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Stax Meets Motown

“If you want to master something, teach it,” the great physicist Richard P. Feynman is said to have remarked. “The more you teach, the better you learn.” That’s certainly borne out by the recent experiences of students who teamed up to create a new musical film and instructional package on African-American history for the Soulsville Foundation. Once it premieres online this Friday, February 2nd, it will be available as a free download for educators and students throughout Black History Month and into September. Producing such a film for the national event is a tradition the foundation began after Covid made live performances risky, and it’s continued ever since. And taking the project’s mission to heart caused this year’s student-producers to learn much along the way.

“What Stax wants to do is keep the history and message of soul music alive, but especially that of Stax Records, and the impact that the label had not only on the Memphis community, but the world at large,” says Anaya Murray, a high school senior and Stax Music Academy (SMA) student who served as the film’s co-writer and co-producer. “Black History Month is an opportunity to remind people of this important part of Black culture and American culture. In our film, Stax Meets Motown, we focus on two record labels who were rivals and competitors, and what they both contributed to music, but it’s about more than that.”

Anaya Murray (Photo: Ayanna Murray)

Indeed, the film and companion study guides delve into the Civil Rights Movement of the 1960s and 1970s, the Detroit Riots of 1967, the history of Black radio, the recording industry, and fashion. At the same time, the topic is also perfectly suited to a musical. “Think High School Musical and Grease,” Murray says of the film, which she masterminded with fellow high-schoolers Andrew Green and Rickey Fondren III. Green and Fondren attend SMA, as does most of the cast.

“There are moments where they’ll break out into song, where there’s dancing, and it’s all Stax and Motown music. And then, I’m one of the songwriting students at the Academy and we wrote an original song for the end credits. So we pay homage to Stax and Motown and then add something new. And all the sounds that you hear are Stax students singing and playing.”

That includes Murray herself, who also studies voice at SMA, and the story, set entirely in Booker T. Washington High School (which many Stax artists attended), is designed to both teach and give performance, recording, and songwriting students a chance to shine. As Murray explains the plot, “Lisa, the lead, moves from Detroit to Memphis, and it’s the simple story of her learning about Stax and the culture, but also of the Memphis kids learning from her about Detroit and Motown.”

Yet ultimately the film reveals the SMA’s support for more than music. As Murray says, “I’ve been a student at Stax Music Academy since my first year of high school, and once I started to show an interest in filmmaking over the past two years, Stax noticed that and gave me an opportunity to assist on the script for last year’s [Black History Month] film.” She also developed her own material, winning the 2023 Indie Memphis Youth Film Fest Jury Award for her film, Father’s Day.

Eventually she was tapped to write this year’s screenplay. “I’m really excited about the opportunity because screenwriting is something I love to do,” she says. “Then I was able to get Andrew Green, one of my film friends, on board. He’s also planning to go to college for screenwriting and directing. And Rickey is a singer at SMA, but acting is really where his passion lies. He’s actually co-starring in the film as the love interest, but he was really excited to go into screenwriting as well, so he helped a lot with doing research to make sure that we were really providing accurate information.”

Thus did the writers learn as they progressed, and gaining the Soulsville Foundation’s stamp of approval was proof positive that they got the facts right. Now the film and instructional materials are being readied for their premiere. As Murray explains, all involved are aware of how important this educational mission is: “When it goes live, they send that link out to students not only in the United States, but worldwide as well. It is a global event.”

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Indie Memphis Youth Fest Awards Budding Filmmakers

Thirty-seven student made films screened in person and online last weekend during the sixth annual Indie Memphis Youth Film Fest, September 18th-19th.

“We have always been fortunate to have great, up-and-coming filmmakers in our Youth Film Fest. But this year felt particularly special because of the obvious challenges that were presented to these students over the last year plus,’ said Indie Memphis’ Director of Artist Development and Youth Film Joseph Carr at the virtual awards ceremony on Sunday. “It’s already hard enough to make a good film, but for these filmmakers to overcome everything that the world has thrown at them and remain committed to their projects is so deeply inspiring. The future of Memphis filmmaking, and beyond, is in great hands.”

The jury for this year’s festival was Berlin-based filmmaker Jon-Carlos Evans, Executive Director of the Seattle-based National Film Festival for Talented Youth Dan Hudson, and Kiwi Lanier of the Sidewalk Film Center + Cinema in Birmingham, Alabama. They awarded the Grand Prize to Paul Coffield for “The Lantern Bearer.” The award comes with a $500 cash prize. Coffield also shared the Crew Up Mentorship Audience Award with Asher Crouch, Nyx Love, and mentor Joshua Cannon for the film “Navesmire.”

“Touch”

Another dual winner was a favorite of both audience and professionals. “Touch” by director Georgia Carls took home both the $300 Memphis Youth Audience Award and a Special Jury Award worth $250.

“Attention Deficit”

The Jury Award for the Crew Up category, which applies to films created under the Youth Fest’s mentorship program, went to Rachel Ellis, Sam McElroy, Jacobian Taylor, and mentor Robert Bear for “Attention Deficit.”

Graham Whitworth

Graham Whitworth’s proposed project “Burning Bridges” was awarded a $5,000 package from VIA Productions, which includes services and equipment from the Memphis-based film and television production house which will be used to complete the director’s short film.

“The Pen Pal”

Anaya Murray’s film “The Pen Pal” earned her the Rising Filmmaker Award. Ethan Torres’s “Crumbling Down” won the Indie Youth Spirit Award, and the National Youth Audience Award, which gave $300 to a non-Memphis filmmaker, was awarded to “Home” by Michelle Saguinsin.

Janay Kelley, a Youth Fest alum who won the 2018 Grand Jury Prize and the 2019 Production Package, said the festival had changed the way she sees herself.

“Receiving the production package award impacted how I saw myself as a creator and as a filmmaker. One thing that I would like to say to you all [youth filmmakers] is that every single last one of you is a filmmaker now. You don’t have to wait until you get a big expensive camera — many of you have shot on your phones — you are a filmmaker now.

“Regardless if you’ve won an award or know all the filmmaking jargon, you will become an even better filmmaker in the future. As you build towards your artistic future make sure that you are centering and nurturing yourself as a person. When I first started making my films I was trying to make things that I thought other people wanted to see and not the films that I wanted to make. So, make sure that every time you are making art, that you are essentially doing it for yourself and that you are putting out the stories that you want to put out. These are the things that you are giving the world so treat them as a gift because you all are a gift.”