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Politics Politics Feature

2018: A Transitional Time for Politics

In what may have been something of an omen, the first significant local event of the political year 2018 was the death on January 4th, at the ripe age of 100, of Lewis Donelson, legal and civic eminence, political pathfinder, and  patriarch of both the Shelby County and Tennessee Republican parties.

Donelson, who hand-picked such Republican standard bearers as Howard Baker and Lamar Alexander, transformed the state GOP from an insignificant relic of the Reconstruction period into a dominant mainstream party. But he also lived to see that party, in the age of Donald J. Trump, morph from his own brand of moderation into an instrument he feared had become intolerant, monolithic, and regressive.

swept Shelby County.

If there was a predominant leitmotif in the subsequent year’s politics, it concerned whether that state of affairs would continue or yield instead to the restoration of a two-party political system, which, more than the supremacy of a given party, had been the true object of Donelson’s life-long activism.

That was the overriding political question of 2018, and the year would produce competing and contradictory answers to it.

In one sense, the concept of a “blue wave” favoring Democratic revival moved from the status of a speculation to one of reality in the course of the year’s several electoral cycles. But in another sense, this regeneration seemed confined to the metropolitan areas of Memphis/Shelby County, where Democrats swept the county general election and showed surprising strength in suburban legislative races, and in Nashville/Davidson County, where Democrats maintained their local hold on legislative races and, as one Flyer story noted, no avowed Republican even ventured to run for a county office.

In the state as a whole, however, Republicanism — and a conservative version of it, at that — continued to prevail and even extend its dominance. The GOP’s nominees for governor — Franklin businessman Bill Lee, a newcomer and pleasant personality — and for U.S. Senator — 7th District U.S. Representative Marsha Blackburn, a right-wing populist — triumphed handily over their Democratic opponents, gubernatorial aspirant Karl Dean and Senatorial candidate Phil Bredesen. Both losers were former Nashville mayors. Early in the century, Bredesen managed to secure two consecutive terms as governor as an old-fashioned conservative Democrat.

Moreover, the political exigencies of the year seemed to have extinguished the relative moderation of the statewide Republican office-holders who were in power at the beginning of 2018. Governor Bill Haslam, who had attempted, in what may have been too feckless a manner, to accept the opportunity for Medicaid expansion offered by the Affordable Care Act (Obamacare), delivered his final State of the Union address in January. His successor Lee would propose such seemingly retrograde notions as universal gun carry and educational vouchers and declared himself opposed to Medicaid expansion.

Senator Bob Corker, another relative moderate, was widely considered to have bowed out of a reelection bid in 2018 due to the near-certainty of a challenge from Blackburn, and, though his Senatorial colleague Lamar Alexander, celebrated for his willingness to work across the aisle, faced no immediate challenge, Alexander announced in December that he would not run for reelection in 2020, leaving the way open for another fire-breather.

Charles Burson, the former state attorney general who served as Vice President Al Gore‘s chief of staff, appeared at Memphis’ Novel bookstore in December on behalf of his book, The Ground Game, a work of photojournalism that chronicled the 2016 presidential election. He told the audience at his reading that the future would require yoking together the traditional power politicians of the Democratic Party and the progressive activists who have emerged in the movement for resistance to Donald J. Trump.

There are certainly several of the latter on the scene in Shelby County. After becoming unmistakably visible in the successful effort to force removal of Memphis’ Downtown Confederate monuments, Tami Sawyer ran for and won a race this year for the Shelby County Commission, where she continues to call for overdue reforms. Other members of her progressive cohort have joined with more traditional politicians, like University of Memphis law professor Steve Mulroy, a former commissioner himself, and an exponent of voting reforms, to call to account the members of the Memphis City Council, grown notorious in the service of in-group politics.

Council sessions during the year involved numerous verbal battles between the body’s dominant business-friendly bloc and critical attendees who challenged the council’s endorsement of referenda that would nullify earlier referenda in favor of term limits and ranked-choice voting, a process designed to eliminate the need for sparsely attended runoff elections. The regressive referenda were defeated, but a new, still unresolved battle was joined over the issue of electing new members to replace departed ones rather than submitting the matter to an appointment process under the de facto control of the dominant council bloc. When a deadlock — essentially between black and white members — ensued for 100 votes on what was intended to be the council’s first appointment decision, that conundrum was destined to be resolved in the new year.

Chancellor JoeDae L. Jenkins was kept busy during 2018, having to rule on disputes between citizens — mainly Democrats in particular and African-Americans in general — who feared that the Shelby County Election Commission was practicing subtle and not-so-subtle forms of voter suppression. Jenkins did his best to clear the way for an untroubled turnout for Shelby County’s several elections.

The activism of the year had, earlier in April, joined memorably and more seamlessly with world history and the evolution of human ideals during the weeklong commemoration called MLK50. On April 6th, the date on which, a half century ago, Martin Luther King Jr. was assassinated at the Lorraine Motel, a host of dignitaries — including Dr. William Barber, Al Green, Jesse Jackson, and Bernie Sanders — joined city officials in a day-long commemoration of the slain martyr at the National Civil Rights Museum.

The year was also marked with transitions in the lives of influential local citizens. Johnnie Turner, longtime head of the local NAACP, resigned her position as a state representative, one which she assumed a decade earlier upon the death of her husband Larry Turner. And besides that of the aforementioned Donelson, were several other important deaths of politically active Memphians, including those of Democratic activist Lois Freeman, and Republican legislator Ron Lollar.

There were other memorable personalities and moments, in addition to those mentioned here, and the year ahead — which includes the 2019 city election — will bring even more to the fore. We’ll do our best to let you know about them.

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We Recommend We Recommend

Movie Move

Blame it on Hamilton. The Orpheum’s summer film series is no more, due, in part, to the fact that Lin-Manuel Miranda’s hit musical’s coming to camp in Memphis for almost the entire month of July. As it happens, this is great news for fans of old movies who like to see their favorite flicks projected on the big screen. Instead of being confined to the hotter months, Movies at the Orpheum is now a year-round film series, and the new tradition gets underway Friday, January 11th with the classic Hollywood musical, Singin’ in the Rain.

Singing in the Rain

Singin’ in the Rain‘s a perfect film to launch with. When it came out in 1952, The Orpheum was Malco’s Downtown movie palace. And the best thing about this tuneful story, apart from the all the fancy dancing and great chemistry between its principal players, has always been its delicious film-on-film satire. Singin’ in the Rain is a movie about movies and about how Hollywood transitioned from silence to sound, starring Gene Kelly, Donald O’Connor, Debbie Reynolds, Jean Hagen, and, perhaps most importantly, a flickering silver screen. With wall to wall standards like “Good Morning,” and “Make ’em Laugh,” some singing along seems likely.

There’s no official schedule yet, but Michael Jordan and Bugs Bunny team up in Space Jam Friday, March 15th, and, in celebration of Memphis’ bicentennial, the Johnny Cash biopic Walk the Line screens Friday, April 26th.

Additional dates and titles will be added throughout the year.

“Singin’ in the Rain” at the Orpheum Theatre, Friday, January 11th 7 p.m. $8 for adults and $6 for children 12 and under. orpheum-memphis.com/movie.

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We Recommend We Recommend

Marvel Universe Live at Landers Center

And there came a day unlike any other (except for the last time Marvel Universe Live came to town), when Earth’s mightiest heroes were united to perform an arena-sized show featuring motorcycle stunts, massive CGI projections, explosions, and even more explosions. On that day, the Avengers of Marvel Universe Live! were born. The massive touring show coming to the Landers Center, has often combined Marvel’s trademark characters in ways that ownership rights and studio wrangling has made impossible in the cinematic universe. It pairs Avengers with the Guardians of the Galaxy, Iron Fist, and Black Panther, and it pits this superhero supergroup against classic villains the Lizard, the Black Cat, all the forces of Hydra, and sometimes gravity.

Assemble!

The latest iteration of Marvel Universe Live! is a fast-paced and action-packed race against time to keep the sorcerer supreme, Dr. Strange’s mystical Wand of Watoomb from falling into the hands of Norse God of mischief, Loki, who also died in Infinity War. Clearly, this stuff all happens outside of continuity.

Marvel Universe Live! is a frenetic endeavor mixing extreme gymnastics, motorcycle stunt riding, web-swinging, pyrotechnics, and non-stop fight choreography. Just how big is it? Since Mighty Heimdall died in Avengers: Infinity War, and there’s nobody available to open the Bifrost bridge for the purpose of magical teleportation, it takes 30 trucks to move the the high tech stage and gear from town to town.

A Helicarrier or Quinjet would probably make transportation easier, but sadly they don’t yet exist in the real world.

Marvel Universe Live at The Landers Center, December 28th-30th. Tickets start at $20. www.marveluniverselive.com

Categories
Opinion The Last Word

Free Shipping Isn’t Really Free

If you’ve logged onto your Amazon Prime account the last few weeks to order your holiday gifts, you may have browsed through all of Amazon’s finely curated online deals. From gift guides to “last-minute” deals, the online super-retailer can be overwhelming, sending you through a sea of recommended products and leaving you to explore the site for hours on end. We’ve all probably started with a simple phone case search and ended up reading reviews for heated, battery-powered jackets that are waterproof and windproof. Did I recently learn there’s a market for that? Yes, I did. But in Memphis, where we can experience all seasons in a week (or a day), I doubt it’s a significant one.

Expediency is one of many allures of online shopping. We can browse a site and make quick decisions on what we want to purchase without ever having to get up from our seat. Amazon even has the option for “1-Click Ordering” which I can see as very dangerous grounds for impulse buyers. We see it, we want it, and as we add it to our cart, we can expect it to arrive in two business days.

Generally, you won’t find folks reviewing catalogs of products but rather shopping online through store websites and mobile apps. To be fair, I’ve never been much to review a catalog of anything, except Aldi’s four-page spread highlighting next week’s selection of deals, so I am reflecting on observations of young folks adding to their Urban Outfitters shopping cart during classes and lectures and middle-age folks shopping for matching polos for their partners on Vineyard Vine’s mobile site. For those who find themselves last-minute shopping for holiday or birthday gifts, I get it. “FREE two-day shipping” is a saving grace. But as we turn the pages to 2019, one small thing we must reconsider is what this hot button actually means.

“Free” shipping isn’t ever free. By that, I don’t mean the actual cost of having a Prime account that affords such a luxury of expedited shipping. I’m talking about the human cost. While technology is surely affecting much of the presence of human labor through, for example, self-checkout and other automated-type kiosks, we still find that the on-the-ground movement of products from one point to the next requires people to physically do that work. E-commerce companies depend on this type of labor in warehouses to move and distribute their products. As a distribution center, Memphis’ employers and employees especially know this to be true.

We now expect that our purchases arrive at our doorstep in the same week. We have gotten so used to the ease of one-click ordering and two-day shipping that we forget the work that is required for it get there. For folks working in warehouses, this expectation of expediency has a real physical and mental toll. While we can see that e-commerce companies are becoming successful businesses, the profits of this success do not reach the people who make it all possible.

On the business side, companies speak about the increasing labor costs as dialogue spreads on what should be minimum wage, but the reality is that the cost of labor has always been there. It has just been significantly undervalued because human labor is undervalued. When we talk about cost of labor, rarely do we bring up or question the cost of these massive bonuses that executives and CEOs receive.

Arguments against living wages that keep up with inflation suggest that increasing wages of workers will hurt the business, but these company executives know that increasing wages won’t necessarily affect the cost for the consumer but will instead cut into their personal bonus checks. The real cost to the consumer happens when wages stay below the living wage measured for a specific city and state. We as consumers and taxpayers pay for what companies such as Amazon refuse to because it cuts into their profit margins, but in particular, the individual executive profits. When workers aren’t compensated fairly and their wages aren’t adjusted like those executive salaries, then their dollar is stretched thin. They have to carefully choose where to put their money, whether it be food, housing, health, or savings. Putting more into one bucket may mean needing to find available public services and programs to help out with the other. I say “available” because at the state of where many public programs are now … well, they could definitely be better. We still do not allocate adequate funds in the city’s budget to address homelessness, and for folks who may have access to forms of housing, the conditions of the housing are not necessarily livable (i.e. slumlords and section eight housing in Memphis).

The one-click options for fast shipping distract us from the many steps that happen between placing our order and receiving it. The influx of warehouse job positions, similarly, are appealing, but we must question how companies are not only compensating their workers but also treating them. At the end of the business day, and into the late shifts for many warehouse workers, what happens in the warehouse and in other sectors of the labor market, the violation of humane working conditions, wage theft, lack of concern for worker health and safety, affects us all.

Aylen Mercado is a brown, queer, Latinx chingona and Memphian pursuing an Urban Studies and Latin American and Latinx Studies degree at Rhodes College.

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News News Feature

News News

The big media suspense story of 2018 came to an end Wednesday, August 8th when the board of Tribune Media voted to terminate a controversial and law-bending $3.9 billion merger with Sinclair TV. This deal would have made WREG Channel 3, Memphis’ top-rated TV news station, a Sinclair property, and Memphis a new market for a company with unprecedented national reach and defined by a history of delocalization and forced right wing content.

Now, with Sinclair solidly in the rearview mirror, Tribune has entered into a new agreement with another giant, Nexstar. This latest development could alter the Memphis media landscape considerably.

According to a Bloomberg report, Nexstar plans to stay just below the FCC ownership cap by divesting in 13 markets. One of these markets will almost certainly be Memphis, where the company already owns WATN-24 and WLMT-30, which function as a content/staff-sharing duopoly.

The Daily Memphian

In print — if that’s the right descriptor — the year’s biggest news was the birth of a new, ambitiously scaled digital-only news source. The Daily Memphian launched online in September. Executive editor Eric Barnes said the venture became necessary when Memphis’ traditional “newspaper of record,” the Gannett-owned Commercial Appeal, lost considerable editorial autonomy. Many of the new startup’s first hires were marquee reporters and columnists siphoned away from the CA — refugees from the increasingly non-local local newspaper. This harvesting of established talent allowed the new enterprise to generate considerable local interest, but it also resulted in an exciting new thing looking a lot like the declining newspaper that made The Daily Memphian a necessity.

The second biggest news in print is The Commercial Appeal‘s comeback after being displaced by a parent company eager to sell the real estate, and relieved of its institutional memory and talent by a new startup. Losing so much top-of-payscale reporters and columnists allowed the hobbled daily paper to staff up like it hasn’t been able to in years. And, while it’s still plagued by embarrassing mistakes, the result of a careless and clueless out-of-town editing process, the CA still managed to break the most relevant and change-making investigative report in recent memory.

“For the dozens of children currently separated from their families while awaiting trial inside the Shelby County Juvenile Court and Detention Center, the cost of calling home often presents a barrier to keeping in touch with their parents,” Sarah Macaraeg wrote in a detailed report showing how Shelby County’s contract with phone service provider GTL brought in a million dollars annually. Within a week, steps were taken by County Mayor Lee Harris and Commissioner Tami Sawyer to make phone calls from juveniles to their parents or guardians cost-free.

Gannett Co’s Q3 earnings contained some good news for The Commercial Appeal‘s parent company. Digital revenue is up by $3.3 million over last year. Unfortunately, digital gains couldn’t keep pace with the $5.5 million in revenue lost from declining circulation. Publishing revenue is down $43.9 million with advertising and marketing taking a $26.5 million hit.

The disappointing economic news arrived shortly after Gannett’s latest letdown to loyal print subscribers. Deadlines weren’t extended to allow for even rudimentary coverage of the midterm elections.

Following the Q3 report, Gannett sent out a company-wide memo offering early retirement to employees 55 or older who’ve been with the company for at least 15 years. Then, USA Today Network president Maribel Wadsworth, told Gannett employees it was time, “to think about our overall cost structure in alignment with profitability.

“We will be a smaller company,” she said, promising there would be no major layoffs before the holidays. What happens in January remains to be seen.

The Daily Memphian isn’t the only ambitious launch of 2018. Storyboard Memphis is a new monthly printed paper featuring original urbanist-oriented reporting and a curated selection of news stories taken from Memphis area websites.

More good news: ProPublica, the Pulitzer-winning digital newsroom, selected Wendi Thomas and her MLK50 Justice Through Journalism project to join its Local Reporting Network. Thomas described the announcement as a “vote of confidence in the importance of this work.”

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News The Fly-By

Statues, Scooters, and Surveillance

January

Officials unveiled a plan for the Memphis Zoo’s new parking lot, which included paving green space and taking about 2.4 acres of parkland.

Downtown stakeholders discussed allowing open containers on Main Street, but the idea was nixed later.

Memphis was passed over for Amazon’s new headquarters despite offering an incentive package worth about $70 million.

J.T. Young was chosen as the new CEO of Memphis Light, Gas & Water (MLGW).

February

The Memphis City Council approved a one-year, 2 percent rate hike on MLGW’s gas and electric rates.

The Tennessee Comptroller reviewed the transactions that allowed city officials to sell three Memphis parks and remove Confederate statues and later deemed them lawful.

Hundreds marched demanding a $15 an hour minimum wage.

The council voted to remove several “offensive” murals installed by Paint Memphis.

The Tennessee Attorney General requested execution dates for eight death row inmates.

FedEx Corp. refused to axe discounts to the National Rifle Association (NRA) but said its positions on gun policy differed from the gun rights group.

March

Angus McEachran, once an editor of The Commercial Appeal, passed away.

The Tennessee Valley Authority (TVA) said it would not operate wells drilled into the Memphis Sand Aquifer and, instead, would buy water for its plant from MLGW.

Mid-South students joined a national walkout to protest gun violence.

Ground broke on the new $28 million Raleigh Town Center.

The Tennessee Supreme Court began setting execution dates for death row inmates.

Will Batts announced he was leaving his post as executive director for OUTMemphis.

The Riverfront Development Corp. was rebranded as Memphis River Parks Partnership, and the new group would be led by Kresge Foundation senior fellow, Carol Coletta.

Memphis Rox opened in Soulsville.

Thousands (including Senator Bernie Sanders) rallied and marched to honor Dr. Martin Luther King Jr.

April

A week of events commemorated the 50th anniversary of Dr. Martin Luther King Jr.’s death.

The city council approved Cooper-Young’s historic district status.

State lawmakers voted to take $250,000 from Memphis because city leaders removed Confederate statues.

A new law allowed liquor stores to be open seven days a week and for grocery stores to sell wine on Sundays.

Trolleys returned Downtown.

May

Graceland officials and Memphis Mayor Jim Strickland squabbled over a project to build a new performance and convention center in Whitehaven.

Phillip Spinosa resigned from his position on the city council to join the Greater Memphis Chamber.

The council gave historic district protections to Speedway Terrace.

Strickland signed a letter of intent with two companies to redevelop 100 N. Main building as the new convention center hotel.

A court ruled that the city’s sale of two Downtown parks and the removal of Confederate monuments from them was legal, dismissing a lawsuit initiated by the Sons of Confederate Veterans Forrest Camp.

Ford Canale was installed to fill Spinosa’s empty council seat.

Explore Bike Share launched.

June

Federal officials approved a $71 million project to upgrade Lamar Avenue.

Stormy Daniels brought her “Make America Horny Again” tour to The Pony.

Protesters called for an end to the separation of immigrant families at the U.S. border.

Bird debuted its electric scooters on the streets of Memphis.

July

New regulations for wells were approved in the wake of TVA’s controversial plan to pump from the Memphis Sand Aquifer.

Hundreds rallied against Trump’s immigration policies.

Strickland proposed de-annexing two areas in East Memphis.

The Daily Memphian, a new online news source, was unveiled.

Memphis Greenspace cleared out the remaining Confederate memorabilia from Memphis Park “to say goodbye to the past.”

State officials were ordered to stop revoking driver’s licenses from those who can’t pay traffic-ticket fines and fees after a lawsuit filed by Just City and others.

August

Sports betting began in Tunica under new laws in Mississippi.

Lee Harris was elected as Shelby County Mayor.

REI opened.

A court case began to determine whether or not the city of Memphis violated activists’ First Amendment rights with a system of surveillance that included extensive monitoring of social media.

State lawmakers found 538 exceptions to the state’s Open Records Act.

Aretha Franklin passed away.

The Friends of WEVL called for change at the volunteer radio station.

September

Restaurateur Bud Chittom passed away.

XPO warehouse workers filed a complaint about working conditions.

A modernization project kicked off for Memphis International Airport.

Purple Haze closed after a string of violence in and around the club.

A Memphis Police Department (MPD) officer turned off a body-worn camera during the shooting of Martavious Banks.

Facebook asked the MPD to cease using fake accounts for surveillance.

Greater Memphis Chamber president and CEO Phil Trenary was shot and killed in Downtown Memphis.

October

Nuclear Development LLC told the city council the city could save about $500 million per year if it bought its electricity from the Bellefonte Nuclear Plant.

Voters complained that the three council-related referenda on the November ballot were misleading. Early voting samples replaced key words from the actual ballot. Election machines here could also bump Democratic gubernatorial hopeful Karl Dean to a second page.

National Civil Rights Museum leader Beverly Robertson was picked to be Greater Memphis Chamber’s interim president and CEO.

Mighty Lights, the new lights on the city’s bridges, went live.

A court ruled the MPD violated a 1978 consent decree barring political surveillance of citizens.

November

The University of Memphis won a $5 million contract to study the Memphis Sand Aquifer.

Memphians said no to extending term limits for the mayor and city council, repealing instant runoff voting, and eliminating runoff voting altogether.

State officials gave the first of two approvals needed for a Tourist Development Zone that would transform the MidSouth Fairgrounds into a youth sports destination.

The city council began what would become a long, contentious process to fill one of three empty council seats. Later, they decided to stall the process until next year.

Wiseacre Brewing Co. announced plans to build a new, bigger brewery close to South Main.

December

XPO announced new policies on working conditions after Congress members threatened an investigation.

Descendants of Nathan Bedford Forrest filed a suit for the alleged desecration the family’s gravesite.

Categories
News The Fly-By

Fly on the Wall 1557

Year in Fly

It’s yet another year’s end column looking back at the best, worst, and stupidest moments of the last dozen months.

Of course, by “best” your pesky Fly on the Wall means the best of the worst. (Except for that one time when Memphis successfully removed its Confederate statues, and somebody changed the Wikipedia page for an unreconstructed and mostly vindictive Tennessee House of Representatives to read, “We got tricked by a city we hate, now we’re mad.” That was pretty awesome.)

FOTW had its finest moment digging deep into claims by U.S. Rep. Diane Black that grocery store porn is a “big part” of the “root cause” of school shootings. We visited many grocery stores and pharmacies but just couldn’t find the dirty. We did find copies of Hog Hunting, Sniper, Guns & Ammo’s AR-15 Pistol Edition, and other periodicals showcasing big weapons on their covers. Hawt.

2018 was mostly spent documenting the hazards of out-of-town editing as illustrated by Memphis’ Gannett-owned newspaper, The Commercial Appeal. Like when they mistook Memphis’ popular, all-dude band Lucero for Mexican superstar Lucero, a female vocalist. Or that time when they named Harding Academy student Lauren Deaton, Volleyball of the Year.

Lastly, WMC deleted a tweet reading “Nashville is Still Trash,” claiming it didn’t represent the station’s “values or views.” They are now dead to us.

Categories
Food & Drink Hungry Memphis

Ysaac Ramirez to leave The Gray Canary

Michael Donahue

Ysaac Ramirez

Ysaac Ramirez will leave his post as chef de cuisine at The Gray Canary on Dec. 31.

Ramirez, 38, says he’s leaving to “pursue another opportunity and possibly open my own restaurant in Memphis, hopefully.”

When he was 15, Ramirez moved from California to Memphis, where he graduated from Bartlett High School and L’ecole Culinaire.

Nine years ago, he went to work for Jackson Kramer at Interim. He then began his long tenure at restaurants owned by Andrew Ticer and Michael Hudman.

He was one of the opening cook at Hog & Hominy before becoming a pasta cook at Andrew Michael Italian Kitchen.

Ramirez then moved to North Carolina, where he worked for Colin Bedford at The Fearrington House Restaurant & Village. He then worked in the restaurant at The Carolina Inn in Chapel Hill.

Rameriz was back working for Ticer and Hudman when he moved to New Orleans and helped open Josephine Estelle, where he was sous chef. He then became executive chef at the Ace Hotel in New Orleans.

After two years, he moved back to Memphis and helped open The Gray Canary, which opened Jan. 23, 2018.

When he opens his own restaurant, Ramirez would concentrate on Latin cuisine. “Going back to my heritage,” he says. “My dad is from Mexico. Just going back to my roots and incorporating not just Mexican cuisine, but various Latin-style cuisines. And dealing with a lot of seafood.”

Categories
Music Music Blog

The Dirty Streets & Tora Tora Bring Riffs to Minglewood

Chris Neely

Tora Tora

Two of Memphis’ heaviest blues-inspired rock bands are set to perform at Minglewood Hall this Saturday, December 29th. The Dirty Streets will open for Tora Tora, and there is sure to be wah pedal aplenty at this last Saturday-night concert of the year.

Both bands recently recorded at Sam Phillips Recording Service on Madison, and Tora Tora are gearing up to release a new album, Bastards of Beale (Frontiers Records), their first new recording in years. “The last studio album we did for a label was in ’94, when we were on A&M Records,” guitarist Keith Douglas says. “We felt like we picked up right where we left off.” That was the band’s third record, their last on A&M, Revolution Day, which the label shelved for years. Tora Tora eventually released the album themselves on FnA Records, “a small label out of Nashville,” in 2011. “Right around that time, in the early ’90s, when grunge hit, record companies shed a lot of their rock bands,” Douglas says. “We got shown the door with everybody else.” It’s not as though that was the end of the story for Tora Tora, though, and Douglas doesn’t sound bitter or critical as he references the end of that chapter for the band. 
Chris Neely

Tora Tora

The new album’s title refers to the band themselves. As a hard rock band that often performed in the blues-centric venues of Beale Street, they were something of an anomaly. But the members of Tora Tora have a long history with the blues — it clearly informs their sound, even if they don’t play the straight-up 12-bar variety  — and they have a long history with Beale. “We were hanging out down there before we were old enough to be in bars,” Douglas says, explaining that, even as friends before the formation of Tora Tora, he, Anthony Corder, Patrick Francis, and John Patterson would hang around Beale, soaking up the music. It’s a time-honored Memphis tradition — loaf around Beale taking in the music and the raucous energy. “That was in our blood from when we were kids,” Douglas says, but he also admits to other influences, name-checking Tom Petty and Styx. But the lessons learned on Beale never seem far from Douglas’ mind. “Lights up the River,” from Bastards of Beale, is a blues performer’s perspective on Memphis, a rural musician determined to play his way to the bright lights of Beale. “A lot of it is about Memphis,” Douglas says of the new record.

Though Douglas points out that much of returning to write and record with Tora Tora has felt comfortably familiar, the recording process was something of a break from tradition. The band, as was standard operating procedure for bands signed to major labels at the time, spent long hours, even weeks, in the studio, and usually did most of their tracking at Memphis’ Ardent Studios. Bastards of Beale, though, was recorded in a much shorter period of “six or seven days” at Sam Phillips. There was some continuity to the sessions, though; Tora Tora brought on Jeff Powell, who has been producing and mixing records for 30 years, and whom they worked with before at Ardent.

“We’ve got a lot of history with Ardent,” Douglas says. For a performer who has played on major label tours, Douglas shows a fondness and familiarity with the city that’s been his band’s home base, and talking about Ardent sparks some memories — like when Tora Tora performed at the Levitt Shell in 2015 as part of “Press Play: A Tribute Concert to John Fry and John Hampton.”

“We miss John Hampton and John Fry both,” Douglas says. “[Hampton] was so great for us. He helped us develop.” Douglas remembers Hampton sometimes turning up at the band’s rehearsals, making suggestions. Douglas goes on, mentioning a long list of Memphis musicians, vocalists, producers, and engineers he’s worked with over the years.
But for all the history in the rear-view mirror, Tora Tora have big plans for the new year. The group already has some concerts lined up in Texas, and Bastards of Beale will be released on February 22, 2019. Douglas says the band plans to mix in some new songs at Saturday night’s concert, but fans should expect to hear a lot of Tora Tora’s classic material.

Bob Bayne

The Dirty Streets

The Dirty Streets will open the concert at Minglewood for Tora Tora. It’s a tasteful pairing: two bands on the rougher, rawer side of rock, with a heaping dose of blues in their backgrounds but with a willingness to experiment and embrace other genres. Both bands have a flair for energetic performance, and the Dirty Streets also recently recorded an album at Sam Phillips.

While Tora Tora’s new album is as yet unreleased, the Dirty Streets self-released their fifth album, Distractions, in September of this year. It’s a strong showing from a band that has steadily grown and evolved since their first outing, Portrait of a Man.

Their first record was released in 2009, shortly before I first saw the Streets perform, their rumbling Fender amps crammed between shelves of vinyl in Shangri-la Records. Portrait of a Man was recorded at the Hi-Tone over a holiday weekend, when the bar was closed. Andrew “Buck” McCalla engineered the album. The sessions went well, but the recorder ate the files, forcing the band to wait for another holiday before re-recording the entire album in another marathon two-day session, with McCalla again behind the soundboard.
“We’ve never recorded an album without at least one major malfunction,” frontman and guitarist Justin Toland says. “We’re five albums in, and now I just expect things to go wrong.” 

Toland reels off a list of irrecoverable files, blown amps, and guitar solos lost to studio gremlins, chuckling as he does so. The singer and guitarist has the air of someone who’s learned not to try to force a sound or idea. Rather, Toland has a performer’s grace, ready to roll with whatever the gremlins throw at him. “It’s all about funneling that tension,” Toland elaborates, saying he and bandmates Thomas Storz and Andrew Denham have learned to channel frustration back into the performance. Those time-honed skills are evident on the self-released new album, which is brimming with ready-to-cut-loose energy.
“We’ve always had crazy strict deadlines,” Toland says, continuing on the theme of past recordings, but, he says, the Streets decided not to rush Distractions. “We took our time on this one,” Toland says, describing a relationship the band has built with producer Matt Qualls over the course of a (so far) three-album collaboration.

Toland says Qualls came on board on their third album, Blades of Grass, which was when the band began to focus more on production, adding layers of instrumental tracks. That process of layering helped build the Dirty Streets sound — beefy guitar riffs that vibrate the listener’s skull like buzzsaws. The collaboration continued through the Streets’ stellar fourth release, Whitehorse, and into 2018’s Distractions. The result is a full-bodied sound that bolsters the Streets’ natural talent for raw energy without detracting from the immediacy of the songs; the tracks on Distractions sound no less live for the extra production. Rather, the tasteful work by engineer Wesley Graham, Qualls, and the boys in the band only serves to help capture the ear-ringing, bone-shaking roar that is a live performance by these psychedelic blues-rockers.

And there will be more Dirty Streets concerts to come in 2019. Toland says the band plans to tour in the spring to support the record. In the meantime, the next time Memphians can catch the band is at Minglewood Hall, this Saturday.

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State’s First Water Plan Now Up for Review, Comment

Justin Fox Burks

Tennessee Governor Bill Haslam wants to hear your comments on a new statewide water plan that came thanks, in part, to the ongoing concerns of the Memphis Sand Aquifer.

In January, Haslam organized a committee to study Tennessee’s water assets here, a group comprised of leaders from federal, state, and local governments, industry, academia, environmental advocacy groups, and public utilities.

“Tennessee is blessed with great sources of water today, but we should never take that for granted,” Haslam said in a statement. “As our state grows, we must maintain our capacity to meet our water needs. That takes a plan, and I am grateful for the amount of work that has gone into this issue.”
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The group studied surface water, groundwater, and natural aquatic systems. They reviewed the state’s water and wastewater infrastructure, water law, and recreation areas. The group then made recommendations to maintain water availability here in the future. That plan — called TN H2O — was made public in early December and will be open to public comment through the end of February.

Here are some recommendations from the plan:

• Address current and impending infrastructure needs. A mechanism should be established to address unserved areas, infrastructure repair/replacement issues, and funding shortfalls faced by rural systems.

• Develop a comprehensive water resources planning process and planning cycle based on good science and information (consistent monitoring, data collection, modeling, trending, and reporting) that includes all major users and stakeholders.

• Develop a campaign to help the public and decision makers understand the value of water and natural resources and complexity in managing them.

• Encourage greater collaboration and communication concerning Tennessee’s water resources.

• Evaluate existing laws to assess their implementation (e.g., Water Resources Act, Watershed District Act, and Water Resources Information Act) and determine and enable proper jurisdictions for regional water planning and programs.

• Use the state water-resources task force or advisory committee and regional water-resources jurisdictions to facilitate intrastate and interstate regional cooperation.

• Identify sustainable funding for all TN H2O recommendations.

“This plan will help inform our future leaders — inside and outside of government — on important steps they can take to ensure our abundance of water,” said Deputy Governor Jim Henry, who served as chairman of the committee. “This plan will need continuous and close attention to keep our economy and quality of life thriving for future generations.”

The need for such a plan came as the state’s population is set to double over the next 50 years, according to the news release form Haslam’s office. But it also came “along with recent concerns over the utilization of the Memphis Sand Aquifer, droughts that have impacted numerous Tennessee communities, failures of aging drinking water and wastewater infrastructure, and interstate battles over water rights.”

The plan is available for viewing here. The comment period ends February 28th, 2019.