Categories
News The Fly-By

MEMernet: RPS Challenge, MLGW, and Southern Roll

Memphis on the internet.

RPS Challenge

Jaslyn Banks and her family got adorably into the rock, paper, scissors challenge on Nextdoor.

MLGW

Posted to Facebook by MLGW

Head over to Memphis Light, Gas & Water’s (MLGW) Facebook page for a ton of news you can use. There you’ll find the newest water quality report, which is aces once again. The Memphis Sands Aquifer, it says, “contains more than 100 trillion gallons of rainwater that some experts believe fell more than 2,000 years ago.” Whoa.

The utility also wants to hire you, buy stuff from you or your business, and let you use a new mobile app to make appointments for in-office visits. Also, a new survey asks how you get (and want to get) information from MLGW.

Southern Roll

Posted to YouTube by SkateLyfe TV

SkateLyfe TV posted a new video last week from May’s Southern Roll Memphis 2024. The 8th annual epic skate party brought some of the best on wheels to the city. SkateLyfe’s video makes the rolling, dancing, grooving, and showing out all look effortless and fluid. It’s worth a watch.

Categories
We Recommend We Recommend

Bluff City Liars’ Ball with Louise Page and Rosey

Improv and music go hand in hand. After all, how do you make music without a little bit of improv? But Zephyr McAninch, director of the improv troupe Bluff City Liars, wanted to add more music into their improv because who doesn’t like a little bit of music with their improv? So they came up with the two-night Liar’s Ball, where the Liars will play improv games inspired by and backed by the tunes of Louise Page on Friday and Rosey on Saturday.

“Our regular shows typically don’t have a musical element,” McAninch says. “Every now and again, we’ve been able to work in a musical game. … But the ball aspect is there’s music very heavily integrated into the show [with the special musical guests].”

This ball will be the Liar’s second, with last year’s featuring Dandelion Williams and HEELS. “It was just such a success. I think it’s my favorite show we’ve ever done,” McAninch says. “It makes me feel like more of a rock star right there with the band. Everything we’re doing is a little bit silly, but it feels cooler when you’ve got Rosey giving you the backing track for your doo-wop song, or you got Louise Page laying down the piano for Hoedown [a musical improv game you might recognize from Whose Line Is It Anyway?].”

The show will also give audience members a chance to hear Page’s and Rosey’s originals in between games. “I can’t recommend these bands enough,” McAninch says, “so I’m excited for the possibility of getting to introduce somebody to either of them.”

But, of course, being the improv aficionado they are, McAninch is also excited about the possibility of introducing anyone and everyone to improv. “I think everyone should try improv,” they say. “I was the quiet, shy one before I started doing improv [in college], and when I told my parents I joined an improv troupe, they said, ‘You?’ … I just kind of fell in love with it. It’s a wildly fun, massively accessible art form, and it’s weirdly applicable to so many other parts of your life.

“Improv is just not knowing what’s happening. That’s everything that’s ever happening in your life. And on top of that, when kids play, they’re just improvising; they just have fun. We forget how to do it, so I just want to help people remember how to do it.”

So, in addition to shows like the ball this weekend where folks can watch childlike play in action, Bluff City Liars hosts a free improv workshop where attendees can take part in the play themselves at TheatreWorks@The Square on the first and third Monday of each month at 6 p.m. “It is no-commitment,” McAninch says. “You just drop in whenever you feel like it. We adapt what we’re talking about that week to who is there and what skill level is present.”

Keep up with the Liars at bluffcityliars.com, where you can also purchase tickets for the upcoming Liars’ Ball.

Liars’ Ball, TheatreWorks@the Square, 2085 Monroe, Friday, June 7, 8 p.m. | Saturday, June 8, 8 p.m., $12/advance,
$15/at the door.

Categories
Cover Feature News

Edge Energy

A bass-and-drum beat boomed over a party that pulsed around the twilight-and-neon-painted patio of Rock’n Dough.

Pizza scented the warm air. Plastic cups flowed with golden beer. Corn hole bags rattled, flew, and fell home. Balloon animals squeaked in the hands of delighted children. Duck pins crashed occasionally somewhere inside. Laughter and raucous conversation raised high over the entire scene, building a cathedral dome of fun and positive energy.

A new light switch flipped on in The Edge District that Friday night in early May. The once-vacant building (that formerly housed Trolley Stop Market) came alive again and drew scores to its shores for the promise of something new, exciting. The promise was delivered. The energy was electric, especially for that corner of town. But that sort of vibrancy is becoming more and more commonplace there.

New light switches are being flipped on all over The Edge. No task force was formed for its revitalization. No hashtag was blasted on social media. No special study for it was ordered by the Memphis City Council.

That new energy is largely organic. It’s been fueled with years of care and investment by the Downtown Memphis Commission (DMC) and the Memphis Medical District Collaborative (MMDC).

But an ad hoc group of Edge stakeholders is forging the neighborhood, too. They gather and strategize (as they did recently) over a lunch snack of ribs and catfish bites at Arnold’s BBQ and Grill. Ad hoc, maybe, but their members are mighty. Henry Turley Co. The MMDC. Longtime landowners who own and manage key properties in The Edge. If you’ve ever been to Strangeways Wednesday for free food and drink, you’ve experience a portion of this group’s influence. You’ve also experienced their overall mood for The Edge: fun, communal, welcoming, and connected to the neighborhoods around it.

Let’s Go to The Edge

The Edge is just quirky. Its mother might say, “It has character.” And it certainly does.

No one can agree on its boundaries, for one. Not really. Is it Union and Madison from Manassas to Danny Thomas or onto Fourth? Broaden that to capture Health Sciences Park and Jefferson, right up to Victorian Village? No facts exist on this. Only opinions. The Edge doesn’t even have its own Wikipedia page like so many Memphis neighborhoods. Border disputes aren’t new or controversial, though. Just ask a local to define Midtown.

The streets in The Edge perform mind-bending shifts from the traditional city grid. Arrow-straight Monroe terminates in the heart of The Edge, only to curve slightly north where it transforms into Monroe Extended. What? Marshall crosses Monroe in the center of the neighborhood at an angle that defies the city’s parallel street design. Madison flies up and over (for one of the best views of the city) to meet up with its old self on the west side of Danny Thomas. Why? The DMC website says the “odd, zig-zag streets and alleys” were laid out to accommodate railroads in the 1800s.

Arnold’s BBQ and Grill (Photos: Ziggy Mack)
Sharrion Smith showcases Regular Order of Ribs combo at Arnold’s BBQ Shop in the Memphis Edge District for the Memphis Flyer on Saturday, June 1, 2024

Those twists and turns make The Edge full of surprises, too. Siri led me to Arnold’s on a recent visit. I arrived. Nothing around but Mutt Island. But Arnold’s was right on the map. I turned and spied a sign with a pig and an arrow on it. I followed it. Through a brick archway, down some stairs, and across a grass lot, I spied another pig sign. I followed it (and the scent of pork and hickory smoke) to Floyd Alley and found Arnold’s. I felt like I’d joined a secret club.

Years ago, Tommy Pacello, the late (and missed) director of the MMDC, gave me a big surprise on a bike tour of The Edge, which even then brimmed with opportunity in his endless optimism. We stopped at a weedy spot on the Madison bridge. He bid me look over. I found a deep, overgrown, urban canyon. From his experience with the successful Tennessee Brewery Untapped project, he said to imagine what could be done down there with some string lights and a few kegs of beer. That abandoned, forgotten canyon became The Ravine years later. 

The Ravine (Photo: Ziggy Mack)

In The Edge, paint and body shops sit cheek by jowl with architect firms, tattoo parlors, salons, arts organizations, souvenir shops, brand-new condos, breweries, the headquarters of one of the city’s biggest homegrown banks, and that huge, gold guitar hoisted high outside Sun Studio, maybe one of the most photographed spots in Memphis. All of this sits just outside the steel canopy of Downtown skyscrapers and the glow of summer lights over AutoZone Park.     

For all its quirks, defiant nature, and surprises, one thing is a fact about The Edge: Mike Todd, president and CEO of Premiere Contractors, came up with “The Edge” name. When he first got there, he said the place “was a total wasteland.”

“The Last Place on Earth”

Todd likes and dislikes the moniker “the Mayor of The Edge,” even though he admits it’s kind of true. His company bought Premiere Palace in the 1970s. Even though the area was not even close to up-and-coming, he decided Downtown and the Medical District were good bets. So he placed his.

The auto shops were there, giving credence to the area’s first use and nickname, “Auto Row.” The shops serviced the Downtown community, diminished as it was after white flight following Dr. Martin Luther King Jr.’s assassination years before. Later, officials planned the area for a Biomedical Research Zone (BRZ). Landowners would get rich if they held onto their buildings, Todd says. But they never did because the BRZ never panned out.

But Todd didn’t leave. His company doubled down and bought the Stop 345 building on Madison in 1997. At one time he leased the building to a club called The Last Place on Earth, which hosted Eddie Vedder and Sonic Youth before its eventual close, he says. The trolley project came and took years longer than promised. This closed Madison and killed traffic there forever, Todd says. Tenants moved out but Todd didn’t give up.

“I couldn’t let this place just become this shit place under the bridge,” he says. “So, we ran that place for 20 years as various entities. Los Comales just moved in less than a year ago.”

Scott Bomar was 19 the first time he went to The Edge. His band, Impala, was recording an album at Sam Phillips Recording.

“I thought, man, this is where I want to work,” Bomar says. “Cut to a couple of decades later. Well, that’s where I work now.”

Even back in his teens, Bomar thought The Edge was cool. The automotive factories and auto shops were all there. He loves the new energy, too.

Rootstock Wine Merchants (Photo: Ziggy Mack)
Images of Rootstock in the Memphis Edge District for the Memphis Flyer on Saturday, June 1, 2024

“We have a lot of clients who come in from out of town,” he says. “It’s really great to be able to walk across the street to the wine shop [Rootstock Wine Merchants] to pick up something if we need it, or to go down to French Truck and get a coffee, or go to Rock’n Dough and get food. … It’s exciting that there’s so much stuff down there now that’s walkable.”

The Edge was “quiet” when Anthony Lee first got there back in 2004. Well, quiet during the day, anyway.

“It would activate at night because of the club there, which was at one point 616 Club, and then Apocalypse, and then Spectrum,” Lee says. “Then, it was a strip club. So that one little building used to activate it on weekend nights.”

Sun Studio (Photo: Ziggy Mack)

Lee is now the gallery manager at Marshall Arts, an Edge pioneer, founded by Pinkney Herbert. The studio and gallery was converted from an automotive shop, Lee says, just like Sun Studio and many other buildings in The Edge.

“Makers and the craftspeople and the artists kind of converted some of those buildings and [The Edge] took on another quality,” Lee says. “It became sort of like the craft district.

“Pinkney Herbert was probably the first artist that imported that format from New York City. He created Marshall Arts in 1992 with his wife. He saw what they were doing up with there with all those old buildings in SoHo and the Lower East Side and decided to bring a similar idea back to Memphis.”

Lee lists a bevy of artists and craftspeople still working in The Edge with woodworking shops, recording studios, a greeting card studio, and more. With the club gone, he says, the area shares a “two-fold personality” with car maintenance and the arts. 

“For years, this was a forgotten neighborhood, but sandwiched by growth in the Medical District and the vibrant Downtown Core, all eyes are now on The Edge as businesses, breweries, and restaurants have all become neighborhood staples,” says the DMC website.

New(ish) Faces

Energy pulsed into The Edge before Orion Federal Credit Union got there. High Cotton opened in 2013, for example, and Edge Alley in 2016. But the Memphis company’s 2019 move from Bartlett to Monroe in the old Wonder Bread factory was a power station large enough to buoy confidence and development in the neighborhood.

“The location in The Edge was chosen when the Orion leadership agreed that the organization could strategically position their corporate headquarters to anchor a historic Memphis neighborhood, end blight, spur commercial and residential growth, and reinforce a critical connection between the Medical District and Downtown Memphis,” says Orion’s board chair Andre Fowlkes.

The Wonder Bread factory sat vacant from 2013 to 2019, making the stretch of Monroe near the building and several surrounding properties “a visible eyesore that could be seen from high-traffic areas including Downtown Memphis and Sun Studios,” the company said in a statement. Instead of tearing down the factory and leveling the block, Orion chose to keep the original shape and bones of the building and added a third story. A new, period-appropriate exterior facade was made of reclaimed bricks from the original building. And, of course, Orion kept that iconic, old-school Wonder Bread sign. 

“A better Memphis means a better Orion, and the headquarters move to The Edge was our commitment to the city,” says Orion CEO Daniel Weickenand. “A strong city core can create a ripple effect for development and energy throughout the region. We’re proud to be a part of that.”

That ripple effect is real (just check our sidebar with a list of all the new businesses and real estate developments). The energy is clearly there. Chef Joshua Mutchnick saw it and grabbed on tight. His JEM (Just Enjoy the Moment) restaurant opened in The Edge in April.

“Since day one, we had our eyes on The Edge District because we saw it as this up-and-coming neighborhood that has some iconic landmarks in it, like Sun Studio, Sam Phillips Recording, the Edge Motor Museum,” Mutchnick says. “It has so much potential and we feel very lucky to be a part of that, and that we got on the boat before it left the harbor.

“There was concern once we saw Orleans Station being built. We were like, ‘Maybe we missed the ship. It’s too expensive or we’re getting boxed out,’ but we nailed it.”

Sheet Cake Gallery (Photos: Ziggy Mack)
Interiors of Sheetcake Gallery in the Memphis Edge District for the Memphis Flyer on Saturday, June 1, 2024

Sheet Cake Gallery, a contemporary art gallery, opened on Monroe late last year. Its owner, Lauren Kennedy worked closely with MMDC and DMC on many art projects through her work as executive director of the UrbanArt Commission.

“I was familiar with all of the work and investment they have been making in The Edge, and that felt like something I wanted the gallery to be apart of,” Kennedy says. “The support I have felt from both groups from when I first started looking at spaces through to being open has been incredible for me. Everything has felt just right.”

When asked what drew Memphis Made Brewing Co. to open a new taproom in The Edge, co-founder Drew Barton says the answer was simple: Tommy Pacello.

“When we told Tommy we were looking for a bigger production space, he immediately began telling us about every space in The Edge he could think of,” Barton says. “It didn’t take long after that to find our new spot. We walked into what is now the production space and knew it would be perfect for us.

“At that point we didn’t even know about The Ravine. Once we heard more about the massive outdoor space tucked away in The Edge, we couldn’t wait to open a taproom with The Ravine being our backyard.”

As for when that taproom will open, Barton says, “We did end up having to wait a little while during the pandemic, but we are aiming to have the taproom open in late July.”

Leaders

At least three groups look after The Edge: the DMC, the MMDC, and that group of local stakeholders. (An Edge District Association is listed on the DMC website, but the link to the group takes you to a foreign football gambling site with the URL northcountrycremationservice.com.)

The DMC has for years offered a host of incentives to spur growth in The Edge and throughout Downtown. It offers tax breaks, loans, grants, and other programs to promote the vibrancy of all Downtown.

The MMDC is in its eighth year improving and transforming the Medical District for some of the city’s biggest medical anchors like University of Tennessee Health Science Center, Methodist Le Bonheur Healthcare, and Regional One Health. The group’s quiver of incentives helps people improve their properties, recruit new businesses, create new signage, and more. MMDC has invested $2 million in grants alone since its inception.

More than 20,000 people work in the 700-acre Medical District. But less than 2 percent of them live there. MMDC president Rory Thomas says most people would want to live close to where they work, “but if you don’t have the right housing stock and supply, that becomes a challenge.”

Bridging this gap is now a strategic objective for MMDC. Thomas rattles off a long list of new-ish, available apartment buildings — Orleans Station, The Rise Apartments, The Tomorrow Building headed for the Cycle Shop — all of them in The Edge. Fill those with professionals or students from the many medical organizations and The Edge would buzz with new foot traffic that could then drive new business recruitment and overall improvement of the commercial corridors there.

The DMC and the MMDC work closely together on all of this and more, Thomas says. They both work with that less formal group of Edge stakeholders that met at Arnold’s recently. This group (which featured members of the MMDC that day) has eyes on the bigger picture but also focuses on more on-the-ground issues.

How can we make The Edge more walkable and connected? Could Memphis Brand do a “We Are Memphis” billboard for the neighborhood? Should we make flyers with a QR-code link to an events calendar that we hand out to visitors? All of it to promote the neighborhoods, connect them, and bring more folks in.

Alex Turley, CEO of Henry Turley Co., praised the success of other Memphis neighborhoods like Cooper-Young and South Main. But he says The Edge, the Medical District, and Victorian Village have something those neighborhoods don’t: a major employment center.

“One of our goals was to create a seamless connection from those institutional buildings right into a neighborhood,” Turley says. “That informed the scale and the design of what we built at Orleans Station.

“You have Victorian Village and The Edge. There’s this opportunity to help populate this neighborhood. You already have an established brand for a neighborhood. But how do we get those people who work and go to school in those institutional buildings to come across Manassas? That’s what we keep hearing. They say, ‘We never come across [Manassas].’”

“Wasteland” to Next Big Thing

Remember when South End didn’t have a name? It was vacant, derelict, and spooky, according to some. Remember those blighted warehouses? Now think of how busy it can be at Loflin Yard or Carolina Watershed. Now think about all those apartments — completely filled — where those spooky, old warehouses used to be.

It’s a familiar cycle now if you think of South Main back in the 1990s or Broad Avenue a decade ago. The Edge could be next.

Energy continues to build there and energy has a way of attracting more energy. Big pieces are in place. Optimism is high. Leaders are motivated. And it truly is a community effort in The Edge.

“A win for one is a win for all,” says Meredith Taylor, communications and engagement associate with the MMDC. “Talk to the businesses in The Edge and they’ll say one reason they decided to choose it for the roots of their business is that they feel supported by one another, that when they succeed, all the other businesses succeed as well.

“I do think that’s something that’s very special to The Edge District. I think The Edge is a good backdrop to create and build on the sense of place that’s already existing.” 

… … … … … … … … … …

New Neighborhood Businesses Opened or Announced:

• JEM

• Rootstock Wine Merchants

• Inkwell

• Ugly Art Co.

• Sheet Cake Gallery

• Contemporary Arts Memphis

• HOTWORX – Edge District

• Rock’n Dough Pizza

• French Truck Coffee

• SANA Yoga

• Lavish Too A Luxe Boutique

• Memphis Made Brewing Co.

• Flyway Brewing Company (announced)

• Cafe Noir (announced)

• LEO Events

• Hard Times Deli (announced)

Real Estate Developments:

• Orleans Station – 372 residential units, 16,000 square feet commercial space

• University Lofts – 105 residential (micro) units

• The Rise Apartments – 266 residential units

• 757 Court – 45 residential units, 2,400 square feet commercial space

• 620-630 Madison – three residential units, 8,700 square feet commercial space

Rendering of the Chestnut Cycle Shop and Tomorrow Building (Photo: CHESTNUT CYCLE SHOP QOZB LLC; CCRFC)

• Tomorrow Building/Cycle Shop 

• 616 Marshall/Inkwell/Ugly Art Co. 

• Revival Restoration (rehab) – 12,270 square feet commercial space

• 433 Madison – 2,922 square feet commercial space

Categories
Politics Politics Feature

State and Local

When Karen Camper, the Democrats’ leader in the state House, ran for Memphis mayor last year, she discovered that, her impressive credentials notwithstanding, she lacked the citywide name recognition of locally based officials.

Consequently, she never developed enough traction to compete effectively for the mayoralty. And her name recognition problem was exacerbated further by the fact that members of the General Assembly are prohibited from active fundraising during the course of a legislative session.

The reality, especially in the case of the minority party statewide, is that state legislators, however much they may shine in the environs of Nashville, simply lack enough day-to-day connection with local voters to become household names on their home front.

A possible exception to that rule may arise in the case of a legislator whose public activities impinge directly on a festering local issue — as in the case of Republican state Senator Brent Taylor, whose nonstop efforts as the sponsor of bills to affect the status of local law enforcement have doubtless earned him a certain local notoriety.

Taylor’s party cohort John Gillespie, equally active on similar issues in the state House of Representatives, is on the fall ballot as a candidate for re-election and has attracted similar attention, for better or for worse.

The aforementioned Rep. Camper, meanwhile, is attempting to familiarize her constituents in House District 87 with the activities of state government by means of an innovation she calls “State to the Streets,” an event she will unveil on Saturday from 11 a.m. to 3 p.m. at New Direction Christian Church.

She calls it “a unique opportunity” for residents of District 87 to engage with more than 20 state and local government agencies, ask questions, voice concerns, and receive assistance on a wide range of topics, including healthcare, education, employment, and social services.

Among the services that will be spoken on by representatives of the affected state agencies are:

• Job search opportunities from the TN Department of Labor and Workforce Development

• SNAP benefits and Families First assistance from the TN Department of Human Services

• Help processing REAL IDs from The TN Department of Safety & Homeland Security

• Mental health, addiction, and substance abuse counseling from the TN Department of Mental Health and Substance Abuse Services and the TN Sports Wagering Council

• Legal advice from the Memphis Bar Association

• Expungement and Drive While You Pay assistance from the General Sessions Court Clerk’s Office

• Help searching unclaimed property listings from the TN Department of the Treasury

• Voter registration and information from the TN Secretary of State’s office and the Shelby County Voter Registrar

“This is a great chance for me to talk with my constituents and hear their thoughts about the recently concluded legislative session and the direction of the state,” says Camper, and she may have something there.

• With the fiscal-year deadline approaching, Monday’s regular meeting of the Shelby County Commission saw action on many matters — including the county’s proposed tax rate and numerous budgetary items — deferred for further discussion at the commission’s June 12th committee sessions, but one long-standing uncertainty was finally dealt with.

This was the question of $2.7 million in funding from opioid-settlement funds that had been embedded in the sheriff’s department budget, pending the commission’s decision on where to route them — whether to a proposed program for remedial medical treatment of inmates deemed incompetent to stand trial, or elsewhere.

Elsewhere was the answer, with $5 million going to CAAP (Cocaine and Alcohol Awareness Program), and another $18 million to juvenile court, where it will pay for a variety of wraparound services for youthful wards of the court.

Categories
Art Art Feature

Jeanne Seagle in “Of This Moment”

If you’re even the most casual reader of the Memphis Flyer, you’ve seen Jeanne Seagle’s work. Just turn to the weekly “News of the Weird” column every now and then, and you’ll see one of her quirky illustrations. But this week, if you head to the Medicine Factory, you’ll find the work she’s proudest of — her drawings and her watercolors of Dacus Lake, across the Mississippi River in Arkansas.

Seagle has been fascinated by this area for years now. After all, it’s where she started to get to know her husband Fletcher Golden, who lived at a fishing camp in the area at the time. “We would just wander all over that land while we were dating,” she says. “It was so much fun.”

Often, she returns there — to hike, to paint with watercolors, and to let her surroundings wash over her as she takes photographs to reference later in her drawings. She thrives in nature, she knows.

“I just love going over there. I love these scenes. I love these landscapes. That’s my spot,” Seagle said in an interview with Memphis Magazine last year.

Jeanne Seagle (Photo: Courtesy Jeanne Seagle)

Today when we speak about the Medicine Factory show, “Of This Moment,” which features new works, she notes how she hasn’t tired of the subject, especially with its ever-changing qualities. “In this show, I have a picture called Fallen Tree, and I have drawn that tree several times in other pictures when it was still standing,” she says. “That’s the thing about drawing landscapes, you can just focus on one spot and nature takes over and changes things constantly. … I find it endlessly fascinating.”

For three or four hours a day, she draws scenes of nature from photographs she’s taken at Dacus Lake, just a drive across the river from her Midtown studio. Sometimes, she’ll play blues CDs to fill the space with the rhythms of the Delta as she stills her focus on rendering the smallest of details — grooves in tree bark and wisps of grass — with careful marks in charcoal and pencil.

These black-and-white drawings take weeks to complete, sometimes up to two months. She’ll fold over the Xerox copies of photos she’s taken in some places, making entirely new compositions, adjusting the wilderness to her aesthetic liking. From these gritty images printed on copy paper, Seagle gleans details that an untrained eye would not recognize. She knows this art, inside and out, just like she knows these woods, harvesting their most innate qualities from her memories.

Unlike her illustrations that favor stylization, Seagle renders these images realistically, leaving no detail spared. The scenes are still, out of time. A sense of wonder remains in her drawings, inviting the viewer to slip into nature’s serenity, only a few miles from the grit and grind of Memphis.

After decades of working as an artist, Seagle has slipped into a serenity of her own, as if all her prior artistic endeavors have led to this moment. She’s experimented with styles and challenged herself many times over, she says, and now she’s found a subject that is uniquely hers — one that she’s emotionally attached to, that she’s excited to render in a style and medium that feels right, not like one she’s trying on.

“I have always liked to draw more than paint, and I just feel so much more comfortable doing that,” she says. “When I was a little girl, I was not exposed to paint media. When I was a little kid, I just colored with crayons, and I kind of just kept on doing that.”

Even as she continues in this phase of her life and art with these landscapes, Seagle can’t help but think of her childhood. “Just thinking how ironic it is that my parents were all about trees, too. My father worked with trees at his job as a forest ranger and my mother loved to take photographs of trees. It’s just kind of natural that I’ve just kind of slipped unintentionally into this little niche here.”

But it’s a niche Seagle plans to stay in, perhaps one that’s been in her genes all along. “I have spent most of my career doing color pictures for illustrations magazine and book illustrations,” she adds. “And now I’m doing what I want to do.”

“Of This Moment” is on display at the Medicine Factory. It features drawings and watercolors by Jeanne Seagle and paintings by Annabelle Meacham, plus works by Matthew Hasty, Jimpsie Ayres, Alisa Free, Claudia Tullos-Leonard, Anton Weiss, and others. Hours are Thursday, June 6th, noon to 6 p.m.; Friday, June 7th, noon to 6 p.m.; Saturday, June 8th, noon to 4 p.m.; and Sunday, June 9th, by appointment only. To schedule an appointment, email art@sylvanfinearts.com. Seagle will give an artist talk on Saturday, June 8th, at 1 p.m.

Categories
Film/TV TV Features

Scavengers Reign

In writing class, they teach about the different kinds of conflicts a story can center around. Person vs. person is the most common, but there’s also person vs. self, person vs. fate, and person vs. society. Person vs. nature (formerly known as “man vs. nature”) is not nearly as common as it was a hundred years ago, back in the days of frontier and jungle adventure magazines. That’s one of the reasons the sci-fi animated series Scavengers Reign is so refreshing. Its take on the classic story of a shipwrecked crew struggling to survive in a hostile wilderness is simple at first, but becomes more fascinating as complexities emerge. In fact, “emerging complexity” is one of the overarching themes of the 12-episode story. Creators Joseph Bennett and Charles Huettner are fascinated with the interplay of life-forms, both cooperation and conflict, which create a functioning ecosystem. The world they have created is unlike anything you’ve seen.

Scavengers Reign begins with its castaways, survivors from the crew of the cargo ship Demeter 227, already stranded on the planet Vesta. Azi (voiced by Wunmi Mosaku), the capable quartermaster, is paired with her robot Levi (Alia Shawkat). Their escape pod landed safely on open ground, and Azi uses an omniwheel motorcycle to scout the surrounding terrain. When Levi starts acting odd, Azi discovers that a fungus-like alien life-form has been growing on the robot’s circuitry — and the robot likes it.

Photo: Courtesy Netflix

Ursula (Sunita Mani), a biologist, was in the escape pod with Sam (Bob Stephenson), the captain of the Demeter. Their landing was a little rougher, but they have managed to salvage enough gear to communicate with the fatally damaged ship still in orbit. In the pilot episode, “The Signal,” the pair travel to retrieve a battery from another crashed escape pod. Once they get there, they see that the crew have all been killed by some unknown environmental hazard, which they then have to face. But that’s business as usual on this planet.

The occupant of the third escape pod has it the worst. It landed in a tree-like plant hundreds of feet tall, and Kamen (Ted Travelstead) has been trapped inside for weeks. He is finally rescued (if you want to call it that) by a creature he names Hollow. Imagine a cross between a platypus and a koala bear with psychic powers which it uses to dominate other life-forms. Instead of making little green tripod-thingies bring them yummy berry-like spheres, Hollow latches onto the human and demands Kamen hunt for him. In Kamen’s mind, it speaks to him in the form of Fiona (also voiced by Alia Shawkat), Demeter’s robotics engineer. Hollow uses Kamen’s guilt over their dysfunctional relationship against him, and his already fragile psyche slowly crumbles.

Sam and Ursula succeed in contacting the ship, and they manage to activate the automatic landing sequence. At first, they’re worried it might land on top of them. Then they discover they didn’t get that lucky. The Demeter lands many kilometers away from all three parties. The first half of the story is taken up with their increasingly frantic and costly attempts to make it to the ship. Once there, they will find that this world has even more surprises in store. As the show progresses, flashbacks start to fill in the details of how they got here, and who they were before they were lost in space and written off by their employers.

Anime’s dominant visual style has become so pervasive that I hear stories from art teachers about begging their young students to try to draw something else. Scavengers Reign owes a debt to Miyazaki’s sense of grandeur and deliberate pacing, and Akira’s pervasive body horror. But Bennett and Huettner’s aesthetic is more like the French illustrator Moebius. The world of Vesta is endlessly complex, with many animals and plants living in such close symbiosis that it’s hard to tell where one ends and the other begins. Our heroes are constantly dodging predators, both animals and plants. But many of their interactions with the native flora and fauna aren’t so cut and dried. When Ursula is trapped inside a living wall of thorns, Sam freaks out. But Ursula insists she was never in danger, and in fact might have even been communicating with the giant plant-like organism. What were they saying? She doesn’t know. But as the story progresses, the survivors slowly learn to stop trying to conquer nature, and start trying to live in harmony with it. That’s what makes this beautiful and thought-provoking show such a treasure.

Scavengers Reign is streaming on Netflix.

Categories
We Recommend We Saw You

WE SAW YOU: Sunset Symphony

About 8,000 celebrated the last Sunday evening of May listening to Tchaikovsky, Dvořák, and Sousa. They sat on blankets or chairs with their shoes off or on, and a full-scale picnic or just a flat box with a pizza in front of them.

Theo Thomas
Carl and Amasa Ealing
Alexis Burnett and Abrian Clay
Cassandra Hopper. Matthew Houston, Arlo Hopper at Sunset Symphony (Credit: Michael Donahue)
Jill and Chris Williams at Sunset Symphony (Credit: Michael Donahue)
Magnus Terry, Katherine Terry, Russ Thompson at Sunset Symphony (Credit: Michael Donahue)

This was Sunset Symphony, which was held May 26th at Overton Park Shell. The Memphis Symphony Orchestra performed under the direction of Robert Moody and Kyle Dickson. Kortland Whalum and Marie-Stéphane Bernard sang. 

“It’s just a beautiful display of Memphis,” says the Shell’s executive director Natalie Wilson. People were “spilling out” onto other nearby areas, including the Greensward at Overton Park and the grounds of Memphis Brooks Museum of Art, to hear the symphony because the event was so crowded.

Daniel Amram and Danielle Schaeffer
Josh Russell, Maddox Russell, Nathalie Russell, Mason Russell, and Jessica Rivera
Ace and JJ Leonard (Credit: Michael Donahue)
Sara and Cody Oscarson at Sunset Symphony (Credit: Michael Donahue)
Elands Kelly and Robin Noel at Sunset Symphony (Credit: Michael Donahue)

“This is what Memphis is about. We come together. We’re joyous. Children run and play. We enjoy the arts. We’re so blessed with these spaces that bring us together.”

This was the fourth year that Sunset Symphony, which many people associate with its Memphis in May predecessor at Tom Lee Park, took place at the Shell. “A joyous re-creation of a historic event at a historic place.” 

Lilly, Venus, and Louis Hamric at Sunset Symphony (Credit: Michael Donahue)
Lucy Nardo, Owen Isinger, Joseph Nardo, Lydia Nardo, Stella Isinger at Sunset Symphony (Credit: Michael Donahue)
Paris Carter at Sunset Symphony (Credit: Michael Donahue)
Matthew Hernandez at Sunset Symphony (Credit: Michael Donahue)
Laurie Stark, Kathy Mitchener at Sunset Symphony (Credit: Michael Donahue)
Jeremy Plyler and Stephanie Beliles at Sunset Symphony (Credit: Michael Donahue)
Pearson, Andrew, Rachel, and Emerson Black at Sunset Symphony (Credit: Michael Donahue)
We Saw You
Categories
Food & Drink Hungry Memphis

Dory Is Closing

Dory restaurant is closing. The restaurant at 716 West Brookhaven Circle is owned by executive chef David Krog and his wife, Amanda.

“June 29th. That will be our final service,” Amanda said. “We’ll have regular service up until then.”

“It’s been coming since the day we opened,” David said. They opened in 2021 during the pandemic. “We were brand new and unestablished and not on anybody’s radar, either. We didn’t get the honeymoon. These aren’t excuses. These are just what happened. There is no excuse. It was sad. The restaurant business is tough. For us, we didn’t make it.”

Amanda said,  “This decision was only final just within the past days. It’s not like we were, ‘Oh, let’s just throw in the towel and just get jobs.’”

They wanted to give their staff plenty of notice. David said they wanted to “make sure we leave with the same integrity we walked in the door with.”

David and Amanda will continue with the Nine Oat One Granola business. “We have that other business that’s still operating,” Amanda said.

But, she added, “What comes next has to be the right thing.”

David is working with chef Ben Vaughn on Sow Project, a non-profit that deals with community and farming. It teaches the about health sourcing and growing healthy food so young people can take that knowledge back to their communities, David says. 

“I have no idea what the universe has in store for me. I’ve had a very long career. I’ve been in the restaurant business since I was 15 years old. It is something that I’m still incredibly passionate about. I’m still passionate about local food and farmers we work with.”

David and Amanda planned to open Dory on April 2020, but the pandemic hit. In an earlier Memphis Flyer story Amanda said, “Construction and deliveries and all of that slowed down. By the time we were able to actually open the doors, capacities at restaurants were 25 percent and we couldn’t open the bar.”

A tasting menu seemed like the best idea when the restaurant opened in 2021. “There’s no tasting menu in a restaurant in Memphis,” David told the Flyer. “So, us opening one under the conditions that we did with very little research was kind of like winging it.”

Those six-course dinners included an amuse-bouche,  intermezzo sorbet, entree, dessert, and mignardise. But they only saw some people on special occasions or once a month.

They decided to change to an a la carte menu, which went into effect August, 2023. They also implemented a kid’s menu, which was designed by their daughter, Doris Marie.

According to the Dory web page, “Chef Dave Krog moved to Memphis in ’92, and soon began an apprenticeship under Lynn Kennedy at La Tourelle where he later became sous chef.”

It says he “went on  to be executive chef at Madidi in Clarksdale, Mississippi. This was the beginning of a career that would set him on the path to restaurant ownership and becoming a respected teacher and leader in the culinary community.”

Before opening Dory, Krog was executive chef at the old Interim Restaurant & Bar.

People will miss the atmosphere at Dory. As David told the Flyer, “As I grew older and started running kitchens in my early 20s, I understood how important it was to treat the people in our dining room literally like our guests.”

Diners were constantly telling him how warm Dory made them feel.  “And that’s pretty cool.” 

Categories
News News Blog News Feature

State Lawmaker Seeks AG Opinion on Trump on Tennessee Ballot

A state lawmaker requested a legal opinion from Tennessee’s Attorney General last week on whether or not Donald Trump qualifies to appear on Tennessee’s presidential ballot, following his convictions in New York. 

Rep. Vincent Dixie (D-Nashville) requested the opinion from Tennessee AG Jonathan Skrmetti, a Republican, in a letter sent Friday. In it, Dixie pointed to a Tennessee law that says anyone convicted of an “infamous crime” is “disqualified from qualifying for, seeking election to or holding a public office in this state.” 

Dixie said the law is meant “to protect the public from individuals who refuse to adhere to the laws they are meant to uphold.” He then pointed to Trump’s convictions on 34 felony counts of election interference last week.  

“It is crucial for Tennesseans to trust that their elected officials are held to the highest standards of legality and ethics,” Dixie said in his letter. “Allowing a candidate with such convictions to appear on the ballot would undermine this trust and the rule of law.” 

The law is meant ”to protect the public from individuals who refuse to adhere to the laws they are meant to uphold.”

Rep. Vincent Dixie

He continued, “The public’s interest in maintaining integrity in our electoral process necessitates that individuals convicted of serious crimes be held accountable and disqualified from holding public office.”

Dixie said the convictions “reflect serious criminal offenses,” including falsification of business records, “a crime prosecuted vigorously in both New York and Tennessee.”

“Given the severity and nature of these crimes, which include lying in official filings and engaging in deceitful practices to influence the outcome of an election, I seek your legal interpretation on whether Donald Trump’s convictions in New York constitute an ‘infamous crime’ under Tennessee law,” he said. “Specifically, does this disqualify him from appearing on Tennessee’s ballot for the U.S. presidential election?”

Categories
News News Blog News Feature

Blackburn Pledges to Block Senate Business in Wake of Trump Conviction

Blaming President Joe Biden for the 34-count felony conviction of former President Donald Trump, Sen. Marsha Blackburn is pledging to block Senate business, mainly items dealing with White House initiatives.

Blackburn, a Tennessee Republican, joined seven other senators in signing a letter accusing the Biden White House of making a “mockery of the rule of law” and altering the nation’s politics in “un-American ways” by orchestrating the judicial proceeding.

Trump was convicted last week on 34 felony counts of breaking New York business laws in connection with a $130,000 “hush money” payment to adult film star Stormy Daniels just before the 2016 presidential election.“As a Senate Republican conference, we are unwilling to aid and abet this White House in its project to tear this country apart,” the letter says. It is also signed by Sen. Tommy Tuberville of Alabama and Sen. Rick Scott of Florida.

The senators promised not to allow increases in non-security funding or a spending bill that funds “partisan lawfare.” They also said they would block political and judicial appointments as well as attempts to expedite Democratic bills unrelated to the American people’s safety.

Democratic state Rep. Gloria Johnson of Knoxville, who is running against Blackburn this year, said Monday the pledge is “beneath the dignity” of a U.S. senator.

Tennessee Lookout is part of States Newsroom, a nonprofit news network supported by grants and a coalition of donors as a 501c(3) public charity. Tennessee Lookout maintains editorial independence. Contact Editor Holly McCall for questions: info@tennesseelookout.com. Follow Tennessee Lookout on Facebook and Twitter.