Alix Brown is no stranger to Memphis Flyer readers, who likely recall this 2019 profile of her work as a DJ in New York. Even before then, she was a player as well, lending bass to a Jay Reatard track and recording with bands like Golden Triangle. And she was also branching out into film-music supervision.
Since 2016, she’s been playing in a combo that combines a bit of both. Daisy Glaze, her duo with guitarist Louis Epstein (HITS, Jump Into the Gospel) that often performs live as a five-piece, brings a dark cinematic sweep to their songscapes, full of reverb-drenched guitars, atmospheric lyrics and somber melodies. And they’ve been productive, with their third single and video, “Ghost of Elvis Presley,” going live today, just ahead of Friday’s release of their eponymous debut LP on The Sound of Sinners label.
The video brings Brown’s Memphis ties to the fore, having been shot in some of this city’s most iconic locations, with a noirish twist.
Directed by Michele Civetta (The Gateway, Agony), who has helmed music videos for Lou Reed and Sean Lennon, among others, much of the video was filmed at the Arcade Restaurant. Other segments shot at the historic Molly Fontaine Lounge feature a guest appearance by producer Lawrence “Boo” Mitchell of Royal Studios.
Photographer Jamie Harmon was on hand as the musicians and crew shot the video over the weekend of January 22-23, offering a rare glimpse into the making of a video with rather cinematic ambitions. In some particularly striking scenes, the duo catch glimpses of themselves as elderly Arcade workers, serving coffee in a kind of all-night diner purgatory. Look for some familiar Memphis faces like Stevan Lazich and Mitchell in these revelatory shots.
Stevan Lazich 
Director
Michele Civetta
Boo Mitchell tickles the ivories 
Filming Daisy Glaze’s “Ghost of Elvis Presley” in Memphis (Credit: Jamie Harmon)
Despite taking their name from a Big Star song, Daisy Glaze is not so much power pop as what they call a “psych-outlaw sound.” The dank atmospherics come courtesy of producer Peter Kember, aka Sonic Boom, who gained prominence as a member of Spacemen 3 and has distinguished himself as a solo artist and producer since the 1990s. He’s clearly in tune with the Memphis scene, having produced MGMT’s Congratulations and the under-recognized synthetic cult classic, An Arabesque by Cloudland Canyon. Daisy Glaze, who already considered Kember “an outsized influence on their sound and songwriting,” recorded their debut at his studio in Portugal in 2019.
Kristin Gallegos 
