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Letter From An Editor Opinion

Meerkat Manners

Editor’s Note: Other Flyer writers will occasionally share this space.

During a 2014 advanced fiction workshop my senior year at Rhodes College, our professor stopped speaking mid-lecture and turned to look at me. For several uncomfortable moments, his gaze lingered on my frame, eyes raking up and down as I began to squirm in my seat. Had I done something wrong? Looked too disinterested? Started nodding off, perhaps?

“You are a meerkat,” said the late, great Mark Behr, in his inimitable South African accent, as I sat there looking like a, well, meerkat in the headlights. “You really look like one.” Another classmate also failed to escape animal classification later in the semester, drawing comparisons to an antelope.

I’m still not sure whether I took that as a compliment, an insult, or brushed it off as a simple in-the-moment observation. But that little tidbit has stuck with me for years. When Contemporary Media (the Flyer’s parent company) began using Slack in 2017, I had yet to procure a decent professional headshot. So, rather than dig up an old photo of higher-ed debauchery from my social media pages, I trawled Google until I settled on a fine-looking close-up of a majestic-looking meerkat, gazing determinedly off into the distance, to use as my avatar instead (more businesslike than the smiling meerkat pictured here). As the years ticked by, and Covid turned us from an in-office operation to a remote one, that little meerkat photo became the only visual component of my daily interactions with my colleagues. As writers left for different pastures and fresh journalists came through our “doors,” I started wondering if they even knew what I actually looked like. Or if their one visual reference, that darn meerkat, was how they pictured me.

It got me thinking of a show I used to watch as a kid, Animal Planet’s Meerkat Manor, which followed a specific family of mongooses (mongeese?) as they struggled for survival in the harsh Kalahari Desert of South Africa. Scrounging for resources, competing for territory … heck, it almost sounds like journalism in the 21st century. Maybe I am kind of like a meerkat, after all? Looking around at the industry, it’s a similarly bleak picture. Newsrooms are smaller, and it seems like you can’t go online without seeing news of another round of mass layoffs, or of writers replaced with shoddy AI application.

Others can talk about these sweeping issues more eloquently than I, so I won’t harp on it. But a smaller staff means more bases to cover per individual, and it got me thinking of the many hats I’ve worn in my near-decade at Contemporary Media. There’s the writing and editing, of course. But I need to remind myself that there’s been event planning, billing, mailroom management, accounting, social media, web management, photography, and plenty of other professional responsibilities that I’ve either forgotten or repressed.

It’s left me with quite a messy head of hat hair. And in a less amusing way to put it, having your focus split in so many different directions all the time can make it feel like the walls are closing in. But that’s the nature of the industry today, if you want to stay competitive. And it makes me truly appreciative of all the behind-the-scenes hard work that every member of our team puts in every day.

But the thing about meerkats (yes, them again) is that they’re social creatures. And while companies calling their staff “families” makes me want to hurl, this job has let me make a lot of really cool friends and connections, ones who will let me off with a roll-of-the-eyes when I make my fifth lame joke of the day on Slack, or never complained when I crunched on wasabi peas for hours at our old Downtown office.

All this is to say that this meerkat will be leaving the manor, with February 16th as my last day at Contemporary Media. I’ll be embarking on a new professional adventure later this month, so if you’re one of the several people that enjoys my weird brand of writing, stay tuned. It still hasn’t sunk in that I’m leaving what has essentially been 100 percent of my professional career, but here we are. It will be strange not logging on to Slack to Shara Clark’s “Good morning, all!”, or Michael Donahue constantly reminding everyone that his birthday is coming up on February 1st even though it just happened two weeks ago. But what I really look forward to is picking up the Flyer every Wednesday morning as a fan. And not having to worry about fixing a dang thing.

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News News Blog News Feature

Lawmakers Hope Medicaid Dollars Can Ease Gun Violence With “Proactive Approach”

New federal Medicaid dollars may help Tennessee ease gun violence with a “proactive approach” sponsored by two state Democrats who say inaction by Republicans has been “shameful” and that the party is “scared of the [National Rifle Association].”

State Sen. London Lamar (D-Memphis) and Rep. Justin Jones (D-Nashville) filed legislation that could flow Medicaid dollars here for community violence intervention programs proposed by Preisdent Joe Biden in 2021. 

So far, seven states have received the funds, which require a match by states. The money is used to bolster existing programs that hope to stop gun violence well before someone picks up a firearm.    

“For example, violence interruption programs deploy trusted messengers to work directly with individuals most likely to commit gun violence, intervene in conflicts, and connect people to social and economic services to reduce the likelihood of gun violence as an answer,” reads a statement from the White House. “Hospital-based violence interventions engage people who have been shot while they are still in the hospital, connecting them to services to decrease the likelihood that they commit gun violence or are victimized in the future. Programs like these have reduced homicides by as much as 60 percent in areas where they are implemented.”

The bill from Lamar and Jones would authorize Tennessee Gov. Bill Lee to request the federal funding and the state matching funds. Then, TennCare officials would be responsible for identifying existing programs or creating new ones to use the funds. 

“This legislation represents an opportunity for us to try a more holistic approach to reducing gun violence — an approach that recognizes the effect issues, such as poverty, education and mental health, have on crime,” Jones said. “It is a vital step in expanding the funding and resources necessary to protect our communities.”

Both Lamar and Jones ripped Republicans for inaction on gun violence in Tennessee, pointing to few laws of substance passed on the issue in the wake of the Covenant School shooting last year. 

Since Republicans ended the legislative session last April, there have been 1,096 shootings — more than three per day — in Tennessee said Lamar, quoting facts from Tennessee Under the Gun, a data project from the Tennessee Senate Democrats. Since then, there have been 11 mass shootings where four or more people were shot, not including the shooter. Since the last sessions ended, 417 adults and 47 children were killed by gun violence in Tennessee. 

So far this year, there have been 114 shootings in Tennessee and one mass shooting, that of Courdarion Craft who killed one person and injured two others in a weekend crime spree here this past weekend.  

However, Lamar said data hasn’t changed the minds of Republicans who, ultimately, have the power to change gun violence in Tennessee. 

“There is nothing anybody can say to me that [can prove] Republicans have done what they’re supposed to do for the good of people,” Lamar said. “They are too scared of the NRA and gun lobbyists than they are of babies dying.”

“There is not another piece of data we can produce for them to change their minds. They actually know what the problem is. They’re making a conscious and deliberate decision not to do anything.”

Meanwhile, state Rep. Justin Pearson (D-Memphis) has introduced several bills to tamp gun violence in Tennessee. One bill would ban the manufacture of semi-automatic rifles in Tennessee. He also would ban the manufacture, transfer, or sale of magazine clips that hold more than 10 rounds of ammunition. He also wants to require anyone who has lost a gun to report the loss to state officials within 24 hours.

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News News Blog News Feature

Report: U of M Has Highest Title IX Complaints in State

The University of Memphis has the most Title IX complaints out of all state agencies in the state — almost three times the amount of other entities reporting.

The purpose of Title IX is to ban discrimination on the basis of sex for “any education program or activity receiving federal financial assistance.” This includes admission consideration, employment, as well as “treatment of students” and “access to programs and courses,” among other things. 

In 2023 the University of Memphis reported 125 Title IX complaints to the agency, according to a report from the Tennessee State Comptroller’s office. Other schools included in the report were  Austin Peay State University (21 incidents), East Tennessee State University (19 incidents), Tennessee State University (5 incidents), and the University of Tennessee (24).

While U of M reported the most complaints compared to other agencies, the 2023 numbers show a 3.2 percent decrease from the previous year (129.) This is the third year in a row that the university reported the most incidents.

The report does not say why the university has so many reports, or the nature of them. University officials refused to respond to questions about Title IX complaints, including the most basic descriptions of the types of incidents that cause complaints. They also would not say whether complaints were up because of increased knowledge of campus resources.

“The University of Memphis is committed to providing an environment free from discrimination on the basis of sex and provides many resources to students, faculty, and staff to address concerns relating to discrimination on the basis of sex, which includes sexual misconduct,” the university said in a statement.

When asked for public records pertaining to the Title IX complaints, the comptroller’s office recommended the university be reached for “any records related to the cumulative report.”

Students, staff, and faculty can file complaints through the university’s Office for Institutional Equity.

“It should be noted that a complainant has the right to the complaint being handled as confidentially as reasonably possible,” said the university. 

Morgan Linsy is a senior at the University of Memphis, and is the executive director of the Sexual Assault Prevention and Awareness Coalition (SAPAC). This organization partners with the Title IX office for events and training such as their Healthy Relationships Fair and “Walk A Mile In Her Shoes” men’s march.

Linsy said her organization is advocating for more transparency regarding Title IX so they can tailor programming and support to best meet the needs of students. She understands the university has to protect victims as she also serves as a mandatory reporter for the university.

“They come to us knowing that what happens is going to stay with us and I think sometimes seeing the numbers can be scary for some people,” Linsy said. “It’s important for us to know what those numbers are, but I think we also have to remember that there still is a certain level of privacy that they’re owed, because at the end of the day they don’t have to report; however, we want them to so we can help bring awareness and see how we can increase resources for students on campus.”

Linsy thinks that transparency in numbers and reporting is important campus-wide for current and prospective students as well.

“If we know what’s happening on campus, we’re more inclined to keep each other aware, keep each other accountable, and make sure we work together to help prevent it all together,” Linsy said.

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Beyond the Arc Sports

Grizzlies Fall to Pelicans

In their lowest-scoring game of the season, with a final score of 96-87, the Memphis Grizzlies extended their losing streak to a season-high nine games Monday night.

The Grizzlies were able to hold the Pelicans to just 35 points in the second half, but ultimately that would not be enough to overcome being down 25 points.

It was the final game of the season series, where the road team won all four meetings.

Free throws and offensive rebounds were a foreign concept to the Grizzlies in this matchup. Neither team had a particularly good night offensively, evident from the 24-point fourth quarter. That’s 24 total points, between both teams.

CJ McCollum #3 of New Orleans drives against Yuta Watanabe #18 of Memphis during the second half at FedEx Forum on February 12, 2024, in Memphis TN. (Wes Hale Photo)

We did see the return of an old friend, Yuta Watanabe, who spent his first two seasons in Memphis and was acquired last week by the Grizzlies from the Phoenix Suns in a three-team deal that sent David Roddy to the Suns and Royce O’Neale to the Nets. Watanabe scored 11 points in his first appearance back with the Grizzlies.

G.G. Jackson was unavailable Monday night, inactive due to an undisclosed violation of team rules.

Before the game, Vince Williams Jr. was named as an injury replacement for the 2024 Panini Rising Stars game as part of NBA All-Star Weekend. The emergence of Vince Williams Jr. has been one of the few bright spots in an otherwise disappointing season for the Grizzlies. He finished the night with 12 points, 3 rebounds, and a career-high 9 assists.

Power forward Lamar Stevens made his Grizzlies debut Monday night, the first game he has played for Memphis since being acquired from the Celtics in the deal that sent Xavier Tillman Sr. to Boston. Stevens put up 10 points, 7 rebounds, and 2 blocks against the Pelicans.

Jaren Jackson Jr. closed out the night with a game-high 22 points, 6 rebounds, and 3 assists.

Luke Kennard added 12 points, 3 rebounds, and 1 assist from the bench.

Who Got Next?

The Grizzlies will be at home for seven of their next eight games, starting with a Valentine’s Day matchup against the Houston Rockets Wednesday night. Tip-off is at 7 PM CST.

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We Saw You

WE SAW YOU: Works of Heart

Pinocchio (presumably) had a wooden heart. But so do the Works of Heart guests who went home with wooden hearts transformed into works of art.

The hearts were included in Memphis Child Advocacy Center’s annual silent auction, which was held February 10th at Memphis Botanic Garden.

Not all the “heartworks” were made of wood. When the event began years ago, artists were given wooden hearts to turn into inspired heart-themed creations. Later, the rules changed. Artists didn’t have to use the heart. They could use any type of medium.

A total of 111 artists — or “heart-ists” — took part in this year’s event, says the center’s communications and grants manager Beryl Wight.

Toonky Berry at Works of Heart (Credit: Michael Donahue)
Hallie and Marc Charney at Works of Heart (Credit: Michael Donahue)
Phyllis Boger at Works of Heart (Credit: Michael Donahue)
David Simmons at Works of Heart (Credit: Michael Donahue)
Ellen Cox at Works of Heart (Credit: Michael Donahue)
Sushma Konappa, Murray Riss, and Sheila Noone at Works of Heart (Credit: Michael Donahue)

In addition to the art, the party — just in time for Valentine’s Day — featured beer and wine as well as appetizers. Big Heart Lounge ticket holders had their own room, which featured a full bar, food, and music by Three Degrees: Rice Drewry, Donna Wolf, and Donna Staub.

Rice Drewry, Donna Staub, and Donna Wolf at Works of Heart (Credit: Michael Donahue)
Chris Blizzard at Works of Heart (Credit: Michael Donahue)
Richard and Susan Glassman at Works of Heart (Credit: Michael Donahue)
Jason and Wunita Spigner at Works of Heart (Credit: Michael Donahue)
Alice Higdon and Daniel Reid at Works of Heart (Credit: Michael Donahue)
Joe Birch and Memphis Child Advocacy Center executive director Virginia Stallworth at Works of Heart (Credit: Michael Donahue)

About 350 attended and $131,000 was raised, Wight says. “I think it definitely was a success. It was record breaking as far as the amount raised.”

What makes Works of Heart special? “The artists. They’re willing to donate their time and their talent. They don’t get any kind of percentage of the sales. They’re definitely the heart of the event. And they do it for the kids.”

As for the guests, Wight says, “They want to come partly because of the mission and partly because of the event. We have some really good artists that participate each year. I think those two things combined are really a draw for a lot of folks.”

According to its website, the mission of Memphis Child Advocacy Center is “to serve children who are victims of sexual and severe physical abuse through prevention education and intervention.”

Demetri Kampourogiannis and Jessica Van Eyck at Works of Heart (Credit: Michael Donahue)
Rick Bartl, Lucas Skinner, and Jacob Allen at Works of Heart (Credit: Michael Donahue)
Curtis Smith and Sky Hamilton at Works of Heart (Credit: Michael Donahue)
Joe Birch, Corian Love, and Toonky Berry at Works of Heart (Credit: Michael Donahue)
Nia Nguyen, Deirdre Oglesby, and Hannah Oglesby at Works of Heart (Credit: Michael Donahue)
Mike and Sharon Goldstein and Kristi Goldsmith and Mike Alabaster at Works of Heart (Credit: Michael Donahue)
Forrest and Amy Edwards at Works of Heart (Credit: Michael Donahue)
Nancy Hart and Joe and Robyn Birch at Works of Heart (Credit: Michael Donahue)
We Saw You
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We Recommend We Saw You

WE SAW YOU: Sweets and Spirits

I didn’t realize I wasn’t paying attention to the rules when I attended “Whiskey, Wine & Chocolates,” which was held February 9th at Memphis Botanic Garden.

I saw lots of little chocolate candies on a table, so I began eating one right after the other — to the alarm of one of the people standing at the table. She quickly let me know the chocolates were for people to pair with the particular alcoholic product at that designated tasting station.

Myra Gill and Leslie Vescovo at Whiskey, Wine & Chocolates (Credit: Michael Donahue)

For instance, guests at one table sampled a piece of chocolate, which was described on a sign at the station as roasted sweet potato & spices with milk Chocolate in a dark chocolate shell, with old fashioneds made with Mama Jean & Old Dominick Tennessee Whiskey.”

Or, they tried a white chocolate and French bleu cheese with a Savoy & Coppola Diamond Prosecco at another table.

That’s like one piece of chocolate per drink. Not six pieces or so like I was doing.

Deladra Brown and Trent Rice at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Lauren Dishmon and Darius Starks at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Mike and Jaimie Dutoit at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Jacquator and Jonathan Eversley at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Dana and Jonathan Maley at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Ethan Doyle and Mollie Stringer at Whiskey, Wine & Chocolates (Credit: Michael Donahue)

The chocolates were from Phillip Ashley Chocolates. Prior to the event’s 7 p.m. opening time, Phillip Ashley Rix, the company’s founder, CEO, and master chocolatier, conducted a VIP guided tasting experience.

About 350 people attended the annual near-Valentine’s Day event, says Memphis Botanic Garden director of marketing Olivia Wall. 

Anna and Jared Smith, Tony Brown and Kembree Darakshani, Aleisha and Justin Hunter, and Hollie and Brian Williams at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Chermaine and Montaurus Ross at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Brad and Gloria McCollum at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Jeanne Higbee and Zak Smith at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Melody and Joshua Smith at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Grayson Smith, Byron Davis, Janet Davis, Susan Peterson, and Andy Peterson at Whiskey, Wine & Spirits (Credit: Michael Donahue)

There were five pairing stations “plus the welcome cocktail,” Wall says. That was a drink called The Kiss, which was made with “Jim Beam, lemon juice, and amaretto.”

Wall was pleased with the event. “Overall, I think it was a great success,” she says, adding they were happy to be once again partnering with Rix as they have “for the past 10 years.”

“I think it’s a good, fun way to get out in February, whether just with your gal pals or a couple.”

From the “live music to the upscale drinks and chocolates,” Whiskey, Wine & Chocolates is “just a nice way to kind of indulge during the winter months.”

The Beale Street All Star Band was on hand for people to dance off any newly added-on chocolate calories.

All proceeds benefit the Memphis Botanic Garden.

The Beale Street All Star Band at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Peg Parish and Memphis Botanic Garden executive director Mike Allen and his wife, Christa, at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Zipporah and Andrew Chatman at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Thomas Williams and Justin Breaux at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Lee and Patsy Schulz at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Julian and Linda Prewitt at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Barbara Thompson and Joe Warren at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Evelyn Malone at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
Justin and Maya Tate at Whiskey, Wine & Chocolates (Credit: Michael Donahue)
We Saw You
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Film Features Film/TV

Music Video Monday: “Love Has Gone Away” by Switchblade Kid

Ahh, Valentine’s Day, that Hallmark holiday which celebrates love by rubbing it in singles’ faces. Midtown gloom-meister Harry Koniditsiotis understands your pain, and wants to help you. His new single with gothsemble Switchblade Kid is “more of an acceptance of a relationship’s end and moving on to better things.”

“Love Has Gone Away” boasts a subtly bumping beat to help you cry it out on the dance floor. “The video was filmed way back during lockdown as the album was being recorded,” says Koniditsiotis. “Surrounded by piles of dead leaves and flashing lights, the band looks like they are having a backyard Lynchian seance calling Laura Palmer in the Black Lodge”

If you’re over your heartbreak by April, Koniditsiotis invites you to Midtown Con, the annual comic/toy/record convention he throws, happening this year on April 27th at Black Lodge. “The Memphis one, not the one in Twin Peaks, sadly.”

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Beyond the Arc Sports Uncategorized

Grizzlies Lose Eighth Straight Game

As they entered the second night of a back-to-back, the Charlotte Hornets were riding a 10-game losing streak while the Memphis Grizzlies had lost seven in a row. One of those losing streaks came to an end on Saturday night as the Charlotte defeated Memphis, 115-106. 

The Grizzlies, losers of eight straight games, have the longest active losing streak in the association. Memphis is now 18-35 on the season. 

Jaren Jackson Jr. led the Grizzlies with 29 points, three rebounds, three assists, and two blocks. Jackson Jr. shot 52 percent (12-for-23) from the field and 56 percent (5-of-9) from three. It marks the 7th straight game he has scored 20 or more points which is a career-high. 

GG Jackson II had his two-way contract converted to a multi-year deal with the Grizzlies on February 8th. Against the Hornets, Jackson II had 16 points while shooting 50 percent from the field, plus two assists and two steals off the bench.

Vince Williams Jr. had 14 points, a team-high eight assists and two steals. In his last five games played Williams Jr. has averaged 15.6 points, 5.6 rebounds 5.4 assists, and 1.4 steals.

To round it out, Santi Aldama and Luke Kennard finished with 11 points each. Derrick Rose finished with 10 points, five assists, and four rebounds.  

Up Next 

The Grizzlies will have a three-game homestand before the All-Star break, starting on Monday night against the New Orleans Pelicans. 


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Film Features Film/TV

Clare Grant on Playing a Femme Fatale in “The Private Eye”

Film noir, as the crime pictures of the 1940s and 1950s came to be called, left a deep imprint on popular culture. Even if you haven’t seen The Maltese Falcon, Double Indemnity, or Out of the Past, you are probably a fan of something those films inspired, like True Detective. Classic film noir often revolved around a femme fatale, a sexy, duplicitous woman with an agenda of her own, often seen secretly pulling the strings of a twisted criminal conspiracy. Actresses like Jane Greer, Barbra Stanwyck, and Faye Dunaway have done their best work as femme fatales. That’s why Clare Grant was excited to play Michelle, the female lead in the new neo-noir film, The Private Eye.

Any good femme fatale has secrets, but Michelle’s duality goes deeper than most — and, as we eventually learn, isn’t entirely her fault. “I love film noir. It’s a huge reason why I was drawn to this role,” says Grant. “I love mysteries, and I really loved the dual reality that this character gets to live in this movie. It was a fun challenge for me as an actor to figure out which scene is which reality and how I would interact with my co-stars depending on which reality I’m in.” 

Grant is a native Memphian who was an early protege of director Craig Brewer, who cast her as the lead of his pioneering 2009 web series set in the Memphis music scene, $5 Cover. Since then, Grant moved to Los Angeles and married Seth Green, the Buffy The Vampire Slayer actor who went on the create the Adult Swim stop-motion series Robot Chicken. She created her own Team Unicorn troupe which created a series of pop culture spoofing videos, and she has appeared in numerous films, including the Memphis-made vampire epic Daylight Fades, Iron Man 2, Godzilla: King of the Monsters, and what she calls a “blink and you’ll miss it” bit part in Guardians of the Galaxy Vol. 3. She also voiced bounty hunter Latt Razzi in Star Wars: The Clone Wars, which fulfilled a lifelong goal for this self-professed geek girl. “I love those movies, and it’s so fun to be on sets of that size and just be able to be a part of that world. But my Star Wars credit is one of my favorite jobs I’ve ever had. I can’t believe I got to do that!” 

The Private Eye is an indie project directed by Jack Cook and starring comedian Matt Rife. “I’ve been friends with Matt Rife for about 10 years,” Grant says, “and once he got on board with the project, he basically just went out of his way to cast people that he was friends with, and knew would be right for the part.

“He pitched the movie to me, and at first I laughed at him because I was like, ‘Man, I can’t be your love interest in the movie! I’m too old for you. And then he pointed out that that’s kind of the point is that my character is … well, without giving too much away, it’s supposed to be a part for someone who can play both young and old.” 

 Rife, whose standup comedy tour will be coming to the Orpheum on February 16th, plays a down-on-his-luck private eye living a marginal existence in contemporary Los Angeles. He affects a fedora-wearing tough guy persona, complete with grizzled, cynical internal monologue, courtesy of veteran character actor Eric Roberts. Michelle comes into his life as a mysterious client who clearly knows more than she’s letting on, just as in any good film noir. 

Grant says Cook was the driving force behind the film. “This was his baby. This is his official directorial debut, and he was a lovely human. He had a really enthusiastic and passionate persona throughout the entire thing, and he was so open to collaboration — which I absolutely appreciate — while maintaining his point of view. I love it when directors have strong points of view, because I feel like directors with strong point of views make good movies. But he wasn’t so strong in his parameters that he alienated other opinions, and he was looking for collaboration. And as an artist, that’s such a wonderful thing to experience … I just focused on the material and tried not to let anything influence me as far as the performance went, but I definitely voiced my opinion on how I thought my character should be dressing and how her hair and makeup should be. I was very particular about wanting that to remain very noir, even in the moments in the film where it felt a little more current.” 

As you might expect from a film with Rife in the lead, The Private Eye does have some self-aware comedy elements. At the Los Angeles premiere, Grant says, “The crowd was rowdy and excited and laughed in all the right places — and laughed in places I didn’t expect anyone to laugh in! … It’s nice to have movies that don’t rely too much on CG and big set pieces and big explosions to get people to just sit in a seat and watch a good story. And this is just a good story with a lot of twists and some fun mystery. It’s an homage to classic movies, and it’s an opportunity to get back to the theater in a time where we’ve all spent so much time away.” 

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Memphis-Shelby County School Board Appoints New Superintendent

The Memphis-Shelby County Schools Board of Education will offer a superintendent contract to Marie Feagins, in a move that signals the end of an extensive search.

“Dr. Feagins emerged as the choice after a comprehensive search that included robust input from the community, parents, teachers, and staff,” the district said in a statement. “Through community meetings, listening sessions, and candidate visits, the board learned of Dr. Feagins’ deep understanding of urban education, commitment to equity, and academic vision for MSCS.”

School officials said Feagins has a deep understanding for the city and county as well as an “understanding of urban education successes and opportunities.”

Feagins is now the chief of leadership and high schools for Detroit Public Schools. She received her doctorate of education in educational leadership from Samford University, an education specialist/master of education in school counseling degree from the University of West Alabama, a bachelor of science in business administration from the University of Alabama, and a certificate in education finance from Georgetown University.

The board search was narrowed to Feagins, Yolanda Brown, and Cheryl Proctor. Toni Williams has served as interim superintendent since August 2022 after Joris Ray resigned amid scandal.