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We Saw You: Heart Ball, Youth Villages Soup Sunday, Kenon Walker

It was evident people were excited to be back at a gala.

Women were dressed to the nines in elegant gowns and some of the men were in tuxedos. It was probably the first time some of these people had gotten the chance to really go out and dress up since the pandemic began in 2020.

I’m referring to the Heart Ball, the American Heart Association fundraiser. The event, which was held February 19th at The Peabody, drew about 375 guests.

Janet Davis, Standers Gillespie, and Demetrica Jones make heart symbols at Heart Ball. (Credit: Michael Donahue)

There was a silent auction held in the Forest and Venetian rooms that was followed by dinner in the Memphis Ballroom.

“We took a year off, so this was the first year back,” says Libby Ridenhour, American Heart Association communications director.

She says people were excited to be pulling out all the stops in their wardrobe and getting back to dining and dancing. “I think Heart Ball was the first chance to get people out of the house to celebrate the mission and what we’ve done in the past year, as well as kicking off the mission for next year.”

Instead of honoring a survivor family, as has been done at previous Heart Balls, Ridenhour says, “We wanted the focus to be on the city of Memphis. We wanted everyone to rally around the city of Memphis and see the community work we’ve done there. Even though we took a year off, the mission didn’t stop.”

The theme of the gala was “The heart and soul of Memphis. Nothing can stop Memphis.  Even Covid.”

The association gave its first-ever Living Heart Award this year, Ridenhour says. John Daniel, a heart transplant recipient, and his wife, Leslie, were the recipients. The Daniels also announced they were giving a $100,000 donation to the American Heart Association. 

Ridenhour says the Living Heart award we be presented annually “to an individual, couple, or family who have been personally impacted by heart disease or stroke and who despite personal loss or setback have overcome the challenges to become a champion for heart health and for creating a healthier community through their investment of time, leadership, and resources.

Libby says, “We announced we are going to change the name of the award to the John and Leslie Daniel Living Heart Award.”

All of which was a reason to shake a leg on the dance floor. Party Planet provided the music for guests to do just that. Peter and Judy Felsenthal and Bob and Tracy Moore chaired the event. Andrew Douglas and Joy Redmond from WMC Action News 5 were the emcees.

Bob and Tracy Moore and Judy and Peter Felsenthal chaired Heart Ball. (Credit: Michael Donahue)
Cerita Butler and Sylvester Tate (Credit: Michael Donahue)
Margie and Mike Neal at Heart Ball (Credit: Michael Donahue)
Madison and Andrew Felsenthal at Heart Ball (Credit: Michael Donahue)
Sridhar and Poornima Sunkara and Barbara and Vernon Stanford at Heart Ball (Credit: Michael Donahue)
Mike Alabaster, Kristi Goldsmith, and Libby Ridenhour at Heart Ball (Credit: Michael Donahue)
Kristi Goldsmith and John Goldsmith (Credit: Michael Donahue)
Kesha Whitaker and Rod DeBerry at Heart Ball (Credit: Michael Donahue)
Kathy and Roger Sapp at Heart Ball (Credit: Michael Donahue)
Drs. Dharmesh and Purvisha Patel at Heart Ball (Credit: Michael Donahue)
Seth Henigan and Anna Bubnick at Heart Ball (Credit: Michael Donahue)

YOUTH VILLAGES SOUP SUNDAY

Emma Kate Trimm, Caleb Crangle, Ryan Trimm, Sarah Trimm, Thomas Trimm, and Trace Vescovo at Youth Villages Soup Sunday (Credit: Michael Donahue)

Youth Villages Soup Sunday was also back this year — in a new location — but with the same variety of savory concoctions as well as cakes and ice cream. It was the first event held at The Kent, a new 27,000 square-foot event center at 61 Keel Avenue at Front Street in the historic Snuff District. The Kent is a historic redevelopment by Wolf River Harbor Holdings of a warehouse property dating to the late 1800s.

As usual, the event was held on a Sunday, but because of pandemic protocols, only 300 tickets were sold.

Youth Villages CEO Patrick Lawler and his wife, Ellen, at Youth Villages Soup Sunday (Credit: Michael Donahue)

Lamar Chance, Youth Villages senior public relations coordinator, says about 20 vendors took part in Soup Sunday. “I think the event was very successful,” Chance says. “We sold out ahead of time. People were excited to get back in person after missing last year. We had one last year, but it was virtual.”

The organization had planned to hold the 2022 Youth Villages Soup Sunday at the FedExForum, where it has been held in the past, Chance says. “We were going to go with the same setup we had previously, but once Omicron cases got going around holiday time, we had to make a pivot.”

Lewis Fort, Alex Boggs, and Wight Boggs at Youth Villages Soup Sunday (Credit: Michael Donahue)
Angel and Michael Patrick at Youth Villages Soup Sunday (Credit: Michael Donahue)
Jordan and Latonya Pendleton at Youth Villages Soup Sunday (Credit: Michael Donahue)
Sam Rosenberg at Youth Villages Soup Sunday (Credit: Michael Donahue)
Alec Marshman and Harris Short at Youth Villages Soup Sunday (Credit: Michael Donahue)
Michael Butler Jr., Denzel Alexander, and Maddy Butler at Youth Villages Soup Sunday (Credit: Michael Donahue)
Connor Bomar, Kevin Martin, Renee Bomar, and Gavin Maners at Youth Villages Soup Sunday (Credit: Michael Donahue)
Connor Bomar did some FaceTiming at Youth Villages Soup Sunday (Credit: Michael Donahue)
Rylan and Brandi Burns at Youth Villages Soup Sunday (Credit: Michael Donahue)

KENON WALKER TELLS THE TRUTH

Peabody Duckmaster Kenon Walker on the job. (Credit: Alice McLallen Kerley)

So, who’s fibbing?

Peabody Duckmaster Kenon Walker will be one of three contestants who will claim to be the hotel’s “Duckmaster” on the season premier of “To Tell the Truth” at 9 p.m. February 22nd on WPTY (ABC-24). The show was filmed last May in Los Angeles.

Tune in and watch Walker tell the truth.

Peabody Duckmaster Kenon Walker (Credit: The Peabody)
Peabody Duckmaster Kenon Walker (Credit: The Peabody)

WE SAW YOU AROUND TOWN

Lia Morris and Alec Dawson and Lavender Dawson at Antique Warehouse Mall (Credit: Michael Donahue)
Emma Fox and John Fox at Antique Warehouse Mall (Credit: Michael Donahue)
We Saw You
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Belle Roth: On Becoming an Artist

Memphis artist Belle Roth



You never know what you can do until you try.

Just ask Belle Roth.

Roth, 50, who works in principal market development for a global corporation in Memphis, decided to take up painting last year. She had never painted before. She bought a few art supplies, painted two abstracts, posted them online, and two weeks later a New York gallery contacted her and soon began representing her. She now has shows booked in Florence, Portugal, Barcelona, Zurich, Miami, and New York. Her paintings sell for up to almost $7,000. 

“My mom was telling me earlier, ‘You didn’t even know how to to hold a crayon when you were growing up,’” Roth says.

Born and raised in Manila in the Philippines, Roth played piano, sang, and sewed when she attended an all-girls’ school. “But nothing stood out.”

She was more interested in being in leadership roles. She was the platoon leader in her Girl Scouts troop. She coordinated sports events between her school and a boys’ school. “It’s really about behind-the-scenes organizing,” she says.

After she graduated with an economics degree from the University of St. Tomas, she became project manager for Novartis. Ten years later, she became regional marketing manager for Asia Pacific. She moved to Memphis 10 years ago and began working for Accredo Specialty Pharmacy, where she was product line manager. From there, she moved to her current job in global market development at Medtronic.

“No art at all,” Roth says, adding, “It’s all about work. That’s my life. Work. Family. I have three girls.”

Art came about after her daughters finished school. She told her husband, Jeff, “I need to discover myself.”

She continues, “It’s all about me discovering who I am and who I want to be. What is it I missed over the years? And, lo and behold, this art came.”

So Roth bought some acrylic paints, two small canvases, and a brush. She made “two simple” abstract paintings. “I just needed something to express myself.”

Roth believes a trip she took to Copenhagen after their children graduated inspired her to paint. “Something happened in that place. It just resonated in me. For me, it’s a new beginning. So, I started painting. You will see the color of Copenhagen. So rich. A lot of the gold. You see the richness and the textures. It’s not just a painting, but a lot of texture in between.”

Roth created a website, opened an Instagram account, and posted her first two paintings. Two weeks later, someone from the Agora Gallery in New York sent her a letter. “They reached out to me and they said, ‘Can you show us more paintings?’”

And they said, “We’re very interested in representing you.”

Roth and her husband discovered the gallery was located in Chelsea, a prestigious art area in New York.

Those two paintings “will be presented in Miami in December.”

She donated three of her paintings to the live auction at the Mid-South Heart and Stroke Ball, an American Heart Association fundraiser held last February at The Peabody. “Those are the things that make me happy as a person. As an artist. It resonates with me. How can we help the community.”

And, she says, “We were really happy because we know we have three paintings here in Memphis.”

All her paintings, so far, are based on her travels. “Each of my paintings has a memory behind it. What I’ve seen there. How I felt at that time. So, I have a full series like ‘Paris,’ ‘Copenhagen,’ ‘Manila,’ where I grew up. I have ‘Denver.’  And then I have ‘Germany.’ I have ‘Cairo.’”

‘Cairo Day 9’ by Belle Roth

As for what she is conveying in her paintings, Roth says, “The message now is advocating for diversity, equality, and positivity.

 “Whether it’s race, social standing — everywhere I go it’s the same. The names of my paintings are different places I’ve been, but everywhere I’ve been I saw it. It’s the same. It’s sad, but it’s true. That’s how I reflect every time I put my brushes onto my canvas. That’s what I feel.”

Her work will be included in four upcoming exhibits. “By the end of December I would say I need to come up with a good 60 paintings. I’m almost done. I’ve done 50 plus.”

She originally was going to launch her artwork last April at Agora. “That’s when we had a lockdown.”

The exhibit was moved to September, she says.

Agora Gallery marketing director Sabrina A. Gilbertson says, “Belle’s painting is at once energizing and introspective, and perhaps foremost, filled with hope. Her investigation of light, color and form collide expertly, bringing us in and out of the shimmery surfaces, while also inviting us to join a deeper dialogue that touches on universal narratives, such as equality, adversity, and family.”

Roth, who currently works at her Medtronic job from home, paints every day. But, she says, “I can only paint at 4 in the morning.”

She’s tried to paint at other times of the day. “I just don’t get the results I needed. I tried it at dinner time. I tried at noon on the weekends. It’s so different. I have so much energy in the morning before work.”

After she and her husband take their daily walk around the neighborhood, Roth is at her computer at 8 a.m. for her office job.

“I don’t know anything but work. I’ve been working all my life. [Art] is going to be a hobby, but I would say my goal is to be better at my craft. I’m so excited to be a part of a global contemporary art world, but I know there are a lot of things involved with it.”

And, she says, “It’s going to take a while, but I have the time and I have the energy. And I have time to work for that.”

Something in her drives her, Roth says. “I’ve always done what I’m afraid to do. It’s like taking a risk. I know that in art everybody takes a risk because people are afraid to be judged on what they do.

“I’m just going to do what I’m afraid to do and just celebrate my life right now. Have confidence. At the end of the day I feel my competition is myself. I’m pushing myself all the time. Trying different colors. I’m working on an orange color right now. It’s me and the canvas. It’s a different feeling. For me, I’m alone. It’s my space. I’m not influenced by anybody. There’s no strategy involved. It’s just me and my work.”

So, what else does Roth want to do now that she’s become a painter? “Sing the national anthem in front of a big crowd. Which is so crazy. I don’t think I will ever do that, but it’s kind of surreal. I’ll put it on my bucket list.”

‘India Day 5’

‘India Day 4’ by Belle Roth