Categories
Politics Politics Feature

A Visit from Gloria

Back in April of 2023, state Representative Gloria Johnson of Knoxville got to be a known quantity, not only statewide but to the nation at large, as a member of the “Tennessee Three,” the trio of Democratic legislators whose zeal for gun reform made them targets for expulsion by the GOP House supermajority.

She survived the expulsion vote, as her cohorts did not, either because — as some believe — they were African-American and she was not or — as the Republican whose dissenting vote saved her maintained — because she differed from them in not having challenged the “decorum” of the House quite as seriously.

Whatever the reality, Johnson fully shared the outrage of fellow protesters Justin Pearson of Memphis and Justin Jones of Nashville at Republican inaction following a lethal shooting rampage at Nashville’s Covenant School. And the lesser degree of her martyrdom would give her at least a measure of the national recognition earned by the two Justins, both of whom were immediately returned to office by their local legislative bodies.

The publicity generated by the expulsion incident doubtless was a factor in Johnson’s subsequent decision to seek the U.S. Senate seat currently held by the arch-conservative Republican Marsha Blackburn. But long before the bump in her statewide name recognition, the veteran legislator had earned respect in the House for her unstinting dedication to progressive principles.

Over the years, Johnson, a Knoxville special education teacher, had frequently gotten under the skin of Republican leaders, to the point that they had managed to reapportion her out of her seat, leaving her residence six blocks out of her home district. Undeterred, she sat out a session, moved, and was re-elected from a new, adjacent district.

Johnson’s campaign for the Senate brought her to Memphis over the Memorial Day weekend, and at one of her stops, a Saturday meet-and-greet affair at The Broom Closet on South Main, she undertook to explain both her own mission and the failings of Senator Blackburn, whom she accused of being dishonest and a “fearmonger” in the senator’s speeches, press releases, and frequent blog postings in which Blackburn accuses Democrats of a multitude of sins, up to and including disloyalty.

“Instead of focusing on hate and division,” Johnson said, “we need to be focusing on bringing people together, keeping people healthy and educated and earning a living wage, with access to things like paid family leave and childcare infrastructure.”

As an example of the incumbent’s dishonesty, Johnson recalled having seen a video in which “Marsha Blackburn actually said that we’re in a cooling period, that here’s no such thing as global warming. She said that back when she ran in 2018. Bless her heart, science is real. Just to let y’all know, I believe in science and research and data and use it daily. Yes.”

Johnson, who is simultaneously running for re-election to her state House seat, included the GOP legislative supermajority in the General Assembly in her criticism, notably, for their refusal to accept Medicaid expansion.

“Literally, Tennesseans are dying, while we refuse to expand Medicaid. And, you know, it is fair to say that their policies are certainly putting women and girls at risk. They’re putting the LGBTQ community at risk.”

She cited a recent Vanderbilt University poll which, she said, showed state voters favoring “not only medical cannabis, but recreational cannabis. They favor Medicaid expansion. Protecting the public schools. Things like universal background checks and [gun] safe storage, and extreme risk-protection orders or red flag laws.”

The same poll, she said, had her edging out Blackburn with women voters, 49 percent to 43 percent, and close behind the incumbent with other demographic groups.

(It should be noted that the prospect of Johnson’s doing well in a general election race depends, of course, on her winning out in the August Democratic primary, where she is opposed by Marquita Bradshaw of Memphis, who derailed the senatorial hopes of Nashville’s James Mackler by upsetting him in the primary in 2018. Bradshaw was easily beaten in that year’s general election by Republican Bill Hagerty.)

Categories
Letter From The Editor Opinion

Broken Bones and Silver Linings

It didn’t behave
like anything you had

ever imagined. The wind
tore at the trees, the rain
fell for days slant and hard.
The back of the hand
to everything. I watched
the trees bow and their leaves fall
and crawl back into the earth.
As though, that was that.
This was one hurricane
I lived through, the other one
was of a different sort, and
lasted longer. Then
I felt my own leaves giving up and
falling. The back of the hand to
everything. But listen now to what happened
to the actual trees;
toward the end of that summer they
pushed new leaves from their stubbed limbs.
It was the wrong season, yes,
but they couldn’t stop. They
looked like telephone poles and didn’t
care. And after the leaves came
blossoms. For some things
there are no wrong seasons.
Which is what I dream of for me.
— Mary Oliver, “Hurricane”

This summer won’t be shaping up to much for me. Still recovering from an April fall and subsequent broken bones, I’m aching and restless — and won’t be able to walk with both feet again for another month or more. I’ve learned to navigate the house in a rolling walker/chair — although my poor door frames have suffered. Any outings (once or twice a week for doctor appointments and/or my sanity) involve the use of a wheelchair, and people stare with the awkward, “Poor thing,” or the impatient, “Could you hurry up and get out of my way?” For the most part, recovery reminds me of the Covid lockdowns, stuck in my home for my safety — proper healing doesn’t happen standing up with such an injury. It’s given me an intimate look at life with a physical disability — the frustration of not being able to do certain tasks on your own, feeling helpless, trapped in your body with its limitations.

My 34-year-old brother KC has lived his life in a wheelchair, at the mercy of cerebral palsy — unable to do much for himself aside from grasping finger foods or a drink straw from his lap tray and pulling them to his mouth. Of course, I’ve thought about this through the years — when he asks what I’ve been up to, where I’ve gone, what I ate, who I saw. He’s always been deeply inquisitive and incredibly positive, but there’s always a strange guilt behind my answers knowing he’s not able to get up and experience the world in the ways that I can. Bound since birth to that life.

For the past 45 days, I’ve had a mere glimpse into it. And rain has fallen for me, blinding at times — my mind frantic and full with all the things I cannot do. Wasting away in bed — my leg elevated, required rest — waiting, waiting, waiting. A backhand to life as I knew it, knocked down by my own sort of hurricane. Fortunately, time will make me whole again, I remind myself. Not unlike the trees’ rebirth after violent storms tear away their leaves and limbs — my own stubbed limb, my miraculous body which knows what to do, slowly mends. Toward the end of the summer, I, too, will blossom again — my cheeks wet with silver linings and dreams.

Categories
Art Art Feature

‘Second Winds’

It’s hard out there for an impresario.

For years, Ron Jewell has been all in on the performing arts. In the 1980s and 1990s he was director of marketing for the Memphis Symphony Orchestra, and after that he joined the city of Bartlett to put together and run the Bartlett Performing Arts & Conference Center. As director of the facility, he booked the programming and turned it into a venue that drew healthy attendance. After 21 years there, he went over to the Orpheum Theatre Group where he was director of operations for the Halloran Centre for eight years.

But he wasn’t just behind the scenes in the performing arena — he’s had a yearslong run with his one-man show “Mark Twain At-Large” that he’s performed all over the country. He could run a show on either side of the curtain.

As happens with people of a certain age, however, he sensed change was afoot. “I began to prepare myself for retirement,” he said. “The whole concept of leaving a long career in the performing arts seemed like giving in somehow.”

Combustion, 11” x 14”  acrylic

He had the finances to retire, but he just wasn’t sure what he’d do. “I just didn’t have any direction for what to look forward to. I wasn’t ready.”

And yet, something was already bubbling up. “About 10 years ago, I asked my daughter, on a lark, to get me a starter painting kit,” he said. “I began to push paint around a canvas without any instruction, playing all over the palette with great folly, while watching a variety of video demonstrations and tutorials on techniques and style.”

Wetland, 18” x 24” acrylic

He finally found his direction. And he’s well aware of how an artist’s initial explorations can go off in any number of ways. “As I discovered new paths for expression, the exhibit may seem, at times, a little tangential,” he said. “But the randomness in styles reflects the search for my own voice. I’ve found a new sense of purpose and rely on my creative energies to navigate what I call the ‘Second Winds.’”

Jewell’s explorations go far and wide, and that suits him just fine.

“I paint for myself, but I’m ready to include my circle of friends. You will excuse my amateurish attempts, but I hope you will also celebrate the never-ending power of an inspired imagination.”

Ron Jewell’s exhibition “Second Winds” is at Gallery Ten Ninety-One at WKNO, 7151 Cherry Farms Road, Cordova. The show runs from June 3rd to June 29th, with an opening reception Monday, June 3rd, from 5 p.m. to 7 p.m.

Categories
We Recommend We Recommend

Get Ready for Memphis Pride Fest

June, if you can imagine, is already here, and that means it’s time for Pride. This year’s Memphis Pride Fest, which bills itself as the largest gathering of LGBTQ people in the Mid-South, promises to be bigger and better than ever before, with a theme of “Embrace Your Story,” a celebration of diversity, strength, and unity.

Headlining the event organized by Mid-South Pride is Kornbread “The Snack” Jeté, a fan-favorite from season 14 of RuPaul’s Drag Race, and 37 local drag entertainers and four local bands will join the lineup across two stages. The festival will also host over 175 booths, providing a wide array of activities suitable for all ages, from engaging games, to history and educational exhibits, to arts and crafts. Admission to the festival starts at $1.

Kicking off the day, of course, is the annual parade which starts at Fourth and Beale before making its way through the historic Beale Street Entertainment District. The procession features over 100 units with 2,500+ participants from myriad organizations. “The energy that comes off of everyone at the parade is amazing, you can feel it in the air,” Vanessa Rodley, Mid-South Pride president and festival director, said in a press release. “It’s almost like it’s vibrating. It’s the most colorful weekend of the year and you can see it and feel it!”

But the celebrations don’t begin nor do they end with the festival. In fact, they start on Thursday, May 30th, with the ever-popular Drag N Drive, which will feature a screening of Mean Girls (2004) followed by a drag/video showcase. On Friday, May 31st, Friends For All will host the Big Gay Dance Party, where attendees will enjoy music, dancing, drinks, and a safe, inclusive environment. The party will also have free HIV and STI testing, and Friends For All will debut its brand-new mobile care unit.

The weekend wraps up with the Grand Marshal Drag Brunch, a laid-back yet lively brunch with local drag performers on the Cossitt Library lawn.

For more information on all that’s happening this weekend and to purchase tickets to any of these events, visit midsouthpride.org.

Drag N Drive, Summer Drive-In, 5310 Summer, Thursday, May 30, 7 p.m., $35-$50.

Big Gay Dance Party, Crosstown Theater, 1350 Concourse, Friday, May 31, 8 p.m., $15-$130.

Memphis Pride Festival and Parade, Robert Church Park and Beale Street, Saturday, June 1, 11 a.m.-5 p.m., $1-$100.

Grand Marshal Drag Brunch, Cossitt Library, 33 South Front, Sunday, June 2, 11 a.m., $30-$50.

Categories
News News Blog News Feature

Conceptual Design For Tyre Nichols Skatepark To Be Revealed Mid-Summer

The conceptual design for the Tyre Nichols Memorial is slated to be revealed midsummer per The Skatepark Project (TSP.)

According to The Skatepark Project’s director of grants and skatepark development, Trevor Staples, the next steps in the development process will be to unveil the design that was created based on community input. 

“This concept will allow stakeholders throughout the community to see not only the potential size and scope of the entire project [and] inclusiveness of the skatepark,” Staples said in a statement.

In April, the Tyre Nichols Foundation along with TSP held a design charette at the National Civil Rights Museum, where community members and stakeholders were allowed to share input on what they would like to see at the skatepark.

Photo Credit: Tyre Nichols Foundation via Facebook

“Successful public skateparks begin with involvement of the community,” Staples said. “The goal of this project is to not only have a place for young people to engage in free, healthy, outdoor recreation, but to create a gathering place for community members across the Memphis area.”

This will be the second skatepark dedicated to Nichols, as TSP helped revamp a skatepark in Sacramento, California with the support from Vans.

“Although we didn’t know him personally, Tyre was part of our community – the skate community – a community that bonds us together,” Staples said. “With that, TSP wanted to support Tyre’s family through amplification of their fundraising efforts, which brought us together and since then we have been working with them in a larger capacity to help their goal of building a skatepark in his honor.”

Keyana Dixon, Nichols’ oldest sister and founder of the Tyre Nichols Foundation, said one of the best ways to honor her brother’s memory is to give back to the community and honor all aspects of his life.

“What I’ve noticed from all of this is that Memphis is a pretty rough place, but he was able to find all the beautiful things there,” Dixon said. “He really enjoyed Memphis — he loved it. It’s a way to have his energy and his space there. It’s hard to stay, but everytime I come to Memphis, I can feel my brother. Like all the love, community support … it’s just felt all the time.”

Dixon said the charette, in conjunction with the community and partners such as TSP and the “Hip-Hop Architect” Michael Ford, showed overwhelming support for the skatepark, knowing that it would not only be a great way to commemorate Nichols, but a safe space for citizens.

“It’s going to draw people from all over the world to come visit the skatepark. It’s going to be a safe space to build relationships and that’s what we got from the charette.

Community input is extremely important to the Tyre Nichols Foundation and TSP in designing the skate park. Both organizations spoke about the many communities being represented in these collaborations.

“It was a lot of skaters, a lot of people from all different walks of life,” Dixon said. “Old, young, Black, white — it didn’t matter, everyone was there in support of this project in honor of my brother.”

TSP and the Tyre Nichols Foundation hope to have a location confirmed by the end of the year.

Categories
Music Record Reviews

Remembering Phineas Newborn Jr. ‘s World

As Memorial Day approaches and we pay homage to men and women who made the ultimate sacrifice in the line of duty, it’s also worth remembering other fallen heroes. And for this writer, Memphis music has produced no greater hero than Phineas Newborn Jr., the pianist who grew up playing Beale Street in his father’s band, then conquered the world with his transcendent talent.

At least, he should have conquered the world. Despite any acclaim he garnered amongst jazz afficionados in his heyday, he was, in his latter years, a supremely troubled human, struggling with the most pedestrian aspects of life in Memphis, a figure typically written off by the well-to-do passing him by on the street. Which made his supreme artistry on the ivories all the more heroic. (Read Stanley Booth’s masterful and poignant portrait of Newborn’s contradictions, the chapter “Fascinating Changes” in his anthology, Red Hot and Blue: Fifty Years of Writing About Music, Memphis, and Motherf**kers, and you’ll see what I mean.)

With Sunday, May 26th, marking the 35th anniversary of Newborn’s passing, this Memorial Day weekend will be an excellent occasion to honor his life and work.

You can find no better starting place than his 1962 platter, A World of Piano!, first released on Contemporary Records, now available as part of Craft Recordings’ Contemporary Records Acoustic Sounds Series, featuring lacquers cut from the original master tapes (with an all-analog signal path) by Bernie Grundman, a Grammy-Award-winning engineer who once worked for Contemporary when it was one of the hippest labels in the country. Craft’s reissue, released on 180-gram vinyl last December, is a sonic marvel.

It’s also a visual marvel. Unlike many reissues which tweak the album art of classic platters, or, worse, try to update the art altogether, this and the other releases in Craft’s Contemporary Records Acoustic Sounds Series pay complete fealty to the aesthetics of the original records. This means that the full experience of the album is in your grasp, right down to the brilliant liner notes by one of the legendary practitioners of that art (and another personal hero), Leonard Feather.

An accomplished musician and composer in his own right, Feather digs deep in these notes and offers the reader some powerful insights. The notes are a tome unto themselves; when was the last time you saw liner notes with footnotes? Better yet, in the first, Feather notes a telling detail that’s usually only acknowledged by Memphians: “1. Phineas prefers to pronounce his name ‘fine-us’ with the accent on the first syllable.”

Feather’s learned approach is in dialogue with Newborn himself. The notes read: “Of ‘Lush Life,’ Phineas says, ‘You’ll notice I used part of the Ravel Sonatine because of its harmonic structure, which is similar to part of the verse of ‘Lush Life,’ stretching out from the D flat to the F minor.'” Who else but a pianist and musicologist would elicit this quote from the virtuoso?

Indeed, the version of Billy Strayhorn’s classic tune here is a dazzler, and, given Newborn’s sheer dexterity and rapid-fire playing elsewhere, beautifully restrained. All Ravel interpolations aside, this is exquisitely sparse, letting Strayhorn’s melody shine in the first iteration, the drums and bass not entering until the chorus begins. This “Lush Life” is a revelation in its simplicity.

Other tunes, like opener “Cheryl,” display Newborn’s fireworks to the utmost, played with a ferocity that caused me to sit up at attention when I dropped the needle. Yet other tracks display the sheer groove of Newborn’s playing, as with the pounding Latin rhythms of “Manteca,” one of Dizzy Gillespie’s signature tunes, here somehow evoking a full horn section with only Newborn’s chordal blocks, hammered as if on a timpani.

“Juicy Lucy” offers a master class in swing, simultaneously lilting, playful, and sultry, while “For Carl” is the epitome of that lost art, the swing waltz. The swaying, 3/4-time number was, as Feather notes, “written by bassist Leroy Vinnegar as his memorial to the pianist both he and Phineas admired” — the one and only Carl Perkins. Actually, strike that…this guy had nothing to do with “Blue Suede Shoes,” so he should be dubbed the also and other Carl Perkins. Yet fully worthy of this beautiful homage, nonetheless.

The grooving is mutual all around, as Newborn finds himself complemented with some of the greatest rhythmists of his time. As Feather’s notes make clear, this was due to the happenstance of Newborn being in Los Angeles for these recording sessions as other bands passed through. Side One swings like it does “thanks to the presence in town of the Miles Davis combo … Paul Chambers and Philly Joe Jones,” Feather writes, later noting “the presence in Hollywood of the Cannonball Adderley Quintet when Phineas cut Side 2 … Sam Jones and Louis Hayes.”

Such details, along with the masterful reproduction of this album in its original form, put you in that time. Yet it’s not nostalgia that’s summoned up, but the immediacy, the vibrancy, and the modernity of that era. Thanks to Craft Recordings, you can now hold some of that bottled magic in your hands.

Categories
Film Features Film/TV

Furiosa: A Mad Max Saga

When Praetorian Jack (Tom Burke) sizes up Furiosa (Anya Taylor-Joy) for the first time, she’s standing alone in the middle of the wasteland, bloodied and bruised. They are the only two survivors of a brutal desert battle which has left the road behind them littered with twisted steel and broken bodies. Furiosa has “a purposeful savagery” which makes her an ideal candidate for promotion to Imperator in the army of Immortan Joe (Lachy Hulme). Jack offers to take her under his wing  — she’s just killed most of his crew, so he needs the help driving the War Rig. 

By the time she gets her field promotion, Furiosa has already lived four lives. She was a carefree youth, privileged to live in The Green Place, a matriarchal society that retained a high level of technology in a sheltered secret valley. At age ten (Alaya Browne plays Youngest Furiosa), she is taken captive by raiders from the Biker Horde of Dementus (Chris Hemsworth), and forced to live in a cage as his “daughter.” When Dementus makes a play for Wasteland dominance by taking on Immortan Joe, Furiosa is traded, along with a doctor (Angus Sampson) as part of an armistice deal. She is sent to the vault where Immortan keeps his harem, where she first shaves her head as part of an elaborate escape plan. With sons like Rictus Errectus (Nathan Jones) and his slightly brighter brother, Scrotus (Josh Helman), it’s easy to see why Immortan Joe would need Furiosa, who is always the smartest person in the room, to breed future “Warlord Jr’s.” Furiosa escapes the rape chamber to live for a while disguised as a War Boy while she bides her time, and plots her ultimate escape back to the Green Place. 

Immortan Joe (Lachy Hulme) and his minons. (Courtesy Warner Bros.)

We first met Furiosa in 2015’s Mad Max: Fury Road, where she staged a high-octane escape from the Immortal Man’s Citadel, and took his five perfect wives with her. It was the fourth installment in director George Miller’s Mad Max series, which began as gonzo Australian Oz-sploitation in 1979 and broke into the American popular imagination in 1981 with The Road Warrior. Max, a former Aussie highway patrolman turned wasteland legend, was played in the first three films by Mel Gibson, then by Tom Hardy in Fury Road. Even though his name was in the title, Hardy’s Max was utterly upstaged in Fury Road by Charlize Theron’s Furiosa. Her indelible performance elevated the film from one of the best action films ever made to one of the best films ever made, period. 

Furiosa: A Mad Max Saga began life as an anime series intended to accompany Fury Road if it had been made as planned in the mid-’00s. Furiosa retains the episodic structure, with cards announcing chapter titles. It is framed as the remembrance of The History Man (George Shevtsov), who shared Dementus’ cage with Furiosa. Miller has said the Mad Max films are folk legends of the future told by those who are trying to rebuild human society after the combination of ecological collapse and nuclear war have laid waste to the planet. Fury Road is told in close-up, zoomed in on three hard days in the wasteland. Furiosa begins with a zoom in from space onto the Australian outback, signaling that Miller is working in a different register. The intricate chase scenes, which Miller does better than anyone ever has, still pop. “Chapter 3: Stowaway”, which reportedly took five years to plan and six months to film, rises to Fury Road’s heights. 

Chris Hemsworth as Dementus (Courtesy Warner Bros.)

But Miller is more concerned with the people in the wasteland. Fury Road bore the mark of silent stunt genius Buster Keaton. Furiosa’s Bildungsroman, the story of how the child became the woman, and the woman became the hero, is in the mode of an Akira Kurosawa samurai epic. That’s why the 15-year story’s climax, the 40 Day Wasteland War, takes place largely off screen. Furiosa both starts the war and finishes it. The piles of burning corpses tell you everything to you need to know about what happened in between. 

To hear Dementus tell it, Furiosa’s problem is that she has hope. She saw the Green Place. She knows life doesn’t have to be a brutal scramble for survival, where your first instinct is to loot your buddy’s corpse. Hemsworth is deliciously unhinged on the surface, but he is, like Hamlet, “mad in craft.” At least at first. As the years go by, the level of brutality needed to control a hoard of cannibalistic bikers starts to take its toll. This is by far the best performance of Hemsworth’s career. 

He almost, but not quite, upstages the Furiosas. Anya Taylor-Joy has the unenviable assignment of following a titan like Charlize Theron. Fortunately, she has help from Alyla Browne, a 14-year-old newcomer who is completely at home chewing through a motorcycle fuel line. As the traumas pile up, and the flamethrowers roar, she slowly comes into focus. Will she be a monster, like Dementus, or a protector, like her mother? Then, in one epic moment on the top of a speeding war rig, Taylor-Joy looks into the camera, and there she is, our Furiosa, ready to fight the whole rotten world. 

Categories
News News Blog News Feature

Housing Complaint Filed on Behalf of HCV Residents in Memphis

Multiple entities have joined together to file an official complaint against a tenant screening software for its alleged treatment of potential renters in Memphis.

The National Fair Housing Alliance (NFHA), the Fair Housing Rights Center in Southeastern Pennsylvania (FHRC), and the Housing Equality Center of Pennsylvania (HECP) filed a complaint on behalf of residents in both Memphis and Pennsylvania against Tenant Turner Inc. 

Tenant Turner is a “web lead management and tenant screening software” which displays listings and can be used by management to screen potential residents. 

“[The] complaint alleges that Tenant Turner discriminates based on race by facilitating landlords to generate listings on its website that display a refusal to rent to people who use Housing Choice Vouchers (HCV) and designing an algorithm that prohibits voucher holders from scheduling a viewing of rental units that display that refusal in cities of Memphis, TN, and Philadelphia, PA,” the organizations said in a statement.

HCVs provide low-income citizens with affordable housing options, are provided by the federal government, and are available through places like the Memphis Housing Authority (MHA).

“There is an enormous shortage of decent, affordable rental properties in Memphis and Shelby County,” MHA said in a statement. “Adding your property to the HCV program is one of the easiest ways to ensure you have a tenant paying rent — and part of the rent comes from MHA.”

According to the complaint, Tenant Turner allows landlords to choose whether they want to rent to people using HCV vouchers, even if the city has policies in place that prohibit discrimination on this basis.

“Through over 40 tests of Tenant Turner’s pre-screening survey that sets up showings of rental units on listing that display housing choice voucher restrictions, NFHA, FHRC, and HECP found that testers with housing vouchers were unable to schedule a viewing of the rental unit,” the organizations said.

They went on to say that research showed more than 4,005 listings were found with these restrictions, even though both Memphis and Philadelphia have “source of income protections.”

Information provided by the housing authorities show that both cities are “over-represented in the households participating in the HCV program.” In Memphis, 96 percent of households receiving these vouchers are Black, with only one percent of renters being white. They added that 69 percent of renters in the city are Black, and 20.6 percent are white.

“Rising rents are putting housing out of reach for millions, particularly people of color, persons living with disabilities, low- and moderate-income families, veterans, and frontline workers who have been hardest-hit by the ongoing Covid-19 health and economic crisis,” Lisa Rice, NFHA’s president and CEO, said in a statement. “More protections are needed for renters who rely on housing vouchers, and everyone, including government, must utilize their powers to prevent the unfair practice of discrimination against those who use the vital HCV program.”

Tenant Turner has not responded to a request for comment.

Categories
On the Fly We Recommend We Recommend

On the Fly: Week of 5/24/24

“MANE” and “Hidden Gems” Opening Reception
Crosstown Arts
Friday, May 24, 6 p.m.
Crosstown Arts presents an opening reception for “MANE” and “Hidden Gems” curated by Najee Strickland and Kiara Sally in the Galleries at Crosstown Arts. “MANE” will explore how Southern speech has shaped Memphis artists’ view of community and themselves while “Hidden Gems” includes artists with modest visibility and offers them an opportunity to show up and be uncovered. The opening will feature a performance from Keeping It P, a special menu by Chef Bo Zou of Petals of a Peony, and more. The event is free and open to the public

BrewHaHa: A Night of Comedy
Hampline Brewing Company
Friday, May 24, 7:30 p.m.
Keeley Allison hosts a free night of laughs with a lineup of local comedians: headliner Rob Love, then Ryan Bush, and Ben Pierce. 

Cooper-York Fest
Memphis Made Brewing Co.
Saturday, May 25, 1 p.m.
Cooper-York Fest returns this spring with tons of beer, vendors, face painting, and more. Emporio’s Table and Emo Flamingo food trucks will be there, and Owlbear, Kitty Dearing & the Dagnabbits, and San Salida will provide the music. 

Harbert Avenue Porch Show: Pinky’s and Tyler Keith & the Apostles
1858 Harbert 
Saturday, May 25, 5-8 p.m.
Music begins at 5:30 p.m. with Pinky’s followed by Tyler Keith & the Apostles at 6:15 p.m. Let’s Be Frank! food truck will be on the street an hour before the music starts.  Beer is provided by Memphis Made Brewing. T-shirts designed by Mike McCarthy will be sold at the event and in the Black & Wyatt Web Store with all profits going to the bands. There is no charge for the event, but donations to the bands will be accepted and are appreciated.

Shroomlicious Vegan Cookout
394 N. Watkins
Monday, May 27, 12 p.m.
Calling all fungi, fungals, and funpals! Shroomlicious Meals is hosting its first-ever cookout this Memorial Day with meals all centered around the mushroom. That means each plate ($20) will be packed with grilled mushrooms, tasty sides, and mouthwatering sauces that’ll have you coming back for seconds (and thirds)! RSVP now and read Michael Donahue’s story on the vegan eatery before you go.

Nature Journaling at Overton Park
Overton Park
Tuesday, May 28, 4 p.m.
Join Overton Park Conservancy at the East Parkway Old Forest gateway to learn the basics of nature journaling. Bring your own notebook and writing materials, and there will be limited art supplies to share. This program is free and no RSVP is required.

Whet Thursday
Metal Museum
May 30, 5-8 p.m.
The Metal Museum’s Whet Thursdays are back! That means the last Thursday of the month from May to August you can enjoy live demonstrations by skilled blacksmiths, free admission to the galleries, and more. This Whet Thursday, Corey Lou & DaVillage will bring Memphis Soul music Smurfey’s Smokehouse will be the featured food truck with the Tipsy Tumbler serving up the beverages.

Megan Thee Stallion: Hot Girl Summer Tour
FedExForum
Thursday, May 30, 8 p.m.
Every summer is hot girl summer, but we’re talking about capital Hot Girl Summer from Megan Thee Stallion as she brings her Hot Girl Summer Tour to Memphis with special guest Memphis’ own GloRilla. Tickets start at $51, but it’s Megan Thee Stallion and GloRilla, so get on it. 

There’s always something happening in Memphis. See a full calendar of events here.

Submit events here or by emailing calendar@memphisflyer.com.

Categories
Music Music Blog

Mempho Festival 2024 Reveals Lineup

The Mempho Music Festival, scheduled for October 4-6, has announced the performers to be featured this year, and it makes it clear once again why Billboard Magazine called it “one of the premiere southeast music festivals for Americana, rock, and blues music.” And with Queens of the Stone Age topping the bill, Mempho is certainly bringing serious rock bona-fides to the Mid South.

Mempho’s commitment to the jam band sound, well-established with its history of bringing Widespread Panic to Memphis multiple times, also continues unabated, with Trey Anastasio also headlining. As the lead guitarist and songwriter for Phish, the jam band star will be continuing the approach started this month in touring with his “classic” Trey Anastasio Band (TAB), composed of drummer Russ Lawton, keyboardist Ray Paczkowski, and bassist Dezron Douglas.

Finally, the outlaw county element will be well represented by Cody Jinks, the onetime thrash rocker from Texas who’s been making waves on the country charts for nearly a decade.

Mempho’s eclecticism goes far beyond those genres, as the next tier of talent slated to appear this year reveals. If snagging the Fugees for Mempho Presents’ recent RiverBeat Music Festival was impressive, so too is the appearance of both The Roots and Digable Planets at Mempho Fest this fall. And beyond those eternally fresh Philly favorites, the list also includes Goose, Sublime with Rome, Marcus King, Charles Wesley Godwin, Drew Holcomb and The Neighbors, Cory Wong, Warren Haynes Band, and The Kills. Other artists will fill in the roster as well, including some of this city’s finest artists. Once again, ground zero for the multi-stage festival will be Radians Amphitheater at the Memphis Botanic Garden.

Three day tickets to the Mempho Music Festival are now available and can be purchased through memphofest.com/tickets. Single-Day tickets will be made available soon with the announcement of the daily lineup.