New rules will change air travel, mandating refunds for flights and eliminating hidden airline fees. In addition, new laws could come soon to limit fees for booting cars in parking lots, and restrictions on “zaza” or “gas station heroin.”
New airline rules
Last month, the U.S. Department of Transportation (USDOT) issued final rules to require airlines to give passengers a prompt, automatic cash refund for canceled and significantly delayed flights, instead of travel vouchers or credits. The idea was proposed, in part, by U. S. Rep. Steve Cohen (D-Memphis), as a ranking member of the House Committee on Transportation and Infrastructure.
The new rules were part of Cohen’s Cash Refunds for Flight Cancellations Act and Forbidding Airlines from Imposing Ridiculous (FAIR) Fees Act. The legislation would also protect consumers from “ridiculous” or hidden fees on certain services, though USDOT has not yet ruled on the idea.
“These passenger protections are long overdue,” said Congressman Cohen. “When airlines are responsible for flight delays or cancellations, or do not provide the services that their customers pay for, passengers should be made whole, not tied to airline vouchers or travel credits. I have also heard from many travelers about their frustrations with hidden fees for checked bags, seat assignments, and flight change and cancellation fees that far exceed the costs to provide these services.”
New rules for “booting” and towing cars
In Tennessee, a bill is headed for Gov. Bill Lee’s desk that would prohibit unlicensed individuals from booting vehicles and cap the fee to remove a boot at $75. The legislation was sponsored by state Senate Majority Leader Jack Johnson (R-Franklin). It also proposes new rules for towing and parking.
“This legislation will protect vehicle owners in Tennessee from bad actors seeking to profit off of immobilizing and confiscating vehicles,” said Johnson. “I’ve received complaints from many constituents who have had to go through unreasonably long and expensive processes to regain control of their vehicles which were unfairly immobilized or towed.
“Unfortunately, our current laws do not provide legal recourse to punish parking enforcers engaged in certain nefarious practices. This bill targets those bad actors and protects Tennessee vehicle owners.”
The bill would require booting be done if only a licensed parking attendant is present in a commercial parking lot. Boots would also have to be removed within 45 minutes of a driver’s call. The legislation would also ensures that vehicle owners are properly notified if their vehicle is being towed, sold or demolished by a towing company. Also, if the towing process has begun, but the vehicle hasn’t left the parking area, the bill requires towing companies to release vehicles to the owner for a fee of no more than $100.
Getting “gas station” heroin out of gas stations
Another piece of federal legislation would ban the sale of tianeptine — sometimes called “zaza” or ”gas station heroin“ — at retail stores, like gas stations. The proposal is from Rep. Frank Pallone (D-New Jersey) who said the drug is causing an uptick in calls to poison control centers and emergency room visits. America’s Poison Control Centers said 391 tianeptine cases were reported nationwide last year.
Tianeptine is most commonly used for treating anxiety and depression. However, the drug has not been approved by the U.S. Food and Drug Administration (FDA). Sometimes the drug is abused to create a euphoric, opioid-like effect. A common tianeptine brand is called “Neptune’s Fix.”
“It’s clear that these harmful tianeptine-containing products pose a serious threat to consumers and are jeopardizing the health of our communities, particularly our kids,” Pallone said in a statement. “These dangerous products do not belong on store shelves, which is why I’m introducing a bill today to empower FDA to prohibit the marketing of ‘gas station heroin’ to protect consumers.”
The Memphis Shelby County Crime Commission’s (MSCCC) latest report shows that the overall crime rate, as well as major violent and property crimes and juvenile crimes, saw an overall increase in 2023 compared to 2022.
The crime commission released its 2023 Annual Report. The statistics compare crime in Memphis and in Shelby County. The rates are released in conjunction with the University of Memphis Public Safety Institute.
“The sources of the crime rates issued by the University of Memphis Public Safety Institute and the Memphis Shelby Crime Commission are data submitted to the Tennessee Bureau of Investigation’s (TBI) Tennessee Incident-Based Reporting System (TIBRS) by individual law enforcement agencies,” MSCCC said.
MSCCC mentions that the city has “a lot of positive momentum” in terms of tourism, Tom Lee Park, the construction of the Memphis Art Museum, and more. However, they said in order to propel this “momentum” forward, the area needs to “get a handle on our unacceptably high crime rate.
“We saw some encouraging signs during the latter part of 2023,” MSCCC said. “For the entire year, though, crime rates in almost all major categories moved in the wrong direction compared to 2022.”
The report classifies major violent crimes as murders, rapes, robberies, and aggravated assaults, and major property crimes as burglaries, auto thefts, and other felony theft offenses, or larcenies.
Overall crime in both jurisdictions increased from 2022 to 2023, with the city of Memphis reporting 19,962 reported incidents in 2023, compared to 18,554 in 2022. Shelby County reported 15,380 crimes in 2023, and 14,509 in 2022.
According to the crime commission, there was a 52.3 percent increase in murders in 2023 compared to 2022. These incidents were calculated “per 100,000 population.)
Domestic violence incidents were up by 3 percent, and “gun related violent incidents” in the city of Memphis increased by 11.6 percent .
Included in the report is the “Safe Community Action Plan Status Report,” which is one of the solutions towards “reducing violence.” In terms of gun violence, the commission is on track with “vigorous federal prosecution of gun crime as a priority, and “establishing a special Memphis Police Department Unit to investigate aggravated assault incidents involving guns.”
MSCCC reported that they are “on track” with these developments, however they are “slightly behind schedule” on “expanding violence interveners” tasked with preventing “retaliatory violence.” They also said they are behind on “developing and implementing an effort to reduce thefts of vehicles and guns.”
While the city saw an increase in multiple areas, the report concluded that “serious juvenile charges” were down 13.3 percent in 2023 (569) compared to 2022 (656). This follows a trend of decreased charges starting from 2011.
The report does not state what is considered “serious juvenile charges,” however it cited aggravated assault, aggravated robbery, and carjacking as “serious delinquent juvenile offenses.” The commission called these “especially disturbing.”
The statistics show that there was an overall increase in juvenile or charges compared to 2022. “Delinquent juvenile charges” were up by 15.9 percent.
Per the status report, the commision says it is on track with “expanding efforts” to engage with youth prior to committing any offense or “before they encounter law enforcement or the juvenile justice system.” The commission reports that it has developed a system regarding intensive supervision, rehabilitation. and treatment for “serious juvenile offenders.” MSCCC reported it is slightly behind on a plan that helps to “break the cycle of repeat offenders.”
The Tennessee Bureau of Investigation (TBI) will review a fatal, officer-involved shooting in North Memphis early Friday morning.
Here’s what Memphis Police Department said about the shooting in a Facebook post:
“At 3:07 a.m., officers responded to a domestic violence call in the 3000 block of Dumbarton Road.
Officers arrived and heard an active disturbance inside. Officers located a wounded adult male and were charged at by an armed suspect. One officer discharged their weapon striking the suspect.
The suspect and the wounded male victim were transported to Regional One Hospital in critical condition. The suspect was pronounced deceased and the injured male is now listed as stable. An officer was injured on the scene unrelated to the altercation and was transported to Methodist North in non-critical condition.”
Michael Detroit, executive producer at Playhouse on the Square (Photo: Carla McDonald)
Memphis’ annual Ostrander Awards honor the season’s best local theatrical productions.
Mostly.
But there is one category that gives a standing ovation to someone who has had an ongoing, yearslong impact on the theater scene.
The Eugart Yerian Award for Lifetime Achievement has put the spotlight on these singular people since 1984, and this year, the distinction will go to Michael Detroit, executive producer at Playhouse on the Square, a professional resident theater company.
Detroit started at Playhouse when he came to Memphis in 1989. And he’s done it all: actor (stage, film, television, commercials), director, singer, costumer, choreographer, professor, creator of the Unified Professional Theatre Auditions (UPTA), civic activist, and more.
When Detroit took over at Playhouse from founder Jackie Nichols in 2018, he was more than ready, having been associate producer since 1998. As executive producer, he manages $15 million in capital assets, a $3.3 million annual budget, an endowment of more than $7 million, and 40 full- and part-time employees, including hundreds of contract actors, designers, and directors.
Being ready to take over also helped when the global pandemic hit, forcing arts organizations to rethink how to keep creating — and delivering — art. Detroit and Whitney Jo, managing director at Playhouse, were able to ensure that no staff or company member was laid off because of the pandemic. Further, they devised ways of creating online content to sustain interest and involvement.
Detroit will receive the award at the Ostranders ceremonies on August 26th at the Orpheum.
The Memphis Flyer asked Detroit about the highlights of his 35 years in Memphis.
Memphis Flyer: Tell us about your journey since you came to Memphis in 1989.
Michael Detroit: I’ve been very fortunate that I’ve been able to make a living in the arts, which is hard for anybody that goes into the arts. For me, it was a history of piecemealing things together — doing theater, doing video gigs, doing voiceovers, doing print work, and teaching and all the things you did to make a living as a younger artist. And I’ve been able to stay with it and make a living out of it. With that kind of vision in mind, my goal since I became executive producer was to strengthen our ability to have artists have the ability to make a living in Memphis — things like salaries and working conditions and hourly work weeks and all of those things, which is a challenge in any artistic format for sure.
What are some of the initiatives behind your vision?
It goes back to things like UPTA, where we’ve got 1,100 people coming in over four days with 85-plus companies and 850 actors all looking for work that pays across the country. We’re also very committed to partnering with our friends at the Greater Memphis Chamber. Playhouse belongs to seven different chambers and I wanted to make sure that we were doing that so that we were civically engaged, not just an artistic company, but as a small business in Memphis. And that creates an awareness of employees, but just like the big folks out there, like FedEx and IP and Nike and AutoZone, we want to attract and retain the talent that we have here as actors and designers and technicians and admin folks.
You have to have material that they want to work with and work on, but you’ve got to pay them a salary that’s of value to them. And that’s what UPTA was created for, to help folks find work, and certainly to help Playhouse find talent. Coming out of that too, making sure that what we’re bringing to the table is a lot more newer work, perhaps than we had done in the past, and certainly a greater diversity of work than we have been doing in the last, let’s say, couple of decades. So, we’re getting back to our roots in terms of types of shows we’re doing.
You like to see where there’s a need and then take steps to meet it, right?
Yes, things like the Queer Youth Theater Program. We chose to do it, recognizing that as something that’s important for our community, we’ve been able to do that and do it proudly, do it unabashedly. It’s easy to identify issues. It’s challenging to find the right materials to put in front of folks that help push that needle in one direction or the other that reflects that diversity of our community. So yeah, we’re going to do the family shows because that’s part of our community, but then we’re going to do shows that talk about the politics that we’re dealing with right now.
I’ve also been helping theatrical licensing companies realize that Playhouse on the Square in Memphis is a treasure to be had because we can produce things here in the Mid-South that these licensing companies, quite frankly, can’t really license anywhere else. And they realize quickly when we produce things that perhaps they can be produced in other places.
You were instrumental in organizing last year’s arts-centered mayoral forum. How did that go?
We worked with various other folks through the Memphis Cultural Coalition who had strong contacts into the various mayoral candidates committees. We got four of them here at Playhouse to talk to a full house of people, and it was specifically geared towards the arts. It’s something, as far as I know, that had never happened before, and it was extremely successful. We had four candidates committing to creating something or engaging the arts as a way for Memphis to move forward. We see that now in Mayor Paul Young’s messaging. We had a chamber event at the Memphis Botanic Garden last week, and he talked about it there, and he’s talking about it without being fed a line about it. He’s making it part of his platform. If you feed the arts, you feed business. Without a strong professional arts component, especially in a city, you become a tier-two city. And we want to be a tier-one city. It’s important to keep those organizations vital and thriving.
Gabriel Iglesias brings his comedy tour to Memphis this Friday. (Photo: Jose Guerrero)
Asian American and Pacific Islander Heritage Month’s Hungry Tiger Tour Various locations Select dates in the month of May This May take a delicious food journey highlighting Memphis’s Asian ethnic communities. Joining the tour is simple! No pre-registration required: Just grab some friends for lunch/dinner — or make some new ones along the way — and get ready to taste the best of Memphis eats. The schedule is as follows: Friday, May 10, 12:30 p.m., at Casarap; Monday, May 13, 7 p.m., at Petals of a Peony; Friday, May 17, 12:30 p.m., Mochi & Mi (inside Rio Grande Market); Monday, May 20, 6:30 p.m., at Sen Trang; Friday, May 24, 12:30 p.m., at Ryu Sushi & Pho; and Friday, May 31, 12:30 p.m., at Mosa Asian Bistro. Find out more about AAPI Heritage Month in Memphis at aapiheritagemonthmemphis.com/2024.
A Picture of Home: Chalk Drawing Competition Crosstown Concourse Friday, May 10, 4-6 p.m. Join Hospitality Hub for a short conversation about the complexities of chronic homelessness and the Hub’s work with encampments, then flex your creativity by creating a chalk drawing of what “home” means to you. Winners will be announced the following week. The Hub will be at the Crosstown Plaza in May raising awareness about Hub Village, which will serve as an innovative solution for emergency shelter and transitional housing for those experiencing homelessness. See the full calendar for programming here.
Gabriel Iglesias FedExForum Friday, May 10, 8 p.m. He’s so fluffy I’m gonna die. And that’s a compliment. And I’m talking about Fluffy, aka Gabriel Iglesias, who’s bringing his Don’t Worry Be Fluffy Tour to the FedExForum. Tickets start at $47 and can be purchased here.
Pickleball Street Party Edge District, 400 Monroe Saturday, May 11, 10 a.m.-4 p.m. Don’t put yourself in a pickle this weekend. Play pickleball. Following the Orion 5k, which benefits MIFA Meals on Wheels (sign up here), Pickleball 901 will host the Pickleball Street Party for pickleball newbies and oldies. There will be FOUR pickleball courts along the street, along with great music, food, and local beer all day! All you have to do is show up, sign up, and choose an available court time. First come, first served.
Art For All Festival Memphis Brooks Museum of Art Saturday, May 11, 11 a.m.-3 p.m. You might have an art-attack at the Art For All Festival, a free celebration of all things art. You can expect free admission to the Brooks; musical and theatrical performances from Stax Music Academy, Opera Memphis, New Ballet Ensemble, and more; pop-up galleries and art-making stations from Arrow Creative, Opera Memphis, Metal Museum, UrbanArt Commission, RiverArtsFest, and more; traveling exhibit “I AM” presented by Historic Clayborn Temple; art and culture activations from Orpheum Theatre and Stax Museum; and so much more (seriously, like so much more). Again, this is a free event, but make sure you register here.
Sunset Jazz: Ted Ludwig Court Square Sunday, May 12, 6 p.m. Jazz up your weekend with, well, some jazz. And free jazz at that, thanks to the Sunset Jazz at Court Square concert series. This weekend’s performance will be by Ted Ludwig. Lawn chairs and blankets are welcomed. Oh, and did you see Alex Greene’s article all about the series this week? Go on and get to reading if you haven’t!
Spring Fling: Afrobeats and Island Rhythms The Ravine Saturday, May 11, 5-7:30 p.m. You may have been to Zumba in the Park with David Quarles, but this time he’s brought serious back up — Catherine Marte and Michelle Primiano! Enjoy an extra long dance session with a group of pro instructors plus healthy vendors and music by DJ Sledro to keep you moving all evening in the Medical District’s newest event space, The Ravine!
Mother’s Day Yo mama’s so great, they dedicated a whole day to her. And I bet you forgot. Shame on you. So, lucky for you, here are some things you can do this Mother’s Day, so you can act like you remembered all along. No need to thank me or anything. Just thank your mother. Or don’t if she’s, like, evil or something. I don’t know your life.
Baby Day at the Zoo: Meet the newest members of the zoo family this Mother’s Day weekend, with baby keeper chats. Memphis Zoo, Saturday, May 11, 9 a.m.-5 p.m.
Blooms & Brunch: A Mother’s Day Weekend Pop Up: Treat the human moms, dog moms, and mother figures in your life to a day they won’t forget with a delightful build-your-own bouquet cart from Hosanna’s Floral Co., delicious brunch from Hustle & Dough, and mimosa and Bloody Mary specials from Bar Hustle. Bar Hustle at ARRIVE Memphis, Saturday, May 11, 11 a.m.-2 p.m.
Mother’s Day at Memphis Botanic Garden: Treat mom to a libation from the cash bar. Enjoy the Picnic Grove or bring a blanket to pick your perfect setting. Children can plant a flower for mom. Memphis Botanic Garden, Sunday, May 12, 10 a.m.-2 p.m., free with admission.
Mother’s Day on the River: Surprise your mom, mother, meemaw, or granny with a memorable trip down the Wolf River. Wolf River Conservancy, Sunday, May 12, 12:30-5 p.m.
Mother’s Day Brunch at The Guest House at Graceland: Elvis Presley famously cherished his mother, calling her “the most wonderful person in the world.” Show the mother in your life the same love and affection by treating her to a special Mother’s Day experience with great food and live music at The Guest House at Graceland. Guest House at Graceland, Sunday, May 12, $55
Symphony in the Gardens: Celebrate Mother’s Day with Big Band music performed by the Memphis Symphony Orchestra on the Dixon South Lawn. Dixon Gallery & Gardens, Sunday, May 12, 5-7 p.m.
Mississippi Moon Festival Presents: Artist Showcase Preview The Green Room at Crosstown Arts Thursday, May 16, 7 p.m. Hear a sampling of 11 musicians performing acoustic Americana music before the bigger Mississippi Moon Festival happens in June in Olive Branch, Mississippi, where 29 local, regional, and national musicians and songwriters make the two-day camping and arts festival a truly unique experience on June 7th and 8th. Thursday’s performance includes Alice Hasen, Josh Thelkeld, Jake Keegan, Lily Brown, Rachel Maxann, Kelly Hunt, Wyly Bigger, Alexis Jade, Sarah Spain, Amber Rae Dunn, and Anna Sharpe. Tickets ($18.54) for the showcase can be purchased here.
There’s always something happening in Memphis. See a full calendar of events here.
The Fugees at the inaugural RiverBeat Music Festival (Photo: Joshua Timmermans/courtesy RiverBeat Music Festival)
After it was discovered that the RiverBeat Music Festival‘s social media accounts posted a clumsily-Photoshopped image that inflated the apparent crowd size (which the festival organizers copped to, blaming the photographer and removing the image), many in the online-iverse ramped up their complaints about the festival, dissing the lineup, the attendance, and even the lack of chain link fencing along the river shore (believe it or not).
Yet, as a musician, a music fan, and journalist embedded in the actual RiverBeat experience, I witnessed throngs of happy listeners and had more than a few magical encounters myself. In the end, that’s what will stay with us. Here, then, are a few personal, highly subjective moments that make a celebration of music on this scale worth the while, complemented by the Memphis Flyer‘s own mixtape.
Charlie Musselwhite The magic began before I even entered the festival gates. Walking along the perimeter toward the entrance, I heard the sound of pure liquid gold ringing out over the river. It was the blues harp of Charlie Musselwhite, known as “Memphis Charlie” in his youth, his family having moved here from Mississippi when he was a toddler, though he was based in Chicago as his career accelerated in the ’60s. To this day, he’s criminally under-booked in Memphis venues, making this moment a rare one indeed. This octogenarian and the melodic flow of his harp are national treasures.
Charlie Musselwhite at RiverBeat Music Festival (Photo: Joshua Timmermans/courtesy RiverBeat Music Festival)
Lucky 7 Brass Band Seeing this group in the charged setting of the festival brought home what a tremendous font of creativity and groove the Lucky 7 can be. As I walked into Tom Lee Park, I heard the familiar strains of “Smells Like Teen Spirit,” but far groovier and brassier than the original. It was quickly followed by Rage Against the Machine’s “Killing in the Name,” Victor Sawyer’s singing full of the original’s fury, but layered over the forward momentum of a second line groove. An utter revelation.
DJ’s at Whateverland The Memphis gem Qemist took DJing to new artistic heights, weaving together disparate tracks into a whole greater than the sum of its parts. “It’s about to get real Black real fast!” he announced at one point. The crowd gathered in the shade of the fanciful tent shimmied and swayed along with him…even the staff walking past. “I see you, Security! Get your strut on!” he exclaimed. On Saturday, WYXR’s Jared Boyd, aka Jay B, aka Bizzle Bluebland kept up a similar vibe with some fine disco-tinged vibes, puffing on a jumbo cigar as he manned the wheels of steel.
Durand Jones & the Indications I’d never heard this old school soul and R&B vocalist live, but certainly will again after the scorching set he delivered last Friday afternoon. The very on-point band formed over a decade ago at Indiana University’s Jacobs School of Music, but a distinctly more Southern flavor of soul springs from Jones’ roots in Hillaryville, Louisiana. “I feel like I’m an ambassador of the rural South,” he quipped at one point. “I’m just a boy from a town of about 500 people, and our land is being taken away from us. It’s about time we saw what is going down.” Midway through their cover of Irma Thomas’ “Ruler of My Heart,” Jones spoke wistfully about a young man who came to Memphis “with just a guitar” and made Thomas’ song his own, bringing the house down with Otis Redding’s version, “Pain in My Heart.”
Talibah Safiya We just profiled this neo-soul/hip hop auteur, and, armed with fresh new tracks from her new album and a tight live band featuring MadameFraankie on guitar, she held the Stringbend Stage last Friday with aplomb. Even in the group’s tight execution of beats there was a playful looseness, exemplified when, seeing a few sprinkles in the air, they launched into an impromptu take on “I Can’t Stand the Rain.” That soon gave way to more of Safiya’s originals. “Look to your right,” the singer called out to the audience, pointing to the Mississippi River. “Let’s honor that body of water,” she said, and then launched into perhaps her most popular track, “Healing Creek.”
Carla Thomas at the RiverBeat Music Festival (Photo: Joshua Timmermans/courtesy RiverBeat Music Festival)
Take Me to the River Having written about the group assembled by Boo Mitchell in last week’s cover story, I knew this would be a special moment, but it exceeded all expectations. Lina Beach, the young guitarist for Hi Rhythm, rocked her originals with verve, Jerome Chism delivered soul standards like “Tryin’ to Live My Life Without You” with passion, and Eric Gales delivered some scorching guitar work that was both virtuosic and soulful on “I’ll Play the Blues for You.”
While Mitchell is naturally grounded in Royal Studios and Hi Records, that latter song’s provenance in the Stax catalog confirmed that Hi Rhythm was the perfect vehicle for all stripes of Memphis soul. That was especially clear when Carla Thomas took the stage, cradling a crutch in her right hand but looking spry as she exhorted the crowd to do some classic straight-eighth note “soul clapping” while the band vamped on the intro to “B-A-B-Y.” She followed that up with the song her father Rufus put on the charts, “Walking the Dog,” whereupon Chism appeared with a small pup wearing ear protectors. That in turn was followed by the inimitable William Bell delivering stone classics like “I Forgot to Be Your Lover,” making the Take Me to the River set a festival highlight.
No Blues Tent, Plenty of Blues As if to make up for the lack of a blues tent, always a fixture at Beale Street Music Festivals, the blues seemed to crop up everywhere at RiverBeat. Kenny Brown brought the Hill Country Sound on day one, laconic and completely at ease as he unleashed guitar licks with his trio. On Sunday, the Wilkins Sisters brought their unique gospel-blues straight out of Como, Mississippi, just as their late father, Rev. John Wilkins, and their grandfather, Rev. Robert Wilkins, did before them. As lead singer Tangela Longstreet said, “We lost our daddy in 2020. But I can still hear him telling me, ‘Don’t stop singing, baby!'”
And there was more of that sanctified blend from Robert Randolph & the Family Band, as the master of sacred steel guitar delivered a sermon from the church of good times. In his hands, the pedal steel guitar became an engine of squeaks, squalls, and heavily distorted riffs. Indeed, their finale of “It Don’t Matter” was the weekend’s personal highlight of unfettered abandon, and, judging from the way Boo Mitchell and Lina Beach were dancing, they felt the same. Such high energy blues were also apparent in Southern Avenue‘s fiery set, wherein the humble acoustic guitar played by Ori Naftaly on most of the tunes presented country blues riffs amped into overdrive, adding a new grit to their sound.
Yet there were blues in more unexpected niches. Lawrence Matthews‘ latest work draws heavily on sampled blues in the Fat Possum Records catalog, and his anti-hype attitude, sitting calmly on a stool as he delivered his rhymes was only underscored by the bare-bones country blues guitar underpinning much of his work. Al Kapone has also taken to blending his hip hop vision with the blues, and that was on full display in his Saturday set, especially on the dread-laden “Til Ya Dead and Gone (Keep Movin’).”
Al Kapone and Mayor Paul Young at RiverBeat Music Festival. (Photo: Chris McCoy)
And finally, bringing it back full circle to classic soul revivalism , there was plenty of blues in a groovy set by Rodd Bland and the Members Only Band, the horn section’s evocation of his father Bobby “Blue” Bland’s classic take on the minor-key “St. James Infirmary” giving this listener chills. Some of those same great horn players appeared with the Bo-Keys as they backed up singers Emma Wilson and John Németh in a stomping soul set. Are players like Jim Spake, Marc Franklin, Kirk Smothers, Tom Clary, and Tom Link becoming the new de facto Memphis horns? Their presence on the RiverBeat stages, and so many records cut here, suggests as much.
Memphis is a Star Perhaps the most striking pattern of the weekend was the way that the biggest stars of the event expressed their gratitude for playing our city. Of course, that was to be expected of Memphis-based mega stars like 8Ball & MJG, who made their set ultra-topical when they announced, “We’re going to dedicate this to the mayor!” then launched into their hit, “Mr. Big” in honor of Mayor Paul Young. Fellow hip hop star Killer Mike also got very specific in his love of the Bluff City, paying homage to both Gangsta Boo and Jerry Lawler in one breath.
There were plenty more tips of the hat to our city. Black Pumas singer Eric Burton called out the city many times, but his greatest tribute was perhaps through his vocal style, which one friend described as “Al Green without the horns.” Their psychedelic soul fit the riverfront crowd like a glove.
The Fugees‘ electrifying set also embraced our city in very musical ways. The crowd went mad as Lauryn Hill and Wyclef Jean (sans Pras) performed “Zealots,” with its distinctive sample of The Flamingos’ “I Only Have Eyes For You,” but no one could have expected them to shift that beat into a shuffle for a lengthy bridge, wherein their crack ensemble sounded like nothing so much as a consummate Beale Street blues band. Aside from the mere fact of their appearance at the festival, quite a coup for RiverBeat’s organizers, they showed their love of Memphis in myriad small ways, as when Hill sang “killing me softly in Memphis,” or turned the line “embarrassed by the crowd” into “embarrassed by Memphis’ crowd.” Naturally, the crowd ate it up.
Jelly Roll at the RiverBeat Music Festival (Photo: Joshua Timmermans/courtesy RiverBeat Music Festival)
And yet, fittingly, the most involved embrace of the Bluff City came from Tennessee native Jelly Roll, who closed out the weekend just before Sunday’s second downpour descended. As the set was still warming up, the Antioch, Tennessee native shouted, “It feels so good to be back in my home state!” Later, he quipped “Since we’re in one of the birthplaces of rock and roll, I figured we’d play a little rock and roll,” before launching into “Dead ManWalking.”
But then he got more personal. “When I was growing up, my family would drive down to for Memphis in May, to be right here in front of this river,” he said. “I feel like this is God’s exact fingerprint on the bible belt, right here.” He noted his disbelief at now being on the festival stage where his musical heroes once played, then added, “I cant express how honored I am that you people are out there standing in the fucking rain for this!”
Then he began to reminisce: “When I was 13, we were all listening to rap. I’d go up to my brother’s room, looking for whatever smelled like skunk. And someone gave me a mixtape from Memphis, Tennessee labelled Three 6 Mafia.” As the night wore on, he displayed his formidable rapping chops, even calling out his old friend in attendance, Memphis rapper Lil Wyte. It peaked when he described his influences as “somewhere between Hank [Williams] and Three 6 [Mafia],” then launched into his mega-hit, “Dirty South.” The multiracial crowd went wild in the drizzle, celebrating the hybrid confluence of the many musical styles that typify Tennessee, Memphis, and the RiverBeat Festival itself.
Destructive winds, very large hail, and strong tornadoes are possible with a band of storms that could reach the Memphis area overnight.
The National Weather Service predicted the threat of severe storms across the area Wednesday night into Thursday morning. The storm could bring winds up to 80-plus miles per hour, and hail up to 2-plus inches. A flood watch is also in effect.
“I urge all citizens within the Mid-South area to have multiple ways to receive weather alerts,” said Brenda Jones, director of the Shelby County Emergency Management and Homeland Security Agency. “There are mobile applications for your phone, local news coverage, and/or a NOAA Weather Radio.”
The agency said severe weather that occurs overnight is especially dangerous when tornadoes are involved. Scattered power outages and damage to trees and structures are possible due to damaging winds and lightning.
The National Weather Service Memphis has been tweeting about the potential for a damaging storm all day Wednesday. The agency went live on Facebook Wednesday afternoon to talk more in depth about the storm. Follow them on X for more details as the storm develops.
Here are the individual wind, tornado, and hail probabilities. All three of these hazards have the potential to cause 𝙨𝙞𝙜𝙣𝙞𝙛𝙞𝙘𝙖𝙣𝙩 impacts overnight. pic.twitter.com/XmO0PQNPLj
If you live in a manufactured home, now is the time to make alternate plans for sheltering overnight. Consider staying with a friend or relative, or at the very least locate your nearest public storm shelter. Prepare NOW! It could save your life! ⚠️ pic.twitter.com/TDooxAHnjm
Here are some things you can do RIGHT NOW to prepare yourself and others for severe weather overnight:
• pack a go-bag with flashlights, batteries, and water • put shoes and socks next to your bed • go into your phone's settings and make sure Wireless Emergency Alerts are ON pic.twitter.com/nMYTgEvqYx
The potential storm canceled the weekly test of the tornado alert system that sounds each Wednesday at 3:30 p.m.
We are postponing the NOAA Weather Radio Test today due to the severe weather threat. Please still turn on your radio to ensure you hear a broadcast loud and clear! pic.twitter.com/oh5ORWTe5c
As of this afternoon, Memphis Light, Gas & Water had not made any public statement about preparations for the storm. However, the utility had retweeted several posts from other agencies, noting that they were aware of the potential of damaging weather.
“The blue color, which dominates my art collection,” the artist says, “is a symbol of the oceanic beauty and serenity, but it also has secrets, which like our oceans, are never completely revealed and discovered.” (Photo: Courtesy Iwona Rhodes)
In literature and art, water holds many symbolic meanings — rejuvenation, renewal, sorrow, purification, to name a few. But for artist Iwona Rhodes water represents home — her seaside home in Gdynia, Poland, and the home “where we come from and eventually we all will return to one day.”
The ocean, Rhodes writes in her artist statement for her upcoming “Seaside and Beyond” show at ANF Architects, is “a place of creation.” It’s “like a God-Father figure who serves us, forms us, and through his beautiful nature is also comforting us.”
It’s only natural for Rhodes to see water this way. She grew up close to the beach. She worked on a cruise line. She now lives in a river city. Water, despite its versatility, has been the most constant theme in her life.
“I’ve always been obsessed,” she says of the organic form that inspired the more than a dozen paintings in “Seaside and Beyond.” “My paintings are a reflection of the majestic nature of oceans with their endless forms and capabilities.”
“When I was creating this collection, I felt like it was coming to me, so this is something I’m just enjoying,” Rhodes says. “I had a sudden desire to paint blue abstraction and experiment with media.”
Part of that desire stemmed from her dad’s passing three year’s ago. “I was just missing him, and the ocean always. Why I’m so far from the ocean? When I came back home [from Poland to Memphis], I felt this coldness.”
Photos: Courtesy Iwona Rhodes
So she painted her own oceans — 14 times over on canvas using acrylic and mixed media, opting for impressionist and expressionist styles over realism. “I’m good at realistic painting, but this is more honest,” she says, adding that the paintings tap into her own emotions — her nostalgia for the shores that raised her, her longing for the depths of the oceans and the mysteries they contain.
Though she initially agreed to 20 new paintings for this ANF exhibit, Rhodes was satisfied with her 14. “I said, ‘I’m done.’ This is pure.”
But then she started her new job teaching art at Compass Community School to students in kindergarten through eighth grade. Since she immigrated to America, she’s worked in the corporate world, and teaching, as one can imagine, has been a completely different experience.
“I love this job,” she says. “Literally when I’m leaving school, I’m physically exhausted, but I’m so happy. I’m coming back home and I cannot stop talking about my schooling, showing artwork to my husband. And it’s just amazing. It’s also very inspiring for me. … Teaching only for 10 months inspired me so much, I’m doing an extra six [pieces] inspired by my students. Now I have an idea for another collection.”
In February, Rhodes explains, she taught her students about Alma Thomas, an African-American artist who taught in Washington, D.C. in the 20th century. “She was so successful. Like, every second kid in Washington, D.C., could say that there was a point in his life she was teaching him art. But for me, she’s an inspiration because she was so well educated and she wanted to give back to society by educating tons and tons of kids, and at the end of her life she was rewarded by becoming a true artist. And I love her art. It’s very inspiring.”
For her classes, Rhodes asked her students to create sunrises and sunsets by using pieces of construction paper. “I was in shock when I saw [the results,” she says. As Rhodes scrolls through photos of her students of her work, she praises each one genuinely: “Mind-blowing,” “The creation of this, how she came with this? I have never seen anything like that,” “This is mesmerizing. I love this,” “Okay, this is my inspiration.”
These works inspired by Rhodes’ students will be revealed at the ANF show. “There’s a lot of things altogether, but it’s very honest,” she says, adding that she’ll also display a few line drawings, some of which have been published in her book Heart Traces.
These graphics are linear profiles, witty, ambiguous, and self-reflective in nature. It’s a kind of visual poetry, in a way, which is fitting for Rhodes as she grew up loving to write. “My Polish language and literature professor hated me when she discovered I was going to study fine arts, not literature,” she laughs.
Always the creative, Rhodes says these linear graphics came during a drought of creativity while working in advertising. “I was craving ‘true art,’” she says. “Advertising is like compilation; you use somebody else’s ideas. I was so depressed. I was really unhappy with myself. I wasn’t painting. I knew so much about art, and I wasn’t using it.”
So she turned to a divine intervention of sorts and waited for inspiration to come to her in a dream, and it did — at least, the vision for her Angelic did, a simple line drawing of an otherworldly profile with angel wings capping off the ends of the lines at the neck.
While her other drawings didn’t come from a dream, Rhodes says, they are “a treat for the intellect.” They’ll make you think; some may make you laugh.
In all, for “Seaside and Beyond,” Rhodes hopes viewers will feel a range of emotions. The ocean-inspired paintings might offer profound feelings of serenity or a bit of wonder. The Alma Thomas-inspired works might provide a bit of light or inspiration, and the line drawings may extend a sense of reprieve as they once did for the artist herself.
Join Iwona Rhodes for the opening of “Seaside and Beyond” on Friday, May 10th, from 5 to 7 p.m., at ANF Architects, 1500 Union. Admission is free, and refreshments will be provided. “Seaside and Beyond” will be on display through June 5th, Monday to Friday, 8 a.m. to 5 p.m.
ARIES (March 21-April 19): When my friend Jessalyn first visited Disneyland as a child, she was smitten by its glimmering, unblemished mystery. “It was far more real than real,” she said. “A dream come true.” But after a few hours, her infatuation unraveled. She began to see through the luster. Waiting in long lines to go on the rides exhausted her. The mechanical elephant was broken. The food was unappetizing. The actor impersonating Mickey Mouse shucked his big mouse head and swilled a beer. The days ahead may have resemblances to Jessalyn’s awakening for you. This slow-motion jolt might vex you initially, although I believe it’s a healthy sign. It will lead to a cleansed perspective that’s free of illusion and teeming with clarity.
TAURUS (April 20-May 20): Keizoku wa chikara nari is a Japanese proverb that means “To continue is power.” I propose you make that your motto for the next four weeks. Everything you need to happen and all the resources you need to attract will come your way as long as your overarching intention is perseverance. This is always a key principle for you Tauruses, but especially now. If you can keep going, if you can overcome your urges to quit your devotions, you will gain a permanent invigoration of your willpower.
GEMINI (May 21-June 20): Do you believe there are divine beings, animal spirits, and departed ancestors who are willing and able to help us? If not, you may want to skip this horoscope. I won’t be upset if you feel that way. But if you do harbor such views, as I do, I’m pleased to tell you that they will be extra available for you in the coming weeks. Remember one of the key rules about their behavior: They love to be asked for assistance; they adore it when you express your desires for them to bring you specific blessings and insights. Reach out, Gemini! Call on them.
CANCER (June 21-July 22): I’m taking a gamble here as I advise you to experiment with the counsel of visionary poet and painter William Blake (1757–1825). It’s a gamble because I’m asking you to exert a measure of caution as you explore his daring, unruly advice. Be simultaneously prudent and ebullient, Cancerian. Be discerning and wild. Be watchful and experimental. Here are Blake’s directions: 1. The road to excess leads to the palace of wisdom, for we never know what is enough until we know what is more than enough. 2. If the fool would persist in his folly, he would become wise. 3. The pride of the peacock is the glory of God. The lust of the goat is the bounty of God. 4. No bird soars too high if it soars with its own wings. 5. Exuberance is Beauty.
LEO (July 23-Aug. 22): Cosmic energies are staging a big party in your astrological House of Ambition. It’s a great time to expand and intensify your concepts of what you want to accomplish with your one wild and precious life. You will attract unexpected help as you shed your inhibitions about asking for what you really want. Life will benevolently conspire on your behalf as you dare to get bolder in defining your highest goals. Be audacious, Leo! Be brazen and brave and brilliant! I predict you will be gifted with lucid intuitions about how best to channel your drive for success. You will get feelers from influential people who can help you in your quest for victory. (PS: The phrase “your one wild and precious life” comes from poet Mary Oliver.)
VIRGO (Aug. 23-Sept. 22): Is it possible to be too smart for your own good? Maybe, although that won’t be a problem for you anytime soon. However, you may temporarily be too smart for some people who are fixated on conventional and simplistic solutions. You could be too super-brilliant for those who wallow in fear or regard cynicism as a sign of intelligence. But I will not advise you to dumb yourself down, dear Virgo. Instead, I will suggest you be crafty and circumspect. Act agreeable and humble, even as you plot behind the scenes to turn everything upside-down and inside-out — by which I mean, make it work with more grace and benefit for everyone concerned.
LIBRA (Sept. 23-Oct. 22): In my fairy tale about your life in the coming weeks and months, you will transform from a crafty sleuth to an eager explorer. You will finish your wrestling matches with tricky angels and wander off to consort with big thinkers and deep feelers. You will finish your yeoman attempts to keep everyone happy in the human zoo and instead indulge your sacred longings for liberation and experimentation. In this fairy tale of your life, Libra, I will play the role of your secret benefactor. I will unleash a steady stream of prayers to bless you with blithe zeal as you relish every heart-opening, brain-cleansing moment of your new chapter.
SCORPIO (Oct. 23-Nov. 21): In the coming months, I will encourage you to keep deepening and refining the art of intimacy. I will rejoice as you learn more and more about how to feel close to people you care for and how to creatively deal with challenges you encounter in your quest to become closer. Dear Scorpio, I will also cheer you on whenever you dream up innovations to propitiate togetherness. Bonus blessings! If you do all I’m describing, your identity will come into brighter focus. You will know who you are with greater accuracy. Get ready! The coming weeks will offer you novel opportunities to make progress on the themes I’ve mentioned.
SAGITTARIUS (Nov. 22-Dec. 21): You could offer a workshop on the perks of wobbliness. Your anxious ruminations and worried fantasies are so colorful that I almost hesitate to tell you to stop. I’m wondering if this is one of those rare phases when you could take advantage of your so-called negative feelings. Is it possible that lurking just below the uneasiness are sensational revelations about a path to liberation? I’m guessing there are. To pluck these revelations, you must get to the core of the uneasiness.
CAPRICORN (Dec. 22-Jan. 19): During the last 11 months, life has offered you unprecedented opportunities to deepen and ripen your emotional intelligence. You have been vividly invited to grow your wisdom about how to manage and understand your feelings. I trust you have been capitalizing on these glorious teachings. I hope you have honed your skills at tapping into the power and insights provided by your heart and gut. There’s still more time to work on this project, Capricorn. In the coming weeks, seek out breakthroughs that will climax this phase of your destiny.
AQUARIUS (Jan. 20-Feb. 18): Naturalist and author Henry David Thoreau declared, “We need the tonic of wildness.” Amen! In my view, you Aquarians especially need this sweet, rugged healing power in the coming weeks. Borrowing more words from Thoreau, I urge you to exult in all that is mysterious, unsurveyed, and unfathomable. Like Thoreau, I hope you will deepen your connection with the natural world because “it is cheerfully, musically earnest.” Share in his belief that “we must go out and re-ally ourselves to Nature every day. We must take root, send out some little fiber.”
PISCES (Feb. 19-March 20): I have four questions and homework assignments for you, Pisces. 1. Is there a person in your inner circle who is close to ripening a latent talent that would ultimately benefit you? I suspect there is. What can you do to assist them? 2. Is there a pending gift or legacy that you have not yet claimed or activated? I think so. What would be a good first step to get it fully into your life? 3. What half-dormant potency could you call on and use if you were more confident about your ability to wield it? I believe you now have the wherewithal to summon the confidence you need. 4. What wasteful habit could you replace with a positive new habit?
In astrology, Pluto is the god of the underworld. Pluto may have been demoted to a dwarf planet in astronomy in 2006, but it is still an astrological powerhouse. As one of the modern rulers of Scorpio, it symbolizes how we experience power, sex, death, renewal, rebirth, and hidden or subconscious forces. Pluto went retrograde on May 2nd and will stay retrograde until October 11th.
When a planet goes “retrograde,” or moves backward through the zodiac, it often brings challenges in the areas of our life that the planet represents. Communication planet Mercury creates misunderstandings and technology breakdowns when in retrograde, for example. But Pluto’s backward shift doesn’t make us confused — it makes us reflective.
Pluto is named after the Roman god of the underworld. Like its namesake, the planet Pluto rules over the shadow side of life. When it goes retrograde, it forces us to look at our own shadow side. Two of Pluto’s big themes are power and desire. With it in retrograde, now is a good time to take an honest look at how much we’re motivated by a need for recognition, money, and authority.
Pluto can stay in one sign of the zodiac for up to 21 years and retrogrades every year for anywhere from five to six months. In the last year, Pluto has been undergoing an era-defining shift in our cosmos from Capricorn to Aquarius. It represents a moment in time in which we also find ourselves somewhat straddling two worlds — the old and the new. Pluto in Capricorn is the old and Pluto in Aquarius is the new. We are dancing intimately with change. We are preparing for a new era, and Pluto retrograde is an integral part of the dance.
Some believe that in astrology, as you move further away from planet Earth into the outer planets, the frequencies of those outer planets are more subtle, more complex, and more mysterious. Pluto and its influence cannot be grasped with the mind. It represents the unseen, the mysterious, and the hidden aspects of ourselves and humanity. It represents the reserves within us that are not often journeyed to, including our shadows, darkness, and vulnerabilities.
Retrogrades in astrology represent “re” words, such as review, revise, reconsider, realign, revisit, etc. They are the one step backward to allow for the many steps forward. They are a sacred pause inviting us to look around, review who we are and the direction we are walking, integrate our past experiences, and bring closure to what is needing it.
This is all so that we can arrive present, centered, and aligned before continuing forward. Retrogrades remind us that, no matter how we try, life is not linear. Our journey is cyclic. We move sideways, upside-down, and every other direction in our outer and inner worlds.
Pluto represents the kind of cracking open that brings change down to the roots of who we are. Pluto journeys through our underworld, our psyche, our unconscious, our emotional body. Pluto excavates. It brings to light. Its retrograde shows us what is hidden within us and waiting for healing, acceptance, and closure.
Here, we are revisiting what is ready to be transformed. Throughout Pluto retrograde we may find what we have labeled “old” emotions, stories, or pain resurfacing. And while transformation is rarely easy, it is deeply nourishing.
This retrograde invites us to be vulnerable while it peels back layers to sit with what lies underneath. We are asked to witness parts ourselves we have disowned and cast into the shadow, all so that we may reach acceptance and reclaim ourselves. We are asked to sit with what has been keeping us chained, dimmed, powerless, and fearful, so that we may remember our freedom, power, and light.
Our role is that of surrender, presence, and grace, to allow our humanness to be as messy as it desires for this time. For we are quite literally taking a step back, picking apart the pieces, making a mess, and then placing them back together in a way that is aligned, empowering, freeing, and real, all in time for our forward movement. It’s time to close a chapter.
Emily Guenther is a co-owner of The Broom Closet metaphysical shop. She is a Memphis native, professional tarot reader, ordained Pagan clergy, and dog mom.
