Categories
Opinion The Last Word

Gen X Marks the Spot

I am a Gen Xer. I’m neither proud of that nor defensive about it. It just happens to have been when I was born. I remember a time when AIDS was called GRID. Heck, I remember when Ayds was a chocolate diet pill. I remember when Tab used to have saccharin, Madonna had talent, Bob Geldof wasn’t a knight, and rock stars didn’t brag about sobriety. I was fully present for the Iran Hostage Crisis, the energy crisis, Gulf War One and Gulf War Two: Electric Boogaloo, and the L.A. riots.

And YET, many of my contemporaries seem to think we grew up next to Beaver Cleaver with mom in the kitchen, dad smoking away in his Packard, and a kooky neighbor who called kids scamps.

What happened here? True fact: Nine out of 10 Facebookers aged 40-55 will begin at least one post with, “Back in my day … ” Back in my day what? You had to walk to the video store instead of watching Netflix? Your choices of yogurt were either strawberry or blueberry? Your cellphone was the size of a suitcase?

According to every other post on Facebook, my generation never played in our school clothes, never interrupted adults, roamed the neighborhood like packs of wolves (okay, that one has merit), minded our P’s and Q’s, always did our homework neatly and promptly, and emptied chamber pots without being asked.

Raluca Tudor | Dreamstime.com

What fresh hell is that? Is the secondhand smoke finally kicking in? Is aspartame really killing our memory? We were the first latchkey generation. Our moms weren’t home baking cakes. They were out working to afford Guess jeans and Esprit sweatshirts for us. We grew up in cities, not Mayberry. We sprayed our hair stiff with Aqua Net, wore shoulder pads that made us look like the Razorback defensive line, and snuck our parents’ Winstons and Riunite Lambrusco. We played soccer, not kick the can. Get a grip, people. We had video games. We were the first gamers! We also had VCRs (except for that one family who had Betamax) and home computers.

What has happened here? Are we that frightened of our present we need to create a past which never existed for us except in reruns we watched on cable while we stuffed our faces with pizza rolls? JUST LIKE OUR KIDS DO NOW? I get that each generation wants to play Shut Up, You’ve Got It So Good You Just Don’t Know.

You know who got to play that game? My granny who was born in the 19th century. Not even my granny. Her youngest sister, who was the one who had to carry the lantern to light the way to the outhouse for all her older siblings. My grandfather who grew up in Hot Coffee, Mississippi, during the Depression and ate so much poke he had to dip rags in coal oil and tie them around his ankles to keep the cutworms from eating him. HE could play that game. What’s the worst thing we say to our kids? Back in my day, you had to get up to change the channel? HORRORS. As a friend said, nostalgia is a big fat liar.

It’s scary out there. I think as we get older and things get weirder, we want something familiar to hang on to. Because the thing is, now we have all the weirdness shoved in our faces through E!, Twitter, and CNN. The National Enquirer is downright quaint. The Dowager Countess asked Robert if he was in his pajamas when he showed up for dinner in one of those newfangled tuxedos. And Robert couldn’t fathom getting Rose — that crazy flapper — a wireless.

It’s this idea that the good old days were really good. I don’t want to go back to no air conditioning, no birth control pill, and separate but equal. It isn’t that I want to ignore history — quite the opposite. I don’t want to look at it through gauze and a haze of Giorgio. Besides, it seems very middle-aged to go all cranky neighbor on kids these days and their hippity-hop music and their bra straps showing. Things, by the way, my generation created. I suppose that since we didn’t have the early lives we wanted, we’ve recreated them through annoying memes. We went Walter Mitty on our past.

Now, we’re not as bad as Boomers. You guys are the WORST. Apparently, you weren’t out inventing AIDS and the Internet. No, you were slamming screen doors, baking pies, collecting snails, and generally not doing anything that contributed to global warming. You were all peace and love and pot rather than Reaganomics and Enron. Get a grip. There’s an app for that. I said, THERE’S AN APP FOR THAT. NO, NOT LIKE AN APPETIZER, MOM! I kid.

But really, you guys are the worst.

Susan Wilson also writes for likethedew.com and yeahandanotherthing.com. While not Memphis natives, she and her husband Chuck Elliott have lived here long enough to know Midtown does not start at Highland.

Categories
Letter From The Editor Opinion

The Ebola “Crisis” Isn’t.

“He sounds kinda gay,” I said to my art director.

It was 1985. I was a young magazine editor living in Pittsburgh. I’d just gotten off the phone with a freelance writer who I’d agreed to meet for lunch. I was a liberal-thinking sort of fellow. I had no problem with gay people, though I didn’t know many back then.

“Lewis” and I had agreed to meet at a small restaurant near my office. It was a quiet place, perfect for conversation. I got there first.

Five minutes later, the front door burst open and a tall, thin, animated man came in and surveyed the room. He was wearing a beret and a long black coat. Around his neck was a six-foot-long scarf of many colors. He spotted me across the room and began to work his way through tables of diners, tossing his scarf over his shoulder as he approached. “THERE YOU ARE!” he boomed. “I’m SORRY I’m late! I’ve been running NIPPLES TO THE WIND all day, and I just can’t seem to catch up.” Heads turned, eyes rolled.

It was a hell of an entrance, and it led to a great friendship. I thought about Lewis again this week, as I read the latest fear-mongering news reports about the Ebola “epidemic.” Through my friendship with Lewis, I saw the horrific effects — second-hand, admittedly — of a real epidemic: AIDS. And there is no comparison.

In the 1980s, getting AIDS was a death sentence. And we had a president who didn’t even utter the name of the disease until five years after it had killed tens of thousands of Americans. I watched Lewis undergo the terrifying ritual of getting “the test,” going to the doctor to find out if he would live or die. He was negative, thankfully, but many of his friends were not. Most of them didn’t live more than a year or so. It was a dark and scary time.

Children who were HIV positive were turned away from school. Doctors who treated AIDS patients were shunned. Gay men were treated as pariahs. It took years for Americans to learn to deal with the epidemic in a rational manner. In the U.S. alone, 636,000 people have died from AIDS. World-wide, the death toll is 37 million, and the disease continues to kill. That’s an epidemic.

Ebola is a horrific disease with a 30 percent survival rate. It is ravaging three African countries with sub-standard medical and health facilities. We should be doing all we can to help stop the spread of the disease. But medical experts in the U.S. have assured us repeatedly that we are in no danger of an epidemic here. There have been four cases in the U.S. One person has died. Can we stop with the absurd over-reaction, please?

And can we please stop using the Ebola “crisis” for political gain? (Actually, I suspect much of the furor about Ebola will subside after the November 4th election. Which is a sad commentary, indeed, on the state of our electoral process.)

Yes, Ebola is scary, but we need to get a grip. Those of us of a certain age can remember what a real epidemic looks like. And this ain’t it. Not even close.

Categories
Film Features Film/TV

Test

On Thursday, September 11th, Outflix 2014 closes with Test, the second feature from San Francisco writer/director Chris Mason Johnson. In 2014, 30 years into the AIDS epidemic, the disease has been demystified. Even if it’s not curable, there are reasonably effective treatments available, and the cause and methods of prevention are well known. But, as Test reminds us, the world of 1985 was very different. The disease had only been described in the scientific literature in 1981, and when it burst into public consciousness it caused a wave of anti-gay hysteria.

Frankie (Scott Marlowe) is a struggling gay dancer who lives in San Francisco at the height of the AIDS panic. Since there was much early confusion as to how the disease was spread, homosexuals had yet another stigma to deal with. Frankie’s neighbors who know he is gay give him a wide berth on the street. At rehearsals, straight dancers are afraid to come into contact with the sweat of gay dancers. Headlines ask, “Should Gays Be Quarantined?” Among Frankie’s gay friends, there is confusion and suspicion. Some, like Bill (Kevin Clark), Frankie’s fellow dancer, carry on as usual, even hustling on the side to make ends meet. But Frankie, like most people, is confused and scared. His feelings become even more complicated when he strikes up a relationship with his neighbor Walt (Kristoffer Cusick), and when the first HIV blood test becomes available, he is torn between the impulse to be safe and the horror that he might receive a death sentence.

Test

Test is at its best when director Johnson goes atmospheric, such as the exceptionally photographed and choreographed dance sequences. Marlowe is an excellent dancer and fine, square-jawed eye candy. Scenes when he strolls pensively through the San Francisco streets listening to ’80s gems by Bronski Beat, Laurie Anderson, and Memphis’ own Calculated X, work great to set the mood of paranoia and uncertainty. But the first-time actor’s stiffness becomes apparent in scenes with people with more extensive resumes, such as his forays into San Francisco’s legendary gay bar scene. But overall, the film’s combination of backstage drama and history lesson makes for a compelling package.

Categories
News

AIDS Memorial Quilt To Be Displayed

A portion of the massive AIDS Memorial Quilt will make a one-day appearance in Memphis on Saturday, December 1st in honor of World AIDS Day.

Twenty twelve-foot-by-twelve-foot blocks from the colorful quilt will be shown at Rhodes College. Established in 1987, the NAMES project Foundation designed the 50-ton quilt. Over 40,000 blocks memorialize someone who has died from AIDS.

Blocks contain items that once belonged to victims, such as car keys, motorcycle jackets, love letters, flip-flops, merit badges, stuffed animals, and wedding rings.

Information booths and free HIV testing stations will be set up from noon to 4 p.m. at the event.

Also, Planned Parenthood of the Greater Memphis Region will offer free HIV testing at the Orange Mound Community Center on Friday, November 30th from 11 a.m. to 3 p.m.

For more on the quilt, go here.

Or for more on World AIDS Day, go here.