In writing class, they teach about the different kinds of conflicts a story can center around. Person vs. person is the most common, but there’s also person vs. self, person vs. fate, and person vs. society. Person vs. nature (formerly known as “man vs. nature”) is not nearly as common as it was a hundred years ago, back in the days of frontier and jungle adventure magazines. That’s one of the reasons the sci-fi animated series Scavengers Reign is so refreshing. Its take on the classic story of a shipwrecked crew struggling to survive in a hostile wilderness is simple at first, but becomes more fascinating as complexities emerge. In fact, “emerging complexity” is one of the overarching themes of the 12-episode story. Creators Joseph Bennett and Charles Huettner are fascinated with the interplay of life-forms, both cooperation and conflict, which create a functioning ecosystem. The world they have created is unlike anything you’ve seen.
Scavengers Reign begins with its castaways, survivors from the crew of the cargo ship Demeter 227, already stranded on the planet Vesta. Azi (voiced by Wunmi Mosaku), the capable quartermaster, is paired with her robot Levi (Alia Shawkat). Their escape pod landed safely on open ground, and Azi uses an omniwheel motorcycle to scout the surrounding terrain. When Levi starts acting odd, Azi discovers that a fungus-like alien life-form has been growing on the robot’s circuitry — and the robot likes it.
Ursula (Sunita Mani), a biologist, was in the escape pod with Sam (Bob Stephenson), the captain of the Demeter. Their landing was a little rougher, but they have managed to salvage enough gear to communicate with the fatally damaged ship still in orbit. In the pilot episode, “The Signal,” the pair travel to retrieve a battery from another crashed escape pod. Once they get there, they see that the crew have all been killed by some unknown environmental hazard, which they then have to face. But that’s business as usual on this planet.
The occupant of the third escape pod has it the worst. It landed in a tree-like plant hundreds of feet tall, and Kamen (Ted Travelstead) has been trapped inside for weeks. He is finally rescued (if you want to call it that) by a creature he names Hollow. Imagine a cross between a platypus and a koala bear with psychic powers which it uses to dominate other life-forms. Instead of making little green tripod-thingies bring them yummy berry-like spheres, Hollow latches onto the human and demands Kamen hunt for him. In Kamen’s mind, it speaks to him in the form of Fiona (also voiced by Alia Shawkat), Demeter’s robotics engineer. Hollow uses Kamen’s guilt over their dysfunctional relationship against him, and his already fragile psyche slowly crumbles.
Sam and Ursula succeed in contacting the ship, and they manage to activate the automatic landing sequence. At first, they’re worried it might land on top of them. Then they discover they didn’t get that lucky. The Demeter lands many kilometers away from all three parties. The first half of the story is taken up with their increasingly frantic and costly attempts to make it to the ship. Once there, they will find that this world has even more surprises in store. As the show progresses, flashbacks start to fill in the details of how they got here, and who they were before they were lost in space and written off by their employers.
Anime’s dominant visual style has become so pervasive that I hear stories from art teachers about begging their young students to try to draw something else. Scavengers Reign owes a debt to Miyazaki’s sense of grandeur and deliberate pacing, and Akira’s pervasive body horror. But Bennett and Huettner’s aesthetic is more like the French illustrator Moebius. The world of Vesta is endlessly complex, with many animals and plants living in such close symbiosis that it’s hard to tell where one ends and the other begins. Our heroes are constantly dodging predators, both animals and plants. But many of their interactions with the native flora and fauna aren’t so cut and dried. When Ursula is trapped inside a living wall of thorns, Sam freaks out. But Ursula insists she was never in danger, and in fact might have even been communicating with the giant plant-like organism. What were they saying? She doesn’t know. But as the story progresses, the survivors slowly learn to stop trying to conquer nature, and start trying to live in harmony with it. That’s what makes this beautiful and thought-provoking show such a treasure.
Scavengers Reign is streaming on Netflix.
