Emcee Otis Sanford, Buddy Chapman, and David Wayne Brown at Brooks book-reading event (Photo: Jackson Baker)
As the Greater Memphis community continues to try to sort out whether it is in the grip of a crime wave or whether, as a recent Crime Commission report indicates, crime statistics are actually on the wane, the subject continues to dominate local attention.
One matter that has remained more or less on the back burner is that of Mayor Paul Young’s proposed director of public safety, a pending position (sometimes referred to in administrative ranks, somewhat less reassuringly, as “public safety advisor”).
Young suggested the new office back in January after the city council declined to endorse his proffered reappointment of C.J. Davis as police chief, and the new mayor, in response, fell back on the expedient of keeping Davis on as interim chief.
From the beginning, it was uncertain whether the proposed directorship was to be a fundamentally new concept or a retooling of a dormant position. Compounding the confusion was the fact that, at some hard-to-pinpoint period in the administration of former Mayor Jim Strickland, the existing title of police director had somehow morphed back into that of police chief, a development making Davis’ currently impermanent position seem all the more tenuous.
But now the suggestion comes from administration sources that the task of filling the new position — however it is to be titled and whatever its scope — is in the “latter” stages and may be just around the corner, with a narrowing down of prospects by mid-June and a likely appointment by July 1st, in time for the new fiscal year.
Meanwhile, coincidentally and maybe usefully, the individual most identified in Memphis history with the erstwhile rank of police director, E. Winslow “Buddy” Chapman, has published his memoir, under the title of Call Me Director: Memoir of a Police Reformer.
Chapman’s service at the helm of city law enforcement came during the administration of former Mayor Wyeth Chandler (1972-1982), and it coincided with conditions that were not unlike those of our present moment.
Mayor Young’s apparent intention with his new directorship is to establish a wide-ranging civilian control over police authority, and that was the mission also of Chapman, who had to fight a protracted battle with the good-old-boy regime of then-Police Chief Bill Crumby to achieve, finally, a workable dominance over local law-enforcement policy.
As Chapman writes in his book, and as he related to an appreciative audience in a book-signing and reading at the Memphis Brooks Museum of Art on Monday night, the issues he had to deal with were very like our own these days.
They included instances of police brutality, racism in the MPD ranks, severe financial shortages and under-staffing, and the imperatives of federal supervision. He also had to face down and survive simultaneous police and fire strikes in the crisis year of 1978.
What he strove to impose as an alternative to established practices was a form of what we would call today community policing. And, as he ended his tenure and resumed civilian status, he founded the local CrimeStoppers organization, which he ran as director until recently when he turned the reins over to David Wayne Brown, the co-author and collaborator of his memoir.
The book grapples with the conundrum of finding the right balance between carrot and stick in law enforcement — same as Mayor Young and his soon-to-be public safety director will shortly face — and is well worth their reading and ours.
May means barbecue in Memphis. It’s like something comes over this city. This year we have two whole barbecue festivals on the same weekend: Memphis in May’s World Championship Barbecue Cooking Contest and the new SmokeSlam. (How will Memphis eat so much barbecue?) Our food writer Michael Donahue profiled two barbecue joints in his food column this week: Pollard’s Bar-B-Que and Jimbo’s Brickhouse BBQ (see page 25). He rarely ever does a double-feature, but the barbecue got to him, it pulled at him. (How did he eat so much barbecue?) And then the writers at the Flyer simultaneously started craving barbecue — like some sort of supernatural phenomenon — and all they could think about was barbecue, barbecue, barbecue. Or is it barbeque? BBQ? Bar-b-que? Our editors argued; tears were shed. Barbecue was expensed, for the sake of journalism. We had to capitalize on this madness and make a whole barbecue issue. We had no choice; we had to share what we learned. So please read about the barbecue places and dishes that have made us go mad with gluttony. Join us, won’t you?
Arnold’s Smokehouse (Photo: Bruce VanWyngarden)
Arnold’s Smokehouse
Located in the Castalia Heights neighborhood, a few blocks behind the Kellogg’s plant, Arnold’s Smokehouse is off the beaten path, but well worth the effort to find. It’s in a non-pretentious building, hard by some railroad tracks, making it clear Arnold’s isn’t about atmosphere; it’s all about the food. And the food is very good.
The owners are sister and brother Ivy and Shanon Arnold, and they have each created their own extensive menu. Ivy’s is vegan, and features creative smoked ingredients including jackfruit, cauliflower, mushrooms, grilled veggies, tomatoes, greens, pasta, gumbo, and, of course, tofu. Shanon’s menu is more traditional and meat-friendly. Both are stellar and varied, with some ambitious and unexpected offerings. But this story is about barbecue, so we went the more traditional route.
We started with the cauliflower puffs and green beans as sides, and went with the pulled pork sandwich and pulled pork fajitas as our main dishes. Everything was superb. In fact, I’d rank both the sandwich and the fajitas as among the best I’ve eaten in my 30 years here in Barbecue-Ville. Seriously delicious food, y’all.
A little logistical advice: Because of the varied menu, I suspect, our wait time was around 30 minutes after ordering. It wasn’t unpleasant. We chatted with Willie Arnold, the father of the owners, and some of the patrons and watched an episode of Martin, but next time, I’ll probably call in our order ahead of time or use DoorDash. However you do it, you’d be wise to give Arnold’s Smokehouse a try.
— Bruce VanWyngarden
2019 East Person Avenue, 901-922-5950
Payne’s BBQ Tacos at Molly’s La Casita (Photo: Chris McCoy)
Payne’s BBQ Tacos at Molly’s La Casita
Most of the other restaurants in this story are devoted to barbecue. Molly’s La Casita is not. It’s a Midtown staple, long known for its hearty Tex-Mex fare, including some of the best refried beans you will ever experience. One of the newest additions to the menus fits into the Memphis barbecue story. It’s a collaboration between two Memphis culinary institutions.
“We bought the restaurant about three years ago,” says Jessica Cornell, owner of Molly’s La Casita. “We were just ordering our pork through one of the vendors. I was like, we’re in Memphis. We have so many barbecue options that are made locally. We should try to do something with a local restaurant. Ron Payne is a regular customer. He comes in here once a week and I approached him and asked him what he thought about us using his barbecue pork for our tacos. He thought it was a great idea. So now that’s what we do. It goes in the pork tacos and our pork tamales.”
The Payne’s Pork Tacos differ from the classic pork tacos only in the protein. The dinner portion is two tacos, served with soft tortilla or crunchy shell, with a sprinkling of onion and cilantro. The shredded, slow cooked pork barbecue elevates the dish way beyond the average taco. It’s a match made on Madison Avenue, which is kind of ironic, given that Molly’s original location was on Lamar Avenue, just around the corner from Payne’s.
“Everyone loves them,” says Cornell. “We sell out of the pork all the time. Every time he [Ron Payne] comes, he has to bring us more pork.”
— Chris McCoy
2006 Madison Avenue, 901-726-1873
Eddie “Bossman” Patterson (Photo: Michael Donahue)
Bossman Pit Stop
Eddie “Bossman” Patterson’s logo is “Come Get Lost in the Sauce.” It’s on the back of the T-shirts for his Bossman Pit Stop.
And that’s easy to do. I recently tried one of Patterson’s pork barbecue sandwiches for the first time. There’s so much going on with those delectable flavors. I asked him if it had buffalo sauce in it. He says no. He uses Cattlemen’s barbecue sauce as a base and then adds his own ingredients.
A native of Tunica, Mississippi, who grew up in Memphis, Patterson tells me he learned how to barbecue from his mother and grandmother. He also learned barbecuing when he worked at the old Papa Chuck’s BBQ on Getwell Street. Papa Chuck’s later moved to the Airways location, which Patterson bought a year after the owner died.
The NBA player Antonio Burks gave him his nickname 19 years ago, Patterson says. “He said I was ‘the boss’ in barbecue. He called me ‘The Bossman.’” They both attended Booker T. Washington High School, he says.
Patterson says he barbecues every day. He goes to bed at 4 a.m, takes his grandson to school the next morning, and then at some point starts barbecuing. “I barbecue for eight hours, put it to the side, and let it do its own thing.”
The secret to good barbecue? “Cook it slow in its own juices.”
Patterson, who also does catering for businesses and events and also operates a food truck, says he eats barbecue every day. “I have to test it to make it right.”
His wife, Patricia, isn’t too happy with him not getting enough sleep, Patterson says. “She’s the ‘Bosslady.’”
— Michael Donahue
2251 Airways Boulevard, 901-743-5426
BBQ Tofu Nachos at RP Tracks (Photo: Abigail Morici)
BBQ Tofu Nachos at RP Tracks
I’ll be honest with y’all because that’s what journalism is all about: honesty. I wasn’t looking forward to this issue because I don’t eat meat; therefore, I don’t eat barbecue. So I was planning on playing hooky and just not writing anything for this cover story — not because I’m a slacker but because I’m picky (I swear I’m not just saying that to keep my job). But then I remembered that I once heard that RP Tracks had BBQ Tofu Nachos, and I eat tofu and I eat tortilla chips. Have I eaten them together? No, but, hey, I have a job to do.
So I moseyed on down to RP Tracks — which, no, isn’t a barbecue joint, I’ve been informed, but it’s a place where this non-barbecue-eater can eat some barbecue, so deal with it. To my surprise, the menu has quite a few barbecue tofu options — the nachos plus a quesadilla and a sandwich — so I had choices for barbecue which, normally, I don’t. And that was kinda nice (and they have other barbecue meat, but I don’t care about that).
I stuck with the nachos for my visit, and they did not disappoint. They came topped with cheese (good), lettuce (good), jalapenos (I didn’t eat), and sour cream (good). I got the black bean chili on the side because, like I said, I’m picky and just don’t like black bean chili, but my boyfriend does and he gave it a thumbs-up. Now, for the pièce de résistance, the barbecue tofu — the rating? Pretty dang good. Cooked just right — not chewy, not mushy, perfect, dare I say. Since I’ve never had “real” barbecue, I can’t make any comparisons, but the flavor was like barbecue chips, especially when you put it on a tortilla chip, which, duh, makes sense. (That was an embarrassingly late-in-life epiphany for me.)
All in all, with this being my first foray eating barbecue in Memphis, I’d say RP Tracks serves up a great vegetarian/vegan/pescatarian option. Try it. I did. And this picky eater liked it.
— Abigail Morici
3547 Walker Avenue, 901-327-1471
Cozy Corner (Photo: Alex Greene)
Cozy Corner
When I dine at Cozy Corner, my longtime go-to barbecue sandwich joint, I think one thing: savory. While many of the slow-cooked meats around town have flavor profiles leaning more towards a vinegary edge or a sweet edge, I feel that Cozy Corner approaches the great quality recognized by Japanese culture: umami. Yes, there is a very subtle sweetness to their sauce, balanced with an equally subtle touch of vinegar, but those are mere elements in a whole that’s far greater than the sum of its parts.
That earthy, slow-roasted whole comes through in every delectable bite of a Cozy Corner barbecue sandwich, complemented with a bit of slaw, of course. Unlike many joints offering pulled pork, the meat here is thinly sliced, but the difference in texture matters little to this diner. It’s the flavor profile that’s key. And that’s also true of Cozy Corner’s ribs.
Served (of course) with slices of the whitest of white breads, the meat on these ribs practically falls off the bone. Perhaps one key to that is the Chicago-style smoking technique they use, with the coals placed a bit further from the grill. Starting the meat on the lowest rack and then progressively moving upward increases its time in that luscious smoky environment.
Aside from their classic ribs and sandwiches, Cozy Corner is also famous for their whole Cornish hens, whole chickens, and barbecued bologna sandwiches. But it’s at Thanksgiving that they really shine: My family always pre-orders a whole smoked turkey from them that never disappoints.
— Alex Greene
735 North Parkway, 901-527-9158
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On the Queue for the Weekend
Barbecue smoke plumed blue and beautiful (and mouth-watering) over Liberty Park Wednesday and another will rise Thursday right on the river.
Two barbecue festivals do it low and slow this year in Memphis. The Memphis in May World Championship Barbecue Cooking Contest (WCBCC) opened to the public Wednesday. SmokeSlam, the brand-new festival, was slated to open doors at Tom Lee Park Thursday afternoon.
The Memphis in May World Championship Barbecue Cooking Contest returns to Liberty Park. (Photo: Memphis In May via Facebook)
Everyone used to just call the WCBCC “Barbecue” or “Barbecue Fest.” Time will tell what shorthand or nickname will arise with two contests in town at the same time.
One thing is the same, though. Memphis in May has attracted some of the biggest, most-winning teams in barbecue. The roster shows Big Bob Gibson Bar-B-Q competing in shoulder. Barbecue celebrity Myron Mixon’s Jack’s Old South team will compete in whole hog. Sweet Swine O’ Mine is back cooking shoulder.
In all, Memphis in May boasts about 130 teams from 22 states and five foreign countries. All of them compete in the traditional categories of ribs, shoulder, and hog, as well as hot wings, sauce, and “Anything But Pork.” Winners will take home a share of $150,000 in prize money.
Down on the river, SmokeSlam’s three-day event promises a “fan-first” experience. This means barbecue, of course, but also fans can shop the National Barbecue & Grilling Association (NBBQA) BBQ Bazaar, a central marketplace with a wide array of products from celebrity chefs and other curated goods. The marketplace will also feature live demos from big-name pitmasters like Carey Bringle, Thyron Mathews, Ray Sheehan, Melissa Cookston, and more.
Other high-profile pitmasters will show their stuff at the B&B Charcoal: Live Fire Extravaganza. This will feature demos and live-fire samples from pros like Al Frugoni (Open Fire Cooking), Derek Wolf (Over the Fire Cooking), and others.
The biggest buzz around SmokeSlam in Memphis has been the music lineup. It includes Tone Loc, Young MC, War, The Bar-Kays, and St. Paul and the Broken Bones. Every night ends with a fireworks show.
SmokeSlam attracted some heavy-hitting teams, too: 10 Bones BBQ from Nesbit, Memphis-loved caterers Hog Wild BBQ, and Nashville’s barbecue-famous Peg Leg Porkers. In all, nearly 60 teams will compete. They’re mostly from the Memphis region but the contest pulled in teams from South Carolina, Wisconsin, Arizona, and elsewhere.
SmokeSlam boasts the biggest purse in barbecue competition history. Teams will share $250,000 in prize money.
— Toby Sells
World Championship Barbecue Cooking Contest, Liberty Park, Wednesday-Saturday, May 15-May 18, $15.00-$549, memphisinmay.org
SmokeSlam, Tom Lee Park, Thursday-Saturday, May 16-May 18, $15.13-$544.74, smokeslam.com
Kingdom of the Planet of Apes is a fun summer blockbuster.
When French writer Pierre Boulle wrote La Panéte des singes in 1963, it was meant as a wry commentary on human hubris. His most successful book to date was a war story which was adapted by director David Lean as The Bridge on the River Kwai. Boulle, who didn’t speak English, won the Best Adapted Screenplay Oscar in 1957. His novel, which was translated in the UK as Monkey Planet, became an unexpected hit in England, and was promptly optioned by 20th Century Fox. Boulle thought the book was unfilmable, so he was shocked when Planet of the Apes became a huge hit in 1968. At the Academy Awards that year, Planet of the Apes beat 2001: A Space Odyssey for Best Costume Design. (Legend has it that many Academy voters chose PotA because they thought Kubrick had used real apes in 2001’s “Dawn of Man” sequence.)
The enduring vision of Boulle’s premise has echoed across the decades, with five films and two television series in the 20th century and, beginning with a Tim Burton-directed remake in 2001, for films in this century. In this future world, the humans, who have lost the power of speech and reason, live in captivity and servitude to a society of primates. Gorillas are the warrior class, orangutans are the priestly class, and chimpanzees are scientists.
The last three PotA films, beginning with Rise of the Planet of the Apes in 2011, tell the story of how our world got that way. A medical test chimp named Caesar (Andy Serkis) is infected with an experimental virus, designed to treat Alzheimer’s disease, that increases his intelligence. But when the virus escapes from the lab, it has the opposite effect on humans, and a global pandemic ensues which threatens the existence of humanity. Cloverfield director Matt Reeves helmed Dawn of the Planet of the Apes and War for the Planet of the Apes, drawing a long and complex portrait of Caesar as a wise leader of his people — uh, apes — while a crippled humanity fights for survival. Reeves evolved a patient, detailed style, which proved to be perfect for this version of PotA, but turned positively turgid when he took on the superhero genre in The Batman.
Wes Ball of Maze Runner fame took over for the latest film, Kingdom of the Planet of the Apes, which picks up the story many generations after the death of Caesar. Noa (Owen Teague) is the son of the chief of Eagle Clan, a group of chimps who live in harmony with nature. When he leads an expedition to gather new falcon eggs to raise in the village aviary, he strays into the forbidden Valley Beyond. When he returns, he is followed by a group of masked gorillas armed with electric lances. Eagle Clan, having never seen electricity before, is quickly overwhelmed by the raiders and kidnapped for parts unknown. Noa escapes and sets out to find his stolen tribe. Along the way, he meets Raka (Peter Macon), an orangutan who belongs to The Order of Caesar, a monastic order dedicated to their namesake’s two moral laws: Apes Together Strong, and Ape No Kill Ape. Together, they discover Mae (Freya Allan), a human who, they soon learn, can talk. They track the mysterious raiders until they are ambushed on a bridge and dragged back to an armed camp on the shoreline. There, Proximus Caesar (Kevin Durand) is trying to break through a huge vault door set in the side of a sea cliff. He believes there is game-changing human technology behind the door, and that Mae knows how to open it.
Kingdom is a much more conventional sci-fi adventure story than Reeves’ meditations on the responsibilities of leadership. Its sweeping vistas of Los Angeles in ruins make for some compelling cinema, and Ball knows how to concoct a good slam-bang action sequence. Unlike the old days of Roddy McDowall emoting behind a thick mask, these apes are all motion-capture CGI creations, which sometimes causes confusion, as Noa’s chimp brethren all kinda look alike. Teague’s Noa makes a serviceable and pleasingly vulnerable hero, but he can’t live up to the masterful mo-cap performance of Andy Serkis. Sure, it’s blander than its predecessors, but taken on its own terms, Kingdom of the Planet of the Apes remains a fun summer blockbuster.
Kingdom of the Planet of the Apes Now playing Multiple locations
America’s largest garden walk with over 300 gardens takes place every summer in Buffalo, New York, bringing in more than 60,000 visitors from all over the U.S., Canada, and beyond. Kim Halyak, co-chair of the Cooper-Young Garden Club, wants Memphis to be the Buffalo of the South. “I want people to say I’m tired to go to Buffalo,” she says. “I’m going to Memphis.”
And Halyak’s goal isn’t too ambitious, it seems. Already, this year’s Experience Memphis Gardens citywide garden walk, which Halyak helped organized, will be the largest garden walk in the South at some 270 green spaces in neighborhoods across the Mid-South. The walk, which kicks off on Saturday, May 18th, with the annual Cooper-Young Garden Walk, will span over six weeks through June 30th, on Thursdays, Fridays, Saturdays, and Sundays.
“Nine years ago, we started [the Cooper-Young Garden Walk] with only 23 gardens,” explains Halyak. “At the time that we were only a one-day event, but we have really grown. And then last year we decided to go citywide, so we reached out to the city and said, ‘Hey, show us your gardens.’ And there were people from neighborhoods all over Memphis [who volunteered] — Colonial Acres, Berclair, Central Gardens, Frayser, Raleigh, High Point Terrace, I mean all over.”
The tour will showcase a wide range of spaces — beginner gardens, highly manicured lawns, farms, community gardens, nurseries, vegetable gardens, and so on. “We have a tour of Ounce of Hope’s aquaponic farm,” Halyak says. “We have a Master Gardener garden tour. We have gardens in Raleigh that we’ve never had [on our tour]. We have Cancer Survivors Park, and, I have to tell you, I’ve lived here 40-some years and I had never been there before. So what we really want to do is say to people: ‘You live in Memphis, go explore Memphis, go see what Memphis has to offer.’ … I really do want people to fall back in love with Memphis.”
The walk, in a way, is an incentive to beautify the city, Halyak adds. “Everybody gets aware of, hey, we have company coming. They just go crazy with excitement, and you cannot believe the community [that comes with that]. People have gotten to know their neighbors. … I don’t want to reinvent the wheel and I want us to make Memphis better. So this year, we’re giving away $10,000 to the neighborhoods that were on the walk last year. And when this walk is over, then I hope to give $20,000 away to the neighborhoods that were on the walk for beautification projects.”
Tickets for the Experience Memphis Gardens walk can be purchased at the Cooper-Young Gazebo on the day of the Cooper-Young Garden Walk sponsored by Urban Earth (May 18th-May 19th), at Urban Earth, at Ounce of Hope, at the Women’s Exchange, and online at experiencememphisgardens.org, where you can find a full schedule and more information.
Experience Memphis Gardens, Various Locations, May 18-June 30, $26.
“Covid met January 6th. They slept together and gave birth to the anti-Christ of anger, fear, distrust, disinformation, and trauma that plagues America to this day.”
That was an X/Tweet on my timeline last week. I hope it was written by a human and not a bot because it reflects a very human feeling I’ve been trying to get my head around. I think we’re in the midst of one of the most disordered eras in the history of this country, comparable to our great wars, our Great Depression, our presidential assassinations.
We are riding a chaotic chariot of change with no idea of where or when it stops. We have come to a place where we can’t even agree that the sky is above us, that day follows night. Facts are fungible. Everyone is entitled to their own facts because you can “prove” anything. Politics and religion have become intertwined and irresolutely tribal. Disinformation is the currency of the realm, a bloated ratatouille of content — true, false, and irrelevant — that overloads our brains. Facebook, TikTok, Instagram, X, Truth Social, even such presumably benign sites as Nextdoor have become infiltrated with the madness of our political discourse. Every commenter is a pundit or a cynic or an expert … on everything. Crime is everywhere. Democrats are pedophiles. Trump shits his pants. Biden can’t walk. Trump has dementia. Be very afraid. Be very confused.
Former President Trump’s rally in New Jersey last Saturday provides a perfect template for what I’m talking about. Prior to the event, Trump touted that there would be 80,000 people there, so that number became the focal point. When Trump began speaking, pictures from Trump supporters, mostly taken from the stage area or from the crowd, were cited as evidence that Trump had drawn at least 100,000 people. “Let’s see Biden draw a crowd like this!” they said.
Then photos from anti-Trumpers appeared that purported to show a much smaller crowd. Next came photos of a full Michigan football stadium and of a Taylor Swift concert. “This is what 100,000 people looks like,” said these posters. “Compare this to photos of Trump’s pathetic rally. Hah!”
Not to be outdone, an aerial photo of 400,000 people appeared under the headline: “Trump Draws Massive Crowd to New Jersey Rally.” Roger Stone and lots of other Trump supporters retweeted it. But the picture turned out to be an aerial shot of a 1994 Rod Stewart concert in Brazil. Boo! Fake news! Then video appeared of Trump speaking to a small crowd, possibly near the end of his speech. No way, said his supporters. It was “AI-generated and put out by Antifa.” Or something.
So how many people came to hear Trump speak? Pick a number. There’s “proof” of everything, so everything is meaningless. And maybe that’s the point: Flood the zone with so much conflicting information that none of it can be trusted, that it all can be discounted.
How did we go from a country that elected a centrist African American 12 years ago to one that actually appears capable of reelecting an amoral, foul-mouthed, self-absorbed misogynist who took away women’s bodily autonomy, stole federal classified documents (and probably sold them), slept with porn stars, botched the handling of a pandemic that led to hundreds of thousands of deaths, and, oh yeah, tried to overturn a presidential election?
What. The. Hell?
Normally when a time of upheaval is over, a country will celebrate. There are parades, a coming-together, a time of kumbaya. Americans have had no downtime in the past eight years, no room to reflect — just unrelenting chaos. The Covid pandemic continued implacably, even as the 2020 political campaign unfolded. People were still dying by the thousands, while two major party candidates debated and campaigned in the midst of it. Remember the masked appearances and debates? Even masks and vaccines became political. So exhausting.
Then the election happened and Trump lost (really), and as most predicted, he claimed it was all rigged. Phony Venezuelan voting machines! Mule teams! Crooked election workers! A minute later and it was January 6th, and we all watched an attempted insurrection in real time. It’s all been too much. Too many bad actors, too many alternate facts that created an information overload, one that allowed a man with no moral core to attain the highest office in the land. And to possibly do it again.
Christone "Kingfish" Ingram performing at the Blues Music Awards on May 9th (Photo: Christopher Caldwell)
Last week’s 45th Blues Music Awards (BMAs) featured many familiar faces in the spotlight, but none so familiar as Christone “Kingfish” Ingram, from just down the road apiece in Clarksdale, Mississippi.
He came away with a win in the “Album of the Year” category for his Live In London record, which was also named the best Contemporary Blues Album. The BMAs also recognized Ingram as this year’s best Instrumentalist – Guitar and the best Contemporary Blues Male Artist.
Ingram, featured prominently in the Memphis Flyer‘s 2022 survey of the regional blues scene, has become somewhat of a ringer at the BMAs, having first won in all four of the above categories in 2020, then garnering awards in every subsequent year since.
His talent and success are partly a testament to the power of educational programs like those he attended at Clarksdale’s Delta Blues Museum as a young man. As he told the Flyer in 2022, “My instructors were actual bluesmen, Bill ‘Howl-n-Mad’ Perry and Richard ‘Daddy Rich’ Crisman. They were my teachers and my mentors of the blues, from the time when I played bass through when I got into guitar. And when they found out I had a little voice, they even pushed me to sing. There were even times when we would do readings. It was a full-on educational class, for sure. And it still goes on today.”
Another local favorite who won big was living legend Bobby Rush, who was not only named the B.B. King Entertainer of the Year but also snagged the best Soul Blues Album award for his All My Love for You. And transplanted Memphian John Németh, fresh off a riveting performance with the Bo-Keys at this year’s RiverBeat Music Festival, also excelled in the soul blues category, winning the Soul Blues Male Artist award.
Other top titles went to Keb’ Mo’ (Acoustic Blues Artist), Danielle Nicole (Contemporary Blues Female Artist), and the Nick Moss Band (Band of the Year). “What Kind Of Fool,” written by Ruthie Foster, Hadden Sayers & Scottie Miller, was named Song of the Year, and The Right Man by D.K. Harrell was named the Best Emerging Artist Album. Like Ingram and Rush, Foster, Mike Zito, and John Primer also garnered multiple awards.
Renee Parker Sekander Photo Credit: City of Memphis
Renee Parker Sekander is the city of Memphis’ new LGBTQ liaison.
Those duties are additional to her role as executive assistant to Memphis Mayor Paul Young. Former Memphis Mayor Jim Strickland created the LGTBQ liaison position, a role filled in the past by Dabney Ring and Maria Fuhrmann.
Sekander is a native Memphian, a University of Tennessee graduate and has worked as an advocate in Atlanta, Denver, Los Angeles, and more. But they weren’t home, she said. Also, she said she’s motivated to create a Memphis that she wants to live and raise a family in.
“I’m a person who is gay and wants to have a family,” Sekander said. “I also have family that’s gay. I have family that’s trans, I have friends who are trans. I have folks who have left Memphis because they say the state is too harsh, that it’s too hard to be trans, it’s too hard to be gay in this community. So they go to Chicago, or Los Angeles, or Boston.”
Sekander went on to say when people leave the city, it’s hard for Memphis to continue to grow and reach its full potential as it’s losing important talent and voices.
Not only is Sekander dedicated to making sure the city is welcoming and inclusive for the LGBTQ community, she also plans on doing outreach work to “bring people back.” She sees this as an opportunity to “rebrand” and “re-educate” the city.
The Flyer spoke with Sekander about her intentions in her role, how her identity impacts her work and more. — Kailynn Johnson
Memphis Flyer:Tell us a little bit about yourself.
Renee Parker Sekander: My name is Renee Parker Sekander, born and raised in Memphis, Tennessee. I have lived in several different cities over the last six years, but my wife and I made the decision to move back home to Memphis and make this our permanent home again.
I live in the Midtown area with my fabulous but reactive dog, Fox Cleopatra Parker, and we just have an incredible life here in Memphis. A large part of the reason that I am who I am is because this city built me, and I’m excited to just pour back into it with every bit of me.
That’s the “too long; didn’t read” summary of who I am.
Could you talk more about how your identity and background play a role in the work that you’re currently doing?
I’ll say I’ve been doing this work unofficially for a little while, just as a person who’s very passionate about inclusivity, equality, [and] making sure Memphis is really seen and branded as an inclusive and welcoming city so that we don’t lose out on talent, culture, and spirit to other cities because some people perceive us to not be an equal city, an inclusive city.
My goal is to make sure that people feel comfortable living here authentically being who they are and making sure we are all free and able to contribute to building the city the way it should be built.
I think for me it’s been very important that I continue the work that has been done over the past few years. I’m not the first LGBTQ liaison, there were two prior to me, Dabney Ring and Maria Fuhrmann… I’m excited to continue the work but also expand the work, too.
When I started my work in government, I told Mayor Young I was ready to push his vision forward. For him, his vision really prioritizes making sure that every member of our community feels valued, feels seen. So, the charge that he’s given me is to continue making strides and taking steps to making sure our city is represented as an inclusive and welcoming city.
I’m really excited to think through some creative ways but also build on the work that’s already been done and is being done by different community members across the city of Memphis and also working with them to be innovative, figuring out new ways we can keep our culture here, keep our people here, so that our city can be as safe and inclusive as possible.
How would you describe your role and responsibilities?
In quite a few different ways. I think one of the biggest roles is going to be making sure that people outside of city government understand and have closer relationships with those in it, making sure that we’re constantly present whether that be at events, at meetings, brainstorming sessions, making sure that I’m expanding the table, making sure that more people can sit at it, and more voices can be heard as decisions are being made on how to make our city more inclusive.
It’s also about making innovative ways to grow our MEI (Municipal Equality Index) score which is currently 54 out of 100, according to the Human Rights Campaign. [This is] our equality index, like how inclusive, how safe is our city? I’m thinking of ways to grow that score. So, it’s going to be a lot of ensuring our city resources are accessible to the people who use them and need them, and making sure we really rebrand the city as a space that is safe and welcoming for all.
What are some of the things in Memphis that may hinder people from having an authentic experience and how does having someone like yourself in the mayor’s office help make that experience a reality?
I think being able to come from the perspective of a woman wanting to raise a family here. What do I want my Memphis to look like for my family, for my children? Making sure that we continue to protect our community.
We see a lot of times in national news and statewide news a lot of attacks against the LGBTQ community, things that are putting obstacles in the way of folks from being able to access housing, job equity, protections against discrimination. These are things that a lot of people look at our state, and look at our country and we have to be able to say [that] Memphis is not a part of tearing people down based on who they identify as. We are actually welcoming and we embrace it and overall we want to make sure people understand they can come home to Memphis if they are trans, if they are queer. They can make an impact here.
It’s going to take all of us to fix a lot of the problems that we see in our city and we have to make sure that there are no barriers or limits to being able to welcome the folks who want to make an impact here in Memphis to be able to do that. It’s going to take a lot of innovative ideas, a lot of ideas people have been fighting for and working on for years and years, but overall it’s going to take a collective group of voices.
What I’m excited to do in my role is creating that table, making sure that we’re constantly hearing those voices, and that everyone has an active part in the progress we’re trying to make here. It’s going to be some ‘teamwork makes the dreamwork’ for the next few years.
How do you continue the work that’s been done but also expanding so more people can have a seat at the table?
I think the first and most important thing is listening. It means meeting with the folks that have been doing the work and consistently meeting, too, and becoming intertwined in that work.
One of the things I hate the most is the duplication of efforts. I want to make sure that we know what work is already being done, what’s working, what’s helpful, and what gaps are there. Are there ways that the city can be doing more to make sure that people feel seen and heard in hard moments and in strong moments within our community?
Having a presence, too. I’m very excited because our mayor has taken the charge of being a present mayor, an active mayor of being in the community. That’s something that he’s going to continue to do and so making sure that there’s always a presence with our city officials and our city government in those spaces where it’s going to be impactful, where people’s presence might not have been there in the past. We want to make sure we’re filling in those spaces, and that we’re there and that we’re listening.
My first couple of months as the liaison will be learning more about what organizations have been doing this work, meeting with folks and activists who have been doing this work, and making sure they’re at my table as we continue to make these charges and make these changes.
You’ve been in advocacy work for a minute. What keeps you motivated?
I think it’s a combination of “little me” and “big me.” “Little me” was a little girl growing up closeted and gay here in Memphis — scared to come out, scared to be who I am. In that, I was also scared to ever use my voice. I felt like kind of [a] shell of myself sometimes. As I became more comfortable with who I am, who I love, I became more confident in using my voice against the things that are wrong, that are unjust.
For me, I stay motivated by knowing there’s still more work to do. I want to make sure a little Black girl growing up here in Memphis who’s closeted and queer feels more comfortable, more safe, coming out sooner because we need their voice, we need their energy, we need who they are. I think it’s really important we send that message to little girls and little boys.
It’s also about “big me.” I’m not a mother yet, but I want to be a mother, and I always want to be able to look back and say [that] I did good work that’s going to benefit my children’s lives. It’s always about making “big me” proud, too. It’s about doing the work that’s going to be the most impactful, and doing it in my hometown, that really drives me.
Tennessee Attorney General Jonathan Skrmetti led a coalition of 17 states in filing a lawsuit against the federal government over new rules that would mandate pronoun respect in the workplace.
In September, the U.S. Equal Employment Opportunity Commission (EEOC) voted to approve updates to its workplace harassment rules. The new rules reflect changes in such laws, including the U.S. Supreme Court’s decision to protect employees against discrimination because of sexuality or gender identity (Bostock v. Clayton County), the #MeToo movement, and emerging issues such as virtual or online harassment.
The rules were published and given a period for public comment, and became federal law in late April.
“Harassment, both in-person and online, remains a serious issue in America’s workplaces,” EEOC chair Charlotte A. Burrows said in a statement at the time. “The EEOC’s updated guidance on harassment is a comprehensive resource that brings together best practices for preventing and remedying harassment and clarifies recent developments in the law.”
The EEOC said between fiscal years 2016 and 2023, more than a third of all discrimination charges received by the agency included an allegation of harassment based on race, sex, disability, or another characteristic covered by the laws enforced by the agency. Also, since fiscal year 2018, harassment has been alleged in over half of federal sector equal employment opportunity complaints. Among the 143 merits lawsuits that the commission filed last year, about 35 percent of them included an allegation of harassment.
However, Tennessee AG Skrmetti said companies should be able to use whatever pronoun they choose to use for their employees. As he has done in several such lawsuits in the past, Skrmetti claims the federal government is overreaching into powers given to states.
“In America, the Constitution gives the power to make laws to the people’s elected representatives, not to unaccountable commissioners, and this EEOC guidance is an attack on our constitutional separation of powers,” Skrmetti said in a statement. “When, as here, a federal agency engages in government over the people instead of government by the people, it undermines the legitimacy of our laws and alienates Americans from our legal system.
“This end-run around our constitutional institutions misuses federal power to eliminate women’s private spaces and punish the use of biologically-accurate pronouns, all at the expense of Tennessee employers.”
Skrmetti also complained about EEOC’s new rule that would make an employer liable if it limits access to a bathroom or other sex-segregated facility, such as a shower or locker room, based on biological sex and not on gender identity, the AG said. Skrmetti claimed employers also may be liable if a customer or other non-employee fails to use an employee’s preferred pronouns or refuses to share a restroom with someone of the opposite sex.
Tennessee is joined the lawsuit with attorneys general from Alabama, Alaska, Arkansas, Georgia, Indiana, Iowa, Kansas, Kentucky, Mississippi, Missouri, Nebraska, Ohio, South Carolina, South Dakota, Utah, Virginia, and West Virginia.
More broadly, the EEOC’s new rules protect an array of what the agency calls ”legally protected characteristics,” including race, skin color, religion, disability, age, and more. Workplace harassment includes saying or writing an ethnic, racial, or sex-based slur, forwarding an offensive or derogatory “joke” email, mocking a person’s accent, groping, touching, or otherwise physically assaulting a person, and more.
If a harassment claim is filed, business owners should investigate the matter and take corrective action, EEOC said. That action can include firing the employee, but it isn’t required. The employer can also mandate informal counseling, give a written warning, mandate harassment training, suspend the employee without pay, reassign them, or demote them to a non-supervisory position.
A challenge of Tennessee’s law dealing with the use of public school restrooms and locker rooms by transgender students remains alive after a federal judge declined to dismiss all claims against the state education department and Williamson County Schools.
U.S. District Court Judge William Campbell denied the state’s request in to dismiss the child’s claim of a violation of rights under the Equal Protection Clause.
The judge, however, granted a request to dismiss the child’s claim that her Title IX rights were violated. The ruling notes that because the federal law allows schools to maintain separate restrooms for “the different sexes,” requiring the child to use the restroom based on her biological sex doesn’t violate Title IX.
The judge also dismissed the child’s request to correct all records to reflect her female gender.
Tennessee lawmakers have taken steps in recent years to prevent transgender athletes from playing sports based on their sexual identity. The Legislature enacted restrictions in 2023 on transgender medical treatment and this year adopted a bill preventing adults other than parents and guardians from taking children outside the state for transgender care.
The case against the Tennessee Department of Education and Williamson County Schools involves a 9-year-old transgender child who was male at birth but identifies as female, according to court filings. The child uses “she/her” pronouns and lives socially as a girl by wearing her hair long and dressing in a manner usually associated with girls.
The complaint was brought by a friend and the child’s parents when the child was 8, claiming the Williamson County elementary school she attends requires her to use a single-occupancy restroom, not the multi-use girls’ restroom.
The child claims the school’s “insistence” that she use a separate restroom “isolates her and distinguishes her from her classmates and exacerbates the stress and anxiety she experiences while trying to fit in and avoid being stigmatized on the basis of her sex and gender identity.” The child also claims the restroom designated for her has problems with distance from her class, safety and cleanliness.
The Tennessee Legislature passed the Tennessee Accommodations for All Children Act in May 2021, requiring public schools to provide a “reasonable accommodation” to students, teachers and employees who want “greater privacy when using a multi-occupancy restroom or changing facility designated for [their] sex and located within a public school building.”
“Reasonable accommodations” include single-occupancy restrooms or changing facilities or use of an employee restroom or changing facility.
The “reasonable accommodations” don’t include restrooms or changing areas designated for use by members of the opposite sex while the opposite sex is present or could be present. They also don’t require remodeling or structurally changing a school facility, or limiting access to a restroom or changing room designated for use by members of the opposite sex if that creates a violation or state or local building codes.
The new state law defines sex as “a person’s immutable biological sex as determined by anatomy and genetics existing at the time of birth.” It also provides students, parents, guardians, teachers and employees the right to sue public school systems for “psychological, emotional, and physical harm,” including monetary damages, legal fees and costs if they “encounter a member of the opposite sex in a multi-occupancy restroom or changing facility located in a public school building … [and] the public school intentionally allowed a member of the opposite sex [defined as sex at birth] to enter the multi-occupancy restroom or changing facility while other persons were present.”
Campbell denied the child’s request for an injunction against the school district to stop it from enforcing the state law.
Yet the judge opted not to dismiss the child’s claims under the Equal Protection Clause, which prohibits a state from “denying to any person within its jurisdiction the equal protection of the laws” and prevents government discrimination that “either burdens a fundamental right, targets a suspect class or intentionally treats one differently than others similarly situated without any rational basis for the difference.”
The judge’s ruling points out that classifications by the government based on sex are recognized as “a quasi-suspect classification subject to intermediate scrutiny.”
Tennessee Lookout is part of States Newsroom, a nonprofit news network supported by grants and a coalition of donors as a 501c(3) public charity. Tennessee Lookout maintains editorial independence. Contact Editor Holly McCall for questions: info@tennesseelookout.com. Follow Tennessee Lookout on Facebook and Twitter.
Wyly Bigger’s new album on MadJack was produced by Mark Edgar Stuart and features a full cast of Memphis players, including drummer Danny Banks, guitarists Jad Tariq and Matt Ross Spang, sax legend Jim Spake, and Stuart himself on bass.
“Hello, Is That You?” is the rollicking first single. “This track is actually a cover of an old tune by a group called The Red Tops out of Vicksburg, Mississippi,”says Bigger. “A couple years before she passed, my grandma gave me her collection of 45rpm singles from the ’50s. I was digging through them and saw a label I’d never seen before, so I threw it on the turntable, and really dug the sound. Come to find out, it was the only recording The Red Tops ever did — just that A-side (“Sewanee River Rock”) and B-side (“Hello, Is That You?”). I started playing “Hello” at some of my shows, and when it came time to start picking a cover or two for the album, I pitched that one to Mark, who produced the record, and he was into it! The original is a bit more big-band-ish, so we decided to rock it more and make it fit my sound better.”
The video was conceived, directed, shot, and edited by Landon Moore. It features Bigger rocking and rolling in some familiar Memphis locations. “For the video, we wanted to shoot it in a place that was relevant to my career with people who were important to me. So we went with Earnestine & Hazel’s, one of my favorite spots in town to play with my band, and I invited a bunch of friends and family to be in it.”
Take a look.
If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com.
