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MEMernet: Sea of blue, Porchfest, and Memphis Accent

Memphis on the internet.

Sea of Blue

Local law enforcement agencies amassed Sunday for a “Sea of Blue” to honor fallen Memphis Police Department Officer Joseph McKinney.

Porchfest

Posted to X by @HopeInTheUSA

Dozens of bands and performers drew thousands to Cooper-Young Saturday for the fourth annual Porchfest. That’s where @HopeInTheUSA caught the photo of Grave Lurker above.

Memphis accent

Posted to TikTok by @iamjazzysworldtv

Thirteen-year-old Brooklyn-native and content creator Jazzy’s World TV tried out her Memphis accent on Moneybagg Yo. Yes, she said “junt” and “mane.” But Yo suggested she city-fy her pronunciation a bit.

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Politics Politics Feature

Across the Lines

The Shelby County Commission — and county government in general — normally gets less public and media attention than do Memphis city government and the city council. This is largely due to long-held tradition held over from the numerous decades of the preceding century when the bulk of the county’s total population resided in the traditional urban core.

White flight, sprawl, and suburban growth have altered the demographic proportions and residential patterns significantly, of course, but even before the balance of population began to shift so radically eastward and outward, the fact was that, in Shelby as in the state’s other 95 counties, county government has been the chief instrument of self-government — not least because Shelby County is the Venn diagram; it contains not only Memphis but six other incorporated municipalities and much unincorporated turf as well.

The county’s budget is larger than any city’s, and it has primary constitutional charge of health and education matters, as well as significant and growing responsibility over law enforcement.

Monday’s meeting of the county commission reflected the unique aspect of our binary system, actually one of multiplicities.

One significant debate concerned the expanses into which solar energy enterprises — those harbingers of our greener future — can be allowed to spread. Mindful of the outer county’s increasing residential mass, the boundaries for such installations were significantly circumscribed: Going forward, they must be distant from each other by at least a mile and no closer than 600 feet at any point to residential areas. And they must be limited in size to a square mile.

Another prolonged discussion concerned the question of whether a portion of a long-dormant planned commercial development in the Eads area should be allowed to proceed with the development of septic tanks pending an opportunity to connect with the Memphis sewer system. (It will be remembered that such new tie-ins with new developments outside the city were discontinued as of 2017.)

The developers of the area under consideration Monday — one that was de-annexed in 2020 — hope eventually to manage such a connection. But expressed concerns on Monday from Eads residents and defenders of the Memphis sand aquifer about potential pollution resulted in a unanimous turn-down of the septic tank proposal by the commissioners.

After these and various other agenda items were dealt with, several of the commissioners turned their solemn attention to a matter that increasingly roils citizens everywhere in Shelby County — shoot-outs like the one that in the last few days resulted in the deaths of MPD Officer Joseph McKinney and attendees at an Orange Mound block party.

“We’ve got a lot of work to do,” said Commission chair Miska Clay Bibbs. Indeed so. The bell tolls for city and county alike.

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David Pryor (right) with the author in 2016

In Memoriam

He was not a Memphian nor even a Tennessean, but Arkansan David Pryor, a near neighbor who died Saturday after a lingering illness, deserves our sympathy and remembrance as well.

Pryor, who represented Arkansas as a congressman, as governor, and as senator, was the genuine article, a selfless public servant. He may turn out to have been the last major Democrat in his state’s history, but as my friend and former Arkansas Gazette colleague Ernie Dumas observes in an almost book-length obituary in the Arkansas Times this week, Pryor was much more — “the most beloved member of the U.S. Senate” in his time, across all partisan lines. That was something that I learned myself when he took me in tow on my first visit to Washington as a cub reporter back in the ’60s. R.I.P.

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Film Features Film/TV

Fallout

Everything’s been adapted into a movie. Since the time of the Lumière brothers and Edison, moving picture producers have frantically looked around for things to base their stories on. If these things come with a built-in fanbase, all the better. Short stories, novels, poems, Shakespeare, musical theater, folklore, urban legends, fairy tales, pulp science fiction, high fantasy, romance, board games both real and fictional, animated versions of live action films, live action versions of animated films — you name it, somebody’s made a movie of it.

But video games are one medium that filmmakers have persistently had trouble translating. Since even the most primitive games have to have a character to identify with and a modicum of story built in to help the action feel meaningful, you would think it would be easy to do. But all you have to do to disabuse yourself of that notion is look at a few minutes of 1993’s Super Mario Bros. The writing was on the wall long before The Angry Birds Movie took its place among history’s worst attempts at entertainment. Last year’s big hit The Super Mario Bros. Movie was, if not a masterpiece, at least a crowd-pleaser.

Future attempts to adapt video games (and you know they’re coming) should study Amazon’s Fallout. Based on the video game series that began in 1997, this Fallout is produced by Westworld’s Lisa Joy and Jonathan Nolan, who also directed the limited series’ first three episodes. The premise of the Fallout games begins with a global thermonuclear war in 2077.

You are usually someone who survived the initial conflagration in one of the several dozen self-sufficient underground vaults located around the ruins of the United States who emerge after a couple hundred years hiding from the radiation. The new world is full of recognizable bits and pieces of the old, remixed with fire and time to create a fantastical (and fantastically dangerous) landscape. The stories that unfold in the post-apocalyptic world are usually basic fetch-quests, but it’s the richness of the world-building, and the dark jokes that emerge when you look too hard at the details, that has made Fallout such an enduring title.

The showrunners wisely avoid a slavish retelling of one of the stories from the games, although elements of the classic stories, such as the broken water purifier which acts as the first game’s catalyst, do occasionally surface. The pilot begins on the day the first bombs fell. Affluent Los Angelenos of 2077 are obsessed with the trappings of 1950’s and ’60s America, right down to hiring TV cowboy Cooper Howard (Walton Goggins) as entertainment for a kid’s birthday party. He and his daughter Janey (Teagan Meredith) survive the initial bombings by riding away on horseback. When we next see Cooper, he has mutated into a red-faced undead ghoul whose nose long ago rotted off (or, as we come to learn, was perhaps harvested for spare parts by Snip Snip, a rogue medbot voiced by Matt Berry). The Ghoul is now a bounty hunter, roaming the Wasteland catching and killing humans, mutants, and other creatures in exchange for vials of drugs that keep him alive — or at least suspended between life and death.

In Vault 33, underneath what used to be suburban Los Angeles, Lucy MacLean (Ella Purnell) is ready to get married. Since she’s cousins with all the guys in her vault, she follows tradition and sends a telegram to Vault 32, asking for a breed-able male. Instead of marital bliss, 33 accidentally open their doors to raiders from the above world, led by Lee Moldaver (Sarita Choudhury). The vault dwellers barely survive the raid, and Lucy’s father Hank (Kyle MacLachlan) is kidnapped in the process. Lucy defies her vault’s ruling council, led by Betty (Leslie Uggams), and opens the door to the outside world to go looking for her father.

Meanwhile, Maximus (Aaron Moten) is not having fun. He’s a squire in the Brotherhood of Steel, a quasi-military, quasi-religious secret order who search out surviving pre-war technology to use for their own ends. The fascistic order ain’t easy if you’re on the bottom rung of the hierarchy, so Maximus is elated when he gets the nod to accompany Knight Titus (Michael Rapaport) on a mission into the wasteland to find Dr. Siggi Wilzig (Michael Emerson), a scientist who has escaped from the high-tech facility known as the Enclave with some sensitive technology whose function is a mystery. Once they’re on the ground, the cruel Titus is injured, Maximus lets him die, then takes his power armor to seek his own fortune.

These three characters’ lives and destinies intersect in strange ways out in the American Wasteland, where nothing is ever quite what it seems. The show mines the game’s long history mostly for vibes. Watching the Brotherhood’s iconic power armor lumber through the ruins is a big thrill. The whiplash mixture of extreme danger and black humor work on the TV screen as well as in the computer monitor. The game’s stories are kept pretty basic on purpose, so that your game play experience can fill in the emotional gaps — after all, those ghouls are shooting at you! The casting gives this adaptation a crucial edge. Purnell’s wide-eyed “okey dokey” and matter-of-fact approach to violence are perfect. Moten’s Maximus is a tightly-wound ball of trauma who you want to see do the right thing, but who often doesn’t. Goggins dominates the screen with ghoulish badassery, but then reveals a more complex side over time. Fallout’s popularity is heartening, as it shows an appetite in the audience for moral complexity to go with the game’s gonzo visuals.

Fallout is streaming on Amazon Prime.

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We Recommend We Recommend

Rhythm of Life Block Party Honors Minority Health Month

April is Minority Health Month, dedicated to building awareness of the health disparities among minority populations and to improving health outcomes through community and education. As the month concludes, Groovy Gratitude in partnership with Muggin Coffehouse will celebrate with a “Rhythm of Life” block party Uptown on Saturday.

Alicia Dixon, owner of Groovy Gratitude, a juice and smoothie bar opening mid-May, says, “Our mission is to inspire health and wellness through our offerings. And so we wanted to come to the Uptown Greenlaw community because there’s a community with limited healthy food options. And so we’re addressing this by bringing accessible, affordable, and nutritious choices to the area, and for our brand, it really stands out by integrating music, mindfulness, and community. And one of those things was Rhythm of Life. And [that] was birthed through our passion for the community and the brand but also to celebrate Minority Health Month.”

The block party, which is sponsored by Varsity Spirit, Memphis Medical District Collaborative, and 100 Black Men of Memphis, will be a “cultural music celebration as well as a holistic health focus,” says Dixon. “We’re tailoring the event to address those everyday stresses and strains, particularly benefiting the hard-working blue-collar community.”

Essentially, Dixon with her business partner Marquis White hopes to present well-being as an experience of the mind, body, and soul, so this event will have a range of activities from yoga and meditation workshops with sound baths, to live performances on the Overton Park Shell’s Shell on Wheels, to DJ sets, to acupuncture, to vendors offering aromatic coffees and wholesome eats. The YMCA will have activities for kids, and a fire truck is coming, too, for folks of all ages to explore. “We really want to make it a fun, family event,” Dixon says.

“My earliest childhood memories are from growing up in the Uptown, North Memphis, Hurt Village community,” White adds. “Being a lifelong Memphian, I’m stoked and excited to be bringing Groovy Gratitude but also just building even more community with the fun things that we have lined up. We’re excited for sure.”

“This is just the beginning,” Dixon agrees. “Because we definitely aim to ignite a series of health and wellness initiatives that really leave a lasting legacy, encouraging our community to continue making health-conscious choices every day. Not looking for perfection, just balance. Just let people have an option if nothing else.”

Rhythm of Life, Groovy Gratitude, 605 N. 2nd St., Saturday, April 27, 11 a.m.-3 p.m., Free.

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We Recommend We Saw You

WE SAW YOU: Rock’n Dough Grand Opening in the Edge District

DJs, a balloon artist, corn hole, and bowling — along with a lot of pizza and beer — welcomed guests to the new Rock’n Dough Pizza & Brewery in the Edge District.

The more than 7,000-square-foot pizza palace at 704 Madison Avenue held soft openings as well as a charity day fundraiser for LeBonheur Children’s Hospital before holding its grand opening blowout on April 13th.

Trevor Jones, Megan Williamson, Joe Cogen, Heather Corley, and Jerry Corley
Doug Hollis
Hyo Young and Duyeol Lee

“We called it our grand opening party because it was our first major introduction to the neighborhood,” says general manager Joe Cogen.

The balloon artist and DJs were just part of the grand opening. The other attractions, which remain, include DuckPin Bowling (four-bowling lanes inside the restaurant) and corn hole. “Arcade-style basketball hoops” are slated to be installed in the future.

Wallis, Acie, and Josh Steiner
Abby Herron and Braylon Pridgeon

Between 225 and 250 guests were served. People partied inside and out. “Total seating, if you include all the indoor seats and outside, is 199.”

And they drank Rock’n Dough beer, which is brewed at Hub City Brewing in Jackson, Tennessee.

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Music Music Features

Black Magic

We all know it takes a village — to raise a child, tend a garden, or create art — but first someone has to make the village. Talibah Safiya, the Memphis singer-songwriter with a recording career now spanning almost a decade, is one of those people, drawing scores of collaborators around her by dint of her vision and voice, pulling disparate threads together to craft her unique neo-soul/trap hybrid music.

That sonic identity seemed to arrive fully formed with her 2015 debut single, “Rise,” and is just as powerful today, her collaborations only growing deeper and wider. Not only does her 2024 album, Black Magic, feature some notable co-producers, she’s worked with even more since its release in February, as several remixes, the latest of which dropped last Friday, have shown.

And, as she points out, she’s been “working mostly with producers who have Memphis roots, even if some of them don’t live here anymore,” proving that you can still go big while going local. One case in point: “I worked with Brandon Deener, who is from Memphis but based in L.A. He’s actually an incredible visual artist who is currently working on a solo show in Paris that’s happening this summer. But he’s a producer as well.” Indeed, his painting was the focus of The Guardian’s profile of Deener last year, where he was called the “former producer for hip-hop and R&B royalty such as Timbaland, Missy Elliott, and Lil Wayne … now known more as a visual artist.”

Black Magic, the latest album by Talibah Safiyah.

Yet the album’s title song proves Deener is still in the music game. A bold opening shot, it builds on a vintage loop of stinging, soul-blues guitar before Safiyah’s voice decries, “We come from a Black-ass city/Black Magic … We said our pledge of allegiance/To the capital of Egypt!” It’s an anthem of sorts for Safiyah’s hometown, and the vintage soul stew loop only puts a finer historical point on it.

Deener also worked on “Jack and Jill” and “Have Mercy” (the latter featuring Marcella Simien), and both also play with locally-derived samples of roots guitar. Those flavors were very intentional, growing, Safiyah explains, from her time as artist-in-residence at the Rudi E. Scheidt School of Music last year. “The Rudi Scheidt School has the High Water Recording Company catalog, and I did a deep dive into some of that music, singing along with my guy Brandon Deener at Ari’s studio.” That would be producer/engineer Ari Morris, profiled in these pages last year as “Memphis music’s secret weapon,” who was also deeply involved in Black Magic.

“That was when I first met Ari, and how Ari and I ended up locking in,” Safiyah adds, “but I found myself really inspired by, firstly, R.L. Burnside’s ‘Bad Luck City.’ That song had me really immersed in the sound of R.L. Burnside’s voice — it sounded to me like he was improvising the song, and I loved that. It sounds like he was just making it up on the spot. And it got me thinking about Memphis. So I was super inspired by ‘Bad Luck City,’ which we sampled for the single ‘Black Magic,’ and that’s how the whole project got that name.”

Another High Water artist that Safiyah found inspiring was Jessie Mae Hemphill, though her music was not sampled for the project. “She was my guiding light for the energy of the composition of music,” Safiyah says. “My husband Bertram and I were at A. Schwab’s and he bought me a book, Blues Legacies and Black Feminism, by Angela Y. Davis, which talks about how Black women have freed up the way we tell our stories through the blues.”

Hemphill would be a prime example of that process, but she has modern-day analogs. As part of her village, Safiyah enlisted a current feminist hero of the local neo-soul/hip-hop scene, MadameFraankie, for the track, “Papa Please!” Even that was touched by R.L. Burnside.

“For ‘Papa Please!’ specifically, I played Fraankie ‘Bad Luck City.’ That song is such a huge influence on a lot of the songs on the project, even if everything didn’t sample it. So I told Fraankie about a friend of mine and her relationship with her dad. I gave her a whole visual story and played her ‘Bad Luck City,’ and she went off and made the beat for ‘Papa Please!’ And when sent me that track, I was inspired right away. I wrote the song immediately, sang it for her, and that was the first one that we composed for the project.”

The track features MadameFraankie’s trademark liquid rhythm/solo guitar, but that’s not all. “She played the bass. She played the drums. She did everything on that song, there’s nobody else playing,” Safiyah enthuses.

Meanwhile, there are still more collaborations going down as Safiyah issues remixes of the album’s key tracks. The first was a brilliant reimagining of “Jack and Jill” by another soon-to-be-iconic Memphis figure, Jess Jackson, aka DJ BLINGG, who originally built a name with her sisters in the band JCKSN AVE. And as of Friday we have the album’s closer, “Delicious,” remixed by A.N.T.E. “He plays the keys and he’s done a couple other remixes for me,” notes Safiyah. “It’s really fun, and has a soulful, jazzy kind of vibe. But it feels totally different than the other version.”

True to form, “totally different” is something Safiyah will always be pursuing as she taps into her very disparate networks. “My theme throughout has been genre-bending,” she says. “I grew up listening to a lot of different types of things, and I love a lot of different types of music. I don’t think that they should be separate.”

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News News Blog News Feature

MATA Reports Improvements In Ridership, Community Engagement

Memphis Area Transit Authority (MATA) leaders reported improvements across many of its service lines to Memphis City Council members Tuesday.

Bacarra Mauldin, MATA’s interim CEO, told the council’s Transportation Committee that ridership and usage was up on trollies, buses, and the agency’s on-demand system. Mauldin was appointed on February 1, 2024 following the retirement of Gary Rosenfeld.

When Mauldin stepped into the role the agency was “fresh from the rejection” of their controversial proposed winter service changes. Mauldin said their biggest challenges were unreliable services and buses, and “strained relationship with community advocates.”

However, recent changes helped to push total ridership over 2 million recently, she said, with a significant number of those on MATA’s traditional bus services, The most popular routes to date are the 36-Lamar, 50- Poplar, and 42- Crosstown. These numbers are reported from year-to-date.

More than 36,000 hopped a trolley last month, Mauldin said. Much of that improvement came from a partnership with Renasant Convention Center.

“They really help us advertise and promote our services when conventions come to town,” she said. “We get a lot of additional ridership on our trolleys during those instances.”

Mauldin said Groove On-Demand, MATA’s “Uber-ish” car service system, rose to over 100,000 bookings so far this year. That service allows citizens to call a car for access to Downtown, the Medical District, South City, and New Chicago.

Mauldin said MATA is also listening to customers and community organizations. In the last 80 days MATA leaders met with members of the Bus Riders Union, Citizens for Better Service, and Memphis Interfaith Coalition for Action and Hope (MICAH). 

“As a result, we renewed our joint commitment to work and make transit better for all riders,” Mauldin said. “Advocate and adversary don’t have to be the same. We all want better transit, and we can do more if we all work together.”

To further improve transit in the Mid-South, Mauldin said MATA met with union leadership “early.” She said they do not have a contract yet, but wanted to let council members know that this was a priority.

The agency has also added eight new buses that are in service to their “fixed route bus fleet,” and has secured 29 used buses to aid in reliability and efficiency. 

“Hallelujah!” council member Jana Swearengen-Washington said at the conclusion of the presentation . “Our emails of concerns and phone calls have just been drastically reduced. We appreciate your team and all that you’re doing.”

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News News Blog News Feature

Lawmakers Pass Bills Allowing Death Penalty for Child Rapists

GOP lawmakers still want to kill child rapists in Tennessee and while laws to do it have passed both chambers, death penalty opponents question motives behind the legislation. 

If the governor signs the bill, adults over the age of 18 could face the death penalty if they rape a child under the age of 12. However, judges could also levy lesser punishments to those convicted.

The legislation was sponsored by two powerful lawmakers: House Majority Leader Rep. William Lamberth (R-Cottontown) and Senate Majority Leader Sen. Jack Johnson (R-Franklin). 

The House version of the bill passed Tuesday. The Senate version passed earlier this month. 

In 2008, the U.S. Supreme Court said a similar idea from Louisiana was “not proportional punishment for the crime of child rape.” In a Tennesseean op-ed published Monday, Johnson said he sponsored the legislation “in an effort to challenge the 2008 Supreme Court ruling.” That part rang a sour note for Tennesseeans for Alternatives to the Death Penalty (TADP) which said the statement shows “what this bill is really about.”

“Bottom line: This bill is about overturning Supreme Court precedent and not about protecting our children,” reads an email newsletter sent from the group Tuesday. “If protecting kids was the priority, then lawmakers would listen to the child service providers who continue to publicly share their concerns that this legislation will only chill the reporting of this crime since 90 percent of offenders are family or friends of the child. It will also trap children in decades of capital litigation that will only serve to re-traumatize them, particularly if they have to testify over and over again.” 

Such legislation is on brand for the GOP’s tough-on-crime platform. Conservative lawmakers believe the threat of death is equal to the some crimes and their laws may make some re-consider their actions. But the bill could also open a big door for lawmakers down the road.

Current law says a “defendant guilty of first degree murder” must get a sentencing hearing in which they’ll get the death penalty, a life sentence, or a life sentence without the possibility of parole. This GOP bill removes “first degree murder” wherever it appears in current law and replaces it with “an offense punishable by death.” This would add child rape this year. But it seems to crack the door open for lawmakers to add other offenses in the future. 

For now, though, Johnson and Lamberth are focused on child rapists, who Johnson called “monsters” in his op-ed. 

“Child rape is the most disgraceful, indefensible act one can commit, leaving lasting emotional and psychological wounds on its victims,” he wrote. “As a legislator, and more importantly, as a human being, our responsibility to protect the most vulnerable comes first.”

However, the notion of upending the Supreme Court ruling was on Lamberth’s mind even as he presented the House version of the bill earlier this year. He vowed then to fight for its implementation in court. He noted that in 2008, the court’s ruling came because “not enough states had this type of penalty on the books.”     

“We’re seen other decisions by the Supreme Court overturned,” Lamberth said. “I believe this particular makeup of the court, it leans more towards state’s rights.”

Death penalty executions remain on hold in Tennessee after a scathing report in December 2022 found numerous problems with the state’s execution protocols. 

Two death penalty bills failed in the legislature last year. One would have added firing squads to the state’s options for executions. Another would have brought more transparency to the execution process. 

One death penalty bill passed last year. It gave the Attorney General control over post-conviction proceedings in capital cases, rather than the local District Attorneys. That bill was ruled unconstitutional in July by Shelby County Criminal Court Judge Paula Skahan. 

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News News Blog News Feature

School Voucher Plan Dead for the Year

In the end, the gulf between competing school voucher bills in Tennessee’s legislature was just too wide to cross.

Gov. Bill Lee acknowledged Monday that his push to create a universal school voucher program — which had been on the ropes for more than a month — was dead for the year after Republican leaders in the Tennessee House and Senate were unable to break through disagreements about testing and funding.

“While we made tremendous progress, unfortunately it has become clear that there is not a pathway for the bill during this legislative session,” Lee said in a statement Monday.

The Republican governor vowed to return with another plan next year and added that he’s disappointed for families “who will have to wait yet another year for the freedom to choose the right education for their child.”

The proposal’s failure this year hands Lee one of the biggest defeats of his administration, now in its second term.

It also signals that for all the momentum vouchers have in Tennessee — including a string of victories in the courts and legislature — Lee’s statewide proposal remains a divisive policy because of its potential to destabilize urban, suburban, and rural public school districts, and add a new burden on state finances.

For now, Tennessee only has its targeted voucher program in three urban counties, which provides taxpayer funding to 2,095 students to pay toward private school tuition, plus a smaller voucher program for students with certain disabilities.

As part of his broader school-choice agenda, the governor wanted his new voucher program to eventually become available to every K-12 student across Tennessee, regardless of their family income, and lawmakers took up two vastly different bills from the House and Senate.

But the chambers deadlocked on two issues, according to Senate Education Committee Chairman Jon Lundberg, the Bristol Republican who worked with House Republican leaders for weeks to try to reach a compromise.

First, in addition to creating a new private school voucher program, the more expansive and expensive House version sought to dramatically reduce testing and accountability for public school students.

“We had worked really hard to get those measures into place,” Lundberg said, “and believe it would be a step backward for our state.”

Second, the House version proposed increasing the state’s contribution toward public school teachers’ medical insurance coverage from 45 percent to 60 percent — and paying for it with funding earmarked for teacher raises.

That funding pathway closed last week when the legislature approved a 2024-25 budget that retained the $125 million that Lee had set aside to increase the annual minimum salary for public school teachers from $42,000 to $44,500, as promised last year by the governor.

“Ultimately, the House and the Senate had looked at education freedom scholarships through two different lenses,” Lundberg told Chalkbeat on Monday. “We looked at it as school-choice legislation. The House looked at it as a way to achieve both school choice and education reform.

“Our perspectives were just so different that we could not come together at the end,” he said.

Timing and cost were factors

As the legislature entered what’s expected to be its final week of the 2024 session, lawmakers worried about the timing of creating an expensive new program in the midst of flattening revenues and during an election year in which most of their names will be on the ballot.

The voucher program would have been expected to grow over time, likely subsidizing tuition for families who would have chosen private schools anyway. In the program’s second year, according to financial analysts, the Senate version’s projected cost was $287 million, while the House version was projected to cost $384 million.

In addition, more than 50 Tennessee school boards were on record opposing the plan. And the research shows little recent evidence that vouchers improve test scores.

The hurdles were especially problematic in the House, where voucher proposals have historically been harder to pass. To win more votes in that chamber, GOP leaders added enticements aimed at public school supporters to reduce testing time for students, require fewer evaluations for high-performing teachers, and give districts extra money to help with their building costs, as well as more funding for teachers’ medical insurance costs.

On Monday, House Speaker Cameron Sexton framed the debate as helpful for future talks even though it didn’t produce a consensus this year.

“Universal school choice came closer to a full vote than it had ever been in the past,” Sexton said in a statement. “We will continue working until all parents have the same opportunity to use their tax dollars to choose the best school for their child.”

Democrats, who were united in their opposition to vouchers, said the governor’s proposal ultimately crumbled because many Tennesseans pushed back on a plan that generated more questions than answers.

“From the start, the governor’s proposal was heavy on talking points and light on the substance of how it would work and how much it actually would cost,” said Sen. Jeff Yarbro of Nashville. “The funding and the accountability pieces were always going to be the sticking points,” he added, “because voucher proponents really want the funding without the accountability.”

Even as voucher supporters quickly promised to try again next year, groups representing the state’s teachers hailed the governor’s loss as a win for Tennesseans.

“Governor Lee’s proposal was poorly written, arriving late in session, and had zero accountability in the plan,” said JC Bowman, executive director of Professional Educators of Tennessee.

The leaders of Arlington Community Schools near Memphis, who issued a fiery statement in December denouncing Lee’s voucher plan as part of a systematic attack on public schools, said they were exhilarated by the legislation’s defeat — and troubled that the governor is already talking about next year.

“He hasn’t even taken a day to understand why his signature bill failed,” said Superintendent Jeff Mayo. “That tells me he doesn’t care to listen to our concerns. The end-game is to ultimately usher vouchers into Tennessee to fund private schools, despite the lackluster evidence that it will actually help students.”

Voucher policies have advanced under Lee

For years, school voucher advocates had watched their policy dream come up short in Tennessee before racking up a string of victories after Lee took office in 2019 amid significant turnover in the GOP-controlled legislature.

Lawmakers passed a bill on a narrow, controversial vote in the House of Representatives during Lee’s first year in office to help create an education savings account program.

The targeted program rolled out in 2022 in Memphis and Nashville for students from low-income families attending low-performing schools. Voucher opponents challenged the law in court and had some early legal wins, but the Tennessee Supreme Court declared the law constitutional in 2022.

After the program’s accelerated rollout and the addition of Hamilton County during its second year, the governor took another big step: proposing a separate statewide Education Freedom Scholarship program to launch this fall with up to 20,000 students, and eventually to eliminate all the geographic and family-income restrictions.

Dueling bills from the House and Senate easily advanced through education committees, but stalled for four weeks in finance committees before the governor accepted defeat.

In his statement Monday, Lee reiterated his reasons for pressing ahead, adding that he’s “never been more motivated.”

“It’s very simple,” he said. “This is about every Tennessee student having the opportunity to succeed, regardless of their ZIP code or income level, and without question, empowering parents is the best way to make sure that happens.”

Marta Aldrich is a senior correspondent and covers the statehouse for Chalkbeat Tennessee. Contact her at maldrich@chalkbeat.org.

Memphis reporter Laura Testino contributed to this report. Contact her at ltestino@chalkbeat.org.

Chalkbeat is a nonprofit news site covering educational change in public schools.

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Film Features Film/TV

Music Video Monday: “See Her Again” by Jeff Hulett & the Hand Me Downs

Memphis’ own Jeff Hulett has been busy.

Snowglobe, the long-running musical collective of which he is a member, just released two new albums, The Climb and The Fall. His solo project, the Hand Me Downs, is prepping for their own record release party at The Green Room this Thursday, April 25.

Playing with Hulett in the Hand Me Downs are Leh Sammons, Ben Church, and Jonathan Schallert, and Jacob Church, who also engineered the new album Little Windows. The video for the first single, “See Her Again” was directed by Nicki Storey. It’s simple and sweet and, like the song, sincere. Take a listen.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.