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Questions Surround Musk’s xAI Plans

(This story was originally published by The Institute for Public Service Reporting Memphis.)

Is Memphis moving too fast in its negotiations with Elon Musk?

The question troubles environmentalists like Sarah Houston as Musk fast-tracks plans to open an energy-intensive xAI supercomputer here later this summer.

“Data centers like this come with a lot of questions,’’ said Houston, executive director of the nonprofit group Protect Our Aquifer. Houston and others are concerned about xAI’s impact on Memphis’ resources.

The artificial intelligence plant already under development in southwest Memphis will require enough electricity to power 100,000 homes and consume up to 1.5 million gallons of water a day to cool equipment.

Negotiations between Musk, the Greater Memphis Chamber, and city-owned Memphis Light, Gas & Water have moved swiftly and behind closed doors since the tech billionaire and his team first approached local officials in March.

Supporters view xAI as a catalyst for Memphis to become a technology hub that could infuse hundreds of new jobs and millions of investment dollars into the local economy. That includes the potential for other Musk-owned businesses to set up shop here.

But a litany of questions has unfolded about xAI’s energy use and environmental impact since negotiations became public last month. In response, Musk’s swiftly evolving plans have incorporated measures to allay those concerns.

Among them is a plan to build a 150-megawatt substation to reduce the chance of any future power brownouts or blackouts. Talks also are underway to build a gray water facility that would use treated wastewater rather than precious drinking water to cool xAI’s equipment.

Still, critics say the discussions spearheaded by the chamber and MLGW are proceeding with too little public input.

“This is a terrible idea for Memphis. MLGW’s CEO is not elected, and neither is anybody in the Chamber of Commerce last time I checked,” said state Rep. Justin J. Pearson, D-Memphis, whose district includes the industrial swath of land where xAI is located. “It’d be really wonderful if people who are unelected did start to talk to people who are elected to represent the communities that they’re seeking to do business in, because they would have heard from our community that we don’t want this.”

Environmentalists urge caution. They point to Texas, where two Musk-founded companies received wide criticism in 2022 for proposing to dump treated wastewater into Texas’ Colorado River.

“It’s just like, they need to be forced to do the right thing,’’ said Chap Ambrose, a Texas computer programmer and environmental activist who lives next door to two Musk-owned companies, SpaceX and Boring.

Knoxville-based activist Stephen Smith, who is no fan of Musk, says he sees a huge opportunity for Memphis if it takes the time to carefully structure this deal. That includes holding Musk, best known for development of Tesla electric vehicles and rocket manufacturer SpaceX, accountable to the public.

“The negatives could very well turn into positives,’’ said Smith, executive director of the Southern Alliance for Clean Energy.

Water concerns

Water falling at Sheahan Water Pumping Station in December 2023.   (Karen Pulfer Focht)
Water falling at Sheahan Water Pumping Station in December 2023.  (Karen Pulfer Focht)

The announcement of xAi immediately triggered concerns about Memphis’ drinking water — sourced directly from the Memphis Sand Aquifer, which contains some 57 trillion gallons of millennia old, pristine water, a point of civic pride and the envy of many other cities.

There’s little chance of depleting that.

Even if xAI requires 1.5 million gallons of water a day — MLGW’s highest estimate —that would add only 1% to the city’s total daily draw on the aquifer.

“I’m not concerned with the quantity, I’m concerned with the quality,’’ said Daniel Larson, director of the University of Memphis’ Center for Applied Earth Science and Engineering Research or CAESER. 

Larson and others say a more realistic concern is that xAI’s demand for water could accelerate contamination of the Memphis Sand Aquifer.

The proposed xAI center would draw water from the Davis Wellfield in southwest Memphis, an industrial area that includes TVA’s Allen power plant and the city’s wastewater treatment plant.

CAESER studies have found large quantities of arsenic in the shallow aquifer above the Davis Wellfield. Studies also have identified cracks or breaches in the thick layer of clay separating the shallow and larger Memphis Sand aquifers.

“With an increased demand of one million or 1.3 million gallons of draw down, the question becomes what happens to the known contaminates just above our drinking water, like arsenic?’’ said Protect Our Aquifer’s Houston.

The greater risk of contamination could be alleviated by development of a gray water system that would use treated wastewater, rather than water from the aquifer, to cool xAI’s equipment.

MLGW is developing plans to build a gray water treatment facility to serve xAI and other industrial customers. Musk and his team are considering building their own gray water system, possibly by January, according to The Daily Memphian.

Amanda Garcia, a lead attorney with the Southern Environmental Law Center, remains skeptical. “I’m concerned about a lack of commitment on the part of xAI in their use of reclaimed water,” she said. “We’ve seen other industrial users come in and say, ‘Oh, we’re going to use reclaimed water,’ and then back out of that commitment.”

Deficient Community Outreach

The former Electrolux plant at 3231 Paul R. Lowry Road where Musk is developing his xAI “gigafactory of compute”.   (Karen Pulfer Focht)
The former Electrolux plant at 3231 Paul R. Lowry Road where Musk is developing his xAI “gigafactory of compute”.  (Karen Pulfer Focht)

Garcia’s concerns highlight a disconnect between xAI and the larger Memphis public. Companies that move to Memphis often forgo direct communication with neighborhoods surrounding their operations, and xAI is no exception.

To date, representatives with xAI have not held any townhall-style meetings with their neighboring communities. Media also cannot reach xAI directly. The company told the Memphis Chamber of Commerce that reporters can post their questions on X.

No representative responded to the Institute for Public Service’s questions posted on the public social media platform.

The lack of direct access means Memphians must learn about xAI through MLGW updates or an anonymous source that works exclusively with The Daily Memphian, which posts many of their xAI updates behind a paywall.

Houston said it would be up to organizations like Protect Our Aquifer to sustain pressure on xAI and Memphis officials to “keep the community informed and engaged on how we can truly ensure that this company follows through on a lot of really great things they said in the media. Because that’s not the track record the ownership (of xAI) has shown in the past.”

State Rep. Justin J. Pearson in southwest Memphis in March 2023.  (Karen Pulfer Focht)
State Rep. Justin J. Pearson in southwest Memphis in March 2023. (Karen Pulfer Focht)

State representative Pearson says Musk can’t be trusted. He’s equally skeptical of local decision-makers securing the xAI deal, saying they haven’t given residents of Southwest Memphis — an area already disproportionately burdened by industrial pollutants — much thought. 

“Our resources are continuously extracted for the benefit of companies. And our community is not feeling any of those benefits,” Pearson said.

Checkered record

Critics’ concerns include the checkered environmental history of Musk companies in other parts of the country.

Business Insider reported earlier this year that Tesla’s “gigafactory” in Austin took advantage of a new Texas law that allowed the company to exempt itself from the city’s environmental regulations. While Musk promised an “ecological paradise” when Tesla first moved to town, the company appears to be free to skirt regulations meant to ensure one.

Two other Musk-founded companies received an outpouring of criticism last year for attempting to dump treated wastewater into Texas’ Colorado River, which flows southeast through the state, into the Gulf of Mexico, and is separate from the Colorado River that drains the southwestern United States.

When Chap Ambrose, a computer programmer, watched The Boring Company slowly come to life in the cow pasture across the way from his house in the rural countryside east of Austin, he was initially excited. 

He was a fan of Musk. He signed up for the yet-to-be released Cyber Truck and subscribed to the Musk-founded Starlink internet service. That was in 2021.  

Today, Ambrose serves as an informal watchdog over The Boring Company. The company specializes in building underground tunnel infrastructure meant to alleviate surface-level traffic, among other functions. 

Ambrose and some of his neighbors took issue with The Boring Company and another nearby, Musk-founded company, Space Exploration Technologies Corp., attempting to dump treated wastewater in the Texas Colorado River.

The Boring Company had applied for a permit to treat wastewater and release it onto its land or into the river, the Washington Post reported. The firm planned to build its own wastewater treatment plant without connecting to a treatment system run by the nearby city of Bastrop, The Post reported. Under public pressure it reportedly later dropped the plan and agreed to connect to the city system.

Monitoring the two companies is tedious, Ambrose said. “(It) continues to be an exercise of documenting and learning how these things work and how the regulations are split up across half a dozen different agencies. [You learn] who you have to talk to, where and what they care about, and what other people care about,” he said.

Following a series of complaints, the company received its first fine earlier this year from the Texas Commission on Environmental Quality, just under $12,000 for ineffective erosion control at construction sites and illegal dumping of storm water. 

Ambrose’s advice for Memphians concerned about xAI’s potential impacts in Southwest Memphis is simple. 

“Learn what will be cheap and easy for xAI, and what regulations stand in the way,” said Ambrose. “That will give you a start.”

Megapacks

Doug McGowen, president and CEO of MLGW, told members of the Memphis City Council on July 9 that xAI plans to build a 150 megawatt substation.

McGowen’s update included another way that xAI would impact Memphis’ occasionally strained power grid: Megapacks — a proprietary development by Tesla. Megapacks are shipping container-sized battery packs.

The Tesla dealership on Germantown Parkway near Wolfchase Galleria  (Marc Perrusquia)
The Tesla dealership on Germantown Parkway near Wolfchase Galleria (Marc Perrusquia)

The Southern Alliance for Clean Energy’s Smith said the use of Megapacks would ease concerns about the need for brownouts.

“With the battery packs, they have developed this software that seamlessly integrates into the electric grid. You can charge those battery packs up at night or off-peak times, and then you can deploy them over an extended period of time during peak,” Smith said.

Megapacks  could significantly reduce the strain on MLGW’s  system during times of peak demand. And, from Smith’s view, a commitment from xAI to enhance the power grid’s capabilities could ultimately help MLGW break up with the Tennessee Valley Authority, which would be the biggest benefit possible with xAI, he said.

For myriad reasons, Smith has long advocated for MLGW to leave TVA. TVA produces the electricity that MLGW buys and distributes. Smith says  TVA is the biggest obstacle to investing in renewable sources of energy in the southeast region.

“xAI has the potential to breakthrough a lot of antiquated thinking,’’ Smith said.

“If the mayor, if Doug McGowen, if city council say, ‘Welcome to our community. Yes, we want you to figure out a way for it to work for both on the water and the energy side and be a sustainable leader. But we also want to partner with you to think bigger about what is possible in Memphis.’” 

On July 22, Musk posted on X the xAI supercomputer powered up, and training with supporting employees had begun.

Categories
Music Music Blog

Remembering Guitarist Sturgis Nikides

On Sunday, July 14th, the Premiere Palace hosted a memorial service for the late Sturgis Nikides, best known locally as the virtuoso blues guitarist in the Low Society, who passed away last April. Gone far too young, he managed to pack several lifetimes of experience into his 66 years, growing up in Brooklyn, New Jersey, and Staten Island, then ultimately falling in with Manhattan’s alternative music scene. Those familiar with the film Who Killed Nancy?, about Sid Vicious and Nancy Spungen, may recall Nikides’ on-camera recollections of his days living in the Chelsea Hotel on the same floor as Vicious in 1978, including the night of Spungen’s murder.

During that era, by the time he was only 19, Nikides distinguished himself as a guitarist for John Cale, who’d long moved on to a solo career after his time with the Velvet Underground. At last Sunday’s memorial, that era of Nikides’ life was well-represented by the singer-songwriter deerfrance, who played a short set with a band that included her bassist Kai Eric (erstwhile member of Tav Falco’s Panther Burns) and two local players (Lynn Greer on drums and myself on guitar and keyboards).

During the set, deerfrance spoke wistfully of getting to know Nikides when they both played in Cale’s band from 1979-1981. Indeed, the guitarist was nicknamed “Hellcat” in the credits to Cale’s 1981 album, Honi Soit. That album was Cale’s greatest commercial success, making it into the Billboard 200 that year.

Yet the bulk of those in attendance were Nikides’ Memphis fans and friends, who were most familiar with Low Society, the dynamic band he and his wife Mandy Lemons formed in 2009. Jeff Janovetz, DJ for the online Radio Memphis, gave a heartfelt remembrance of his encounters with Nikides, followed by Brad Dunn, who recalled the power of hearing Low Society for the first time and his efforts to book the band at American Recording Studio. This ultimately led to the band’s second album, released by Icehouse Records/Select-O-Hits in 2014, You Can’t Keep a Good Woman Down.

Mandy Lemons and Sturgis Nikides perform as Low Society at the 2018 Western Maryland Blues Festival. (Photo: Alan Grossman)

That made it all the more powerful when Lemons joined deerfrance’s band for a passionate rendition of Tom Waits’ “Way Down in the Hole.” In what was clearly a cathartic moment for the singer, she had the audience spellbound. Afterwards, I caught up with Lemons to learn more of her and her husband’s story.

Memphis Flyer: How did you and Sturgis meet?

Mandy Lemons: It was in October of 2008, in New York. A good friend of mine had known Sturgis for thirty years or so, and he was already trying to hook us up musically. Like, ‘Oh, you need to meet this guitar player!’ and telling him, ‘You need to meet this singer!’ So he had a party at his house and we met and I was just like, swept away immediately. But I had to play it cool for a while. You know what I mean? He had no idea that I was that in love with him! Then, after playing music for a year, we got to know each other and became friends. And then we dated for a year, and then we got married.

How did you two wind up in Memphis?

We had our first European tour at the end of 2012. And after that, I wanted to go down south and roll around a little bit, you know, and take him down there and get into Texas blues. Everyone’s a badass down there, you know, and I’m originally from Houston. So we went down to Texas and kicked around for like four months, but we just couldn’t find a place to live, we couldn’t find a good drummer or bass player. And then we played the Juke Joint Festival [in Clarksdale, Mississippi], as a duo.

My friend, who was kind of like our patron at the time, said, ‘You know, Memphis is right around the corner. You guys should go check it out.’ And we were like, ‘Oh, we didn’t think about that. Really?’ So he put us up for a week here, in an AirBnB, and everything just went right. So we got our stuff in Texas and came back here and have been in the same apartment ever since.

And you connected with the scene here rather quickly, it seems.

On our first night here, we saw Earl the Pearl play at Huey’s. And we were just like, ‘What?’ Like, ‘We’re home. We’re in the right place.’ And the next night, there was an open blues jam at Kudzu’s. So we went over there, and of course they made us wait till the very last, because we looked like a couple of New York freaks, which is what we are! They were like, ‘These people are either gonna really suck or they’re going to be great.’ So we did our best, and everyone loved it. People came up to shake Sturgis’ hand immediately. Me and Dr. Herman Green connected, and we played on Beale Street the next night, which had been a dream of mine since I was 12. And I just was blown away.

Low Society was so well regarded after that point, and many fondly recall your residency at the fabled Buccaneer Lounge back in the day. You made your second album at American Recording, and released a third album as well. Are there any unreleased tracks by Low Society that you were working on while Sturgis’ health was failing?

Well, you know, he started having health issues when Covid started, and had open heart surgery last summer, and that’s when it started getting scary serious. Then he got this crazy, aggressive, super fast cancer that killed him in two months.

So that was on and off for the last four years. He would get better and then something else would happen. But in the good times, when he was feeling good, he definitely was playing guitar. I mean, it’s like being an athlete. You have to give back, because if you don’t consistently use it, you lose it. So he was practicing, and we had our fourth album in the works. He was producing that and mixing it and putting in his magic sauce and overdubs and all that stuff. And he finally finished it just a few months ago, and he said, ‘That’s it! It’s finished.’

All I’ve got to do is lay some vocals down and get it mastered and distributed and all that stuff.

Was it also cut at American Recording?

No, actually, we recorded all of it in Belgium. Our drummer and bass player live there. But it’s been like five years, since 2019, since Sturgis and I played a show. So thank you guys so much for having me up there [at the memorial] and allowing me to sing with y’all. That was really cool and very much needed. It’s been a long time. But…there’s more where that came from.

Categories
Film Features Film/TV

Music Video Monday: “Bury My Problems” by Juicy J

Memphis hip hop godfather and secret engine of American popular culture Juicy J has a new album called Memphis Zoo. It’s not about the place in Overton Park where they keep the lions. It’s about the eclectic cast of characters who populate our fair, but often troubled, city.

The single “Bury My Problems” sees the rapper/producer/mogul in an unusually reflective mood. He’s talking about the stress of living in a neighborhood that feels under constant assault from both within and without. He’s also saying that money and success don’t solve your problems like you think they will. As one YouTube commenter put it, “Juicy J making bangers off of mental health problems.”

The music video, directed by Juicy with an assist from Jack Rotier and visual effects by blindcapvision, is kind of a masterpiece. For the first part of the song, Juicy’s in a 3D animated world of cars, money, and jookin’, straight out of the classic Rick James playbook. Then, he deliberately undercuts the glossy gangster life glow-up by revealing the green screen studio and returning the Mercedes to the rental house. The visual is taking you behind the scenes, at the same time the lyrics are revealing vulnerability. It’s a masterclass of form following function. Take a look.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

Categories
Intermission Impossible Theater

Ostrander Nominees Announced

Nominees for the 40th Memphis Ostrander Awards were announced Sunday setting the stage for the annual gala honoring excellence in local theatrical productions. The event will happen Monday, August 26th, at the Orpheum.

In making the announcement, Ostranders executive director Elizabeth Perkins said, “The goal of the Ostrander Awards is to create an unforgettable evening that both applauds this vibrant cornerstone of our arts community and allows theater lovers and newcomers alike equitable access to the best of the best of local theater at all levels.”

Awards are given in a range of categories including acting, directing, and backstage contributions in the college, community, and professional divisions. The awards ceremony includes live performances of musical numbers from eight nominees for Outstanding Overall Production. 

It was previously announced that Michael Detroit, executive producer of Playhouse on the Square, would receive the Eugart Yerian Lifetime Achievement Award. Read the Memphis Flyer story here.

Tickets go on sale August 1st and are $15 in advance and $20 at the door. The show begins at 6:30 p.m. For more information or ticket info, go here.

Ruby O’Gray, recipient of the Eugart Yerian Award at the 2023 Ostranders (Photo: Jon W. Sparks)

2024 OSTRANDER AWARD NOMINEES

Props Design, Div II

  • Clare Kelly, Into the Woods, University of Memphis
  • Jane Parks, Out in the Woods: FOG Fairy Tales, Friends of George’s
  • Mary Thomas Hattier, 9 to 5, Harrell Theatre
  • Molly O’Connor, Amelie, Rhodes Theatre Guild
  • Til Death, Three Diamonds Productions

Props Design, Div I Play          

  • Iza Bateman, The Hot Wing King, Circuit Playhouse
  • Iza Bateman, The Lehman Trilogy, Circuit Playhouse
  • Iza Bateman, Fat Ham, Circuit Playhouse
  • Jack Netzel-Yates, Blithe Spirit, Theatre Memphis
  • Jack Netzel-Yates, Steel Magnolias, Theatre Memphis

Props Design, Div I Musical                    

  • Iza Bateman, Catch Me If You Can, Playhouse on the Square
  • Jack Netzel-Yates, Beautiful: The Carole King Musical, Theatre Memphis
  • Jack Netzel-Yates, Cinderella, Theatre Memphis
  • Jack Netzel-Yates, Sister Act, Theatre Memphis
  • The Color Purple, Hattiloo Theatre

Scenic Design, Div II                   

  • Abbie Seale, Amelie, Rhodes Theatre Guild
  • Chris Luter & Richard Logston, 9 to 5, Harrell Theatre
  • Clare Kelly, Into the Woods, University of Memphis
  • Sandy Kozik, Out in the Woods: FOG Fairy Tales, Friends of George’s
  • The Wasp, Quark Theatre

Scenic Design, Div I Play         

  • Andrew Mannion, The Hot Wing King, Circuit Playhouse
  • J. David Galloway, The Lehman Trilogy, Circuit Playhouse
  • Jack Netzel-Yates, Silent Sky, Next Stage, Theatre Memphis
  • Jack Netzel-Yates, Steel Magnolias, Theatre Memphis
  • Jack Netzel-Yates, The Crucible, Next Stage, Theatre Memphis

Scenic Design, Div I Musical                   

  • Jack Netzel-Yates, Beautiful: The Carole King Musical, Theatre Memphis
  • Jack Netzel-Yates, Cinderella, Theatre Memphis
  • Jack Netzel-Yates, Sister Act, Theatre Memphis
  • Melanie Mulder, The Color Purple, Hattiloo Theatre
  • Tim McMath, Your Arms Too Short to Box With God, Playhouse on the Square

Lighting Design, Div II              

  • Becky Caspersen, 9 to 5, Harrell Theatre
  • Chris Hanian, Into the Woods, University of Memphis
  • Joshua Williams, Silent Sky, University of Memphis
  • Melissa Andrews, Amelie, Rhodes Theatre Guild
  • Olivia Johnson, Out in the Woods: FOG Fairy Tales, Friends of George’s

Lighting Design, Div I Play    

  • Jeremy Fisher, A Monster Calls, New Moon
  • Megan Christoferson, The Hot Wing King, Circuit Playhouse
  • Nicole Northington, Silent Sky, Next Stage, Theatre Memphis
  • Nicole Northington, The Crucible, Next Stage, Theatre Memphis
  • Rachel Lauren, The Lehman Trilogy, Circuit Playhouse

Lighting Design, Div I Musical              

  • Fallon Williams, The Color Purple, Hattiloo Theatre
  • Nicole Northington, Beautiful: The Carole King Musical, Theatre Memphis
  • Nicole Northington, Cinderella, Theatre Memphis
  • Nicole Northington, Sister Act, Theatre Memphis
  • Terry Eikleberry, Your Arms Too Short to Box With God, Playhouse on the Square

Sound Design, Div II                   

  • Rowan Sullivan, Into the Woods, University of Memphis
  • Ty Phillips, Drag Boat, Friends of George’s
  • Ty Phillips, Out in the Woods: FOG Fairy Tales, Friends of George’s
  • Walker Higgins, 9 to 5, Harrell Theatre
  • The Wasp, Quark Theatre

Sound Design, Div I Play         

  • Jason Eschhofen, The Crucible, Next Stage, Theatre Memphis
  • Jason Eschhofen and Jenny Giering, Silent Sky, Next Stage, Theatre Memphis
  • Joe Johnson, A Monster Calls, New Moon Theatre
  • Josh Crawford, The Lehman Trilogy, Circuit Playhouse
  • Marques W. Brown, Matthew “MB” Russell & Dylan Wheeler, The Curious Incident of the Dog in the Night-Time, Germantown Community Theatre

Sound Design, Div I Musical                   

  • Cydnie Trice, The Color Purple, Hattiloo Theatre
  • Gene Elliott, Reefer Madness, New Moon Theatre
  • Jason Eschhofen, Cinderella, Theatre Memphis
  • Joshua Crawford, Your Arms Too Short to Box With God, Playhouse on the Square
  • Reyn Lehman, Beautiful: The Carole King Musical, Theatre Memphis

Hair/Wig/Makeup Design, Div II      

  • Blake Galtelli-Meek, Into the Woods, University of Memphis
  • Eula Ashbee, 9 to 5, Harrell Theatre
  • Friends of George’s, Out in the Woods: FOG Fairy Tales, Friends of George’s
  • Friends of George’s, Drag Boat, Friends of George’s
  • The Wasp, Quark Theatre

Hair, Wig, & Makeup Design, Div I Play         

  • Barbara Sanders, Blithe Spirit, Theatre Memphis
  • Buddy Hart, Steel Magnolias, Theatre Memphis
  • Kaylyn Nichols, Dracula: The Bloody Truth, Germantown Community Theatre
  • Silent Sky, Next Stage, Theatre Memphis
  • The Crucible, Next Stage, Theatre Memphis

Hair, Wig, & Makeup Design, Div I Musical                   

  • Buddy Hart, Cinderella, Theatre Memphis
  • Ellen Ring & Rence Phillips, Beautiful: The Carole King Musical, Theatre Memphis
  • Blues in the Night, Hattiloo Theatre
  • The Color Purple, Hattiloo Theatre

Costume Design, Div II             

  • Eula Ashbee, 9 to 5, Harrell Theatre
  • Friends of George’s, Out in the Woods: FOG Fairy Tales, Friends of George’s
  • Friends of George’s, Drag Boat, Friends of George’s
  • Randall Newman Jones, Into the Woods, University of Memphis
  • The Wasp, Quark Theatre

Costume Design, Div I Play   

  • Allison White, Blithe Spirit, Theatre Memphis
  • Amie Eoff, Silent Sky, Next Stage, Theatre Memphis
  • Amie Eoff, The Crucible, Next Stage, Theatre Memphis
  • Ashley Whitten Kopera, The Squirrels, New Moon Theatre
  • Marsena Sellers, Father Comes Home From the Wars, Hattiloo Theatre

Costume Design, Div I Musical             

  • Amie Eoff, Beautiful: The Carole King Musical, Theatre Memphis
  • Amie Eoff, Cinderella, Theatre Memphis
  • J. Faye Manselle, Your Arms Too Short to Box With God, Playhouse on the Square
  • Marsena Sellers, Blues in the Night, Hattiloo Theatre
  • Marsena Sellers, The Color Purple, Hattiloo Theatre

Music Direction, Div II              

  • Matthew Morrison, 9 to 5, Harrell Theatre
  • Nathan Thomas, Into the Woods, University of Memphis
  • Tamatha Holt, Amelie, Rhodes Theatre Guild

Music Direction, Div I Play    

  • Ashley K. Davis, Father Comes Home from the Wars, Hattiloo Theatre
  • Ashley K. Davis, Take the Soul Train to Christmas, Hattiloo Theatre
  • Gary Beard, Master Class, Next Stage, Theatre Memphis

Music Direction, Div I Musical             

  • Ashley Davis, Blues in the Night, Hattiloo Theatre
  • Jason Eschhofen, Beautiful: The Carole King Musical, Theatre Memphis
  • Jeffery Brewer, Cinderella, Theatre Memphis
  • Tamatha Holt, The Color Purple, Hattiloo Theatre
  • Tammy Holt, Your Arms Too Short to Box With God, Playhouse on the Square

Choreography, Div II                  

  • Austin Wall, Into the Woods, University of Memphis
  • Joy Fairfield, Amelie, Rhodes Theatre Guild
  • Kathy Thiele, 9 to 5, Harrell Theatre
  • Kathy Thiele, Elf: The Musical, Harrell Theatre

Choreography, Div I Play       

  • Hunter Steel and Austin Wall, Dracula: The Bloody Truth, Germantown Community Theatre
  • Max Robinson, The Crucible, Next Stage, Theatre Memphis
  • Terran Gary, Take the Soul Train to Christmas, Hattiloo Theatre
  • Whitney Branan and Courtney Oliver, A Monster Calls, New Moon Theatre

Choreography, Div I Musical                 

  • Christi Gray Hall, Beautiful: The Carole King Musical, Theatre Memphis
  • Courtney Oliver, Sister Act, Theatre Memphis
  • Emma Crystal and Noelia Warnette-Jones, Your Arms Too Short to Box With God, Playhouse on the Square
  • Patdro Harris, The Color Purple, Hattiloo Theatre
  • Travis Bradley and Jordan Nichols, Cinderella, Theatre Memphis

Featured Performer, Div II  Play        

  • Cary Vaughn, The Western Park Album, Emerald Theatre Company
  • Dabrell Thompson, Til Death, Three Diamonds Productions
  • Hal Harmon, 6th Annual I0 Minute Play Festival, Emerald Theatre Company
  • Jeffery Taylor, Things Lost in the Fire, True Believers Productions
  • Marisa Schultz, Fools, Rhodes Theatre Guild

Featured Performer, Div I Play           

  • Fatima L. Gray, A Raisin in the Sun, Theatre Memphis
  • Hiawartha Jackson, The Crucible, Next Stage, Theatre Memphis
  • Marianne Orendorff, Blithe Spirit, Theatre Memphis
  • Patrick Ashbee, A Raisin in the Sun, Theatre Memphis
  • Robrecus Parker, Father Comes Home From the Wars, Hattiloo Theatre

Featured Performer, Div II Musical                  

  • Allen Osoinach, Amelie, Rhodes Theatre Guild
  • Hayden Hooper, Elf: The Musical, Harrell Theatre
  • Holly Ferguson, Into the Woods, University of Memphis
  • Jasmine Gillenwaters, Erin McKee, and Madilyn Mobbs, Into the Woods, University of Memphis
  • Lesley Tooley, 9 to 5, Harrell Theatre

Featured Performer, Div I Musical                    

  • DuValle Henry, Jr., Cinderella, Theatre Memphis
  • Haley Wilson, Your Arms Too Short to Box With God, Playhouse on the Square
  • Justin Asher and Stephen Garrett, Beautiful: The Carole King Musical, Theatre Memphis
  • Lorraine Cotten, Catch Me If You Can, Playhouse on the Square
  • Mac White, Beautiful: The Carole King Musical, Theatre Memphis

Featured Dancer, Div I Musical           

  • CJ Hampton and Cade Forbes, Cinderella, Theatre Memphis
  • Karl Robinson, Your Arms Too Short to Box With God, Playhouse on the Square
  • Lydia Jones, Your Arms Too Short to Box With God, Playhouse on the Square
  • Zurick M. Thomas, Your Arms Too Short to Box With God, Playhouse on the Square

Supporting Actor, Div II Play                

  • Adrian Kinnard, A Stubborn Holiday, Actors Renaissance Theatre
  • Chad Rhodes Sr., JS Tate, and Prince Djae, Til Death, Three Diamonds Productions
  • Gerardo Rivillas, Drag Boat, Friends of George’s
  • Micah Winter-Cole aka “Goldie Dee Collins,” Out in the Woods: FOG Fairy Tales, Friends of George’s
  • Sydney Allure, Drag Boat, Friends of George’s

Supporting Actress, Div II Play           

  • Katy Cotten, Elektra, University of Memphis
  • Nichole Tate-Jackson, Baby Daddy Drama, Actors Renaissance Theatre
  • Sheryl Jones, Til Death, Three Diamonds Productions
  • Taylor Edwards, Silent Sky, University of Memphis
  • Trenia Lawson, Things Lost in the Fire, True Believers Productions

Supporting Actor, Div I Play                  

  • Charles Hunter, The Hot Wing King, Circuit Playhouse
  • Claiborne “CJ” Thomas Jr., The Hot Wing King, Circuit Playhouse
  • Eric Schultz, Silent Sky, Next Stage, Theatre Memphis
  • John Reynolds, A Monster Calls, New Moon Theatre
  • Marc Gill, The Hot Wing King, Circuit Playhouse

Supporting Actress, Div I Play                

  • Brooke Papritz, POTUS (Or, Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive), Circuit Playhouse
  • Emily F. Chateau, Silent Sky, Next Stage, Theatre Memphis
  • Haley Wilson, POTUS (Or, Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive), Circuit Playhouse
  • Kim Justis, Silent Sky, Next Stage, Theatre Memphis
  • Sally Stover, Steel Magnolias, Theatre Memphis

Supporting Actor, Div II Musical        

  • Aidan Saunders, Into the Woods, University of Memphis
  • Aidan Saunders, Twelfth Night: The Musical, Harrell Theatre
  • Javier Pena, Amelie, Rhodes Theatre Guild
  • Marvin Holt, Into the Woods, University of Memphis
  • Tim Brown, 9 to 5, Harrell Theatre

Supporting Actress, Div II Musical   

  • Ashleigh Williams, Elf: The Musical, Harrell Theatre
  • Cassie Thompson, Zanna, Don’t, Emerald Theatre Company
  • Kathryn Dressel, Amelie, Rhodes Theatre Guild
  • Marianne Orendorff, 9 to 5, Harrell Theatre
  • Tracy Thomas, Twelfth Night: The Musical, Harrell Theatre

Supporting Actor, Div I Musical          

  • Bentley Black, Beautiful: The Carole King Musical, Theatre Memphis
  • Camden Douglas, Cinderella, Theatre Memphis
  • Jonathan Christian, The Prom, Playhouse on the Square
  • Kent Fleshman, Catch Me If You Can, Playhouse on the Square
  • Kinon Keplinger, Beautiful: The Carole King Musical, Theatre Memphis

Supporting Actress, Div I Musical     

  • Emily F. Chateau, Cinderella, Theatre Memphis
  • Emily Garrett Cook, Legally Blonde, Germantown Community Theatre
  • Jaclyn Suffel, Beautiful: The Carole King Musical, Theatre Memphis
  • Jaclyn Suffel, Cinderella, Theatre Memphis
  • Whitney Branan, Beautiful: The Carole King Musical, Theatre Memphis

Leading Actor, Div II Play      

  • Clayton McKinney, Things Lost in the Fire, True Believers Productions
  • Joshua T. Horton, Til Death, Three Diamonds Productions
  • Nathan McHenry, Constellations, Quark Theatre
  • Taylor Roberts, The Sound Inside, Quark Theatre
  • Tramaine Morgan, Baby Daddy Drama, Actors Renaissance Theatre

Leading Actress, Div II Play                    

  • Ariel Ari Leira, Til Death, Three Diamonds Productions
  • Carly Crawford, Constellations, Quark Theatre
  • Kim Justis, The Sound Inside, Quark Theatre
  • Mary Hollis Inboden, The Wasp, Quark Theatre
  • Meghan L. Lewis, The Wasp, Quark Theatre

Leading Actor, Div I Play        

  • Emmanuel McKinney, A Raisin in the Sun, Hattiloo Theatre
  • Jari Latrell Head, The Curious Incident of the Dog in the Night-Time, Germantown Community Theatre
  • John Maness, Kevar Maffitt, and Michael Gravois, The Lehman Trilogy, Circuit Playhouse
  • J.S. Tate, Succession, Hattiloo Theatre
  • J.S. Tate, The Crucible, Next Stage, Theatre Memphis

Leading Actress, Div I Play    

  • Flo Roach, A Raisin in the Sun, Hattiloo Theatre
  • Jordan-Danyel Payne, Confederates, Hattiloo Theatre
  • Lindsey Roberts, Steel Magnolias, Theatre Memphis
  • Natalie Jones, Silent Sky, Next Stage, Theatre Memphis
  • Susan Brindley, Master Class, Next Stage, Theatre Memphis

Leading Actor, Div II Musical                

  • Anthony T. James, Zanna, Don’t, Emerald Theatre Company
  • Jacob Mohler, Elf: The Musical, Harrell Theatre
  • Kevin Lechner, Amelie, Rhodes Theatre Guild
  • Mara Rus, Into the Woods, University of Memphis
  • Steele Bowers, Murder Ballad, University of Memphis

Leading Actress, Div II Musical           

  • Abby Rooks, 9 to 5, Harrell Theatre
  • Ashleigh Williams, 9 to 5, Harrell Theatre
  • Axyl Langford, Murder Ballad, University of Memphis
  • Campbell Williams, 9 to 5, Harrell Theatre
  • Eliza Fleming, Amelie, Rhodes Theatre Guild

Leading Actor, Div I Musical                  

  • Aden Pettet, Cinderella, Theatre Memphis
  • Bentley Black, Catch Me If You Can, Playhouse on the Square
  • Jared Thomas Johnson, The Color Purple, Hattiloo Theatre
  • John Maness, Catch Me If You Can, Playhouse on the Square
  • Nathan McHenry, Beautiful: The Carole King Musical, Theatre Memphis

Leading Actress, Div I Musical             

  • Cameron Crawford, Beautiful: The Carole King Musical, Theatre Memphis
  • Jasmine Gillenwaters, Cinderella, Theatre Memphis
  • Mary Helen McCord, Legally Blonde, Germantown Community Theatre
  • Xea Goolsby, The Color Purple, Hattiloo Theatre
  • Zan Edwards, Blues in the Night, Hattiloo Theatre

Ensemble, Div II Play                 

  • Baby Daddy Drama, Actors Renaissance Theatre
  • Out in the Woods: FOG Fairy Tales, Friends of George’s
  • The Wasp, Quark Theatre
  • The Western Park Album, Emerald Theatre Company
  • Til Death, Three Diamonds Productions

Ensemble, Div I Play                   

  • A Monster Calls, New Moon Theatre
  • Dracula: The Bloody Truth, Germantown Community Theatre
  • Silent Sky, Next Stage, Theatre Memphis
  • Steel Magnolias, Theatre Memphis
  • The Hot Wing King, Circuit Playhouse

Ensemble, Div II Musical        

  • 9 to 5, Harrell Theatre
  • Amelie, Rhodes Theatre Guild
  • Elf: The Musical, Harrell Theatre
  • Into the Woods, University of Memphis
  • Murder Ballad, University of Memphis

Ensemble, Div I Musical          

  • Beautiful: The Carole King Musical, Theatre Memphis
  • Blues in the Night, Hattiloo Theatre
  • Cinderella, Theatre Memphis
  • The Color Purple, Hattiloo Theatre
  • Your Arms Too Short to Box With God, Playhouse on the Square

Original Script               

  • Baby Daddy Drama, Mary Ann Washington, Actors Renaissance Theatre
  • Everyone and Their Mother, Emily Draffen, Germantown Community Theatre
  • Out in the Woods, Friends of George’s, Friends of George’s
  • Things Lost in the Fire, Bishop Tony Lawson, True Believers Productions
  • Western Park Album, Howell Pearre, Emerald Theatre Company

Direction, Div II            

  • Aliza Moran, Amelie, Rhodes Theatre Guild
  • Chris Luter, 9 to 5, Harrell Theatre
  • Irene Crist, Out in the Woods: FOG Fairy Tales, Friends of George’s
  • Patrick Polsin, Into the Woods, University of Memphis
  • Tony Isbell, The Wasp, Quark Theatre

Direction, Div I Play                    

  • Aliza Moran, A Monster Calls, New Moon Theatre
  • Cecelia Wingate, Silent Sky, Next Stage, Theatre Memphis
  • John Maness, The Crucible, Next Stage, Theatre Memphis
  • Kell Christie, Master Class, Next Stage, Theatre Memphis
  • Warner Crocker, The Lehman Trilogy, Circuit Playhouse

Direction, Div I Musical           

  • Angel Clark, Blues in the Night, Hattiloo Theatre
  • Cecelia Wingate, Beautiful: The Carole King Musical, Theatre Memphis
  • Claire D. Kolheim, Your Arms Too Short to Box With God, Playhouse on the Square
  • Patdro Harris, The Color Purple, Hattiloo Theatre
  • Travis Bradley and Jordan Nichols, Cinderella, Theatre Memphis

Production, Div II       

  • 9 to 5, Harrell Theatre; Director: Chris Luter; Stage Manager: Elizabeth Perkins
  • Amelie, Rhodes Theatre Guild; Director: Aliza Moran; Stage Manager: Teresa Lowry
  • Into the Woods, University of Memphis; Director: Patrick Polsin; Stage Manager: Olivia Mittag
  • Out in the Woods: FOG Fairy Tales, Friends of George’s; Director: Irene Crist; Stage Manager: J-Lavender
  • The Wasp, Quark Theatre; Director: Tony Isbell; Stage Manager: Leslie Lee

Production, Div I Play               

  • A Monster Calls, New Moon Theatre; Director: Aliza Moran; Stage Manager: Marya Paolillo
  • Master Class, Next Stage, Theatre Memphis; Director: Kell Christie; Stage Manager: Julia Truelove
  • Silent Sky, Next Stage, Theatre Memphis; Director: Cecelia Wingate; Stage Manager: Jennifer Townsend
  • The Crucible, Next Stage, Theatre Memphis; Director: John Maness; Stage Manager: Marya Paolillo
  • The Lehman Trilogy, Circuit Playhouse; Director: Warner Crocker; Stage Manager: Emma White

Production, Div I Musical       

  • Beautiful: The Carole King Musical, Theatre Memphis; Director: Cecelia Wingate; Stage Manager: Chelsea Robinson
  • Blues in the Night, Hattiloo Theatre; Director: Angel Clark; Stage Manager: Bronzjuan Worthy
  • Cinderella, Theatre Memphis; Director: Travis Bradley and Jordan Nichols; Stage Manager: Julia Truelove
  • The Color Purple, Hattiloo Theatre; Director: Patdro Harris; Stage Manager; Sherronda Johnson
  • Your Arms Too Short to Box With God, Playhouse on the Square; Director: Claire D. Kolheim; Stage Manager: Maria Scott
Categories
Film Features Film/TV

Now Playing July 19-25: Tornadoes and the Time Warp

What’s up on the big screen this week? Quite a bit. Let’s get to it.

Twisters

A big city scientist named Kate (Daisy Edgar-Jones) returns to her small-town Oklahoma roots, where she meets Tyler (Glenn Powell), a rough and ready storm chaser who shows her how to live more authentically. Is this the plot of a Hallmark movie? Nope. It’s Twisters, the long-gestating sequel to the 1996 summer blockbuster Twister. Will they find love among the devastation? Or will they end up gone with the wind?

National Anthem

Dylan (Charlie Plummer) lives an unhappy life in rural New Mexico, until they find a community of queer ranchers and rodeo queens. Based on a true story in the life of director Luke Gifford, who adapted his book National Anthem: America’s Queer Rodeo. Screening exclusively at Studio on the Square.

Time Warp Drive-In

This month’s Time Warp Drive-In, Saturday, July 20, features the film that gave the series its name. The theme is “Scary Melodies: Horror Film Musicals,” and you know what that means: The Rocky Horror Picture Show. Take it away, Riff Raff!

In the spirit of Rocky Horror is director Darren Lynn Bousman’s 2008 cult classic Repo! The Genetic Opera. It’s the far future, and your organs are yours on a rental basis only. If you miss a payment, the Repo Man comes calling. Let’s sing about it!

Rounding out the triple feature is a film from the legendary grindhouse studio Troma. It’s Cannibal! The Musical, the film that puts the “dinner” in the Donner Party.

The Time Warp Drive-In is $25 per carload. The show kicks off at dusk on Saturday at the Malco Summer Drive-In.

Categories
News News Blog News Feature

MSCS Settles Satan Club Suit for $15,000

Memphis Shelby County Schools will pay more than $15,000 to settle a suit with The Satanic Temple over what the group calls “serious First Amendment violations.” 

Credit: The Satanic Temple

The Freedom From Religion Foundation (FFRF) filed the lawsuit in March against the Shelby County Board of Education on behalf of The Satanic Temple over what the club said were discriminatory practices. 

In November, the group sought to bring its After School Satan Club to Chimneyrock Elementary School.. The program is “not interested in converting children to Satanism” but only to focus on “free inquiry and rationalism,” the group said. The Satanic Temple says it “does not worship or believe in the existence of Satan” and will “only open a club if other religious groups are operating on campus.”

The Satanic Temple said the board rents space to another group for the Christian Good News Club. That club is run by Child Evangelism Fellowship, “a Bible-centered organization composed of born-again believers whose purpose is to evangelize boys and girls with the Gospel of the Lord Jesus Christ and to establish (disciple) them in the Word of God and in a local church for Christian living…”

The After School Satan Club was allowed to meet at Chimneyrock on January 10th after what it described as a laborious process involving attempts to thwart its efforts. The group then submitted four new rental requests for monthly meetings at the school. 

The school board assessed a “special security fee” of $2,045.60 on the Satanic Temple for “additional security.” It also levied a $250 fee for field lights. The Christian Good News Club were not charged any of these fees, according to Satanic Temple. But Satanic Temple paid the fees anyway. These fees are the crux of the FFRF lawsuit.  

”The district’s discriminatory and illegal behavior left The Satanic Temple and FFRF with no choice but to sue,” the group said in a statement Friday. “The lawsuit sought fair treatment. The Temple didn’t want special privileges, just to be treated the same as all other organizations renting from the district. The lawsuit asked the court to order the district to approve The Satanic Temple’s reservation requests, treat the Temple fairly, and refund it the discriminatory fees the district forced it to pay.”

The board settled the lawsuit this week. MSCS will pay $14,845 in attorney fees and costs to the FFRF and its counsel. The board will also pay $1 for nominal damages to The Satanic Temple and $196.71 for various fees previously paid by the Temple in connection with rental reservations that had not yet been refunded.

MSCS also agreed not to discriminate against the organization with regard to its requests to rent and use school board property at Chimneyrock Elementary School. The Temple will be subject to the same rules and requirements as other nonprofit organizations looking to rent or use the school’s facilities. Also, the school board’s administration has promised not to hold any press conference with regard to the Temple’s lawful rental or use of school property.

The controversy gained national attention in December when the MSCS officials held a press conference in which school board members, administrators, and other leaders were surrounded by clergy members. They expressed “hostility” toward The Satanic Temple and ”validated community members’ hostility” toward the After School Satan Club’s then upcoming first meeting at Chimneyrock Elementary, the group said. 

”We’re glad the district has mutually resolved this case and agreed to treat The Satanic Temple’s club fairly going forward,” said Patrick Elliott, FFRF’s legal director. “This settlement should send a message to public schools that the First Amendment applies to all organizations, including minority groups.”

Categories
News News Blog News Feature

Court Dismisses Friends of George’s Lawsuit

A lawsuit that halted Tennessee’s restriction on drag shows and related entertainment has been dismissed by the United States Court of Appeals for the Sixth Circuit.

Friends of George’s, Inc. v. Mulroy challenged Tennessee’s Adult Entertainment Act, and was filed in 2023 in hopes of challenging the law, claiming violations of the group’s First Amendment rights. The LGBTQ+ theater company at the Evergreen Theatre referred to the act as the “reckless anti-drag law.” The law was temporarily blocked shortly after, as it was set to go into effect on April 1st.

The district courts originally ruled that Tennessee’s Adult Entertainment Act was unconstitutional; however, the Sixth Circuit Court dismissed the case, saying that Friends of George’s did not prove how they would be harmed by the enforcement of this act.

U.S. District Judge Thomas Parker initially granted a temporary restraining order and preliminary injunction against District Attorney Steve Mulroy, the state of Tennessee, Governor Bill Lee, and Tennessee Attorney General Jonathan Skrmetti.

Adult cabaret performances, as described by the law, are those that feature “topless dancers, go-go dancers, exotic dancers, strippers, and male or female impersonators.” It also stated that these performances were “harmful to minors.” The law made “adult cabaret performances” on public property or “in a location where the adult cabaret performance could be viewed by a person who is not an adult” a criminal offense.

The Tennessee General Assembly defined “harmful to minors” as “that quality of any description or representation, in whatever form, of nudity, sexual excitement, sexual conduct, excess violence, or sadomasochistic abuse when the matter or performance would be found by the average person applying contemporary community standards to appeal predominantly to the prurient, shameful or morbid interests of minors.”

Friends of George’s allies took to their social media accounts following the ruling, saying they were devastated by the court’s decision, and they are consulting with their attorney for “next steps” as they prepare for their next production on August 2nd.

“Instead of addressing the constitutionality of Tennessee’s drag ban, today’s ruling has left us and thousands of others in the LGBTQ+ community dangerously in limbo, with no clear answers as to how this ban will be enforced and by whom,” they said. “The only thing that is clear about this law is that it’s firmly rooted in hate and defies the will of the majority of Tennesseans.”

Tennessee Attorney General Jonathan Skrmetti applauded the court’s decision to throw the suit out, and stated they “focused on what the law actually says,” and that the Adult Entertainment Act has been “consistently misinterpreted.”

“As a state overflowing with world-class artists and musicians, Tennessee respects the right to free expression,” Skrmetti said in a statement. “But as the Court noted, Tennessee’s ‘harmful to minors’ standard is constitutionally sound and Tennessee can absolutely prohibit the exhibition of obscene material to children.”

Categories
On the Fly We Recommend We Recommend

On the Fly: Week of 7/19/24

Nerd Nite
Memphis Chess Club
Friday, July 19, 7 p.m.
Nerds, it’s time to nerd out about birds and synthesizers (what else?). Danny Stanford, a multi-instrumentalist musician, will give a primer in electronic sound, and Cameron Rutt, a conservation biologist, will talk about mixed-species flocks of birds. Show up, drink beer, and learn. Sounds like a poppin’ Friday night. Seriously. I’m not being sarcastic. Nerd on!

Shrek Rave
Growlers
Friday, July 19, 9 p.m.
Somebody once told me the world is gonna roll me. I ain’t the sharpest tool in the shed, but I was looking for something dumb to do and Growlers had this Shrek Rave going on. What is it? I don’t know. But you’ll never know if you don’t go. You’ll never shine if you don’t glow. Tix are $15 to $25.

Artist Talks for “MANE” and “Hidden Gems”
Crosstown Concourse
Saturday, July 20, 2 p.m.
Crosstown Arts presents the Artist Talks for “MANE” and “Hidden Gems” exhibitions, moderated by Shahidah Jones and francis, the Truman. There will also be a performance by spoken-word artist Matt Esteis (Strength in Words). In “MANE,” Memphis artists expose their experiences with Southern vernacular, while “Hidden Gems” includes artists with modest visibility and offers them an opportunity to show up and be uncovered. 

Asian Night Market
Tiger Lane
Saturday, July 20, 3-11 p.m.
Immerse yourself in the sights, sounds, and flavors of Asia right here in the city. Enjoy authentic and delicious Asian street food, vibrant cultural performances, and unique experiences. Tickets are $10 in advance and $15 at the door. Read more about the market here.

Movies & Brews: Close Encounters of the Third Kind
Museum of Science & History
Saturday, July 20, 5:30 p.m.
Let’s go to the movies! Let’s go see the stars … or, rather, UFOs … ’cause MoSH is screening Close Encounters of the Third Kind as part of its Movies and Brews series. Before the movie, you can enjoy Hampline brews and socializing, plus a pre-show film showcasing the career of master Hollywood special effects artist Greg Jein. Tickets are $23 and can be purchased here. (And, hey, if you’ve never seen Close Encounters, you’re not alone. Check out Chris McCoy’s “Never Seen It” where Ben Siler describes his first time watching it.)

You Look Like
Hi Tone
Saturday, July 20, 9-11 p.m.
“You look like Midtown women love you and not just because they have 100 cat boxes to fill.” That’s what Katrina Coleman told me back when we interviewed them about the revival of the monthly comedy show, You Look Like, where comedians go back and forth roasting each other with “You Look Like” jokes. This show is a big deal ’cause You Look Like is turning 9 years old this month. Tickets are $10 in advance, and $15 at the door. 21+.

Library Love Is Permanent
Benjamin L. Hooks Central Library
Monday, July 22, noon-8 p.m.
Like tattoos? Like libraries? Hit two birds with one literary/book-themed tat. Tattoos will be $100 (unless otherwise specified), and tips are encouraged. Tattoos will be given on a first come, first served basis. There will also be henna, temporary tattoos, live music, food trucks, an open-mic time for sharing tattoo stories, and so much more. Proceeds go to the Memphis Public Libraries.

Whet Thursdays: Furever Friends
Metal Museum
Thursday, July 25, 5-8 p.m.
Get whet at the Metal Museum’s free after-hours event with live entertainment, demonstrations by metalsmiths, and admission to the museum. This Thursday, you can meet the pups from Team Memphis Rescue and Support, play with them, and see if you find one that is a good fit for you and your family. The Tipsy Tumbler and MemPops will be on-hand as well. (Do not bring your pets to this event; it is an adoption event only.)

There’s always something happening in Memphis. See a full calendar of events here.

Submit events here or by emailing calendar@memphisflyer.com.

Categories
News News Blog News Feature Uncategorized

Bus Riders Fearful of Potential MATA Budget Solutions

As the Memphis Area Transit Authority (MATA) works to fix problems in their budget, bus riders are afraid that potential solutions for the agency will negatively impact service for citizens.

Johnnie Mosley, founding chairman of Citizens for Better Service, stated on Friday, July 12th, that his organization along with the Memphis Bus Riders Union received word that MATA administration met with bus drivers about the possibility of layoffs and service cuts.

MATA pledged to be more open and transparent with their ridership about changes affecting service, which Mosley said has not changed. However, he believes that both riders and drivers are concerned for the future.

“We’ve been reaching out to various drivers. We reached out to the union to see if we could get any verification or answers,” Mosley said. “In the meantime, we’ve been in close communication with Representative Justin J. Pearson, and we’re trying to figure out whether there are resources or money that the state could have to get MATA out of this situation.”

Following this comment, Erik Stevenson, chief of strategic partnerships and programs for MATA, released this statement:

“With staff and riders, we must consistently share that MATA faces a significant budget deficit resulting from years of increasing costs, decreasing ridership, and flat funding. In August, we’ll begin a thorough engagement process to assist us with the tough decisions that must be made to optimize our transportation system. To maintain our pledge to provide a balanced budget, all options have to be on the table.”

MATA’s interim CEO Bacarra Mauldin reported in her June 2024 CEO report that there is currently a hiring freeze despite their recruitment focuses on a number of open positions such as mechanics and trolley and fixed route operators. She said they are trying their best to “manage with the staff they have.”

In May, the transit authority revealed they had a $60 million deficit, and was “committed to increasing revenue and refining [its] process of spending.”

During their June budget proposal hearing in front of Memphis City Council, Mauldin said their biggest expenses are wages and fringe benefits as they have to offer competitive compensation packages. She also said MATA needed more mechanics, operators, and buses for their fixed routes and MATAPlus services for citizens with disabilities.

They also said a large amount of their budget would go towards installation of the Memphis Innovation Corridor, the first bus rapid transit service in Memphis.

While MATA has presented ways to refine their budget and spending, many riders are unhappy with some of their proposed solutions. Citizens like Mosley fear that the agency may resort to changes that would negatively affect their ridership.

Mosley alluded to the agency’s controversial proposed winter service changes that were presented in 2023. These changes included suspending service after 9 p.m. and suspending a number of routes. MATA’s board ultimately decided to nix these proposals after poor reception from the public. 

After advocating on behalf of citizens while these proposals were on the table, Mosley said he hopes that the agency doesn’t resort back to these solutions in hopes of fixing their financial issues.

“The question is: Where are they going to cut?” Mosley said. “We don’t want those cuts to [affect] underserved areas. We don’t want the same plan the board rejected in December. We need MATA to come up with plans on how to increase ridership.”

Categories
News News Blog News Feature

Massive Airport Terminal Project Approved

The largest capital project in the history of Memphis International Airport (MEM) got officially underway Thursday. 

The Memphis-Shelby County Airport Authority (MSCAA) board of commissioners approved the $653 million, multi-year modernization of the main terminal building in its monthly meeting. The dollar figure is an early estimate and will likely increase, airport officials said.

The funds will come from airport revenue bonds, grants from the state and federal government, passenger facility charges, and other airport funds. No Memphis or Shelby County tax dollars will fund the project. 

The project got underway Thursday, as the board approved a construction contract to demolish Concourse A. The space was built in 1974 and has not been used since 2022, when the modernized B Concourse was opened. Once Concourse A has been demolished, the space may be used for a new rental car facility, office space for the MSCAA, and a new checked baggage inspection system.  

The biggest piece of the project will be the modernization of the Terminal B arrival and departure areas. It will feature: 

• Expanded open space in the baggage and ticketing areas, with improved passenger flow.

• Larger security screening checkpoint

• Relocation of escalators and stairs to the front of the terminal building

• Preservation of the original architectural design

• New in-line checked baggage inspection system for the Transportation Safety Agency

• Seismic upgrades

This part of the project is expected to get underway in 2026 and be complete in 2030. 

In October, crews will begin work on creating a new commercial ground transportation lane on the baggage claim level of the short-term parking garage. Once completed, ground transportation services such as taxis, shuttles, limos, and ride share services (like Lyft and Uber) will be relocated to this new lane. This project is expected to be completed by the end of the year.

Once the commercial lane project is completed, the outer commercial drive on the ticketing and departures level will be closed for demolition and reconstruction. The outer drive replacement is expected to begin in 2025 and is expected to take about two years to complete. The project will result in a seismically enhanced, expanded departures-level drive. This phase of the project is necessary to facilitate the subsequent expansion of the terminal building by allowing the terminal to move outward into the existing inner-curb lane.

“MEM is definitely on the move,” said Terry Blue, MSCAA president and CEO. “More than two years ago, MEM reinvented the Memphis travel experience by introducing our modernized concourse. Now, we carry that momentum forward as we embark on our largest project ever, one that is designed to enhance our travelers’ experience and support our airport’s long-term growth.”