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Bluff City Love

The early days of 2023 brought more chilly winds and snowfall to the streets of Memphis. But as our teeth chattered and the thermostats dropped, we searched the city for the couples, the lovers, and the romantics who took a unique approach to their relationships, whether it was a chance encounter at Applebee’s or a simmering seven-year passion. With Valentine’s Day on the horizon, read on for three uplifting tales of love that could melt an icy Poplar and thaw even the most frozen of hearts.

Marcella Simien and Dustin Reynolds (Photo: Justin Fox Burks)

Marcella Simien and Dustin Reynolds

A lot of locals know singer/songwriter Marcella Simien’s story, including her roots in Mallet, Louisiana. “There’s a church and grocery store, and that’s about it,” she told us last year. “That’s where my grandparents’ home is and where my dad grew up. The Simien family’s ancestry goes back hundreds of years there.” But Simien arrived in Memphis to study art and play the music she’s now celebrated for here. And not long after that, her current romance began — sort of.

“I met Dustin way back in 2012, when I was 20 and he was 36 at the time,” she laughs.

“Nope!” interjects Dustin Reynolds, recalling that time and his reluctance to take things further then. After leaving his native Oklahoma City for Austin, he wound up in New Orleans, which in turn led him to tour with Jack Oblivian and Harlan T. Bobo. “After that I was like, ‘That’s it. These are my dudes. I’m just going to be full-time Memphis.’ And everybody here was like, ‘So you’re from New Orleans! You’ve got to meet Marcella!’ I’d heard of Terrance [Simien] in New Orleans, just because he would play Jazz Fest a lot. I knew his name. So I met 20-year-old Marcella, and I thought she was charming and beautiful, but she needed to ripen on the vine. A little too young!”

“And a little too wild!” interjects Marcella. “So we kind of got our ya ya’s out, and then reconnected when we were a little more calm.” The singer has a gift for understatement: Getting their ya ya’s out actually took a full seven years.

“So I moved home to Oklahoma City for a while, got my shit together, saved some money,” Dustin explains. Meanwhile, the connection they’d felt stayed with both of them.

“I had kind of a crush on him when we met in 2012, but we just had a couple conversations and that was about it,” Marcella says of their first encounter. “He was only in Memphis for a short time that year. Then in 2019, I reached out to him. I really wanted to see him. During that seven-year span, he was kind of in the back of my mind. Like he’d pop up in my mind and I’d think about him sometimes and wonder how he was doing and what he was up to. Those thoughts became so strong that the day after New Year’s 2020, I drove up to Oklahoma City to visit him. And stayed for the weekend, and when it was time for me to leave, we didn’t want to be apart, so he drove his car back to Memphis with me! And he said he was just going to stay a few days —”

Dustin lets out a big laugh, then Marcella continues, “And we didn’t want to be apart, so he just stayed!”

Looking back now, they feel they had two things going for them: their shared love of music and the weeks of lockdown due to Covid. The latter turned out to be a plus, romantically speaking. “It was actually kind of the perfect way to dive in,” reflects Marcella. “It’s sink or swim, and you’re either going to go so well together that you can tolerate and handle each other and know when to give each other space, or not. It’s the fast track to developing a relationship, and I think it strengthened our first year together. We wouldn’t be where we are without that constant time.”

They also made plenty of music during that time, including a single they just dropped, a cover of Johnny Thunders’ “I’m a Boy, I’m a Girl.” And making beautiful music together clearly makes their bond ever stronger, as becomes clear when, at the close of our interview, Marcella lets out: “We just got engaged in August!” — Alex Greene

Regis and Ashley Eleby (Photo: Justin Fox Burks)

Regis and Ashley Eleby

Twenty-four years ago, 19-year-old Regis Eleby’s grandma spotted a hiring sign at the Applebee’s on Union while they were out for lunch after church. She urged him to apply, so he did. Soon, he was hired as an expeditor in the kitchen. “And that’s how it happened,” Regis recalls. That’s how he met Ashley.

Prior to meeting Regis, Ashley had been working at the Applebee’s for a year or so as a hostess. “I was quiet,” she says. “I saw him, but I just thought he was the new guy. He was very loud. Seriously. His job was to call the waiters to come get their food when it was ready in the kitchen and literally I could hear him when I was at the front door at the hostess station.”

Yet, as Ashley and Regis say, opposites attract. Plus, it didn’t hurt that Regis found her cute. But their differences, they soon realized, complemented one another. “I think we’ve kind of rubbed off some on each other,” Ashley says.

“I balance her out, with her coming out a little bit more,” Regis says. “And she actually showed me ways and times when I need to pull back just a little bit. … She has taught me just generally in life, there’s a give and take.”

“Once we really got to know each other,” Ashley adds, “it was like we were different, but we were somehow the same. We realized that [we shared] a lot of experiences from growing up. … We both had our grandparents kinda heavily in our life. I lived with my grandparents and my mom, and he stayed with his grandparents, too. And so I think a lot of the traditional things that we saw growing up just kind of attracted us to each other ’cause it was so familiar.

“Like even I tell [Regis] — him and my grandfather share the same birthday — but I think sometimes the longer we had been together, I realized that they were so much alike. So it was kind of familiar in that way. It was just like some things felt too easy to not be real.”

And things have remained easy for the two, even through difficult times. “With us being together forever,” Regis says, “we’ve gone and grown through normal things in life with each other — setbacks and celebrations. We’ve done that with each other over all of this time.

“And, like, when we got married [in 2018], it was not a formal thing, but kind of more like a celebration ’cause everybody was constantly asking us for the longest time, ‘When y’all getting married?’ Imagine hearing that for 20-something-plus years from everybody’s family and everybody you know.”

“We’ve pretty much grown up together,” Ashley adds. “You change as a person, personalities and sometimes expectations change. If you don’t recognize that, that’s where the ripples come from. At times we’ve gone through that and had our ups and downs. And in those times we have realized that maybe this is just us from being together so long, changing and growing, so we gotta switch it up and figure out how to settle things.”

Still, the two have found fun in growing together, raising their dog Ro, traveling, embracing being homebodies, and, after their days at Applebee’s, embarking on different careers: Regis as a lead department manager at Floor & Decor, and Ashley a case manager at Regional One Health Medical Center. Through it all, laughter remains at the core of everything they do, whether that’s speaking in obscure movie quotes or gifting each other with gag gifts.

“I think anybody else would probably get sick of us,” Ashley says. “But at times where things just get rough and you wanna cry, we find something funny out of it, so I think it definitely eases a lot of the conflict. We gotta laugh.”

As the couple reflects on their 24 years together, from rocking baggy jeans to rocking gray hair and back problems, they look forward to the future and growing older together. “We just talk about [the past] and look at what we’ve been through and realize how that is helping us to focus on the future of what’s coming and just to be ready,” Regis says. “Ready to tackle and handle whatever comes.” — Abigail Morici

Alex da Ponte and Karen Mulford (Photo: Justin Fox Burks)

Alex da Ponte and Karen Mulford

Alex da Ponte and Karen Mulford’s meet-cute wasn’t ushered in by a car ride from Chicago to New York or a summer romance set at the beach. Believe it or not, their relationship started with a slap.

Alex — a local musician — and Karen met at Ardent Studios, where a music video was being filmed.

“Karen was the star of it,” Alex explains. “She was having to slap people across the face to the beat of a song.”

Alex explains that as someone was running around Ardent Studios looking for other volunteers to be slapped, she was doing vocals for another project, and eventually became lucky enough to be slapped by Karen.

“Literally the first time I met her, she slapped me across the face,” Alex says.

After a few conversations, Karen says she thought Alex was cute and remembers reaching out to Alex to see if she was playing anywhere.

“I ended up going to one of her shows at the ‘old-old’ Hi Tone,” explains Karen. “That’s kind of how we got to talking and kind of started to get to know each other a little bit better.”

“In true lesbian fashion, we moved in fairly quickly,” says Alex. “I think we knew when we had gotten through the whole summer and we were still wanting to be around each other all the time.”

April will mark 10 years since they’ve been together, and it also marks their seventh wedding anniversary. And a lot has changed since the couple first crossed paths in 2012, including welcoming a child through IVF. While parenting has changed their lives, there has been a defining characteristic of their relationship that they say has stayed true: silliness. Alex explains that it’s something they both share, and something that keeps things fun.

Becoming parents has also provided an opportunity for the two to learn more about each other, and how to balance each other out with their strengths.

“It’s been funny to see both of us coming on this journey from completely different sides of the coin,” Alex says.

Alex grew up as the middle child of five, while Karen grew up as the “baby of the family.”

“I’ve learned a lot about parenthood through her,” Karen says. “The first diaper I’ve ever changed was my son’s diaper, and I was like 35. So seeing how she is with other kids, with our son, she’s just really good at just setting boundaries and sticking to them, and it being consistent.

“We have different strengths in that arena for sure,” she continues. “Swooping in when we see the other one needs to switch out. It’s been a good experience.”

Karen points to tasks outside of parenting, such as housework, that they’re able to level each other out with. Alex also shares that while she has been able to teach Karen about parenting, she’s been able to learn more about authenticity.

“I think she helped me get more comfortable with being sincere and genuine,” says Alex. “I’m much more guarded in general, and I think I was more so, before Karen, very guarded, less open. I feel like I’ve become more open.”

They’ve been able to help strengthen each other in areas that they may lack, but they also emphasize how the little things make a big difference.

“If I get anxiety over calling the doctor, she’ll just do it for me. Always. It’s just something that she takes care of. And vice versa. It’s lots of little things like that where it’s like, ‘I got you,’ or ‘I’m here for you,’” Karen says.

Those little things are actually key in a successful relationship, Karen says.

“You never feel like you’re going to have to face something alone, for one. You’ve always got your teammate, your partner, but also if it’s something that you can’t handle then you know the other one is there,” Alex adds.

“It’s a tag-team effort.”

This is also a result of time, which the couple agrees has made their relationship stronger. Karen says that in the beginning they weren’t used to each other’s quirks and rhythms. But as they continue to get to know each other, it becomes so much easier. — Kailynn Johnson 

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Music Music Features

The Words Come First

It’s no easy thing to pin down something as mercurial as a memory, as fleeting as a feeling, with nothing more than mere words. But to singer/songwriter Alex da Ponte, such an act comes naturally. Da Ponte is a poet’s songwriter, as evidenced by her recently released single, “The Revolution,” recorded at Pete Matthews’ and Toby Vest’s High/Low studio.

Da Ponte was surrounded by music and storytelling from an early age. There was always a piano around the house, and her family members are no strangers to singing as a means of passing the time. In fact, her great-great-grandfather was Lorenzo da Ponte, librettist for Mozart, who wrote the words to Mozart’s operas. So her felicity with a turn of phrase comes as no surprise. “I’ve written songs in a lot of different ways but it always turns out best when the lyrics come first and I put guitar to it later. I’m a writer before I’m a musician,” da Ponte says. “Writing, by blood, is my strong suit, I think.”

The songwriter has done the work of self-discovery, both as an artist and an individual, and her lyrics resonate with the hard-won wisdom of a gentle soul. As an out member of the LGBT community in the South, da Ponte’s journey toward embracing herself is one that has not always been met with approval. “I’ve always hated the idea of perpetuating the ideology that these things are abnormal because they’re not,” da Ponte says. “We are here. We have always been. I hope that as a gay artist my openness is one account of many that allows a more human view of people and relationships. Something for people to connect with and come together over.”

Perhaps that’s why so much of da Ponte’s work feels anthemic. She knows something as natural as expressing love can be deemed a dangerous act. So her songs become a rallying cry for everyone brave enough to live in love, to show up for family when life gets messy, to be their truest selves.

Still, for da Ponte, openness has not always been easy. She found out earlier this year that she is autistic. “Finding that out was really incredibly helpful. Like finding out that I have a place in the world and in that place everything about me that was so bizarre or unusual suddenly makes sense,” da Ponte says. “There’s this new culture where people are embracing their otherness and ironically this is bringing people together and closing these gaps. I absolutely want to be a part of that movement.” She aspires to make music that people can relate to while also being a voice for lesser-heard groups.

“There were so many times when the merch table after a show was flooded with people who were touched by my lyrics and they wanted to connect with me as a person and I couldn’t give them that. That’s where my autism hurt me,” da Ponte says. “A big part of being successful in this industry is being able to cultivate a following and build relationships. So I felt I really held back, and at the time I didn’t know why. Now I know why. The diagnosis has allowed me grace with myself but it has also given me a better understanding of myself and the ways in which connection is possible.”

If da Ponte seems driven to accomplish much — self-examination, deeper connections, musical maturity and meaningfulness — she has her reasons. For a young artist, she has had more than her fair share of close brushes with death. Her younger brother died almost exactly a month before her son was born. “It was such an intense experience to watch my child be born and go home with a newborn all while in the thick of grief,” she remembers.

The singer’s late brother has inspired several songs. His voice and his laugh are even memorialized on “That Sibling Song” from da Ponte’s third album. She strove to capture her family’s passion for music in song, so she invited her family members to come sing on her album. “At the very end of this track you can hear my little brother say, ‘We’re related to Alex da Ponte. She’s aight,’ and then laugh. Had to incorporate him in some way. Any excuse to hear his voice. Part of grief, for me, has meant finding ways to keep him alive. Now he’ll forever be chuckling at the end of one of my songs and I love that.”

As da Ponte puts it, the songs keep coming still, but the songwriter confesses that she has held back some of herself in the past, stopped just shy of giving her all to her musical career. That’s why these days she’s throwing herself into her craft. Galvanized by the knowledge that life offers no guarantees of second chances, made self-assured by newfound knowledge of herself, da Ponte is devoting herself to her music, without excuses or inhibitions. Da Ponte has been hard at work on new songs — “Dead Horses” and “The Revolution” — and has resumed rehearsals with her bandmates Joe Austin and Kevin Carroll, after a pandemic-induced hiatus.

“I know real magic can happen if you stay open,” da Ponte says. “I can’t wake up 20 years from now wondering ‘What if?’ So this is it. I’m going all in.”

Alex da Ponte’s “The Revolution” is available on all the usual streaming services.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Alex da Ponte

Today on Music Video Monday, we’ve got a world premiere from Alex Da Ponte.

For her new song “Work To Do”, da Ponte tapped Ryan Earl Parker to direct a unique music video. “It was all shot in one take, so we had to rehearse and really nail it. I loved that challenge. Ryan was so wonderful to work with. He came up with the concept for the video after really listening to the song. It was so clear that he really understood what I was trying to convey. He was also really encouraging and receptive to my suggestions. And it’s always a pleasure getting to work with my best pal, Breezy [Lucia], who was the producer and AC for the shoot. I’ve said this before and I’ll say it again, she is THE golden crew member for projects that come through Memphis. It was a really great team that Ryan and Breezy assembled for this. For a song that’s as personal as this one for me, I felt truly comfortable having it in their hands and I think that says a lot.”

Music Video Monday: Alex da Ponte

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com.

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Alex da Ponte’s This Is Ours

Jamie Harmon

Alex da Ponte


After making her start with indie band Yeah, Arturo, Memphis-based songwriter Alex da Ponte released her first solo album, Nightmares, in 2012. Since then, she has remained an active member of the Memphis music scene, releasing new albums every few years, like clockwork. She released her newest album, This Is Ours, recorded at High/Low Recording with Toby Vest and Pete Matthews, in July of 2019.

Memphis Flyer: You’ve been active in the Memphis music scene — and pretty regularly releasing new music — for a while. Has your relationship to making music changed over time?

Alex da Ponte: It’s still so bizarre to me that I’ve been here in Memphis making music for 13 years and playing shows for 11. My first show was at the old Galloway Church in Cooper-Young in 2008. It was so shaky and uncertain. I talked too much between songs. It’s so hard for me to be vulnerable, it still is, but I stood up there with my band because I had these songs and the songs just kept coming. I just reached a point where I didn’t know what else to do. It felt like a waste to just keep them to myself. That much hasn’t changed. The songs continue to come. I love to sing and I love to write so I’ve found myself in this sort of permanent-yet-casual relationship with making records.

The new album’s opening feels very cinematic to me. There’s space in the arrangements on “Girls,” and I can visualize the scene – the road, the “feet on the ground.” Is that what you wanted?

“Girls” was inspired by the HBO series Girls. I started the song as a letter to creator/actress Lena Dunham, but I address her by her character’s name, Hannah. I was a fan of the show and happened to catch an interview where she answered questions about being a female in the industry. It was easy to see the parallels between her personal life and the show she’d created. She inspired a lot of people and this was all in the midst of a very political climate, when Hilary [Clinton] was running for president, a topic the interview also touched on. So, the song ended up being, for me, a very political statement.

What was it like working with Krista Lynne on Jana Misener? They’re some talented players.

Krista and Jana are wonderful. So easy to work with, obviously super-talented and really kind people. They came in and took the song “Work to Do” to another level. This is another example of Memphis at its finest. Look how much talent is in our area. I wanted to bring as much of that together as possible.

To me, “Work to Do” is a particularly mature song. Even as you say “you’ve got work to do,” there seems to be an understanding there that suggests a more nuanced emotion than you get in most pop songs. I think the switch to first person at the end really underscores that.

Yeah, “Work to Do” is such a raw song for me. My little brother died a couple years ago, just a month shy of my son — my first child — being born. That was a whirlwind time — emotions all over the place, as you can imagine. It was such an intense experience to watch my child be born and go home with a newborn all while in the thick of grief. So, the song, too, is both sad and really full of hope.


Your father, siblings, and nephew contributed to “Sibling Song.” What was it like working with family? Had you done that before?

I’ve never been able to pull my family into the studio before, but I’ve always wanted to. After so much tragedy in our lives I finally thought, “What am I waiting for?” So, we made it happen.

My parents and my older sister in particular have really great voices. My mom’s mom sang opera and my dad’s mom has always sung in her church choir. It really was such a special moment having them come in and sing on this song.

And at the very end of this track you can hear my little brother say, “We’re related to Alex da Ponte. She’s aight,” and then laugh. Had to incorporate him in someway. Any excuse to hear his voice. Part of grief, for me, has meant finding ways to keep him alive. Now he’ll forever be chuckling at the end of one of my songs, and I love that.

Is that your nephew on the cover of the album?

That’s my son, Oz, on the album cover with me and my wife, Karen. My best friend, a transplant from Missouri who has become a Memphis staple in the local film scene, Breezy Lucia was the photographer.

Is music a big part of your family life?

It is. When my dad’s side of the family gathers we end up singing a lot or sharing music we like. Sometimes it’ll just be my dad, his sister and his mom singing harmonies a cappella while the rest of us sit and swoon.

Breezy Lucia

Alex da Ponte


I really like the tone of the record, “Memphis” in particular. There’s a very Memphis inflection to the sound, but it’s subtle. Clean guitars, tight rhythm section, a little bit of shuffle to the drums. How much of that influence is Toby and Pete?

Oh, man, Toby and Pete. That duo. I did my very first record with them back when High/Low Recording was on Cleveland, near the Crosstown Concourse. And Pete was in my band for a long time.

I have so much love and admiration for them and what they bring to the projects they work on. My songs just don’t feel complete until they’ve had their hands on it. Sincerely. I’ve learned so much from Pete in particular. He has had such an impact on me as a musician. Forever my stage brother and wise Yoda mentor.

You co-produced the record, right? Can you tell me a little about that?

I have accidentally co-produced every record I’ve done. I’m very hands on, and I always have a vision of how I want things to be. I know what kind of sound and vibe I’m going for. I’m so lucky to work with producers who are so open and even encouraging to spit-balling ideas together. That’s another thing that I learned from Pete — you put ego aside and do what’s best for the song.

Talk a little about that “we got a fire inside us” line. What does that mean in relation to being a Memphian to you?

In high school, I hated it here. I thought I needed to move to a bigger city to be able to thrive but then I found myself in Midtown and making connections with so many like-minded people. Dreamers that were making things happen. Small business owners like Kat who owns Muddy’s Bakeshop, the Choose 901 crew, Outdoors, Inc., where I worked for a few years. Everybody was doing something. It was and is so inspiring.

Now, I feel like I’m an advocate for this place. I’m in love with it. When we did the music video for this song, I wanted to hit some of these places that inspire me and help make this city the place I love so we filmed a bit at the new indoor skatepark over on Broad called Society and the climbing gym that opened up in Soulsville called Memphis Rox.

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Can you tell me a little about your songwriting process?

I’ve written songs in a lot of different ways, but it always turns out best when the lyrics come first and I put guitar to it later. I’m a writer before I’m a musician. In fact, my great-great-grandfather was Lorenzo da Ponte, librettist for Mozart. He wrote the words to Mozart’s operas. Writing, by blood, is my strong suit I think.

I think you have a real flair for telling stories. What are some of your influences?

My greatest influence is writer John Fante. Hands down. I’ve read everything he’s ever written, and the influence has permeated my entire being. Musically, though, there’s a band called Shovels & Rope that swept me off my feet about seven years ago at the Hi Tone. I’ve never seen a cooler couple. They give 110 percent every performance. Worth checking out if you haven’t already. Their latest song “Mississippi Nuthin'” is one of my very favorites.

Are there any concerts coming up or anything else I should promote?

We don’t have anything booked at the moment but we do have a music video out for the song “Memphis” that we’d love for people to check out. Also, all the songs are on Spotify, iTunes, and Apple Music.

Is there anything else you want to talk about?

I’d like to mention my band boys. Kris Acklen played bass (and some keys) for me on this record. He has been really fun to work with. Joe Austin is my go-to guy now days. Amazing guitarist. Added a lot of cool lead guitar stuff that totally makes the songs shine. And Mark Petty II played drums. You’ve probably seen Mark in the Smiths cover band around town. They are super tight. I was very lucky they all signed onto this project. I hope to keep them around!

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Alex da Ponte

Perpetual Motion

Cute kids and X-treme rollerblading!

Skate into Music Video Monday!

Singer/songwriter Alex da Ponte took some time off to start a family. Now she’s back with a new album This Is Ours. The first video from the album is for the song “Memphis”. This ode to her hometown is directed by Noah Glenn of Perpetual Motion studios. Hit the skatepark and cross the river with Alex and her cute kiddo. 

Music Video Monday: Alex da Ponte

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Music Music Features

Sing with All Your Heart

With her debut album Nightmares, Alex da Ponte crafted vengeful songs that were angry and incredibly personal. On her new album All My Heart, da Ponte enlisted an all-star cast of Memphis musicians to create a different kind of personal album, one filled with hope and self-realization. We caught up with da Ponte to find out more about All My Heart before her release show this Sunday at the Young Avenue Deli. –Chris Shaw

Flyer: Who was involved in the recording of your new album, All My Heart?

Alex da Ponte: I’ve been working with guitarist Robby Davis for years — he’s an incredible guitar player that plays all over town. Rick (Steff) and Roy (Berry) from Lucero play on the record, along with Geoff Smith from Star & Micey. It was recorded at Music + Arts studio in Midtown, the building that Archer Records and Blue Barrel Records are run out of.

How would you say All My Heart is different from your first album, Nightmares?

It’s definitely less angry. There are songs that are filled with hope and songs that build up with emotions other than anger. There might still be some anger, but there’s more going on than just that. You can tell that I’m in a different place in my life than I was when I recorded Nightmares. My music is always going to be a reflection of what’s going on in my life. Even if you just look at the covers for the two albums, Nightmares has a really dark, black and white cover, whereas this cover is filled with color.

Who did the artwork for All My Heart?

My partner and fiancée Karen Mulford, which I feel is very fitting. She’s the reason the album has a bunch of color and isn’t all black and white, because I’m in a better place now, and she’s a big part of that. The songs about her on the album are probably the happiest ones. She’s a big reason this album was a much happier one in general.

Have you been working with the same musicians since you wrote Nightmares?

Well, not really. When Nightmares came out, I formed a band and played with them for about three years, but that band dispersed, and the only person I stayed with was Robby Davis, so I had to basically start from scratch. Luckily the Memphis music scene is very supportive, so people would be like “Oh, you need a drummer? Try this person.” I can tell the difference between when my last band played a song like “Nevermind” compared to when my new band plays it, because different musicians change the tone of a song. It’s still the same song obviously, but you can hear the subtle changes where a new musician’s influence comes in.

Let’s talk about your song “Tell All Your Friends.” It seems like a classic breakup song. Is that accurate?

Yeah, it definitely is. Who hasn’t had that experience of hearing trash from other people about yourself? It ties into the last record, when I went through this terrible breakup, and you can still hear some of that in this new record because of how much it affected my life. This song is a great example of how that experience is still working its way out of me.

Do you think the songs on this new album have as strong of an overall theme as your first album?

Not really. The last one had such a strong theme that I wanted to move a little bit away from that and work on this album piece by piece. I was writing the songs at different times, and it was actually nice to concentrate on this project song by song, because with the first record, I felt so intense that I spit out all of these hateful songs, where as this time I was inspired by all sorts of different things.

When Paste premiered your video for “Nevermind,” they compared you to Jenny Lewis and Karen O. Who are some other singers or bands that influenced you that your listeners might not expect?

I was listening to a lot of Shovels & Rope when I was writing the song “Come on, Boy,” and I think that ended up making me write in a different way, even if it’s not that noticeable. I also love Brandi Carlile, and I got back into the bands that I really liked in high school, even middle school. I got back into Eve 6, Nirvana, Gin Blossoms, and the Goo Goo Dolls. I loved all that kind of stuff, even bands like the Shins. There’s a lot of stuff that worked its way in there.

Let’s talk about your new video for “Nevermind.” How did you link up with Laura Jean Hocking?

The people who run Blue Barrel Records suggested Laura Jean, and she came in with this idea to model the video after this movie from the ’70s. It was really cool to watch her work and be able to work with another Memphis artist, and we were able to work through her vision together. It’s really nice that we are all coming from a similar creative community. Memphis is exploding right now, and it’s really cool to have all of these people around you who are willing to help.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Alex da Ponte

Today’s Music Video Monday is going straight to the top! 

Our first video offering of the new year is a gem from Memphis singer/songwriter Alex da Ponte. Director Laura Jean Hocking based this video on Hotel Monterey, a 1972 feature film by Belgian experimental filmmaker Chantel Ackerman. Shot in Downtown’s historic Shrine Building, the video depicts da Ponte’s songwriting process as a vertical journey from the lobby to the roof. 

Music Video Monday: Alex da Ponte

If you’d like to get in on some of this sweet Music Video Monday action, email cmccoy@memphisflyer.com.