Categories
Music Music Features

Jeff Hulett Goes Solo With “Around These Parts”

You might think the song “Neutral Milk Hotel” on Jeff Hulett’s new solo album Around These Parts is about the seminal ’90s indie band, but you would be wrong — or at least half wrong.

“Back in the day, we were all obsessed with Neutral Milk Hotel,” says Hulett. When they were kids, he and his music-obsessed friends searched the internet for any snippets of music from the band, who only recorded two albums. “One of us found the song on Napster, and thought it was by Neutral Milk Hotel, because the title of the song is ‘Neutral Milk Hotel.’ But it’s not. It’s this band called the Gifted Children.”

Despite that bit of pioneering search engine optimization, the Gifted Children never approached the level of popularity of either Neutral Milk Hotel or Snowglobe, the band Hulett founded with his friends. But Hulett never forgot the song, so when he was looking for material for his first solo album, he dusted off the old mp3 and sang the refrain, “Let us sooth your open wound/And dry your crying eyes.”

Hulett will reunite with Snowglobe for the band’s annual holiday show at Railgarten on December 23rd, but before that, he’s got business of his own. He’s always been a team player — with Snowglobe, Jeffrey James and the Haul, Glorie, and, most recently, as the “me” with Leah Keys in the folk duo Me & Leah. But now he’s stepping into the spotlight with Around These Parts.

The nine-song collection showcases Hulett’s songwriting, and he likes to make them succinct, well-crafted, and meaningful. “It’s one of those records that people will like, because it’s a quick get. It’s fun, and it’s over before you know it. I’ve been very pleased with it.”

The road to Around These Parts started while Hulett was playing bass in Glorie, Jason Paxton’s instrumental band, which uses an array of orchestral tools like vibraphone to create lush soundscapes. It was a natural fit for Hulett’s talents.

Hulett convinced Paxton to produce a solo album.”I kinda took over his life,” he says. “He was still figuring out the equipment, so I was a guinea pig … It was a labor of love, really. He’s got a kid, so he’s busy, and I’ve got two kids. But it was this project that just kept going.

“I knew the songs I wanted to be on it. But some of them weren’t done. So it took some time to flesh those out. I wouldn’t say it was a concept album, but I do think there’s a general theme. My youngest child was born at the beginning of this recording process. So it’s about change. I was changing careers throughout, and having children, and people who I know and love were dying, and other children being born … the usual stuff, life and death.”

Paxton and Hulett called on old friends, like Jeffrey James and the Haul rhythm section Dave Schulter and Daniel Farris, and Snowglobe’s brass player Nahshon Benford, as well as new collaborators like violinist Jessie Munson, singer Kate Ryan, and multi-instrumentalist John Schallert.

“It’s about knowing my limitations,” says Hulett. “I can probably do a guitar solo to go on a song, and it’ll be serviceable. But if you can get Luke White to do it, you get Luke White. I’d rather it sound good than be territorial about it.”

The album’s theme of change and the passage of time bubbles to the surface halfway through, when “Tape” emerges from “Shoes All Muddy” with an Abby Road-esque segue, and Hulett sings “I don’t know what’s on this tape.” It’s a discovery, and re-discovery, of the stuff that matters most.

Hulett and his band will celebrate Around These Parts at Memphis Made Brewing on Saturday, December 15th, with a record release party starting at 4 p.m.

Categories
Opinion Viewpoint

Trump’s Race Problem: Black Republicans with Nowhere to Go

Trump supporters are rare among black people. President Trump won just eight percent of the black vote in 2016. His family business’ sordid history of housing discrimination and his racially insensitive comments — “look at my African American over here” — leave black Trump supporters open to mockery and charges of self-hate.

Juan Williams

A few black people thought they had a winning strategy for dealing with Trump. In exchange for access to his presidential power, they’d ignore warning signs and jump on his bandwagon. How did that work out for you, Omarosa? Trump reacted to her critical book by calling her a “dog” and a “crazed, crying low-life.”

Kanye West similarly went to the White House in a red “Make America Great Again” hat before realizing he was being “used” by Trump backers to, as he later said, “spread messages I don’t believe in.”

All that was bad enough. Now it is getting worse for the black conservatives trying to find a place in the party of Trump. Exhibit A is how Trump went out of his way to trash the first black Republican congresswoman, Utah’s Mia Love, after she lost a hard-fought reelection battle last month. “Mia Love gave me no love. And she lost,” Trump sneered. “Too bad. Sorry about that, Mia.” After Trump insulted her, Love told supporters: “This election … shines a spotlight on the problems Washington politicians have with minorities and black Americans.”

This is not a race problem afflicting all Republicans or all Washington politicians. It is more accurately labeled a “Trump politician race problem.” It is Trump who emboldened racists by saying that a march of white supremacists — and the people who protested against them — featured “fine people on both sides.”  

Trying to make sense of Trump’s bad record on dealing with people who are not white, Love argued: “It’s transactional. It’s not personal.” Wrong, congresswoman. It is personal.

His family business was sued in the 1970s for refusing to rent apartments to black people. He never apologized for wrongly blaming five black and Latino teenagers for a brutal attack on a woman in New York’s Central Park.

As Colin Powell, a black Republican, once wrote, Trump is a “national disgrace.” As Condoleezza Rice, another black Republican, said, she is “uncomfortable [with] what I see and hear” from Trump.

Next year, the 116th Congress will be the most racially diverse in history due to a record number of black and Latino Democrats. There will be just two black Republicans, Representative Will Hurd of Texas and Senator Tim Scott of South Carolina.

Scott is performing a high wire act in dealing with Trump. He recently opposed Trump’s nomination of Thomas Farr to a federal judgeship. Farr has a long history of defending racially discriminatory legislation. “We are not doing a very good job of avoiding the obvious potholes on race in America and we ought to be more sensitive when it comes to those issues,” Scott said.

Scott similarly broke with his party earlier this year to oppose Ryan Bounds, another Trump judicial nominee with a troubling history on race.

Scott also flies away from Trump by championing economic development for black America. While Trump is cutting the Minority Business Development Agency and neighborhood block grants, Scott is crisscrossing the country on a national “Opportunity Tour,” pushing conservative ideas for boosting economic development in minority neighborhoods. Scott insisted on a provision in last year’s Trump tax cut law that creates “opportunity zones,” making economically disadvantaged areas eligible for new federal tax breaks.

But here again, up pops the problem of being a black conservative when all Republican politics is defined by loyalty to Trump. While he got a provision into the Trump tax bill as the price for his vote, Scott still ended up supporting a Trump tax cut that in the short run benefits the richest one percent of Americans. That historic scam is exploding the deficit to pay for tax breaks for corporations and the rich. That means less federal dollars to help poor neighborhoods in need of revitalization.  

I am rooting for Scott and other principled black conservatives to reclaim the mantle of the party of Lincoln. There is a lot to lose if black conservative approaches to racial progress are sunk due to Trump loyalty tests.

Juan Williams is an author, and a political analyst for Fox News Channel.

Categories
News The Fly-By

State of the Stops

Of the 4,200 Memphis Area Transit Authority (MATA) bus stops in the city, only about 300 — or a little over 7 percent — are equipped with both shelters and seating.

John Lancaster, MATA’s director of scheduling and planning, said the number of boards associated with stops is a major criteria in determining where new shelters go.

“We’re putting shelters where they are most needed,” Lancaster said. “There are very few places that actually merit a shelter.”

MATA

About 7 percent of stops have shelters and seating.

Lancaster said that 70 percent of the key bus stops seeing more than 25 boards a day have shelter and seating.

But, Sammie Hunter, co-chair of the Memphis Bus Riders’ Union (MBRU) and a regular bus rider, said MATA needs to overhaul its stops. Hunter routinely catches the 42 Crosstown, which is MATA’s second most popular route, according to the agency’s officials. Though the route averages about 2,184 riders per weekday, Hunter said “if you look at the stops along the route, you won’t see very many shelters or places to sit.”

“People have to stand in the rain and cold,” Hunter said. “Sometimes we’re tired and still have to wait 20 or 30 minutes at a stop with nowhere to sit down after a long day of work. It can get uncomfortable from time to time.”

Using a point system, stop upgrades are prioritized based on factors like number of boards, the demographics of the surrounding neighborhood, and proximity to a medical, civic, or educational building.

Each criteria is assigned a value. For example, if a bus stop averages more than 50 boards on weekdays, then 40 points are awarded.

If a bus stop is a significant transfer point, it is awarded 10 points. The points from each category are then added together and taken into account when prioritizing improvements.

MATA is in the process of making ongoing bus stop improvements totaling $67.8 million, but is “doing it at a trickled pace because we just don’t have enough money, manpower, and resources,” Lancaster said.

“It’s an ongoing process,” Lancaster said. “The big thing for all of this is funding.”

A basic bus stop with a sign, paved boarding area, street lighting, pavement markings, and sidewalk connection costs between $3,000 to $10,000 without a shelter and up to $20,000 with a shelter. If a real-time display monitor is added, the price rises to between $15,000 and $30,000.

“We would love to have them at all of our stops, but we just don’t have the money to do it,” Lancaster said. “You can get up to some really, really big numbers pretty quickly.”

Lancaster said MATA needs to “grow the pot” with more local funding sources, as local funding is the key to leveraging federal funds.That’s where the newly formed Shelby County Ad Hoc Transit Committee comes in, he said.

Comprised of representatives from the city, county, MATA, Innovate Memphis, and the MBRU, the group is exploring dedicated funding source options for the agency.

Categories
News The Fly-By

Fly on the Wall 1555

Dammit, Gannett

Here are some things Maribel Wadsworth, president of USA Today Network, allegedly told Gannett employees during a company-wide conference call, according to the Nashville Scene, with an easy-to-understand translation for folks who don’t work in print media and are therefore unaccustomed to the industry’s famously colorful jargon.

• “As we continue this transition … it’s important to understand … that it will require us to think about our overall cost structure in alignment with profitability.” Translated: Layoffs are coming.

• “Going forward, we will be a smaller company.” Translated: Layoffs are coming.

• “It’s gonna feel rocky at times. It just is. We just have to be very clear-eyed about that.” Translated: Layoffs are coming.

Tennessean staffers were also told:

• “There is no plan for a mass layoff before Christmas.”

Translation: HAPPY NEW YEAR, SUCKERS!

Neverending Elvis

Friedberg, Germany, where Sergeant Elvis Presley was stationed from October 1958 to March 1960, unveiled Elvis-themed pedestrian traffic lights last week.

Green dancing Elvis: Go. Red singing Elvis: Stop. Look and listen at your leisure.

Verbatim

“The son of God, Jesus Christ, He is the only one I’ve ever met who can handle my junk.” Hugh Freeze, former Ole Miss football coach, after school officials found a “pattern of personal misconduct.”

Categories
Cover Feature News

The Flyer staff surveys some of Memphis’ steamiest bowls of soup.

Let us now praise famous soups. The hearty potatoes, the classic tomatoes (perfect with grilled cheese), even the Hungry Man soup with those little burgers (remember them?). A good soup can do so many things. It can slake hunger and chase off a chill. Grandma’s chicken soup reportedly can cure your cold.

So what is Memphis ladling out? We took to social media and asked for suggestions. What follows is our report. Ladies and gentlemen, soup’s on!

Ramen at Crazy Noodle

Ramen at Crazy Noodle

I can’t speak to the relative sanity of the noodles, but Crazy Noodle, the little Korean diner next to the Kwik Chek on Madison, is almost always crazy busy. It’s a cozy establishment, made more so when the few tables are all full. Being something of a regular at the Noodle, I knew what to expect: There are usually only two cooks and one server working (that’s really all space allows for), and so my friend and I settled in for a wait.

There are other dishes on the menu, but we were there for the ramen. My friend ordered the vegetable Mandu Ramen ($8.99), and I got the Chicken Ramen ($8.99). (I had been eyeing the mandu, but she beat me to it.) The Mandu Ramen is made with carrots, onions, green onions, shiitake mushrooms, cabbage, zucchini, turnip kimchi, and mandu (Korean dumplings), which can be had with vegetable or beef filling. I’ve eaten both, and they’re delicious whether served herbivore- or carnivore-style.

The Chicken Ramen includes many of the same ingredients, with the obvious addition of chicken instead of mandu, and with bean sprouts taking the place of the shiitake mushrooms. While the mandu is a little on the mild side, the Chicken Ramen is served in a spicy broth that fogged up my glasses and pairs well, to my tastes, with the onions and turnip kimchi. The cooks at Crazy Noodle don’t skimp on the vegetables, so eating their ramen feels a little like eating a veggie-noodle salad with a spicy broth, making it a great choice for a cold night. My advice? Order a local beer to smooth out the spice, and go with someone whose company you enjoy. These noodles are worth the wait.

Jesse Davis

The Crazy Noodle, 2015 Madison
(272-0928)

Justin Fox Burks

Tuscan White Bead & Kale at Ciao Bella

Tuscan White Bean & Kale at
Ciao Bella

My friend Victoria turned me on to the White Bean & Kale soup at Ciao Bella. She organizes a yearly get-together at the restaurant that included our much-missed colleague Leonard Gill.

So for me, the soup translates into something dear: good gossip, better friends, and the fondest memories.

And the soup is pretty darn good, too. Delicious, in fact. It’s the last point that Blandy Lawrence will defend to the death. She is a super-fan of the Tuscan white bean & kale. Words like “perfect” and “fantastic” bounce among other superlatives. “I’ve been eating it for a long time,” she says.

Lawrence says she’s the sort who orders the same dish at a restaurant every time she visits. She goes to Ciao Bella about every other week. She orders the soup every time, with a chopped salad topped with salmon. (Soup and salad runs $8 to $10 at lunch.)

The soup is tender white beans with kale and a scattering of peppers, served in a light broth. It serves as a light meal that fills you but doesn’t run you over like a Mack truck. It’s this last fact that Lawrence particularly appreciates about the dish.

“The reason I like it is because it’s light, tasty, and I feel like it’s healthy,” she says.

Susan Ellis

Ciao Bella, 565 Erin (205-2500), ciaobellamemphis.com

Justin Fox Burks

Potato at Huey’s

Potato at Blind Bear and Huey’s

The homely potato is the working stiff of foodstuffs, basic and dependable, as strange a fit to the idea of cuisine as a pea coat, say, is to that of couture. Yet it is a core item in most of the Western world’s table fare, a root vegetable in every sense of the term, and is uncommonly satisfying as a source of energy, especially in the cold weather months that are now upon us, when few edibles are as quick a fix — especially in the hearty and instantly satisfying form of potato soup.

The potato soup dishes of two local sources — the well-established Huey’s franchises and the faux-speakeasy bistro Blind Bear Downtown — are superficially similar, consisting of a base of the soft starchy stuff, interestingly seasoned and topped by shredded or grated cheese, bacon bits, and chopped scallions and other green veggies. Served warm, of course. (The cool version, vichyssoise, is available here and there, too, but that’s another story.)

The potato soup at Huey’s, priced at $3.45, has a nice buttery consistency just the right fluid distance from mashed-potato style and possesses a discernible dash of chicken broth, along with a hint of celery and onion. The version at Blind Bear, available in a 2-out-of-3-option lunch special for $6, has a somewhat thinner base, but is chunkier, floating bits of potato and dollops of sour cream, along with teasy ingredients from the spice and vegetable kingdoms. (“Our secrets,” a server explains.)

Both these varieties have their secrets and are worth a try, and both will satisfy the soul and, as they say, warm the cockles. (And, no, genuine cockles of the marine variety are not ingredients in either soup variety, but that’s an idea for somebody to follow up with.)

Jackson Baker

Huey’s, hueyburger.com

Blind Bear, 119 S. Main (417-8435), blindbearmemphis.com

Stone Soup at Stone Soup

Stone Soup at Stone Soup

If you name a dish after a globally beloved folk tale, it had better be good, right? If you then name your restaurant after that dish, it had be better be good, right? So, the Stone Soup at Stone Soup had better be good, right?

(Think about that for a second: a restaurant named for a story named for a dish in that story. Whoa. Meta.)

The Cooper-Young restaurant’s eponymous Stone Soup might as well be the restaurant in a bowl. They — the restaurant and the dish — are cozy, comforting, and humbly high-quality.

How can high-quality be humble? Eschewing the esoteric vernacular of many a trendy menu, Stone Soup says the smoked sausage in its Stone Soup is “country pleasin’.”

And it is, too, by god.

I wasn’t quite sure what I’d get when I ordered a bowl of Stone Soup last week. The menu said it had local ground beef, that “country pleasin'” sausage, and was topped with sour cream and black olives.

It arrived steaming, heaped high in a generous bowl that said, “son, this soup is a meal.” Meatballs swam in a tomato base, joining that country pleasin’ sausage, of course, tomatoes, carrots, peppers, red kidney beans, and onions.

After I took some bad photographs at the table (yep, being “that” guy — but it was for work!), I mixed in the sour cream and olives. I took a bite and was transported.

John Denver and I were huddled around the fireplace, sipping hot chocolate under old, soft quilts while snow gently blanketed the West Virginia hills outside the cabin John built with his own two hands. In short, Stone Soup’s Stone Soup is everything that’s right with winter.

Stone Soup, Stone Soup, $5.89 per cup, $8.89 per bowl. — Toby Sells

Stone Soup, 993 S. Cooper (922-5314), stonesoupcafememphis.com

Moroccan Soup at Casablanca

Moroccan Soup at Casablanca

On the appetizer menu — before you get to the shawarma, falafel, and kebab sandwiches and entrees that represent Casablanca’s staples — are a pair of soups that diners swear by. The Moroccan soup is a tomato-based concoction that is both hearty and vegetarian. Chickpeas and black lentils provide protein. Light pasta floats in the broth to provide a little added heft and a carbohydrate boost. Celery, onions, cilantro, and some secret spices round out the flavor profile. It’s a comforting, healthy soup for a chilly day.

“It’s from Morocco, because my wife is from Casablanca,” says Saed, the restaurant’s co-owner, who says the name of the establishment also comes from her fabled hometown.

The simpler lentil soup, which combine the nutritious legumes with carrots, onions, and garlic, is another traditional Middle Eastern dish with a big following among Casablanca regulars.

Preparing the soups is the first priority for the staff. “To cook this every morning is three hours” Saed says. “People like it a lot. We make a big pot every morning. Especially now, in the winter when it is cold.”

Chris McCoy

Casablanca, casablancamemphis.com

French Onion at Cafe 1912

French Onion Soup at Cafe 1912

Glenn and Martha Hayes opened the cozy Midtown bistro Cafe 1912 in 2002. From its very beginning, one of the restaurant’s staples has been its signature French onion soup, and there are few more comforting dishes in town on a chilly night. It’s a rich and savory delight.

Glenn Hayes says their version takes a while to make. “You need to cook very thinly sliced onions in butter and oil, until they’re nice and brown, being careful not to burn them. It’s constant stirring for up to an hour. From there, it’s a matter of adding a high-quality stock. We use chicken stock, mostly, though some people use beef stock.”

Hayes then adds a sweet Port wine, salt and pepper, and a little thyme, and lets it simmer “for a long time.” Hayes says he can’t tell us the exact ingredient proportions because it’s a “matter of taste.”

“Of course, the topping is what makes it classic French onion soup,” he says. “You add croutons of toasted bread and top with melted gruyere cheese. Then use your spoon to drown them in the soup and you’re in business.

“We’ve sold a few bowls of it in 16 years,” he adds. — Bruce VanWyngarden

Cafe 1912, 243 S. Cooper (722-2700), cafe1912.com

She Crab at Southern Social

She Crab at Southern Social

The “she” in the she-crab soup at Southern Social should stand for “sherry.” That ingredient is outstanding in the Germantown restaurant’s popular soup.

The soup also includes celery, onion, garlic, butter, tabasco, flour, crab stock, heavy cream, crab roe, salt, and white pepper.

After my soup was served to me the other night at the bar, I heard someone say, “Look what you started.”

Julie Beda and Sharon Donovan, who were sitting near me, suddenly had cups of the soup in front of them. “It looked so good,” Beda said.

I asked owner Russ Graham how they came up with their she-soup, which is not the same she-crab soup recipe served at his other restaurant, Flight Restaurant and Wine Bar. He says he and co-owner Tom Powers spent some time in Charleston, South Carolina. “We really enjoyed talking about the differences between she crab soups at restaurants,” Graham says.

They finally decided on a recipe “that worked for us. We had a basic recipe and tweaked it.”

That was two years ago last November. “I think it was embraced fairly quickly,” he says.

Their executive chef, Mario Torres “believes in the soup,” he says. That’s “what makes the soup great.”

Torres, who did the tweaking, says, “The secret of the flavor is from the stock.”

He makes the stock in the “old French cuisine” style. They reduce the stock to 50 percent. “It concentrates the flavor of the crab.”

And, he says, “We reduce the sherry wine to opaque. And that enhances the flavor of the sherry as well.”

Torres isn’t the only one who believes in the soup. Managing partner Joe Fain is also a big fan. “I’ve had a cup every day since we’ve opened,” he says.

Michael Donahue

Southern Social, 2285 S. Germantown Road (754-5555), southernsocial.com

Spicy Tomato at La Baguette

Spicy Tomato at La Baguette

Even before the first spoonful is sipped, the taste buds know something great lies ahead, as a tomato-y aroma arises from the bowl and fills the nose. Rich in color and in taste, La Baguette’s Spicy Tomato Soup is the right combination of warm zest and spice — perfect for any cold day.

The soup is served with a melted dollop of Swiss-American cheese on top and because no bowl of soup is complete without bread, slices of freshly baked French bread on the side. Both work in tandem to cool the spices of the dish.

Not like your everyday tomato soup, La Baguette’s version is more like the homemade kind your mom used to make. It’s full of Italian seasonings with hints of basil and oregano in every bite. Tangy sweetness from the tomatoes perfectly balances with the savory spices.

Gene Amagliani, owner of La Baguette, says the tomato soup is a fan favorite that “people often rave about.” It’s all in the secret recipe, Amagliani says.

It cooks for hours, Amagliani says, allowing the company’s “secret spices that make the soup so delicious” to kick in.

“We pride ourselves on our spicy tomato soup,” Amagliani says. “I can’t reveal much, but I’ll tell you it has tomato and basil in it. It’s been the same secret recipe since 1976, and it works.”

La Baguette’s tomato soup is so good, it’s one of the cafe’s two soups that’s offered every day.

Maya Smith

La Baguette, 3088 Poplar (458-0900), labaguettememphis.com

Tom Kai at Asian Eatery

Tom Kha Kai at Asian Eatery

At the Asian Eatery, less than a tenner will get you a generous bowl of Tom Kha Kai. This takes the Thai classic in a novel, light direction. Often called Tom Kha Gai, the usual recipe for this soup involves coconut milk and chicken cooked with mushrooms, onions, scallions, bell peppers, chili, lime leaves, lemongrass, and galangal root. That last ingredient is key; that’s the kha in the soup’s name. Of course, one doesn’t eat the galangal if there’s a bit in your bowl. Instead, it permeates the broth. Naturally, the whole thing’s garnished with fresh bean sprouts and cilantro.

But at the Asian Eatery, one final ingredient — tomato — sets this version apart. The subtle addition of the nightshade adds a bit of edge to the coconut milk’s creaminess. If you find Tom Kha Gai to be the ultimate Southeast Asian comfort food, and many do, this trace of tomato will make it even more homey and familiar to you. It certainly doesn’t try to be a creamy tomato soup. Rather, by merely hinting at that, a new dimension to the classic dish opens up, as the fragrant, tart-yet-sweet tomato brightens the more conventional richness of the coconut milk.

And, while many Thai restaurants serve the soup over rice, here it’s served over rice noodles. Beyond that, the chefs at Asian Eatery no doubt have their own secret ratios of ingredients and seasonings. Whatever they may be, it’s all tied together in a perfect blend of cold weather comfort and healthfulness. — Alex Greene

Asian Eatery, 2072 West St., Germantown, (737-3988),
asianeatery.net

Chicken & Chipotle at Maciel’s

Chicken & Chipotle at Maciel’s

Across cultures, whether you grew up Jewish, Thai, Greek, or Cajun, simple, broth-based chicken soups are revered for their ability to heal, nourish, and delight the senses. Few are simpler or more satisfying than the chicken and chipotle soup served at Maciel’s Tacos & Tortas, a locally owned Mexican food chain with locations Downtown and near the U of M. It’s light enough to eat in the summertime, but this soup’s a core-warming, mouth-tingling comfort when temperatures plunge and the world turns icy and gray.

Maciel’s chicken soup is similar to a standard tortilla soup, but with a tangy, smokey twist. It starts with a rich chicken broth lightly sweetened and thickened by corn masa from fried tortilla strips and stained dark orange by the presence of an adobo-packed chipotle or two. Rice adds heartiness, and the chicken chunks are small and plentiful.

There was a time when smoked jalapeño peppers — chipotles — were a curious and exotic delicacy appearing only on the most adventurous menus. Today, they make regular appearances at fast food restaurants, including one named for the chili. They’re so normalized it’s easy to forget just what a flavor star they can be if you give them a little room to shine. Just a small amount brings heat, smoke, color, and an almost citrusy zip. Maciel’s chicken soup is a perfectly balanced example: picant but never aggressively so.

There are many tasty tortilla soups in town. At Maciel’s, the addition of chipotles puts it in a league of its own. Flues? Blues? It may not cure what ails you, but it’s a good start. — Chris Davis

Maciel’s Tortas & Tacos, 45 S. Main, (526-0037), macielsdowntown.com

Categories
We Recommend We Recommend

Nut Remix at the Cannon Center

Does Memphis have any better ambassador than street dancer and classical innovator Charles “Lil Buck” Riley? The city’s Gangsta Walk and Jookin’ dance styles have gone international and made a lasting impression on ballet and other forms. Lil Buck, the dances’ best known practitioner, started winning dance battles at the Crystal Palace and making videos in parking lots, before hooking up with Midtown’s New Ballet Ensemble. He’s working on somewhat bigger budget movies these days, but he still can’t keep the name of his hometown out of his mouth.

In a promotional video for Disney’s The Nutcracker and the Four Realms, Riley explains that producers contacted him after seeing a video of him performing at an international dance festival. “It’s a funny story because I used to play the Mouse King in Memphis, Tennessee, for the longest,” he says. “It was just incredible how it all pieced together.”

New Ballet Ensemble

ReMix

Riley’s use of the past tense is deceptive. Lil Buck, who danced the role of the Mouse King in a motion capture suit and appeared on screen as a million, swirling mice, is coming back to The Cannon Center to perform in yet another round of Nut ReMix, New Ballet Ensemble’s locally inspired answer to the holiday classic.

“I was so happy to see right before the credits they had him dancing live and not in animation,” says New Ballet Ensemble founder Katie Smythe. “People could see it was a person.” Though the film hasn’t been a Christmas miracle at the box office, Smythe says it’s ramped up excitement around this year’s show.

“He’s being followed around by Netflix so they’ll be following him around backstage,” Smythe says. “With his non-profit Movement Art Is, he’s really going back to the mission of using dance to reach hearts and minds in social and environmental justice.”

Categories
We Recommend We Recommend

Holiday Memories at Theatre South

Voices of the South is stepping away from the comic cabarets and improvised sing-along events of Christmas seasons past and getting back to the company’s roots in literary adaptation and narrative performance. Holiday Memories collects a pair of richly described short stories recounting scenes from author Truman Capote’s early life growing up in rural Alabama.

“The Thanksgiving Visitor” and “A Christmas Memory” chronicle the relationship between a young boy named Buddy and his elderly but childlike cousin Sook as they make whiskey-soaked fruitcakes, chop down secret Christmas trees, and fly their homemade kites. The Depression-era vignettes have been adapted for television twice and turned into a full-blown musical. Though no literal version of the mature author appears on stage, Russell Vanderbroucke’s loving adaptation makes Capote the star and is well-suited for VOTS’s signature style.

Truman Show

Most holiday shows truck in aphorisms and feel-good sentiment. “A Thanksgiving Memory” is about bullying and betrayal. The nostalgia of “A Christmas Memory” is spiked with strong, irreparable loss. Though often funny and loaded with rustic and seasonal imagery, these stories are considerably more substantial than your usual sugarplums.

Voices of the South’s holiday offering also functions as an appetizer for Memphis theater fans, particularly those who love Capote. Mark Chambers — a local favorite who literally grew up on area stages — is coming home for a short engagement in Tru, a one man show about the celebrity author. Tru opens at the Evergreen Theatre January 10, 2019.

Categories
Art Art Feature

The Art of Eso Tolson

Eso Tolson embraces his inner Memphis. In fact, he came up with the phrase “Embrace Your Inner Memphis.”

When he’s not programming and booking artists as Crosstown Arts performance coordinator or making his own art, Tolson, 34, posts empowering messages on Instagram.

“Embrace Your Inner Memphis” got “the most likes, and local organizations and businesses shared it the first time I had put it out,” Tolson says. “It had gotten so much attention at that time that somebody wanted it on a shirt.”

Michael Donahue

Eso Tolson — an artist with words

To make sure nobody stole his phrase, Tolson put up a website and had T-shirts silk screened with the words. “It turned into a whole thing. It’s a campaign now — ‘Embrace Your Inner Memphis.’ The goal is basically for people to take the good and even the not-so-good about the city and realize that those things are what makes the city what it is.

“Everything that the entire world loves about America is in Memphis. Everything from the music, the food, the culture, the rich history. People from all over the world come here. The talent here is unmatched.”

And, he says, “Some of the worst things about America are here at the same time. Everything from racism to inequality.”

But, he says, “What that does is create this environment where all these amazing things can happen. The blues came about because of the pain that’s here. [It] turned that pain into something. Into art. It’s this beautiful pain that Memphis has that creates so many beautiful things.

“There’s a distinction between people who are from Memphis and people who are Memphis. Because a lot of people who are from Memphis are like, ‘Oh, I can’t wait to get out.’ They’re not really contributing to the city. The most they do is go to work and then that’s it. But they’re not invested in the city. They’re not helping people. They’re not creating gardens. They’re not assisting with the homeless. They’re not empowering people. They’re not going to games. They’re not supporting the local restaurants. They’re not doing any of that. They just live here.

“I’m not even from Memphis, and I love this city. I think when you embrace it, it takes on a whole new meaning.”

Tolson, who is from East St. Louis, expressed his creativity for the first time at age 2. He took his grandmother’s red nail polish, which was on the bedside table, and “went to town” with it “all over the bedsheets.” (Brand new, by the way.)

When he was 10, Tolson won first place in a Mr. Bubbles coloring contest.

He excelled at sports, including track, in junior high and high school, but he also designed jogging suits.

He moved to Memphis in 2008 after discovering Memphis College of Art. He studied design arts with an emphasis in graphic design.

During his last semester, Tolson helped form a musical group, Artistik Approach, which still performs. “We do a little bit of jazz, hip-hop, soul, and we just create. Put it all out and make it our own.”

After he graduated, Tolson began doing promotional work, including posters and brochures, for organizations, including Collage Dance Collective. “I like type and really dynamic imagery.”

He also worked with Choose901 for about two years after making their first promotional video. “I remember getting my first paycheck. I went to the Art Center, bought a sketchbook, got some Sharpies, got some micro pens, and I was like, ‘I’m just going to town and coming up with all these different phrases, sayings, and compositions of words.'”

He loves the power of words. “I was always attracted to just words. And I like how they look. I just like the letter forms in general. And I like that they can be visually pleasing, but also they can mean something. You can take something away from the image as well.”

Tolson then discovered Instagram.

“Keep going” and “Make dope stuff every day” are two of his most popular posts.

He paints some of his words and phrases on canvas. One he did for Teach For America, which is at Crosstown Concourse, basically says one day all children will “have the opportunity to have access to an excellent education.”

Tolson’s works are currently on view at his “Spectacular Vernacular” show at Memphis College of Art, which runs through December 14th. “They’re all words.”

Categories
Opinion The Last Word

Mirrors: Old Age is Looking Back at You

This nation has gone completely insane and everybody’s armed. I just wanted to point that out before I got to the main subject of this commentary: having birthdays. Lots of them.

The topic has been on my mind, since I’m about to round that circle once again, and when enough birthdays pile up, you start doing the calculus. It’s not age that bothers me, it’s the aging process. In my mind’s eye, I’m still 35, but my mirrored reflection betrays that fantasy. I’m way far from decrepit and am generally in decent shape for a man whose daily walk is from the bedroom to the den. Of course, the doctor tells me to walk around the block, but, baby, it’s cold outside. My wife will attest that I’m still very boyish and sometimes downright goofy. Here’s a dark confession: I still make funny faces at myself in the mirror. Which brings me to expound upon my concerns in the only creative way I know how — in a song.

Did I tell y’all that I was a songwriter? I thought so. If not, check out “Old Dog, New Tricks,” by Rufus Thomas on YouTube.

See, this journalism business is just my side-hustle. For many years, I attempted songwriting as a profession, but after nine years in Nashville, I burned out. In addition, since there is no more music business, I’ve been receiving royalty checks for 35 cents, or a buck and a quarter, every six months. Why even waste the stamp? However, after I quit writing songs, I found it was a hard habit to break, so I still write them — I just don’t have anywhere to send them. But then, I realized that if I wrote out my song in the Memphis Flyer, it would be published automatically. The law states that a song is copyrighted as soon as the pencil leaves the paper, or in this case, the keystroke hits the screen, so don’t be messing with my latest hit. I call it “Mirrors.”

You’re the one who got elected/ But not the one selected.

The word “orange” has no rhyme/ But that’s the color you’ll be wearing when you’re doing time. 

I’m sorry, that’s from a different song I’ve been working on. If you’ll indulge me:

“Mirrors”

I think my mirror’s lying to me/ Where is that boy I used to be?

My beard is now all specked with grey/ And my hair has mostly gone away.

I just don’t look the way I should/ But then, my eyesight’s not that good.

I just can’t seem to get used to myself/ I think I must be someone else.

The image in my mind is from 1993.

I think my mirror’s lying to me.

I don’t stare anymore/ but just by chance

I can’t help but catch a passing glance.

But what I see just isn’t me/ Where is that boy I used to be?

So I’m taking down the mirrors/ And here’s the reason why.

I just can’t stand to see a grown man cry.

I’m thinking of a Salsa or Samba beat, but it’s still a work in progress. I promised myself that I wouldn’t be one of those old codgers who sit around and complain about what ails them, yet here I am. I’ve accepted my circumstances, but that doesn’t mean I have to like it.

My first sign that I needed to take cautionary action was when I nearly slipped in the shower. I caught myself before falling through the curtain, hitting my head on the sink, and Elvising out on the bathroom rug. Melody is the mechanically inclined person in this household, so the next thing I knew, she was assembling one of those orthopedic chairs, all rubber and plastic, like the kind they use in hospitals. I balked at first out of reflexive vanity. Surely, a chair in the shower is a sign of surrender. But after I tried it, I wondered why it’s not standard equipment in all showers. It’s like sitting under a tropical waterfall and makes you want to linger. And you don’t have to bob and weave around a shower head like some slick prizefighter. The chair helped me come to terms with my limitations.

Although longevity is on my side, I still can’t help but be concerned. I inherited the longevity gene from my mother, but I also inherited my grandmother’s neurosis. If there’s a genetic predisposition, I’m on course to live a long life — miserably. Now, get the hell off of my lawn.

Randy Haspel writes the “Recycled Hippies” blog.

Categories
Food & Wine Food & Drink

Mahogany sets the scene.

If you want to eat at the newly open Mahogany, it’s best that you make a reservation. It’s been packed since it opened on November 14th. In fact, one customer has vowed to dine in every seat to take in all the vistas. (It might take a while, as it has more than 120 seats.) It is the place to see and be seen.

Perhaps a more apt word is “scene,” as Mahogany is working a movie theme from its name to the decor and menu.

Mahogany is a nod to the movie starring Diana Ross at her (overwrought) chicest. “Rich, dark, beautiful, and rare” is how the day manager Jessica Miller defines Mahogany’s niche.

Photographs by Justin Fox Burks

Christopher Hudson, chef at the newly opened Mahogany

The restaurant is in Chickasaw Oaks Village in the old Just for Lunch and The Farmer space, near La Baguette. The ye olde country look has been ixnayed for something a bit more glamorous — modern grays, a dark bar, pretty green chairs for a touch of pizazz.

That touch extends to the menu, overseen by chef Christopher Hudson. The menu is divided into sections: the Extras (appetizers); the Props (soup and salads); the Wrangler (for kids); the Cast (entrees); the Stunts (sides); and the Finale (dessert).

The Cajun Chicken Egg Roll is among the extras, and it is extra. Hudson describes it as gumbo in an eggroll. The eggroll features okra and sausage. Another dish Hudson is proud of are the oxtails. He takes extra care with these, describing a two-day process that involves braising, then smoking. The Memphis Fried Chicken “feels like home,” says Hudson. It has buttermilk, hot sauce, oregano, and thyme.

Also on the menu are the Lasagna Roll; a Grilled Black Angus Burger; meatloaf; catfish; and salmon croquettes.

Hudson says what sets his dishes apart from other upscale Southern places is his gift with spices. He likes to use berbere and Creole spices, to work in Caribbean and African flavors.

Let’s move on the cocktail menu. Again, it’s a run through Hollywood with drinks such as the Etta James aka At Last, the Tom Jones aka Pussy Cat, and the Pam Greer aka the Foxy Brown.

The Edison aka Black Maria is a luminescent black drink. Vodka is soaked in black rice, which changes the color but not the taste, then a little pearl dust is stirred in. The Idris Elba aka American Gangster is $100 (and worth every penny, I’m guessing). It’s Remy Martin Louis XIII Cognac. The Bob Marley aka One Love is a multi-colored delight, which Miller promises will put you in a chill mood.

As for the desserts, Hudson says, “A lot of bourbon is used here.” It’s used in the Pecan Dessert Flight with Chocolate Pecan Pie, Pecan Ice Cream, and the Pecan Pie Cocktail. It’s used in Bananas Foster and the Peach Cobbler.

Mahogany is owned by Carlee M. McCullough, who is a lawyer. She recognized Hudson’s talent and wanted to showcase it, according to Miller. Hudson’s education was financially backed by Isaac Hayes. Hudson asked him if there was anything he could do for Hayes in return. Hayes’ answer? “Do great.” It’s worth noting that Hayes reached the peak in film. He won the Oscar for “Best Song” for “Shaft” in 1972.

Mahogany, 3092 Poplar, 623-7977, mahoganymemphis.com

Resilience IPA

Sierra Nevada is brewing Resilience IPA as a fund-raiser for Camp Fire Relief efforts, with 100 percent of beer sales going to the cause. The brewery has invited their cohort to get involved and have helped with donations of malt, hops, and yeast. More than 1,000 breweries nationwide have answered the call. Locally, two breweries have signed up: Crosstown Brewing and Memphis Made. The beer should be ready in a couple weeks and will be available until it runs out.

sierranevada.com/resilience-butte-county-proud-ipa