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Opinion The Last Word

This Time It’s Personal

Yesterday, my wife and I took my infant son to his one-month pediatric checkup appointment. He got a glowing report from his wonderful doctor, but a month ago, that outcome was anything but certain.

Some 20 or so hours into my brave wife’s labor, the hospital staff realized that our son was having serious and potentially deadly fluctuations with his heart rate. They tried every intervention possible while I ran through the pain-coping techniques I had learned in our birthing classes.

Suddenly, there were at least half a dozen medical professionals in the room. They stopped explaining what they were doing, but their eyes told me everything I needed to know. My brave wife, whose birth plan had changed three times in a handful of hours, was rushed to an emergency “crash” C-section while a nurse took me to get into scrubs. The time apart from my best friend, my beautiful, caring, courageous wife was the most terrifying few minutes of my life. 

Soon, a nurse took me into the operating room and I was able to hold my wife’s hand during the procedure. I would swear that the surgery took hours, but our family, who were waiting outside, all said it was the fastest C-section they had ever waited on or heard of.

After 26 hours of labor, my son was born via crash C-section. He was (and is!) healthy, and he recovered from the difficult labor quickly. My wife was safe, too, for which I will never stop being thankful. After a few days, we were allowed to go home to begin our journey as a family.

One week after our son’s birth, my wife and I learned that we had lost our jobs thanks to President Donald J. Trump’s federal cuts. Though neither of us works for the government, we did work with federal agencies. My wife, who had been promoted based on merit mere months earlier, was recovering from major surgery, learning to be a mom, and suddenly needed to find a new job. She had worked for a lovely company doing work that I can describe only as “good.” She has helped scientists and researchers fight cancer, fight coastal erosion by saving native sea grass, and helped environmental and data scientists communicate with each other and with the Indigenous community. 

As for me, well, it was contract work. I had recently taken the plunge and begun my own copywriting, editing, and marketing company. Until I lost that one big client that helped make the dream possible. I’m not stressed about myself though. My family is healthy; I’ve found work before, and I will again. But I do worry about all of the workers at our national parks and the National Institutes of Health and the National Science Foundation who have dedicated their entire adult lives to the dream of making the U.S. a healthier, safer, greener place. 

It’s easy to think of Trump’s measures as affecting only a faceless horde of bureaucrats in Washington, D.C., but no human being is faceless. No one is without dreams, a history, a rich inner life. These are our countrymen, and they’re real people who will really suffer. 

The former federal workers who are doubtless scrambling to find employment and feed their families are, of course, only the tip of the iceberg. Immigrants, documented or otherwise, who are detained by ICE agents are people guilty only of being from somewhere else, of dreaming of a better life. They probably had more hope for the U.S. than I do, but that hasn’t helped them when plainclothes agents handcuff them, often without providing the necessary legal documentation. 

And then there is the trans community, specifically, and the LGBTQ community in general. Did I mention that the doula who taught our birth classes is trans? That they are easily the kindest, most generous human I have met in years? That they helped my wife feel safe before confronting the biggest and most frightening unknown a pregnant person can experience? Of course, they’re not the first trans person I’ve known, nor is their kindness the reason why that community has my support, but this column isn’t about sense and reasons. I’m desperately trying to humanize these issues, to put a face to the headlines. Again, these are people. Americans. Often brave people who work harder than I can imagine, who work to help others more vulnerable than themselves. To demonize them for political gain is nothing short of callous cruelty I’m not ashamed to call evil. 

During the Covid pandemic, the previous iteration of the Trump administration soft-launched eugenics, to little outcry from the American people. Collectively, we decided that we didn’t mind if the old and vulnerable paid the price for our weekend brunches, our vacation trips. Trump is back, emboldened by a so-called mandate from voters. The message is clear: As long as the economic wheels keep turning, no one in power cares if they’re greased with the blood of the vulnerable. 

I don’t want my son to grow up in a nation devoid of empathy, where might makes right. So I’m asking you — begging you — to care. 

Jesse Davis is a former Flyer staffer; he writes a monthly Books feature for Memphis Magazine. His opinions, such as they are, hope we can find some way out of this mess. 

Categories
Film Features Film/TV

Common Side Effects

The elevation of Robert F. Kennedy Jr. to the office of secretary of health and human services is a symptom of a deep problem in the United States: We hate our healthcare system. 

There are a lot of reasons to hate the horrifying and deadly kludge that passes for a healthcare “system” in this country. Even the newly installed CEO of UnitedHealthcare, Andrew Witty, admitted in a New York Times op-ed published in the wake of his predecessor’s murder by vigilante Luigi Mangione that no sane person would design a healthcare system like this. And yet, there Witty is, turning the crank on the peasant grinder and collecting the coins that come out the other side. UnitedHealth’s $14 billion in profits, and Witty’s personal $23 million pay, is a powerful motivator for him and his comrades to keep things as messed up (and expensive) as possible. Looking at the United States of 2025, there’s only one possible conclusion: The for-profit healthcare model delivers profits, but it cannot deliver healthcare.

Instead of blaming those who are actually at fault — pharmaceutical companies, hospital conglomerates, and the entire concept of health insurance — many people have been led to reject the things that the people actually practicing medicine do well, like vaccines. Robert F. Kennedy sells snake oil and vaccine skepticism so the public doesn’t turn on the people who are getting rich by making them poorer and sicker. 

The hero of the new Adult Swim animated show Common Side Effects knows exactly where to place the blame. Marshall Cuso (voiced by veteran comedy writer Dave King) has the look of someone who entered mycology because of his fondness for psilocybin. His Hawaiian shirt is always unbuttoned, his beard is scruffy, and he probably sleeps in his bucket hat. But despite his appearance, he is a serious scholar of mushrooms who studied with Hildy (Sue Rose), a respected academic who has since retired. 

Marshall’s mushroom obsession leads him to the jungles of Peru in search of a legendary mushroom known as the Blue Angel. The mushroom is said to have healing properties, but when Marshall finally does find a circle of them, it turns out to be much more potent than anyone imagined. Just a few bites of the little blue mushrooms will cure everything from a rash to a gunshot wound. 

The spot where Marshall finds the mushrooms is remote, but it’s hardly untouched. Just a little way upstream is a pharmaceutical factory run by the Reutical corporation, which is polluting the ground and water. Fearing that he might have found the last of the endangered mushrooms, Marshall picks a few samples and makes plans to return home. But before he can, he is attacked by unknown forces and barely escapes the country with his life. 

Back in the United States, and in a state of maximum paranoia, he turns to his former lab partner and college friend Frances (Emily Pendergast). She’s a kind soul who has leveraged her biology degree into a healthcare job, and Marshall thinks maybe she could help him bring this miracle drug to the masses, curing practically all diseases overnight. But little does Marshall know that Frances works for Reutical as an executive assistant to CEO Rick Kruger (Mike Judge). 

Marshall finds himself trapped with no one to trust but his turtle Socrates, and possibly his half-brother Zane (Alan Resnick). Meanwhile, the mysterious armed men who first found him in Peru are hot on his trail. Their boss, Swiss financier Jonas Backstein, views the mushrooms as a threat to the entire pharmaceutical industrial complex, and wants them and Marshall destroyed.  

The way series creators Joseph Bennett and Steve Hely draw both their protagonist Marshall and antagonist Rick reveals a lot about what makes Common Side Effects such compelling viewing. No one is perfect, and no one is purely hero or villain. Marshall sees the world clearly, but he’s also a wild-eyed idealist and something of a self-sabotaging bumbler. He takes everything seriously and carefully calculates his next move to the point of overthinking. Rick is a man of wealth and power, but he has no intention of using his position for anything but self-enrichment. He can barely check into a hotel without Frances’ help. 

Meanwhile, Frances must care for her mother Sonia (Lin Shaye), a late-stage Alzheimer’s patient whose insurance is about to kick her out of the nursing home. Rick is afraid the company’s recent disappointing earnings report is going to cost him his job, and he needs a new breakthrough medicine to satisfy the board of directors. Frances finds herself caught between loyalty to her friend and the needs of her job. Meanwhile, Marshall’s reappearance in her life has rekindled an old flame, and her current boyfriend Nick (Ben Feldman) is an oblivious oaf. 

Bennett was also a producer of Scavengers Reign, the excellent sci-fi animation that was canceled by Netflix after only one season. The animation style of Common Side Effects is a similar combination of naturalistic environments and somewhat stylized character designs. Adult Swim is famous for the absurdist style of animated comedy the network pioneered, but this show, while often funny, is their first foray into serialized thriller. The laughs come from the character’s foibles, like Rick’s inexplicable addiction to playing farming simulator games on his phone while he should be working. Don’t let the animation fool you into thinking this show isn’t a serious work of art. Common Side Effects is one of the best shows on television. 

The Common Side Effects season finale airs on Adult Swim on Sunday at 11:30 p.m. The entire series is available for streaming on Max.