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Jerry’s Sno Cones to Close Berclair Location

Jerry’s Sno Cones will close its original location in the Berclair/Nutbush area. 

The iconic Memphis establishment announced the move on Facebook Wednesday afternoon. They gave no reason for the closing. But they said the Jerry’s location at 1601 Bonnie Lane in Cordova is open. 

Jerry’s Sno Cone’s via Facebook

“We are grateful for the past memories and are looking forward to new family memories at our Cordova location,” the owners said in the post. “We will be voting soon on a new location. God loves you and so does Jerry’s Sno Cones!”

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Music Music Blog We Recommend We Recommend

Blues Hall of Fame Museum Unveils Interactive Hologram of Taj Mahal

The Blues Foundation’s Blues Hall of Fame Museum has unveiled a brand-new interactive hologram of blues musician Taj Mahal, making it the first museum in Tennessee and second in the United States to have a full-body hologram, says Blues Foundation CEO and president Kimberly Horton.

Horton says when she found out about Folk Americana Roots Hall of Fame’s hologram of philanthropist Ernie Boch Jr., whose personal collection of guitars were on display at the museum at the time, she knew she “had to have one for Memphis.”

The Blues Foundation’s first hologram features Blues Hall of Famer Taj Mahal. “It’s him. Like he’s actually sitting in there, actually sitting in the [holographic] box,” Horton says. “You could actually have a full conversation.”

That means that guests can ask whatever question comes to mind, and the hologram, which has been trained with AI, will generate a response as Mahal himself would answer. “We had Taj Mahal sit still for 12 hours one day and just asked him all these questions, about 250 questions, and filmed him while he was doing that,” Horton explains. “So this is his voice. And these are his mannerisms. These are his hand movements.”

From the beginning, Horton says she knew Mahal would be a part of the debut of the permanent exhibition, which will spotlight other artists in the future. “He’s just great,” she says. “When it comes to music, he’s multi-Grammy-winning. He has touched every genre of the industry. He’s got his hand in everything. Taj will be 82 this month, so it was imperative that he was the first person that was in the hologram.”

After all, Horton says, “If you want to preserve something or preserve history, then what better way to do it?”

The Blues Hall of Fame Museum is located at 421 South Main Street. Admission is $10/adults, $8/students, and free for kids 12 and under. There is an additional charge of $10 to interact with the hologram. Museum hours are Tuesday to Saturday from 10 a.m. to 5 p.m.

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Opinion The Last Word

War, Money, and Universities

Human politics — from global to local — remain mixed with hatred, dominance, and … well, dehumanization. We’ve organized ourselves across the planet around one primary principle: the existence of an enemy. The division between “us” and “them” can be based on anything: a difference in race, language, culture — or simply opinion, which is beginning to happen on campuses across the country, as peaceful, intensely determined protesters, demanding their institutions divest from the Israeli war machine, face violent resistance from police and/or counter-protesters.

Yes, the peaceful protesters are interrupting the status quo — setting up encampments, even occupying university buildings. For instance, at Columbia University, students renamed the occupied Hamilton Hall, declaring its new name to be Hind’s Hall, after Hind Rajab, a 6-year-old Palestinian girl killed by Israeli armed forces, along with the rest of her family (and several aid workers), as they were fleeing their home in Gaza. The point of the protests is, indeed, to change the world: to stop U.S., including university, support of the devastating “war” (i.e., carnage). They’re not trying to eliminate an enemy but, rather, illuminate the situation — putting themselves on the line to do so.

Some of the responses to the protests are definitely illuminating. A statement from UCLA’s Palestine Solidarity Encampment, for instance, noted: “The life-threatening assault we face tonight is nothing less than a horrifying, despicable act of terror. For over seven hours, Zionist aggressors hurled gas canisters, sprayed pepper spray, & threw fireworks and bricks into our encampment. They broke our barriers repeatedly, clearly in an attempt to kill us.”

Furthermore, the account went on: “Campus safety left within minutes, external security the university hired for ‘backup’ watched, filmed, and laughed on the side as the immediate danger inflicted upon us escalated. Law enforcement simply stood at the edge of the lawn and refused to budge as we screamed for their help. … The university would rather see us dead than divest.”

In other words, those damn students are the enemy. Even when the response to the protests isn’t outright violence, it’s often rhetorically violent, such as GOP Sen. Marsha Blackburn of Tennessee calling the protesters terrorists and declaring, “Any student who has promoted terrorism or engaged in terrorist acts on behalf of Hamas should be immediately added to the terrorist watch list and placed on the [Transportation Security Administration] No-Fly List.”

This is utterly linear, minimalist thinking. Critics aren’t engaging in a debate on the nature (and necessity) of war, plunging, with the protesters, into a complex discussion of global politics, military industrialism, and the morality of killing. That’s too much trouble! They’re simply calling the outraged protesters “the enemy” — just a bunch of terrorists, same as Hamas. And yeah, no doubt part of that good old axis of evil. 

This is the thinking the protesters are trying to disrupt! Alas, it’s also solidly part of the infrastructure of the status quo. Militarism is baked into the American core. When we’re not waging our own wars, we’re enabling various allies to do so.

As Heidi Peltier, writing at Brown University’s Costs of War Project, points out, regarding this country’s annual budget of nearly $2 trillion: “Almost half of the U.S. federal discretionary budget is allocated to the Department of Defense and more than half of the discretionary budget goes to ‘defense’ overall, which includes not only the DoD but also nuclear weapons programs within the Department of Energy and additional defense spending in other departments. … As a result, other elements and capacities of the U.S. government and civilian economy have been weakened, and military industries have gained political power. Decades of high levels of military spending have changed U.S. government and society — strengthening its ability to fight wars, while weakening its capacities to perform other core functions. Investments in infrastructure, healthcare, education, and emergency preparedness, for instance, have all suffered as military spending and industry have crowded them out.”

The campus protests around the country, at which, so far, more than 2,000 students have been arrested, primarily address the twisted irony of money. Universities have multi-billion-dollar endowments — donation money — which they then invest in the stock market, in various companies, including … well, yeah, weapons manufacturers, like Lockheed Martin, Boeing, Raytheon, General Dynamics, Northrop Grumman, and many more. Oh, the mysterious, ironic flow of money!

At New York University, a spokesman informed protesting students that the university is not divesting from such companies because it needs to maximize its investment returns in order to “help the university fulfil its research and educational mission.” You know, to bring truth and knowledge into the world — for the sake, among others, of the protesters themselves. 

American college students are facing this irony head on — at a personal cost. But the cost, as they say, is minimal, compared to the one being paid by Palestinians, and by victims of war all around the world. 

Robert Koehler (koehlercw@gmail.com), syndicated by PeaceVoice, is a Chicago award-winning journalist and editor. He is the author of Courage Grows Strong at the Wound, and his newly released album of recorded poetry and art work, Soul Fragments.

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News News Feature

Getting Children Interested in Philanthropy

Cultivating the virtue of charitable giving in your children is an endeavor that’s never too early to start. The following tips can help you pass along your philanthropic values to the next generation. 

1. Lead by example. 

One of the best ways to instill values in your children is by modeling them. Talk to your children about the causes you support with both your money and time. Don’t worry about bragging; instead, be honest about what you do and the impact your actions have on the lives of others. It’s important that your children know how much you do for others. 

2. Involve your children in charitable decisions. 

Make giving to charity a family event by involving your children in charitable decisions. If you have a budget for charitable donations, give your kids a say in how to allocate a portion of the funds. Websites such as Charities Aid Foundation and Charity Navigator can help you discover a wide range of charitable organizations that align with your children’s passions, values, and interests. 

3. Volunteer together. 

Once they’re older, your children can volunteer with you at organizations such as food pantries, animal shelters, churches, hospitals, etc. Volunteering alongside your kids can be a great way to get them excited about helping others. However, even younger children have an opportunity to help others. Consider taking your child to help a neighbor with a small job, such as raking leaves or shoveling a driveway. You can also encourage young children to “pay it forward” by doing something nice for someone else each time someone does something nice for them. 

4. Help your children develop their own charitable goals. 

Talk with your children about their values and what’s important to them, then find opportunities for them to make an impact. Maybe your son loves reading and wants to share his joy by starting a book drive. Or perhaps your daughter has dreams of someday becoming a veterinarian and would like to walk dogs at your local shelter. Your kids will be more motivated to support causes that are important to them. 

5. Encourage your children to donate their own money. 

One effective way to teach children the importance of giving to others is by implementing a “three-bucket” strategy. Consider offering your kids an age-appropriate allowance and teaching them to separate it into three categories — save, spend, and give. Not only does this practice teach your children that a portion of their money should be used to help others when possible but it also helps them learn the importance of saving for the future. 

Gene Gard, CFA, CFP, CFT-I, is a Partner and Private Wealth Manager with Creative Planning. Creative Planning is one of the nation’s largest Registered Investment Advisory firms providing comprehensive wealth management services to ensure all elements of a client’s financial life are working together, including investments, taxes, estate planning, and risk management. For more information or to request a free, no-obligation consultation, visit CreativePlanning.com.

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Astrology Fun Stuff

Free Will Astrology: Week of 05/16/24

ARIES (March 21-April 19): Polish-born author Joseph Conrad (1857–1924) didn’t begin to speak English until he was 21 years old. At 25, his writing in that language was still stiff and stilted. Yet during the next 40-plus years, he employed his adopted tongue to write 19 novels, numerous short stories, and several other books. Today he is regarded as one of the greatest writers in the English language. You may not embark on an equally spectacular growth period in the coming months, Aries. But you do have extra power to begin mastering a skill or subject that could ultimately be crucial to your life story. Be inspired by Conrad’s magnificent accomplishments.

TAURUS (April 20-May 20): Hypothetically, you could learn to give a stirring rendering of Beethoven’s Symphony No. 5 on a slide whistle. Or you could perform the “To be or not to be” soliloquy from Shakespeare’s Hamlet for an audience of pigeons that aren’t even paying attention. Theoretically, you could pour out your adoration to an unattainable celebrity or give a big tip to a waiter who provided mediocre service or do your finest singing at a karaoke bar with two people in the audience. But I hope you will offer your skills and gifts with more discernment and panache, Taurus — especially these days. Don’t offer yourself carelessly. Give your blessings only to people who deeply appreciate them.

GEMINI (May 21-June 20): When I lived in San Francisco in 1995, thieves stole my Chevy Malibu. It was during the celebratory mayhem that swept the city following the local football team’s Super Bowl victory. Cops miraculously recovered my car, but it had been irrevocably damaged in one specific way: It could no longer drive in reverse. Since I couldn’t afford a new vehicle, I kept it for the next two years, carefully avoiding situations when I would need to go backward. It was a perfect metaphor for my life in those days. Now I’m suggesting you consider adopting it for yours. From what I can discern, there will be no turning around anytime soon. Don’t look back. Onward to the future!

CANCER (June 21-July 22): Cancerian basketball coach Tara VanDerveer is in the Women’s Basketball Hall of Fame. She won more games than anyone else in the sport. Here’s one aspect of her approach to coaching. She says that the greatest players “have a screw loose” — and she regards that as a very good thing. I take her to mean that the superstars are eccentric, zealous, unruly, and daring. They don’t conform to normal theories about how to succeed. They have a wild originality and a fanatical drive for excellence. If you might ever be interested in exploring the possible advantages of having a screw loose for the sake of your ambitions, the coming months will be one of the best times ever.

LEO (July 23-Aug. 22): Am I one of your father figures, uncle figures, or brother figures? I hope so! I have worked hard to purge the toxic aspects of masculinity that I inherited from my culture. And I have diligently and gleefully cultivated the most beautiful aspects of masculinity. Plus, my feminist principles have been ripening and growing stronger for many years. With that as our background, I encourage you to spend the coming weeks upgrading your own relationship to the masculine archetype, no matter which of the 77 genders you might be. I see this as an excellent time for you to take practical measures to get the very best male influences in your life.

VIRGO (Aug. 23-Sept. 22): Now that your mind, your heart, and your world have opened wider than you imagined possible, try to anticipate how they might close down if you’re not always as bold and brave as you have been in recent months. Then sign a contract with yourself, promising that you will not permit your mind, your heart, and your world to shrink or narrow. If you proactively heal your fears before they break out, maybe they won’t break out. (PS: I will acknowledge that there may eventually be a bit of contraction you should allow to fully integrate the changes — but only a bit.)

LIBRA (Sept. 23-Oct. 22): I would love you to cultivate connections with characters who can give you shimmery secrets and scintillating stories you need to hear. In my astrological opinion, you are in a phase when you require more fascination, amazement, and intrigue than usual. If love and sex are included in the exchange, so much the better — but they are not mandatory elements in your assignment. The main thing is this: For the sake of your mental, physical, and spiritual health, you must get your limitations dissolved, your understanding of reality enriched, and your vision of the future expanded.

SCORPIO (Oct. 23-Nov. 21): Scorpio writer Andrew Solomon made a very Scorpionic comment when he wrote, “We all have our darkness, and the trick is making something exalted of it.” Of all the signs of the zodiac, you have the greatest potential to accomplish this heroic transmutation — and to do it with panache, artistry, and even tenderness. I trust you are ready for another few rounds of your mysterious specialty. The people in your life would benefit from it almost as much as you.

SAGITTARIUS (Nov. 22-Dec. 21): Have you been nursing the hope that someday you will retrain your loved ones? That you will change them in ways that make them act more sensibly? That you will convince them to shed qualities you don’t like and keep just the good parts? If so, the coming weeks will be an excellent time to drop this fantasy. In its place, I advise you to go through whatever mental gymnastics are necessary as you come to accept and love them exactly as they are. If you can manage that, there will be a bonus development: You will be more inclined to accept and love yourself exactly as you are.

CAPRICORN (Dec. 22-Jan. 19): I brazenly predict that in the next 11 months, you will get closer than ever before to doing your dream job. Because of your clear intentions, your diligent pragmatism, and the Fates’ grace, life will present you with good opportunities to earn money by doing what you love and providing an excellent service to your fellow creatures. But I’m not necessarily saying everything will unfold with perfection. And I am a bit afraid that you will fail to capitalize on your chances by being too insistent on perfection. Please assuage my doubts, Capricorn! Welcome imperfect but interesting progress.

AQUARIUS (Jan. 20-Feb. 18): In his book Ambivalent Zen, Lawrence Shainberg mourns that even while meditating, his mind is always fleeing from the present moment — forever “lurching towards the future or clinging to the past.” I don’t agree that this is a terrible thing. In fact, it’s a consummately human characteristic. Why demonize and deride it? But I can also see the value of spending quality time in the here and now — enjoying each new unpredictable moment without compulsively referencing it to other times and places. I bring this up, Aquarius, because I believe that in the coming weeks, you can enjoy far more free time in the rich and resonant present than is normally possible for you. Make “BE HERE NOW” your gentle, relaxing battle cry.

PISCES (Feb. 19-March 20): Two-thirds of us claim to have had a paranormal encounter. One-fourth say they can telepathically sense other people’s emotions. One-fifth have had conversations with the spirits of the dead. As you might guess, the percentage of Pisceans in each category is higher than all the rest of the zodiac signs. And I suspect that number will be even more elevated than usual in the coming weeks. I hope you love spooky fun and uncanny mysteries and semi-miraculous epiphanies! Here they come. 

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We Recommend We Saw You

WE SAW YOU: RiverBeat Music Festival

You could call them “RiverBeatniks.” They were the more than 30,000 people who attended the inaugural RiverBeat Music Festival May 3rd, 4th, and 5th in Tom Lee Park.

Matthew Burdine and Daniel Bonds 
Russ Thompson and Katherine Terry
Emily and Will Carter

They braved periodic raindrops and often warm temps to see and hear performers, including Stax great Carla Thomas, Al Kapone, the Wilkins Sisters, Southern Avenue, Killer Mike, and Lawrence Matthews. All some music lovers needed was a blanket and a comfortable spot to kick off their shoes and experience 50 performers on five stages.

“We scanned in over 30,000 over three days,” says RiverBeat producer Jeff Bransford. “Ten-thousand a night.”

Kristin Leach and Haggard Collins
Ariyanna Beecher and Miles Robinson

How did he think RiverBeat went? “Spectacular. We couldn’t be happier. The feedback we got from both patrons and artists has been overwhelming.”

And will RiverBeat return next year? “One-hundred percent,” Bransford says. No doubt about it. “We’re already planning.”

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Music Music Features

Puccini on Beale

If you’re an opera lover, you may think you know La Bohème, Giacomo Puccini’s masterpiece about life in 19th-century Paris. After all, it’s not only one of the most-performed operas in the world, but the most popular work in the 68-year history of Opera Memphis.

Think again.

When Opera Memphis presents its latest version of La Bohème at the Scheidt Family Performing Arts Center this Friday and Saturday, you’d best discard any preconceptions before the curtains rise. For, while the music will be performed as the classic score dictates, complete with the Memphis Symphony Orchestra, the mise-en-scène will be both unfamiliar and, for Memphians, eerily familiar. Rather than being set in bohemian Paris in the 1830s, this version unfolds on Beale Street, circa 1915.

Dennis Whitehead Darling (Photo: Andrea Zucker )

“I wish I could take credit for this inception of it,” says stage director Dennis Whitehead Darling, “but it’s actually the brainchild of [Opera Memphis general director] Ned Canty. It’s been a pet project of his for many years, and the original idea came from a book that Ned read called Beale Street Dynasty.”

Nearly anyone with an interest in our city’s history knows that book well, subtitled Sex, Song, and the Struggle for the Soul of Memphis, wherein Preston Lauterbach vividly evokes the bustling urban milieu, both creative and destructive, that made Beale Street ground zero for Black America in the late 19th and early 20th centuries. “Because Paris in the 1830s was a place where artists and musicians and philosophers and writers came together, it was a cultural center for its time. And the same thing was happening here in Memphis. I think that’s what sparked the idea for setting La Bohème on Beale Street,” says Darling.

Indeed, the similarities between the two cities of different eras were so profound that the original opera slotted neatly into the new setting. “Originally, we were going to write something new, or Ned was, but we moved away from that and have kept most of the original text the same,” says Darling.

Jeri Lynne Johnson (Photo: Vanessa Briceno)

As conductor Jeri Lynne Johnson points out, that maintains the integrity of Puccini’s original vision. “Audience members who are fluent in Italian may realize that a couple of things have changed,” she says, “but for the most part, we’ve done this without actually changing the text, which the singers have grown up learning for years and years in the Italian language. Of course, Puccini’s music is so tied to the language, so in order to avoid changing too many actual words, and making sure they stand with the music, there are just a couple of word changes, and some of those are simply within the subtitles.”

Meanwhile, the stage set is similarly subtle. “We’re doing something a little bit more abstract,” says Darling, “using projection screens. It’s minimal but effective. With projections, we’ve layered photos of different buildings and businesses that were part of Beale. Reimagining this in a very minimal way is always challenging, but things that are challenging also allow you to be more creative — oftentimes the things you find challenging are actually opportunities.”

And yet in one regard, there will be plenty of striking visuals, as Darling points out. “We have beautiful costume designs by Jennifer Gillette. That’s been the icing on the cake as we enter tech week because we initially created this show without seeing all of our visual elements. We didn’t have the projections, lighting, or costumes until much later. And it’s always amazing when I see these actors wear their costumes. Another level of character development happens almost immediately, where they just embody these characters, wearing these costumes that Jennifer has designed. They really transform our modern day actors and singers into these period characters.”

The impact of that visual element is deep, as Johnson points out, addressing a whole culture that’s so often rendered invisible. “I’ve done world premieres for the Santa Fe Opera and for the Chicago Opera Theater that had a predominantly African-American casts, having canonical works reimagined with African Americans in the roles. But what makes this particular production so interesting is, it isn’t just the casting, it is really transplanting that bohemian lifestyle into a uniquely Memphian historical period on Beale Street. The setting and the cast together really give you a sense of African-American life at that time. It adds an element of questioning what art is, and who makes art, where moral judgments are embedded into the aesthetic ones.”

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News News Feature

MEMernet: Those Lights, ‘Fabulous,’ and Never-ending Elvis

Memphis on the internet.

Those Lights

Cosmic forces painted the skies around Memphis with the dazzling colors of the northern lights over the weekend.

“I actually gasped when I went outside and saw the pink hue in the sky between Arlington and Millington,” tweeted Jason L.

“Fabulous”

Posted to X by Memphis Zoo

The Memphis Zoo wished a happy Mother’s Day on X with this photo of mom Wendy and her new calf, Fitz, born last month. To all moms, the zoo said, “Keep being fabulous.”

Never-ending Elvis

Posted to X by Argo Memphis

The whole “post a picture that says you’re from Memphis” thing is still making the rounds on X. Argo Memphis wasn’t playing with the meme above, but it certainly qualifies.

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Food & Wine Food & Drink

A Tale of Two Barbecue Joints

Tony Pollard preferred throwing the pigskin to selling the pig skin.

Pollard, a running back with the Tennessee Titans, is the son of Tarrance Pollard, owner of Pollard’s Bar-B-Que at 4560 Elvis Presley Boulevard. He worked at Pollard’s one summer, but he preferred playing football to working in a restaurant, says his aunt, Denise Plunkett, who was working behind the counter the afternoon I visited. It was my first visit to Pollard’s, although I’ve driven by it many times.

Tony was drafted by the Dallas Cowboys in the 2019 National Football League draft. Recalling a statement he made when he was in the third grade, Plunkett says, “He told his mom he was going to be in the NFL one day.”

A poster featuring a picture of Tony clutching a football and the words “Home of Tony Pollard” hangs on the wall near another poster that reads, “Featured on Food Network.” The restaurant was featured on Restaurant: Impossible, Plunkett says.

Tarrance tells me he worked at other barbecue restaurants, including Gridley’s Bar-B-Q and A&R Bar-B-Que, before opening his own place in 1996.

When I ask Plunkett what sets their barbecue apart from other places, she says, “It’s absolutely amazing. It’s tasty. It’s tender. You have to be careful not to bite your finger off.”

She’s noticed children who usually don’t like barbecue “really eat this.”

They give her “two thumbs-up.”

I sit at the counter, which has a countertop covered with sheet music that has been enclosed. Songs include “Walking in Memphis” and “Love Me Tender.” The latter could apply to my jumbo Pollard’s barbecue sandwich.

Like the kids, I’ll also give the two-thumbs-up recommendation for this delicious sandwich. I could have bitten off my finger or one of my thumbs.

I also ask Terrance what sets his barbecue apart. “Love and time,” he says.

Next, I travel to a barbecue restaurant I’ve also passed many times, but never stopped to go inside.

Jimbo’s Brickhouse BBQ in Byhalia, Mississippi, features pitmasters Brandy McNeese, Jimbo Dalton, and Toni Whitt.

That changes when I walk in the door to order a jumbo barbecue sandwich at Jimbo’s Brickhouse BBQ at 8600 MS-178 in Byhalia, Mississippi.

First of all, a Jimbo’s jumbo is just gigantic.

“Knock a dent in it and tell me what you think,” says owner Jimbo Dalton.

It is fabulous. As are the wet ribs Dalton brings to the table for me to try. They are delectable. Some of the best ribs I’ve ever eaten. So tender. They also serve dry ribs.

“We just cook slow with wood the country way.”

Dalton says he’s self-taught when it comes to barbecuing. “Burning up meat till I got it right.”

This all began when he barbecued at his house when he was a teenager.

People (about 200) then began gathering at his house on weekends for his barbecue. It turned into a party. “We’d float a keg. Listen to music.”

And, he says, “I know a lot of people and a lot of people know me.”

People began ordering barbecue. They’d come to the house to pick it up.

Dalton then got a food trailer, which he operated for six years.

He and his late wife, Lisa, began their brick-and-mortar restaurant, which was the brick-and-mortar office for the old brick factory that was in Byhalia.

Dalton is constantly adding to the building. He’s built patios and just about four weeks ago built the bar on the front patio. “All built with hard work, sweat, and blood.”

He serves barbecue pork, chicken, brisket, ribs, as well as other food items, including hamburgers and salads. Dalton introduces me to his fellow pitmasters Brandy McNeese and Toni Whitt. The gigantic cooker is in a separate area.

The walls in a small room up front are covered with signatures of Brickhouse visitors from all over.

Dalton features live music and karaoke at Jimbo’s Brickhouse, which is open Wednesday through Sunday.

And, hopefully, those karaoke singers will occasionally belt out the Commodores song, “Brick House.”

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Theater Theater Feature

Katori Hall’s The Hot Wing King at Circuit Playhouse

It’s difficult to imagine a more Memphis-centric theater outing than the opening night of The Circuit Playhouse’s production of The Hot Wing King — written by Memphis native Katori Hall, performed by a cast of six Memphis residents, set in Memphis, and attended by none other than the mayor of Memphis.

If the audience’s response is anything to go by, this show’s success could be described not by a traditional two thumbs-up, but rather by a rapid-fire volley of finger snaps. The Hot Wing King serves up not only an often-hilarious look at the bonds and squabbles of a found family, but also a refreshing, unapologetic depiction of gay Black men comfortably presenting a full range of everything non-toxic masculinity can be.

This play has a bit of a sitcom-like feel to it, right down to Andrew Mannion’s scene design of a slightly upscale lived-in Memphis house. The play opens in the kitchen and we stay there for almost the entirety of the show, but you’ll find no complaints here as the set dressing was beautifully homey.

The Hot Wing King follows Cordell, a St. Louis native who recently relocated to Memphis to move in with his boyfriend, Dwayne. Their cohabitation seems like it’s off to a rocky start despite their obvious affection and deep feeling for one another. Cordell, who is currently looking for a job, seems to be rubbed the wrong way by the idea of being supported by another person. Thus, he pours himself obsessively into his hobby, trying to win the annual Memphis “Hot Wang Festival.” Much of the play’s two-and-a-half-hour runtime is taken up with the intricacies of the cooking, prepping, marinating, etc. of the wings by the couple and their two close friends, but the real meat in this production lies in the struggle of the characters’ internal battles of guilt and accountability, and of the external conflicts that subsequently stem from within.

One such major conflict arises when Dwayne’s nephew EJ and EJ’s father TJ make unexpected appearances in the middle of the festival prep. Sixteen-year-old EJ is in need of a place to stay, and as his mother, Dwayne’s sister, died after being restrained by police (police that Dwayne had called for a welfare check) almost exactly two years ago, it’s understandable why Dwayne wants to take EJ in. At least, it’s understandable to the audience. Cordell, on the other hand, is still struggling with his discordant relationship with his own adult children, who don’t know that he divorced their mother in order to pursue a relationship with Dwayne.

The situation is messy, yet it has an air of familiarity to it that most audience members will probably be able to relate to. Anyone who has been through great loss will understand that though everyday events and emotions are a necessity for navigating daily life, the pain is never too far away. While the dialogue occasionally drifts into somewhat unrealistically poetic expressions of this sort of grief and pain, the cast carries it off well. The jump between comedic hijinks and somber self-reflection doesn’t feel quite as stark as it could, when the actors are performing with such open honesty.

What makes this play truly special and important is the matter-of-fact presentation of queer Black men who are completely at ease with their sexuality. As a straight white woman, I can only imagine what it would mean to see that kind of representation onstage to a person struggling with their own sexual identity. What I especially appreciated was Katori Hall’s method of revealing the characters’ struggles after we had been introduced to their confidence. Again, I have only imagination and empathy to go off of here, but I think seeing these characters being their full authentic selves would be inspiring to young queer people; to see that they, too, overcame struggles to get to that point could only be incredibly validating.

When it comes to serving up quality theater, The Hot Wing King has everything to offer: heart, saucy exchanges, slapstick comedy, and even redemption.

The Hot Wing King runs at The Circuit Playhouse through June 2nd.