Categories
Film Features Film/TV

Music Video Monday: “Hold Still” by Alice Hasen

Singer/songwriter Alice Hasen‘s new EP is called Dream of Rain. “The EP explores themes of climate change and mental health,” she says.

For the first single, “Hold Still,” Hasen incorporated strings into her folk rock sound. “With dreamy vocals, it explores themes of denialism, evoking a perfect world where nothing is wrong. One listener described it as, ‘What an angel would sing to me as I die.'”

Nolan Dean directed and shot the video, which features Hasen’s guitarist Walt Busby as a musician who tries to summon the muse (played by Hasen) in his attic. “She quickly overtakes him, sending him into a trance where he imagines a dream world,” says Hasen. “The group scenes were filmed on Buck Island on the Mississippi River, and feature friends from both the Memphis community and the Mississippi Delta community, hailing from Helena, Arkansas, and Clarksdale, Mississippi. Having lived in Clarksdale for four years, I was grateful to incorporate folks from both communities, and also to film in such a special and otherworldly setting. The water level was at a record low, making for huge expanses of beach and sky.”

Here’s the world premiere of “Hold Still.”

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

Categories
Hungry Memphis

Kellie’s Deli is “Very Memphis”

Kellie’s Deli, is slated to open Monday, October 7th, at 516 Tennessee Street, Suite 127.

“It’s going to be a full-service deli,” says owner Kellie Barksdale. “We have seating — 36 seats inside, about 12 seats outside.”

Barksdale says she knows what people like. “It’s the South, so I’ve got to have some ‘tater salad,” she says. In addition, she says she’s got everything from “brown sugar spicy bacon” to loaded potato soup.

It’s a big menu: “I have Cajun turkey, ham, chicken, bologna,” she says. “We have pepperoni, salami, and barbecue chicken that I’m making.” Barksdale says she’ll also serve a Cuban pork tenderloin sandwich, Greek, chicken, and veggie heroes, Italian subs, meatball subs with house-made meatballs, and a spicy “kickin’ chicken” sandwich. Appetizers include barbecue nachos and cheese and sausage trays.

Barksdale, who is from Arkansas and now lives downtown, has been in the food business for 40 years. “I had not had a restaurant before,” she says, “only fast food training. I worked for Burger King for 20 plus years.” She also worked for Arby’s for seven years. “I know the food business in and out,” she says.

Jessie Alls, Kellie Barksdale, Ashley Barksdale at Kellie’s Deli (Credit: Ashley Barksdale)

Her daughter, Ashley Barksdale, and her brother, Jessie Alls, will be helping her out.They’ve revamped the space, which used to be a grocery store. The walls have been painted green to go with the green decor that was already there, Barksdale says. “We just leaned into the green.”

The wall hangings for Kellie’s Deli are already in place. “B.B. King is up. Elvis is up. We even have Libertyland, Grizzlies, 901, all of those things,” she says. “It’s very Memphis.”

Categories
News News Blog News Feature

Judge Allows TN Trans Bathroom Law to Stand

A federal judge has dismissed a legal challenge to Tennessee’s so-called “bathroom law,” leaving in place rules that require public schools to bar transgender students from the gendered bathrooms and locker rooms of their choice.

The decision by U.S. District Judge William Campbell keeps in effect the “Tennessee Accommodations for All Children Act,” signed into law by Gov. Bill Lee in 2021.

The law requires schools to offer “reasonable accommodation” to transgender students and school staff, but specifically excludes access to a multi-use restrooms or changing facilities.

It says students and staff must make formal requests for accommodation, such as to use a standalone restroom, and a principal must approve or deny the request in writing. And it gives parents and teachers the right to sue a school district for monetary damages if transgender students use a restroom or locker room that doesn’t conform with their gender at birth.

Critics have said the law discriminates against transgender kids and school employees, and forces individuals to out themselves to their peers.

The Human Rights Campaign, an LGBTQ advocacy organization that served as legal counsel in the lawsuit, has not announced whether it plans to appeal the ruling, a spokesperson said Thursday.

Judge refuses to dismiss all claims by transgender child against state, Williamson County Schools

Eli Givens, a college sophomore and LGBTQ advocate with the Tennessee Equality Project, who is unconnected to the case, called the ruling “heart wrenching” and “terrifying” for trans kids and their parents.

“I had to miss out on classes frequently because I had to go to a bathroom on the other side of school,” said Givens, who came out as trans at age 11. “What do you do in a bathroom? You go in, use the restroom, wash your hands, and you leave.”

Parents of a third grade transgender student in Williamson County Schools first filed the legal challenge in 2022, arguing the law violated the equal protection clause of the U.S. Constitution and Title IX, which prohibits sex-based discrimination in federally funded programs.

Their child, who had been living as a girl since age six, was denied access to multi-occupancy restrooms and directed to a separate and unsanitary standalone restroom at a distance from her classroom.

The insistence that she use a separate restroom “isolates her and distinguishes her from her classmates and exacerbates the stress and anxiety she experiences while trying to fit in and avoid being stigmatized on the basis of her sex and gender identity,” the lawsuit said.

Campbell had previously shot down efforts by attorneys for Williamson County Schools and state education department to dismiss the lawsuit.

In his subsequent decision, issued September 4th, Campbell noted the legal landscape that has shifted since then.

The 6th Circuit Court of Appeals, in separate decisions, has upheld two Tennessee laws aimed at transgender children and adults, including the state’s ban on gender-affirming care for minors, he noted. The appeals court concluded gender identity is not recognized as a protected class. Under that standard set by the appeals court, Campbell said the lawsuit required a different analysis.

“Although Plaintiff identifies as a girl, the act prohibits her from using the facilities that correspond to her gender identity, while students who identify with their biological sex at birth are permitted to use such facilities,” Campbell wrote.

“However, the act and policy do not prefer one sex over the other, bestow benefits or burdens based on sex, or apply one rule for males and another for females,” the decision said.

Federal education officials have separately taken the position that Title IX protects transgender students access to facilities that conform with their gender identity.

In a separate and ongoing legal fight, Tennessee Attorney General Jonathan Skrmetti is leading a multi-state lawsuit against the U.S. Department of Education over its position.

Tennessee Lookout is part of States Newsroom, a nonprofit news network supported by grants and a coalition of donors as a 501c(3) public charity. Tennessee Lookout maintains editorial independence. Contact Editor Holly McCall for questions: info@tennesseelookout.com. Follow Tennessee Lookout on Facebook and X.

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Hungry Memphis Uncategorized

Mahogany River Terrace Opens on the River October 2nd

Remember those days when you dined at the River Terrace on Mud Island, with the view of the Mississippi River and the sunsets? Remember how you felt?

Well, you can feel that way again when Mahogany River Terrace opens October 2nd at 280 Island Drive,  the space once occupied by the River Terrace.

Owner Carlee McCullough, who also owns Mahogany Memphis restaurant at 3092 Poplar Avenue Number 11, describes the downtown location as “elegant dining.”

“I think it’s elegant, modern, and it really gives Memphis something to be proud of.”

Describing the food, McCullough, a native Memphian, says, “We are upscale Southern, with a dash of Creole, and with an emphasis on seafood at this location.”

McCullough adds that they will be “playing off the river” at the downtown location. The lunch menu will feature a soft-shell crab slider and a crab Caesar salad. “For dinner,” she says, “we’ll have everything from a ribeye to a tomahawk. We’ve got alligator bites, alligator pasta, flatbread, but we also have our signature dishes from Mahogany Memphis, which would be our oxtails, our grits, our Cajun egg rolls, and our most popular item, beignets.”

“We do some great vegetarian dishes,” McCollough adds, including vegan pastas, barbecue, and even a vegan catfish. Future plans include opening a restaurant called Mahogany Vegan Plus.

Asked how she happened to open at the old River Terrace spot, McCullough says Carol Coletta, former president and CEO of Memphis River Parks Partnership, came by Mahogany Memphis. “She was there for an event someone had hosted. We just really started chit-chatting about that place. It was empty for quite some time. We had an interest, and it kind of became a good situation for both parties.

“It required a lot of work,” McCullough says. “No one had been in it for quite some time. Pre-Covid, actually. The front windows had to be redone. The roof had to be redone. It was really in a state of disrepair.”

McCullough brought in designer Bonnie Yates, owner of Mackiona. “Everything was beige and brown,” she says. “It’s hard to work with concrete. That’s where the challenge came in.”

“I wanted to set a mood with the river and the light coming into the room,” says Yates. “I wanted to bring the light inside. I used a lot of gold because I think gold is so rich. And I wanted to bring a dark element because I wanted it to be moody upstairs where it’s more romantic, and bring in some of the greenery to coordinate with the river.”

“It’s beautiful in the evening with the sunsets,” Yates says, adding, “It’s the best view in the city, because you have both bridges at night.”

Mahogany River Terrace (Credit: Isaac Singleton)
Categories
News News Blog News Feature Uncategorized

Bus Riders Call For Resignation of MATA CEO


Public transportation groups have called for Memphis Area Transit Authority’s (MATA) interim CEO Bacarra Mauldin to resign, following the agency’s decision to suspend routes and increase fares.

“Bacarra Mauldin, the Interim CEO of MATA, is part of the old leadership which has caused the problems at MATA for years,” said Johnnie Mosley, president of Citizens for Better Service. “If it is true, as she claims, that she sat two doors from her predecessor without knowledge of MATA’s financial operations, it does not reflect well on her leadership. Therefore, she must not be trusted to lead MATA out of the wilderness.”

Sammie Hunter, co-chair of the Memphis Bus Riders Union, said they believe MATA is more concerned about its leadership than its riders. Hunter said they do not trust Mauldin’s leadership.  

“It is time for Bacarra Mauldin to go,” Cynthia Bailey, the other co-chair of Memphis Bus Riders Union, added.

MATA has put several cost-saving measures into effect in hopes of addressing the agency’s financial woes and improving its viability, but the measures haven’t stopped members of the public from voicing their concerns.

At its Tuesday board meeting, the MATA board decided to cut six bus routes, including Route 16 Southeast Circulator, Route 28 Airport, Route 34 Central and Walnut Grove, Route 37 Perkins, Route 69 Winchester, and Zone 3 Cordova Ready! On Demand. The cuts will go into effect November 3rd.

“No one wants to recommend this service reduction,” John Lancaster, MATA’s chief development officer, said. “It is essentially a financial consideration.” Lancaster added that the cuts are a balance between finance and equipment.

The agency held 19 public meetings prior to the board meeting to discuss the changes. After hearing from the community, the agency said many had a desire to maintain the current bus service, and they wanted service to last longer, and an improved on-time performance.

“The public hasn’t changed in what they want and what they need. It’s just our ability to deliver these services,” Lancaster said.

In addition to route suspensions, the board also decided to raise fares for MATA’s fixed-route buses. Adult base fare will be $1.75 compared to the current fare of $1.00. The increases also affect fares for students, senior citizens, and individuals with disabilities. Fares for FastPasses were also increased.

The last time the agency increased its fares was in 2011.

Citizens for Better Service and the Memphis Bus Riders Union have long been vocal about service changes and how they adversely affect the public. They voiced concern when the agency announced it had a $60 million deficit, and criticized MATA for the termination of more than 200 employees as a result of a newly approved budget.

The groups said that the cuts send a mesage to riders and drivers “that [the board] is in favor of service cuts and layoffs.”

A MATA spokesperson said MATA officials were unavailable for comments.

Categories
Hungry Memphis

Non-Vintage Opening in Old Maximo’s on Broad Space

If you’re still pining away for Maximo’s on Broad, which closed last June, get ready for Non-Vintage, a new wine bar from Maximo’s owners Amy and Julio Zuniga. It’s slated to open the second week of October at the same address — 2617 Broad Avenue  — where Maximo’s was located.

The vibe will be “relaxed” and “chill,” Amy says. “With the focus on wine. We still have a full bar — liquor — as well.”

The decor is different, Amy says. “We have remodeled it. It’s entirely different in here. We have carpet here. It’s nice and quiet.”

And, she says, “The walls are muted blue tones. Blue and gray and green.”

“For a long time I’ve wanted to o pen a wine bar. And when we closed Maximo’s we still had the lease here.”

So, things “fell into place and made sense.”

A wine bar is “where you go and get to try all kinds of different wines you might not be aware of and not heard of,” she says.

Food will include tapas and cheese and meat charcuterie boards. “Just kind of a more relaxed outing than you’d get at a bar and not as big a deal as going to a restaurant. Just more casual.”

She doesn’t want to give too much away about the menu, but, she says they will serve crab cakes and wild arugula salad.

And, “We will serve the Brussels sprouts we had at Maximo’s. Everybody loves those. It’s a winner.”

One of the reasons they closed Maximo’s, Amy said in an interview last June, was they had trouble keeping staff for some time. They hire one person and then they quit and they have to hire another one.

“The staffing issue was the kitchen. So, with this being a more simple menu, it will just be easier to handle.”

Categories
On the Fly We Recommend We Recommend

On the Fly: Week of 09/27/24

Gonerfest 21 
Railgarten
Through Sunday, September 29
Oh yeah, you’re gonna wanna go to this fest with a unique and wide-ranging bill from Memphis and around the world. The fun started on Thursday, with over 30 bands across four days, but it’s not too late to join in. Derv Gordon headlined on Thursday and The Rip Offs headline on Saturday. Like I said, acts are coming across the seas, like African desert blues collective Etran de L’Air, Japanese garage punks Angel Face, Australian Split System, and Kiwi psych/shoegazers Bailter Space.  Garage rock legends Jon Spencer and the Cheater Slicks will also perform, as well as American bright lights Oneida, Rosali, and Schizophonics. There’ll also be some new bands to check out, so check them out. Full lineup here. Get your tickets here; Friday and Saturday tickets are $60 each, and Sunday tickets are $20. 

Pink Palace Crafts Fair
Audubon Park
Friday–Saturday, September 27–28, 10 a.m.–6 p.m. | Sunday, September 29, 10 a.m.–5 p.m.
The Pink Palace might not be called the Pink Palace anymore, but the Pink Palace Crafts Fair retains its name. It’s a tradition more than 50 years old at this point — one that’s only grown from the 30 craftsmen who set up on the front lawn in front of the mansion for that very first fair in 1973. Now it’s the largest juried arts and crafts fair in the Mid-South, with jewelry, 2D art, glass, wood, leather, sculpture, fiber, and so much more. Festival-goers will enjoy demonstrations by master craftsmen including broom makers, printmakers, sculptors, potters, woodturners, jewelry, metal artists, and food artisans, and there will be live music, vendors, and activities for the kids like the choo-choo train, pony rides, and a climbing wall. General admission is $10.75 for adults and $4.75 for kids, and tickets can be purchased here. Parking is free, with shuttles to the fair entrance. 

PodBox Memphis Podcast Festival
Beale Street Landing | Friday, September 27, 6–9 p.m.
Cossitt Library | Saturday, September 28, 9 a.m.–4 p.m.
Get your podcast on at the PodBox Memphis Podcast Festival, a unique platform for creators, industry experts, and audiences to connect, collaborate, and celebrate the growing world of podcasting. The first day of the festival is a media mixer at Beale Street Landing with podcasters, social media influencers, content creators, radio and TV personalities, and print media folks — oh, and Mayor Paul Young. Saturday’s day-long program at Cossitt Library features interactive breakout sessions, panel discussions, and expert talks with a range of media personalities. A podcast pitch competition is open for aspiring podcasters to pitch program ideas and receive professional feedback from a panel of judges. 

TEDxMemphis
Memphis University School (MUS) – Hyde Chapel
Saturday, September 28, 9 a.m.–4 a.m.
Talk your way into seeing this year’s TEDxMemphis Talks, which will leave you energized with new ideas from people all over the 901 community. With topics ranging from The Tiny Home Revolution to Could You Change The World By Drinking Your Coffee Black?, you’ll learn about things you didn’t even know you could learn about. (A full list of topics and speakers can be found here.) Tickets can be purchased here for either the full day ($140) or for one of two sessions (9 a.m. – 12:30 p.m. or 1:30 – 4 p.m. for $75).

Black Child Book Fair
Benjamin L. Hooks Central Library
Saturday, September 28, 10 a.m.-3 p.m.
With “Books for Black children are hard to find” being a common statement in our society, this fair seeks to make it not so. Several authors will have their works available for purchase.

Brewology Tour
Hampline Brewing Company
Saturday, September 28, 3-6 p.m.

I’m not sure if there will be 99 beers on the wall at Hampline during their Brewology Tour. I’m not sure if there will be 98 beers on the wall. But I know you can take one down, pass it around, and celebrate National Drink Beer Day as beertenders and brewers take you behind the scenes at Hampline, where you’ll learn about the brewing process and sample some of fan-favorite beers. Tickets are FREE, just sign up for the 3 p.m. time slot here or the 4 p.m. time slot here and show up.

Taste of the District Event
Health Sciences Park
Tuesday, October 1, 4-6 p.m.
October is so close you can almost taste it. And on October 1st you should do a lot of tasting at the Taste of the District. It’s an annual — you’ll never guess it — tasting event that celebrates Medical District restaurants as part of the Memphis Medical District Collaborative’s Buy Local Program which encourages support of local, independent, minority, and women-owned businesses. You’ll be able to taste from an array of eateries from Alcenia’s to Groovy Gratitude to JEM Dining to Wonky’s Not So Famous Treats (full list here). Guests will also enjoy music from DJ Rhinestone and Grizzlies Prep’s Choir. Tickets are $10 and can be purchased here.  

Joe Gatto: Let’s Get Into It Featuring Mark Jigarjian
Orpheum Theatre
Thursday, October 3, 7 p.m.

​​Best known from the hit TV shows Impractical Jokers and The Misery Index (two shows I’ve never seen, oops), Joe Gatto brings his stand-up to Memphis. His show is recommended for ages 16 and up. Tickets are $39.75 to $59.75 and can be purchased here.

There’s always something happening in Memphis. See a full calendar of events here.

Submit events here or by emailing calendar@memphisflyer.com.

Categories
Film Features Film/TV

Now Playing Sept. 27-Oct. 3

There’s an embarrassment of riches in movie theaters this rainy weekend. Let’s get right to them.

Megalopolis

Francis Ford Coppola, legendary director of The Godfather and Apocalypse Now, worked on the idea for an epic story inspired by the history of the Roman Empire, but set in New York City, since the 1980s. Frustrated by the conservatism of the Hollywood machine which couldn’t understand his vision, at age 80, he sold his wineries in Sonoma County, California, and spent $120 million of his own money to make it himself. An all-star cast flocked to his side to be a part of the great project: Adam Driver, Giancarlo Esposito, Talia Shire, Laurence Fishburne, Nathalie Emmanuel, Dustin Hoffman, Jason Schwartzman, and Aubrey Plaza, who plays a TV host named Wow Platinum. The people who have seen the film seem to either love it or hate it. Check out the spread of reviews on Google, which is like nothing I’ve ever seen:

I’ll let you know my opinion in next week’s issue. Meanwhile, here’s the trailer.

My Old Ass

Speaking of Aburey Plaza, she also co-stars in this very different film from writer/director Megan Park. It’s Elliot’s (Missy Stella) 18th birthday, and she’s ambivalent about leaving home for college. When her friends give her some psychedelic mushrooms, she sees her future self, played by Plaza, who tells her what it’s going to be like to be her for the next couple of decades — and also to avoid a guy named Chad (Percy Hynes White).

The Wild Robot

Dreamworks Animation’s latest is by Lilo & Stitch and How to Train Your Dragon animator Chris Sanders. Lupita Nyong’o voices ROZZUM, a robot who washes up on a tropical island with no memory of how it got there. Sanders’ film is based on a beloved children’s book by author Peter Brown.

Paul McCartney and Wings: One Hand Clapping

In 1974, Band on the Run was the biggest album in the world. Filmmaker David Litchfield joined Paul McCartney and his band at Abby Road Studios for four days to shoot them rehearsing for their upcoming tour. The completed film failed to sell, and sat on a shelf for decades. Its 4K remaster finally saw the light of day, and now it’s getting rave reviews.

Categories
Music Music Blog

Jimmy Hart Keeps on Dancing

Jimmy Hart has worn many hats during his career, but he prefers one type of jacket. Something from Lansky Bros. in Memphis.

Hart wore jackets from the legendary men’s store over the years as a  wrestling manager for Jerry Lawler, Hulk Hogan, and others.

But he wore his first Lansky jacket (along with Beatle boots) when his band, The Gentrys, performed on TV’s Ted Mack & The Original Amateur Hour.

Hart will wear a special Lansky Bros. jacket tonight, September 27th, when The Gentrys are inducted into the Memphis Music Hall of Fame at the Cannon Center for the Performing Arts.

Hart talked about the origin of The Gentrys, whose song “Keep on Dancing” sold a million copies worldwide and rose to number 4 on the Billboard Hot 100 in 1965.

“It’s hard to kill a memory,” Hart says.

Born in Jackson, Mississippi, Hart grew up around music. His mother, Sadie Hart, who wrote under the name “Sadie Sallas,” penned “Enclosed, One Broken Heart,” for singer Eddy Arnold in the 1950s. 

Col. Tom Parker, Elvis’ manager, also managed Arnold. Parker asked Hart’s mother if Arnold could record it.

Hart was a student at Treadwell High School when he got a call from Larry Raspberry, who told him he was putting a band together and was looking for some singers. “I went over and I auditioned and that’s it.”

The group, which was known at first as The Gents, originally included Raspberry on guitar, Bruce Bowles and Hart on vocals, Larry Wall on drums, Pat Neal on bass, and Bobby Fisher and Jimmy Johnson on keyboards and horns.

They played at sock hops and other gigs for “spending money” at local spots. “Bruce Bowles kind of looked like John Lennon. We had that Beatles effect back then.”

Things began taking off after they met TV/radio personality George Klein at the old Berretta’s BBQ Drive In. Klein, who was host of the local TV show Talent Party, told them record producer Chips Moman was opening a brand-new studio, American Recording Studio, in Memphis. “He said, ‘Look. If you guys want to, Chips will, absolutely free, let you go to the studio and cut a little song. And I’ll put you on Talent Party.’”

Hart and his band mates cut a cover of the Rolling Stones song, “Time is On My Side.” “The next thing you know, everything took off. It was crazy.”

They entered and came in first place in the Mid-South Fair Youth Talent Contest. As the winner, the band got to audition for Ted Mack’s national TV show in Miami, Florida. “We get on the show and he introduces us, ‘Ladies and gentlemen, Memphis, Tennessee’s answer to the Beatles.”

Hart and his band performed “Do You Love Me.” Their Lansky Bros. outfit included jackets with a “little bitty” checkered print and velour lapels and pockets. “We had the little Beatle boots and tight black pants and the turtle neck sweaters.” 

And, he says, “Mr. Lansky gave us such a great deal since we were a struggling little group from Treadwell.”

They ended up winning round one of the show, which meant they could compete in round two.

The group returned to Miami and performed on the show. “Guess what? We won again.”

That meant they were eligible to perform on the third show. But in the meantime, the group cut “Keep on Dancing,” which became a “smash hit” after getting airplay on radio stations across the country. 

That disqualified them from competing on the third Ted Mack show because they were now professionals. But the band still got to appear on the show.

They didn’t write “Keep on Dancing,” Hart says. It was another band’s song. But, Hart says, “They did it real slow. We just took it and speeded it up.”

Life suddenly changed for Hart and his fellow band members. “We’re in high school with a big hit record.”

They put out three albums on the MGM Records label. Their songs included “Spread It on Thick” and “Everyday I Have To Cry.” And, later on, The Gentrys recorded two chart toppers — “Why Should I Cry” and “Cinnamon Girl” — at Sun Records. “Cinnamon Girl” was written by Neil Young, who will also be at the Memphis Music Hall of Fame ceremony.

“We did tours with The Beach Boys, Chicago, and Steppenwolf, The Grass Roots, and Jerry Lee Lewis.”

They toured with Dick Clark’s “Caravan of Stars” and appeared on TV’s American Bandstand, Hullabaloo, Shindig, and Where the Action Is.

The band was in the 1967 beach movie It’s a Bikini World, which starred Deborah Walley and Tommy Kirk.

Hart got into wrestling when Lawler called him and asked him to help him with a “wrestling album” with vocals by Lawler. Hart then spent six years as Lawler’s manager.

His big break, he says, was when former WWE CEO Vince McMahon called him. Hart, who says DJ Ron Olson gave him the nickname “Mouth of the South,” began managing WWE wrestlers and, along with Cyndi Lauper and David Wolff, began writing entrance themes for wrestlers.

Former Memphian and photographer Pat Rainer will introduce The Gentrys at the Memphis Music Hall of Fame ceremony. “Pat Rainer was president of our fan club back then.”

Rainer, who put the fan club together, made sure the members came to their shows and voted for them, Hart says. “Pat Rainer was our secret weapon.”

Describing his Lansky’s jacket for the Memphis Music Hall of Fame ceremony, Hart says, “Lansky made that for me special.”

The jacket is “kind of a grayish blackish color, but it’s got little skulls on it. The inside of the jacket has pictures of my past in there. Me and The Gentrys. Me and Hulk Hogan. Me and Jerry ‘The King’ Lawler. All kinds of different pictures.”

Jerry Williams, founder/owner of Trans Maximus Studios and TMI Records, was the business manager and organizer of another teen band, The Guilloteens, during the time Hart’s band was performing. The Gentrys were “doing rock-and-roll at that time in a very unique way,” Williams says. “Their sound and their playability and their approach was just different.”

Also, he says, “They were all good-looking kids. You knew they were a band. They were built to be a band.”

In addition to being talented, The Gentrys also acted like professionals. “When they got on stage, they were dressed like a band. And it was always neat and they put on a fabulous show.”

A lot led up to The Gentrys receiving the Memphis Music Hall of Fame. “We were just in high school having fun going to class. And all of a sudden we’re playing sock hops around Memphis and then on the road with Dick Clark.”

And now Hart will be on stage in his Lansky Bros. jacket as The Gentrys are inducted into the Memphis Music Hall of Fame. “We’ve been so blessed.”

Categories
News News Blog News Feature

Project Would Replace Racist Statue at Capitol with David Crockett

The statue of a historic West Tennessean is planned to rise at the Tennessee State Capitol where the statue of another historic but controversial West Tennessean recently fell. 

State lawmakers agreed to erect a statue of David Crockett on the capitol grounds in 2021. Public efforts to do this go back as early as 2012. The idea caught on but was tabled by the legislature in the 2020 session.   

Since the approval of the legislation in 2021, the process has moved along slowly and quietly. The State Building Commission approved the project during its meeting earlier this month. Even that vote was wrapped in a procedure that needed no debate, only the approval of the commission’s staff, which it had. That vote, however, only allowed for the commission of an artist to design, fabricate, and install the monument.

Legislation in 2012 created the David Crockett Commission. That board’s job was to find the ways and means necessary to create a statue of Crockett on the capitol grounds. Commission members were not to be paid nor reimbursed for travel. 

The group was also supposed to find private backers. The law reads, “No state funds shall [be] expended for such project.” That changed with the 2021 bill. Taxpayers will now foot the $1 million bill for the Crockett statue.

Another notable difference between the commission law and the new law is the location of the statue. Back in 2012, lawmakers just wanted it on the grounds of the capitol. But that changed in 2018, lawmakers had a more specific site for the statue: the pedestal above the Motlow Tunnel on Charlotte Avenue on the south steps of the Capitol Building. 

There was only one problem. When that legislation was introduced, another statue already sat at the location — the statue of racist, segregationist newspaper editor and politician Edward Carmack. The 2018 bill detailed the fact the Crockett statue was to be “in lieu of the Senator Edward Carmack statue” — that is, removing it and replacing it.

In his 1800s attire, curly, windswept hair and broad mustache, many who wandered by Carmack’s statue wondered aloud, “Why is there a statue of Mark Twain at the Tennessee capitol?” 

But Carmack could not have been more different from Twain. For example, Carmack, as editor of the Memphis Commercial newspaper at the time, incited a mob against anti-lynching activist, journalist, editor, and business woman Ida B. Wells. The mob destroyed her newspaper office. She was away and stayed away, all according to the Tennessee State Museum. 

Carmack was shot and killed by political rivals in Nashville, near where his statue was erected in 1927. It was installed, however, by a prohibition group (Carmack was also a staunch prohibitionist) that thought his big-profile death could further their cause. 

With this, the GOP-led legislature must have faced a quandary in 2020 and 2021. How could they remove a huge historical marker from the capitol as they were fighting to keep so many others (like a bust of Nathan Bedford Forrest)? 

History, it seems, took care of that. Protestors tore down Carmack’s statue in 2020 during the turmoil following the police killing of George Floyd. 

Photo: Natalie Allison

State officials said at the time the statue had been removed to another location. State law said it had to be replaced. But it’s unclear if it ever was. 

But the suggestion that the statue had to be replaced by state law drew the (10-tweet) ire of pop star Taylor Swift. 

Photo: Taylor Swift via X

“FYI, [Carmack] was a white supremacist newspaper editor who published pro-lynching editorials and incited the arson of the office of Ida B. Wells (who actually deserves a hero’s statue for her pioneering work in journalism and civil rights),” Swift tweeted at the time. “Replacing his statue is a waste of state funds and a waste of an opportunity to do the right thing.”

One of the 2021 bill’s sponsor, Sen. Steve Southerland (R-Morristown), even told The Chattanooga Times Free Press at the time, he “didn’t think it would be possible to remove Carmack.”

The newspaper story said, Southerland “then smiled and then added: ‘Someone removed it for us, so they did us a favor.’”