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Fly On The Wall Blog Opinion

No Next Day Election Results For Gannett Newspapers

If there was ever a news item worthy of the “Dammit Gannett” tab, it’s this. Via The Nashville Scene:

“Editors at the [Gannett] chain’s papers around the country were informed two weeks ago that deadlines for the print edition could not be extended in order to cover elections. As a result, Wednesday’s editions of The Tennessean, Commercial Appeal and Knoxville News-Sentinel will not have final results for some of the most closely contested statewide races in years.”

Justin Fox Burks

“We do not believe print is a vehicle for breaking news,” Tennessean vice president   and editor Michael Anastasi was quoted as saying.

Anastasi’s not wrong, of course. Broadcast and online media do have advantages when it comes to live and breaking news. How that absolves daily print editions from obligations to print subscribers and expectations of  mere currency remains a mystery.

Folks who pay for paper say it with me now: Dammit!

UPDATE: NiemanLab weighs in:

“Conceptually, the push to separate print — “not a vehicle for breaking news,” that Gannett memo notes — from digital makes a certain sense, of course. And not adding any extra pages of newsprint for election results does save money. (“As you plan for print, please remember that we have tight controls on newsprint costs,” says the memo. “Any pages added need to be ‘made up’ by the end of the year preferably in November.”)

At the same time, it is those incredibly loyal print readers — the ones who have stood by newspaper companies through cut after cut in staff and in the product — who will now see that loyalty tested, again. Gannett, like a number of other newspaper companies, has more than a third of its print subscribers ages 70 or above in many markets. Most read in print; digital is a second and lesser option. (E-edition readers, who essentially get the print paper in digital form, will also be impacted by this decision.) Those subscribers, at Gannett and elsewhere, have seen their subscription rates hiked again and again, raised to the very limits of econometric modeling.”

Ken Doctor’s column notes that, in an effort to push more readers online Gannett is dropping its paywalls for 48 hours, enabling anyone with internet access to read Gannett’s election coverage. It’s a good read that takes a hard look at recent economic and subscriber history.

“What those numbers tell us is that that road to a mostly/fully digital future gets narrower month by month. Digital subscriptions — which sell at much lower prices than print ones, though with lower marginal costs — are gaining ground much too slowly. Given the combination of higher prices, a lesser product, and even increasingly erratic home delivery, print subscribers may provide less of a lifeline to the digital future than Gannett and other publishers now assume in their whiteboard calculations.”

Read it all here.

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News News Blog

U of M Wins $5M contract for Aquifer Research

USGS

Groundwater discharge from an aquifer test at the Tennessee Valley Authority Allen Combined Cycle Plant in October.

University of Memphis researchers will examine water quality issues related to the Memphis Sand Aquifer over the next five years with a new $5 million contract from Memphis Light, Gas & Water (MLGW).

A U of M news release says MLGW “has grown increasingly concerned over water quality impacts to our sole source of drinking water, the Memphis aquifer. Above the Memphis Aquifer is a protective clay layer which shields our drinking water from pollution, but gaps, or ‘breaches’ in the clay have been discovered.”

Corey Owens/Greater Memphis Chamber

A diagram shows the layer of aquifers underneath Memphis.

The contract will go, specifically, to the university’s Center for Applied Earth Science and Engineering Research (CAESER). That group will be tasked “with finding more breaches in our clay layer, subsurface mapping of the aquifer, and determining how water use patterns impact groundwater contamination around the breaches. These gaps in the clay layer exist naturally and cannot be filled due to their size and depth below ground.”

“These breaches pose a risk to the excellent water quality of the Memphis aquifer whereby contaminants are able to bypass the protective nature of the confining clay and enter the aquifer,” said Dr. Brian Waldron, director of CAESER. “Over the next five years, we will bring the brightest student minds from around the world to the University of Memphis to tackle the problems we face.”

U of M’s Scott Schoefernacker

The $5-million contact and university dollars will allow CAESER to support at least 30 graduate students to investigate breaches within the MLGW water service area The grant does not cover Germantown, Cordova, Collierville, or Bartlett, although the breaches could continue into those service areas. CAESER hopes to “expand current contracts to address the issues.”

The new contact is thanks, largely, to a Memphis-City-Council-approved water rate hike of 1.05 percent on MLGW bills, which comes out to roughly 18 cents per month.  

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Film/TV Film/TV/Etc. Blog

Indie Memphis 2018 Friday: MIA, Diana Ross, and Negro Terror

After a gala opening at the Halloran Centre Thursday night, Indie Memphis moves to Overton Square on Friday. The schedule is packed with great stuff beyond what I could fit into this week’s cover story about the festival. 

Madeline’s Madeline (1:10 PM, Studio on the Square) is an acclaimed, visually inventive film by director Josephine Decker, who won the Craig Brewer Emerging Filmmaker Award at Indie Memphis 2014.

Indie Memphis 2018 Friday: MIA, Diana Ross, and Negro Terror

She began as a refugee from Sri Lanka, and ended up playing on the world’s biggest stages. Matangi/Maya/MIA (3:40, Studio On The Square) is a documentary about the fascinating life of political dance pop musician M.I.A.

Indie Memphis 2018 Friday: MIA, Diana Ross, and Negro Terror (2)

The festival’s first world premiere is Diego Llorente’s Entrialgo, a beautiful vérité documentary about life in rural Spain.

Entrialgo || trailer from diego llorente on Vimeo.

Indie Memphis 2018 Friday: MIA, Diana Ross, and Negro Terror (3)

The second world premiere of the day is Shoot The Moon Right Between The Eyes (6:30, Studio on the Square). It’s a musical by Austin, Texas director Graham L. Carter that sets the music of John Prine amidst a story of a pair of small-time grifters who meet their match in a strong willed widow. It’s inventive, heartfelt, and a little rough around the edges, which is totally appropriate for a film that takes inspiration from Prine’s lyrics.

Shoot The Moon Right Between The Eyes [Official Trailer] from Graham L. Carter on Vimeo.

Indie Memphis 2018 Friday: MIA, Diana Ross, and Negro Terror (4)

At 6:30 at Playhouse on the Square, the Hometowner Documentary Shorts bloc features films from Memphis artists, including Lauren Ready, Jason Allen Lee, and Klari Farzley. Best of Enemies director Robert Gordon and producer Kim Bledsoe Lloyd’s film “Ginning Cotton at the Dockery” tracks down the men and women who worked at the last functioning cotton plantation in Mississippi. Memphis musician Robbie Grant makes his directorial debut with “Ben Siler Gives Ben Siler Advice,” in which Memphis filmmaker and Flyer film contributor Ben Siler meets a younger Memphian named Ben Siler and tells him how the world works. It pretty much does what it says on the box, in two hilariously depressing minutes.

At 9:10, there’s a genuine only-at-Indie Memphis moment. Mahogany is a 1975 star vehicle for Diana Ross, directed by Motown impresario Berry Gordy (and a couple of ringers). Also featuring a smoking turn from Billy Dee Williams in his prime, and a smash hit number one song from Ross as a theme, it’s a 70s classic. To illustrate the depth of the Mahogany cult, the film will be proceeded by “Mahogany Too,, a short film shot on Super 8 by Nigerian filmmaker Akosua Adoma Owusu that is a lighting retelling of Ross’ film, featuring Nollywood star Esosa E.

Indie Memphis 2018 Friday: MIA, Diana Ross, and Negro Terror (5)

At 9:10 on the big stage at Playhouse On The Square, an experimental documentary about Memphis’ most radical band makes its world premiere. In Negro Terror, director John Rash maintains a light touch, focusing on the sights and sounds of the hardcore punk band’s legendary stage show, and the words of the band’s three very different members, led by Omar Higgins, an anarchist Hari Krishna devotee who is a longtime member of Skinheads Against Racial Prejudice (SHARP). In what is definitely a first for Indie Memphis and probably a first for just about anywhere, the band will provide a live soundtrack for the film about them as it premieres.

Categories
Music Music Blog

The Dreamers’ Field Chronicles Hopeful Band, Premieres at Indie Memphis 2018

Noam Stolerman

The Field People

Israeli band the Field People, a rock-and-roll three-piece made up of Aviv Lavi, Yogev Hiller and Evyatar Baumer, never got a break back home, so they moved to London to pursue a dream. It was as much about freedom as about music. Their name even pokes a bit of fun at their humble origins: “The Field People,” as in farm boys straight outta the kibbutz. The Field People found, if not fame, then at least a more welcoming reception in London, and a month after they landed, fellow Israeli artist and former classmate and then-film student Noam Stolerman joined the trio to record their progress. Whether they made it big or collapsed under the weight of their hopes and expectations, Stolerman would be there to get it all on tape. Stolerman’s chronicle of his friends’ shot at stardom became The Dreamers’ Field, screening Sunday, November 4th, and Thursday, November 8th at Indie Memphis Film Festival.

“In Israel, you get the feeling that everyone who doesn’t come from Tel Aviv comes from
a really small town,” Stolerman says. “The main reason I wanted to make this film is that these guys feel like they don’t belong. And everybody gets that feeling sometimes.” Stolerman says he felt simpatico with the Field People. He understood the desire to be bigger than one’s origins, to dream a way out of their current circumstances. But, unlike his musically inclined friends, Stolerman says he lacked the courage to pack it all up and just go. That is, until the Field People gave him a reason to throw caution to the wind. “I’m going to go with these guys and live their dream,” Stolerman says. If they succeeded, well, maybe that meant he could as well. If not, then at least he would be there to capture the experience.

“I know one of them from high school. He’s a really good friend,” Stolerman says of his
longtime friend and Field People drummer Aviv Lavi. Stolerman says he remembers Lavi talking rapturously about his band, almost the way a soon-to-be-betrothed man might talk about the woman of his dreams. Stolerman remembers Lavi saying, “This is it. This is the one. This could be my big break and my ticket out of the kibbutz and out of Israel.” And that sentiment may be the key to understanding both the Field People and The Dreamers’ Field. Both the band and the film about them are products of a desire for something more, a hope for escape from the everyday.

“This is not a film about music; this is a film about people,” Stolerman says, laughing as
he admits that even he falls into the trap of calling his character-driven documentary a
rockumentary. “They used music as a form of escape. [They’re like] lost souls. Sure, the music brought them together, but if it wasn’t music, it would have been something else.” Stolerman remembers feeling alienated, even while attending the Minshar Film School in Tel Aviv. The longing for something more, perhaps the most universal of feelings, propelled first the Field People and then Stolerman almost 5,000 miles from home. With challenges and uncertainty as their only guarantees, they took the leap. And there were certainly challenges.

“I had an incident with the police in London,” Stolerman says, laughing. The director was
filming without a permit in the London Underground when he was detained by the police. He describes being held for an uncomfortable amount of time, being questioned, and finally being released on the condition that he would never film in the Tube again. The director returned later that day to finish filming the scene. Stolerman shot almost the entire film himself, and did most of the editing. With almost no funding and only himself to rely on, every hour of footage was valuable. “It’s the most indie, guerrilla film making you can imagine,” Stolerman says, describing a ’70s punk ethos, where attitude and heart are valued over technical proficiency. That attitude is equally descriptive of both the film itself and the band. “I saw people say, ‘This is not that good. They’re not great musicians, but they have heart.’”

And speaking of heart: “The heart of the film lies in the second half,” Stolerman says.
“They’re starting to lose their way, and they’re having a really hard time living with it.”
Stolerman, who faced financial and legal challenges as well as the challenges inherent in being separated from his family for so long, remembers asking himself, “Why am I holding this camera? Who’s going to watch this?” But Stolerman’s fears were for naught. In addition to two showings at Indie Memphis 2018, The Dreamers’ Field was selected for a screening earlier this year at Solo Positivo Film Festival in Šibenik, Croatia. Stolerman, whose short film “Yehoshua” has also been shown in international film festivals, is building his own field of dreams — a little bit at a time and through sheer force of will.

The Dreamers’ Field screens as part of Indie Memphis Film Festival, with its U.S. premiere, with director Noam Stolerman in attendance, at Studio on the Square, Sunday, November 4th, with an encore presentation at Ridgeway Cinema Grill, Thursday, November 8th, at 6:30 p.m.

Categories
Politics Politics Beat Blog

Bredesen Says Senate Race is “Knife Edge” Affair, Takes Election Commission to Task

JB

Speaking to supporters at Railgarden, former Governor Phil Bredesen appeals for a good turnout at the polls. 9th District Congressman Steve Cohen (l) was one of several Democratic officials attending the Thursday lunch, which was hosted by Shelby County Mayor Lee Harris.

With only days to go before final votes are cast on November 6, former Governor Phil Bredesen made it clear that he is counting on a good turnout in Shelby County to bolster his bid for the U.S. Senate seat being vacated by incumbent Republican Bob Corker.

Bredesen, the Democratic nominee, is opposed by Republican nominee Marsha Blackburn, currently the U.S. Representative of Tennessee’s 7th congressional district. Speaking at a luncheon at Railgarden, he said he thought there were enough Democrats, independents, and independent-minded Republicans in Shelby County to help him across the finish line, but “it really is about turnout.”

But it wasn’t just the numbers and availability of voters that he considered important. Asked about various charges and counter-charges involving the Shelby County Election Commission, Bredesen seconded in general the concerns expressed by local Democrats.

“I do think that the Shelby County Election Commission, from what I’ve seen, needs to gets its act together here, and I hope they can put some time and energy to it by next Tuesday,” said Bredesen, who continued without referring to specific controversies. “There have been some issues coming up that don’t exist in other places. I think they should make sure that everybody who is supposed to vote gets to vote and the results are put out in a timely fashion without politics going on. They’re certainly capable of doing that.”

The former Governor said that, as he had anticipated, “the election is very close, on the knife edge, and I think — I certainly hope — I’m on the right side of the edge.”

Bredesen went light on specific issues, though he mentioned health care as a problem transcending ideological positions. “Social Security and Medicare are not Democratic laws. They are American laws,” he said.

As he has stated in his previous public statements and in ads on his behalf, Bredesen made it clear that he intended to avoid taking purely partisan positions, either in his campaign or in office if elected. “I still have this high-school civics view of our government,” he said. “The job of leadership is not to divide each other, but to find common ground.”

Making a point of lamenting the attack-ad nature of the Senate contest and other campaigns these days, he said, “I hate what is going on. It‘s not what the founders intended.” He defended both his recent statement that he would have voted to confirm President Trump’s nominee, Brett Kavanaugh, for the Supreme Court, and a TV ad in which he suggested working closely with the President, “a skilled negotiator,” to bring down drug prices.

“I think people across the spectrum do not want people of one party or another,” he said.
“I believe fundamentally in working together.”

Categories
News News Blog

Ed Helms Joins Fight to Save Instant Runoff Voting

Ed Helms Joins Fight to Save Instant Runoff Voting

Actor and comedian Ed Helms jumped into the Memphis election fray with a video criticizing local politicians for trying to eliminate instant runoff voting.  

Oscar winner Jennifer Lawrence appeared in a similar video last month.

Here’s what the local Save Instant Runoff Voting said about the Helms video:

“Ed Helms, comedian and actor, borrows the voice of Memphians who support voting against all the November (referendums).

“With just five days to go, we’re in a race to stop the city council from tricking voters into undoing the will of the people. We already passed Instant Runoff Voting, and this is our chance to stop politicians from overturning the voters.”

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Intermission Impossible Theater

Nightmare Before Christmas: Tennessee Shakespeare Closes Macbeth

Tennessee Shakespeare Company

Michael Khanlarian (Banquo), Paul Kiernan (Macbeth), and the Witches. Through Nov. 4.

Hard as it may seem to believe, winter is coming. It won’t be long before area playhouses roll out stock scenery and turn their attention to holiday favorites. Theatre Memphis opens The 25th Putnam County Spelling Bee this weekend. And there are still a few more opportunities to catch Agatha Christie’s enduring mystery The Mousetrap at Germantown Community Theatre. But if there’s anybody out there who’s not quite ready to put Halloween away just yet,Tennessee Shakespeare Company performs Macbeth through November 4th.

Shakespeare’s witchy meditation on ambition and evil is directed by TSC’s founder Dan McCleary and performed by a company of nine actors. How dark do things get? Here’s what McCleary had to say via the TSC website:

“The witches are our masked Chorus, and a sacrifice is offered to cleanse a world of crimes against humanity. The sacrifice is a man who Shakespeare clearly defines as noble, generous, un-ambitious, indecisive, overly kind, incapable of lying with skill, morally incapable of imagining his own corruption or wrong-doing, courageous, patriotic, regretful, and a good husband and friend. Macbeth is the best of us. What is horrific is that we might be able to explain how he becomes the very worst of us.”

 

Very scary.

Thursday night’s performance is Free Will Kids night. That means up to 4 kids (17 or under) are admitted with one paid adult ticket. 

Tennessee Shakespeare follows Macbeth with a  large cast production of  As You Like It Nov. 29-Dec. 6

General Admission tickets are $39. Performances are Thursday-Saturday at 7 p.m., and Sunday at 3 p.m.

Categories
News News Blog

Memphis Pets of the Week (Nov. 1-7)

Each week, the Flyer will feature adoptable dogs and cats from Memphis Animal Services. All photos are credited to Memphis Pets Alive. More pictures can be found on the Memphis Pets Alive Facebook page.

[slideshow-1]

Categories
News News Blog

UPDATED: TVA Meeting to Focus on Coal Ash Ponds

A coal ash pond at TVA’s Allen Fossil Plant.

UPDATE: Scott Banbury, Conservation Programs Coordinator for the Tennessee Chapter of the Sierra Club, said little notice was given about Thursday’s Tennessee Valley Authority (TVA) meeting and “the public was given no opportunity to express themselves.”

Here’s his statement in full:

“TVA seems to believe that this state ordered Environmental Investigation Plan is somehow separate from the state-ordered Remedial Investigation plan in regards to the arsenic and other pollutants that are leaking from their ash ponds and potentially threatening the Memphis Sand Aquifer.

They (TVA) are working on a new (National Environmental Policy Act) Environmental Impact Statement (that I thought would be discussed tonight, but wasn’t), where in they will propose digging up and re-interring (shipping elsewhere) all of the ash in the east pond (and maybe the west pond) that might pose a risk to our drinking water, but they (TVA) have gone out of their way to keep these things separate and leave it to us (Sierra and Protect Our Aquifer) to make the connections between the different ‘studies’ underway.

This is inherently unfair as neither the Sierra Club, nor Protect Our Aquifer, has the staff to match TVA in this regard. TVA has multiple public relations professionals and other staff to work these topics, while Sierra and Protect Our Aquifer have only me and (Protect Our Aquifer president Ward Archer).

The public was given no opportunity to express themselves. There was little to no public notice about the meeting. The only public notice was put out by Sierra and Protect Our Aquifer.”

ORIGINAL POST: The Tennessee Valley Authority (TVA) will host an open-house-style meeting Thursday evening so the public can view and comment on an upcoming environmental investigation of the utility’s coal ash ponds here.

For years, TVA burned coal to fire at the now-shuttered Allen Fossil Plant, the city’s energy source. Ash from that coal was stored in two ponds at the Allen site.

In 2014, the federal Environmental Protection Agency (EPA) made new rules on the safe disposal of coal ash, from coal-fired power plants. In 2015, the Tennessee Department of Environment and Conservation (TDEC) enforced the federal rule here, mandating a review of TVA’s coal ash ponds at seven sites across the state.

TVA will review its plan for the Allen site with the public on Thursday evening.

Scott Brooks, a TVA spokesman, talked to us about what people can expect at the meeting (and what they shouldn’t expect). He also talked about three different environmental testing processes happening at the Allen site now. — Toby Sells

Scott Brooks: We have three operating processes that either are or soon will be going on out at (the site of the Tennessee Valley Authority’s Allen Fossil Plant).

What will be covered in the meeting is an environmental investigation plan (EIP), which is basically a brand new process that we’re doing at seven of our coal sites in Tennessee under a (Tennessee Department of Environment and Conversation, TDEC) order.

That includes two sites where we don’t even have plants anymore. At John Sevier and Watts Barr, we’ve torn those plants down, but we still store coal ash on those sites. 

This order from TDEC is a very comprehensive investigation we’re going to be doing at all seven sites.

Allen will be the seventh of seven open houses. This is the last one.

Memphis Flyer: When did TDEC make the order?

SB: 2015. It was essentially their enforcement of the (Disposals of of Coal Combustion Residuals) rule.

What we’re going to be looking at is the potential impacts and risks of CCR — coal combustion residuals — at all seven of those sites, including Allen. The investigation is going to be very comprehensive.

It’ll include everything from groundwater, to bugs, and fish, and getting a good solid characteristic of the coal ash out there. How much is there? Is it, indeed, confined to where we think and expect that it will be? Basically, we’ll be letting science give us answers to a lot of the speculation and rhetoric that’s been out there for our coal operations for years.

MF: Interest in the coal ash ponds here at Allen is really heightened by the discovery of toxins close to one of them and the potential for those toxins to leak into the Memphis Sand Aquifer.

SB: We have three separate processes [going on at the Allen site]. One is this environmental investigation.

The second is…what are we going to do about the arsenic? We have a very good idea now about the characteristics of where and how deep and where that arsenic contamination is. So, now TDEC just has to give us approval for how they want us to remove it.

That’s separate from (the public open house on Thursday evening). That will be coming, hopefully, in short order. That’ll involve some kind of removal. It could be pump and treat; that’s one option. But that’s in TDEC’s hand right now. There will be a board (Thursday) night explaining where that process is.

The third is…what do we do with the coal ash? We’ll be doing a separate NEPA (National Environmental Policy Act) process, which is looking at the potential environmental impacts of all of the options over there. The main ones being, closure in place, closure by removal, and no action. When you’re doing NEPA, “no action” is usually your baseline. If we do nothing, here’s what could happen or won’t happen.

So, we’ll be looking at both the east and west ash ponds and the chemical pond out there for (closure by) removal is or (closure) in place. That’ll kick off…the date’s been a little fluid but it should start in the next month or two. Again, that will be a public process. We’ll put something out there on looking at the options and getting feedback all along that process.

MF: What else?

SB: The way this meeting will be set up and the way the other six have operated is that it’s an open-house format. That means no presentation, no microphone. You walk around and we’ll have about three dozen posters and experts who can speak to every part of the EIP and the process.

The posters will include what we’ve already done and what we’re proposing to do. Again, there will be about three dozens of them with experts on hand to answer questions. It’s more of an informal conversation format. That’s why we’re calling it an open house.

MF: So, it won’t really be a time for citizens to stand up and voice their opinions in a public meeting format.

SB: We do want to know what people think. But what we need is for it to be captured in writing. They can do that at the meeting or they can do that right now online. On TVA’s website, there’s a TDEC order page with all the comment periods that are still open. On Allen, the public comments period started I think on October 15th was the open date for 45 days.

They can go online right now and view the draft EIP as well. It’s not necessarily light reading. It’s meant to be very comprehensive and very detailed. Again, we want science to tell the story at all seven of the sites in Tennessee.

What will come out of this is, after the comment period, TDEC will take those comments and see if anything needs to be tweaked in the proposed plan and, then, they’ll give us a final version. Then, they’ll say “start your work.” There will be about an 18-month testing investigation process where we’ll put all the wells in we need to put in and do the sampling we need to do. A lot of the sampling will be done multiple times so that you catch seasonal changes and weather changes and things like that.

After the 18-month period, there will be another comment period. Once all the results are in and if something needs to be corrected, then the public has an opportunity to weigh in whatever that correction looks like.

Categories
News News Blog

Lyft to Provide Free, Discounted Rides on Election Day

Lyft


Lyft will offer free and discounted to the polls on Election Day, Tuesday, November 6th in Memphis and across the country.

“At Lyft, we’re working to improve lives by connecting people and their communities through the world’s best transportation,” the company states on its website. “This Election Day, we want to help people across America exercise their right to vote.”

In 2016, more than 15 million people were registered to vote, but didn’t because of transportation issues, according to a study done by the Center for Information and Research on Civic Learning & Engagement. Another study done by the Pew Research Center showed that almost half of nonvoters lived in low-income, under-served neighborhoods.

For this reason, Lyft is offering riders a 50 percent discount, up to $5 for rides to the polls. In partnership with Vote Latino, Faith in Action, League of Women Voters, and other nonprofits, the company will provide free rides in under-resourced areas.

The promo code for the Election Day discount can be found on Buzzfeed.

In preparation for Election Day, Lyft also plans to:

• Remind Lyft passengers about voter registration deadlines using various social media and platform tools

• Give drivers voter registration handouts and key voter information at Lyft hub locations

• Offer in-office voter registration for employees at our offices

• Offer comprehensive, online voter information through our partner organizations

• Encourage the community to make a plan in advance for Election Day, which has a proven impact on voter turnout rates