at 6343 Summer Avenue, Number 110, the former site of Izzy & Adam’s pizza restaurant, opened August 20th.

He will be selling poke bowls, including “Spicy Kimchi Taco,” “Fire Salmon,” “Rainbow,” and “Spicy Ninja.”

Poke, which originally is from Hawaii, was created by fishermen, Sinh says. The dish is made from raw fish, usually tuna and salmon, but other fish can be used as well. Then soy and sesame sauce and “other goodies like seaweed” are added, he says.

Sinh is including his famous sushi rolls, including the special rolls and traditional rolls. The menu also includes sushi burritos, sashimi, nigiri, and a range of appetizers and entrees.

“We brought back fried rice,” Sinh says. “We have Japanese cold noodles. And we have a few more things we’re going to add on once I have enough staff trained. We’ll run some specials on the weekends; depending on what the season is, we’ll match the season we’re in.”

Sinh owned the popular Sushi Jimmi Asian Fusion restaurant at 2895 Poplar Avenue. He closed that restaurant on May 23rd, 2019.

As to why he wanted to open a new restaurant, Sinh says, “I’ve been doing really well with Poke Paradise [food truck] for the past four years, and we’ve done a lot of catering and a lot of private dinners.”

But, he says, “What made us want this restaurant is, it’s more consistent for the customers to enjoy. We’re open all day long and they can walk in anytime they want to order anything they like on the normal menu.”

And people can now find him at one spot. “Instead of trying to follow me around town on the food truck or keep up with my schedule at the shop.”

“It has the perfect amount of space I needed,” he adds. “It’s not too big where I can’t manage it.”

There are “just enough tables” for customers to sit down and enjoy his food, Sinh says.

And he doesn’t need as much staff, but, he says, “I still need a good staff to run the place for me. Starting September is when I’ll get back to being on the road doing my catering and private dinners.”

Customers can still see him at his restaurant, but “a lot of the weekends I will be gone because every year there are the same customers who book me for catering and private dinners.”

His takeout shop at 5310 Crestview Road is now closed. “As for right now, the food truck is not operating because I want to get this restaurant up and going before we even talk about the food truck.”

Poke Paradise “is not a brand-new business. It’s just transitioned to a restaurant. And now that it’s a restaurant, customers can enjoy it more. And they can come in and see me during the weekdays.”

But Sinh might not get out of the kitchen that quickly to greet his fans. “I’m always in the back cooking. And that’s what I have always loved doing.”

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News News Blog News Feature

MATA Board Approves Budget With More Than 200 Layoffs

The Memphis Area Transit Authority’s board of commissioners have unanimously approved a budget that will lead to more than 200 employees being laid off.

During the Tuesday’s monthly board of commissioners meeting, the board approved its budget for Fiscal Year 2025, with the board having requested officials present a balanced budget. In addition to staffing cuts, the budget also affects ridership routes.

Interim CEO Bacarra Mauldin has been vocal about potential changes as the organization worked to address its financial instability. Last week, the organization suspended its trolley service as it worked to scale back spending, since repairing a brake issue proved to be a “costly” expenditure.

“If we were to keep operating the way we’re operating today, our budget would be $85 million,” Mauldin said during a city hall presentation last week. “We have committed to our board that we were going to present a balanced budget. We presented a draft budget of $67 million for FY25.”

MATA board chairman Michael Fulton echoed these sentiments during the meeting, as he recognized these budget cuts as being tough decisions, but necessary for the organization’s future.

The agency has faced difficulties in procuring funding, unable to identify consistent sources. Earlier this month Mauldin said not only had ridership plummeted as a result of the pandemic, but relief funds had also run out.

As a result, the agency opted to streamline staffing and vendor costs. Mauldin said the agency’s debt has been growing due to the increased cost of doing business, decreased ridership, and flat funding. She added that their budget holds have resulted in slower on-time performance.

Last week the organization said that it planned to have the budget approved during Tuesday’s meeting, and to send notices to affected employees today.

“Every affected employee will be notified in the coming weeks and receive support securing alternate employment,” MATA said in a statement. “In addition, vendor contracts have been discontinued and/or dramatically scaled back.”

While these measures have been put in place in order to save the agency, this doesn’t soften the blow for riders and advocacy groups. Sammie Hunter, co-chair of the Memphis Bus Rider Union, urged the board to vote no on the measure as it seemed like the “blame” fell on riders “who had nothing to do with the $60 million deficit.”

“The proposed budget by the MATA administration is an example why Mayor Paul Young should clean house at MATA,” Hunter said in a statement prior to the meeting.

Both the Memphis Bus Rider Union and Citizens for Better Service have long voiced their opposition to these changes. The groups feel that these cuts send the wrong messages to riders and drivers, and that it “sends a message that [the board] is in favor of service cuts and layoffs.”

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Music Music Features

Nubia Yasin and Eillo

You might think you know UNAPOLOGETIC. How could a Memphis music fan not know the likes of Cameron Bethany, AWFM, and PreauXX — or producers like C Major, Kid Maestro, and IMAKEMADBEATS? And yet there’s always more simmering below the collective’s surface than what its public-facing (or face-masking) side reveals. For example, at 10 p.m. this Friday, August 30th, at Bar DKDC, some talent whose faces may seem new to UNAPOLOGETIC fans will top the bill. And yet, paradoxically, they’ve been involved in the organization’s background for years, part of what’s always “simmering below the surface” there. 

Take Nubia Yasin, whose first appearance on an Unapologetic release was in 2019, contributing to the track “Eve & Delilah” on the collective’s showcase album, Stuntarious, Vol. 4. It’s telling that her contribution to that track was, as she notes, “the poem at the end,” a spoken word passage, for that has been what her most public work has been centered on ever since … until now. 

Moreover, her writing has been unflinchingly political, from her poetry to her more overtly activist work, including a stint as “chief storyteller” for the Black arts nonprofit Tone and her 2020 TEDx talk on gentrification. As she told Memphis Magazine in 2021, “Because I’m a Black woman, all the intersections that I exist in don’t allow me to be apolitical.” And her response to politics, and much of the world, has always been through the written word, which “informs everything,” as she said in 2021. “I’m multidisciplinary for sure. I do visual art, I do installation work, I do film, but the writing portion informs all of it. I don’t remember a time when I didn’t know how to read. And I’ve been writing since I had the motor skills to hold a pencil.”

Nubia Yasin (Photo: A.C. Bullard)

And yet, ironically, her writing originally went hand in hand with her voice. “I was actually a songwriter before I was a poet,” she says now, “and I stepped away from singing because somewhere along the journey it just started feeling too audacious. Like, there’s something really bold about opening up and singing. So I stopped doing it when I was in my early teens, and pivoted more towards poetry because I felt more confident in that. It wasn’t until 2022 or 2023 when I worked as IMAKEMADBEATS’ assistant for a year, and I was just surrounded by music all day, every day, that my urge to do it just got bigger than my shame about not being perfect at it.”

Returning to music brought things full circle, in a sense. “When I was a kid, my first dream ever was to be a singer. I did choir, all those things. But I have a pretty unorthodox voice — it’s pretty deep for a woman vocalist. As I got older and deeper, I felt really, really insecure for a really long time about my singing. But over time I got prouder of how different I sound, and now I’m in a place where I’m really excited to share that with the world.”

Working with “MAD,” UNAPOLOGETIC’s founder and key producer, directly informed her return to singing, as the tracks that will be playing under her at Bar DKDC were collaboratively created by the two of them. The final product might surprise casual UNAPOLOGETIC fans, its reference points being more indie rock than hip hop. In truth, the label has always been eclectic, from Aaron James to Cameron Bethany, with many releases trading heavily on the poetry and wit of the lyrics. Yet Yasin follows her own star, her musings flowing over meandering melodies that might suggest The Smiths — if fronted by Nina Simone — or equally unpredictable destinations.

Speaking of long traditions at UNAPOLOGETIC, Eillo first showed up on my radar during my 2018 group interview at their old studio, when IMAKEMADBEATS quipped, “this young guy, 16 years old, he’s actually the son of Quinn McGowan, who is part of Iron Mic Coalition. He’s an intern here, and he’s amazingly talented.” By the following year, he was performing on the Stuntarious, Vol. 4 group project and was even name-checked in that album’s recurring comic book-like narration, where an arch villain decries, “And this child, Eillo, has continued to outwit you!”

Today, Eillo laughs at that moment and the talent who played the villain. “That was my dad on the vocal,” he chuckles. “He would be a super dope voice actor.” 

Over five years later, Eillo is no longer the “child,” having proven himself on countless contributions to recording sessions. In 2021, he was listed, with MAD, as coproducer of “Depression and Redemption” on MAD Songs, Vol. 1. Later, the multi-instrumental parts he brought to Aaron James’ Nobody Really Makes Love Anymore were key elements of that album’s musicality, and his other flourishes, like the jazz piano outro to PreauXX’s “Regret” in 2022, could be breathtaking. 

It all has flowed from Eillo’s fingers, who grew up in a creative, musical world. Not only is his father an especially savvy rapper; he drums and is a comic artist. His recently departed mother, Adrian Liggins, was a self-taught pianist and a well-respected soul singer under the stage name Mahogany. “She was an amazing singer songwriter,” Eillo says of her now, and credits much of his musicality to her support over the years. 

This Friday, that musicality will be on full display as an attraction in its own right. “I want to do all the things that I love about music,” Eillo confides. “So I’m going to be doing some raps, doing some singing, some original songs, and doing some, just, playing — just playing and building a vibe. I’m a huge believer in having the music speak for itself. I’m not the best with words, like talking to people and stuff like that. But when it comes to music, that’s the stuff that I want to speak for me. I guess it’s the purest way I can express myself.”

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Film Features Film/TV

Blink Twice

Have you ever thought, “If I ever get super rich, I’m going to buy my own island. I’ll live there and do as I please.” 

I sure have! Hell, Sartre said, is other people. Why not get away from it all and start a new country where I can do stuff the right way for once? 

But there are two levels of wealth: Fuck You Money, which is enough money to quit my job and never have to work again; and Fuck Everybody Money, which is enough money to create my own reality. The latter may sound nice in theory, but in practice, it tends to drive people insane. The examples are numerous. There’s Henry Ford, the man who perfected mass production, who fell into a psychic morass of anti-Semitic conspiracy theories. Howard Hughes, aviation entrepreneur and Hollywood studio head, lived out his last days as a paranoid obsessive compulsive locked in a Las Vegas penthouse. John McAfee, the cybersecurity pioneer who brought antivirus software to the masses, retreated to an armed compound in Belize where he had sex with whales (consensual, he claimed) before dying while in prison on a murder charge. And then there’s Elon Musk, who is … doing whatever the hell that is. 

Channing Tatum (right) is a billionaire who lures Naomi Ackie (left) and others to his private island.

If it seems like there’s more crazy rich people these days, that’s because there are. In the 21st century, wealth has become more concentrated than at any time since the Gilded Age of the late 19th century. That means more people who can only handle Fuck You Money now have Fuck Everybody Money. And we’re all suffering for it, one Twitter (excuse me, X) post at a time. 

For some people, these oligarchs are more than just annoying. Take the developers at Twitter who lost their jobs because Musk thought he knew better than them and wanted to look like a big man. Or the passengers who imploded with the Titan submersible. Or the girls Jeffrey Epstein trafficked into sex slavery for his well-heeled list of clients and friends. Maybe the right to riches is like the right to bear arms. Packing a pistol for personal protection is one thing; building an atomic bomb in your garage is another. 

These issues are very much on the mind of Zoë Kravitz, writer and director of Blink Twice. Kravitz is an accomplished actress, who gave one of the standout performances in Mad Max: Fury Road and shone in HBO’s Big Little Lies. She started work on her debut film in 2017, at the height of the #MeToo movement and Jeffrey Epstein’s final scandals. There’s a lot of Epstein in Slater King (Channing Tatum), the tech magnate whose largely undefined business has made him Fuck Everybody Money. 

When we first meet Frida (Naomi Ackie), she’s cyberstalking King in the place where most cyberstalking occurs: on the toilet. The news clips and videos she scrolls through claim that Slater has been rehabilitated from whatever horrible scandal he was implicated in and has found himself through therapy. That’s enough for Frida, who, with her roommate Jess (Alia Shawkat), is working the King Foundation banquet that night as a cater waiter. Last year, he made eye contact with her, so this year, maybe she can get some more personal attention from the billionaire. Frida and Jess smuggle in some cocktail dresses to change into, in an attempt to get into the more exclusive parts of the party. Lo and behold, it works! Frida hits it off with Slater, and Jess catches the attention of his friend Vic (Christian Slater). The night goes so well, Slater invites them to a long weekend on his private island, all expenses paid. No need to return to your apartment for your toothbrush, he’s got everything you’ll need. 

Slater’s island lives up to the hype. Free clothes, free perfume, champagne brunch every day, and a virtual buffet of drugs. The partygoers include Cody (Simon Rex), the chef; Sarah (Adria Arjona), star of the reality show Hot Survivor Babes; Stacy (Geena Davis), Slater’s fixer; Heather (Trew Mullen), who rolls fat blunts; and Rich (Kyle MacLachlan), Slater’s therapist. After a couple of days of partying, the girls fall into a party haze brought on by Slater’s proprietary mix of psilocybin and MDMA. The only downside is that the island is infested with venomous snakes. That feeling of dreadful foreboding is probably just the paranoia from all the bud. 

Or maybe not. One morning, Jess disappears, and no one but Frida seems to remember she was even there. Sarah doesn’t remember where she got those bruises. Even Lucas (Levon Hawke), the cryptocurrency himbo, is waking up with unexplained black eyes. Frida has to figure out what’s going on, and how to save herself, between snake venom shooters and bright blue skin-care masks. 

Kravitz gets a lot right in her directorial debut. Her cast is relaxed and having fun. It’s always good to see Geena Davis working, and who can fault a movie where Haley Joel Osment gets a penis drawn on his forehead in sharpie? Kravitz has been watching Jordan Peele’s high-concept horrors, and while Blink Twice lacks the crystalline perfection of Get Out, it learns all the right lessons. Kravitz’ stylish visuals, sly humor, and satirical sense hold much promise for her filmmaking future. I’m excited to see what she does next. 

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WE SAW YOU: “Meet the Artists” at Palladio

More art is in the eyes of the beholders, thanks to Cynthia Ham.

Ham, who became the new owner of Palladio last December, instituted monthly shows featuring local artists. She opened her first exhibit, which will be on view through August, with a “Meet the Artists” reception, held August 15th at Palladio Interiors & Garden at 2215 Central Avenue (at South Cox). This month’s artists are Jay Crum, Kong Wee Pang, Carl E. Moore, and Amy Hutcheson. “They were the first four to be shown since I took over,” Ham says. “And I plan to have other shows featuring high-quality Memphis artists.”

As far as she knows, this hasn’t been done previously at Palladio, says Ham. “This, to my knowledge, is a new approach of featuring artists.

“I am going to use some work from the show to keep on hand in case anybody wants to look at their work when they come in,” she adds. “Even though the show itself is coming down, we’ll have at least two pieces of their work there on a longer term.” 

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Food & Wine Food & Drink

Sufi’s Mediterranean Grill & Bar

What makes Sufi’s Mediterranean Grill & Bar different?

For one thing, in addition to Mediterranean food, Sufi’s also sells Persian food.

And, as far as I know, it’s the only Memphis (or maybe anywhere else) restaurant making and serving rose-flavored and saffron-flavored ice cream.

They also serve fabulous Shawarma Nachos. I don’t know anybody else doing this.

What’s more, they feature live belly dance shows from 6:30 to 7:30 p.m. every Friday and Saturday.

I recently visited the beautiful, comfortable restaurant, with a wonderful, spacious front porch seating area, owned by Rabiya and her husband Sardar Fahad Ali Khan, as well as Rafiq Devji and Badruddin Kheraj, at 7609 Poplar Pike in Germantown. I tried an array of appetizers, entrees, and, of course, the desserts, which I couldn’t get enough of.

Aditya Uppalapati, Shreya Challa, and Nitish Manthri

And I got to meet their children, Sardar Adam Ali Khan, 7, an aspiring soccer player, and Alizay Fahad Ali Khan, 10, an aspiring lawyer.

Rabiya was born in Dubai and Ali was born and raised in Pakistan, which is where they met. In 2017, they moved to Memphis, where Ali has family. Ali became an investor in gas stations and liquor stores.

After Rabiya began hosting parties featuring her cuisine for groups of sometimes 300 people, including business and family friends, Ali said they should open a restaurant.

Sufi’s Special Mix Grill

Their business partners, Devji and Kheraj, have more than five decades of experience in the restaurant and retail industries in multiple states and overseas, Rabiya says. 

They bought the Casablanca restaurant, which was at the current location, then changed the name to Sufi’s two years later. “Sufi” is a mystical, spiritual word that means “bringing all types of people, races, and religions together,” Rabiya says.

She and Ali enjoy traveling. “Traveling to 16, 17 countries around the world, you do get a taste of a lot of different cuisines. And you do get an idea of what people are looking for.”

Carpet cocktail

They decided to add some Persian dishes to their extensive menu because they didn’t know of any other place in Memphis selling that type of food. Persian food includes ingredients that “are famous in all the areas of the Mediterranean region.” These include sumac, za’atar, turmeric, saffron, and yogurt.

Their Persian dishes include Mirza Ghasemi, a dip made of roasted eggplant and tomatoes. They also serve Persian koobideh dishes, including “Sufi’s Koobideh Chicken” and “Sufi’s Koobideh Beef,” both served with saffron and rice.

Describing what makes it “koobideh,” Ali says, “We grind the meat and marinate it. When you hit the meat with a hammer, it’s a different kind of grinding, not the machine grinding.”

“We marinate it with onion, parsley, and different Mediterranean spices,” Rabiya adds. “And then we put it on these metal skewers and chill it in the cooler for five or six hours before it’s ready be cooked and served.”

Then there’s my favorite: the Persian ice cream sandwiches, which Rabiya says she and Ali created. “We make those two different types of ice cream in house: saffron and rose,” she says. 

“Rose petals are an integral part of Persian cuisine and part of the Persian culture as well.” 

The rose ice cream is “slightly on the sweet side. It’s as good as having a dried rose.”

Both ice creams are “basically threads of flavors,” she says. “We extract the rose petal and then fuse it in our ice cream. And these are edible rose flowers. Saffron, on the other hand, is also a spice that comes from a flower. And in order to enhance its flavor, we dip it in milk for some time and then use the saffron flowers in our ice cream base.”

Instead of cookies, the ice cream is sandwiched between two wafers.

We began the meal with the “Sufi’s Mezze” appetizer. The large one. It features hummus, baba ganoush, falafel, grape leaves, and tabbouleh with pita. 

The nachos, another Khan creation, include nacho chips made in house with veggies, cheese, sour cream, and choice of meat. I could make a meal out of this. It’s incredibly delicious.

For the entree, we had the “Sufi’s Special Mix Grill,” which includes chicken and lamb kebabs, as well as chicken and beef koobideh. 

This lavish dish serves two, Rabiya says, but I think you can squeeze in at least another person.

It’s served with rice, hummus, vegetables, naan, and, as the menu states, “our fiery sauce.” I tried the sauce and it is fiery. They make all their sauces, including mild and garlic sauce.

Sufi’s also features fusion dishes, including the Mediterranean Pizza and the Chicken Alfredo. “It doesn’t taste like traditional food,” Ali says.

Their house-made cocktails include Rabiya’s favorite, “Red Carpet, which is made with Pearl pomegranate vodka and Stirrings pomegranate liqueur.”

The Khans introduced people to Persian food by giving out samples, Rabiya says. They got the word out “slowly and steadily with word of mouth. And people started talking about it.”

They “did a lot of marketing” on Google, Facebook, and Instagram.”

And the couple did cocktail hours, where they also served food. “People got familiar with new items that they enjoyed. Their taste buds loved it. Everybody loved it. It was a win-win for everybody.”

They’ve catered corporate events for businesses, including FedEx, and hospitals. “And now we have a party hall located in the same building upstairs. People can host events: birthdays, wedding receptions, graduation parties.”

The Khans have made a lot of new friends with their restaurant customers. “We see them,” Rabiya says. “We’re happy. We dine with them. They invite us to the table to sit and talk.”

And, as Ali says, people who come to Sufi’s Mediterranean Grill & Bar have “found the hidden gem.”