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2018: A Look at the Year Ahead for Memphis

Business and Development

No franchise can deliver a blockbuster year after year, and while 2018 won’t see the opening of a Bass Pro Shops at the Pyramid or a Crosstown Concourse, there is plenty of boom on the horizon.

Central Station: Maybe the biggest development on the Memphis landscape next year will be the re-opening of Central Station on South Main. Back in March 2015, Archie Willis, president of Community Capital, and Henry Turley, CEO of the Henry Turley Co., revealed a $55 million plan to the Memphis Area Transit Authority (MATA) to transform its 103-year-old train station and surrounding area into a boutique hotel, restaurant, bar, and more. 

Central Station

The project has also brought new apartments to the South Main area on the station’s campus. Dirt is now being moved on a five-screen Malco movie theater there, too. Officials hope to have the new Central Station opened by summer 2018.

Tourism Development Zones: City officials went on a Tourist Development Zone (TDZ) blitz late this year. They hope to score a new TDZ for a $160-million re-development of the Mid-South Fairgrounds into a recreation and sports hub. They also hope to change an existing TDZ for downtown to include the Memphis riverfront, in order to build — possibly — an aquarium on Mud Island and a new home for the Brooks Museum of Art on Front Street, among other things. State officials were slated to review these plans late this year and in early 2018. 

Other projects: Look for two new apartment buildings that will transform the corners of Madison and McLean, and Union and McLean.

Work may begin next year on a plan to transform The Edge district, with a $70 million project that includes apartments, offices, and retail spaces. 

Dirt will be moved all around the University of Memphis campus next year, as the school follows its $66 million, five-year master plan that includes a new music hall, a land bridge over Southern Avenue, a parking garage, and more.

Finally, you’re likely to see some big changes as you jet in and out of Memphis International Airport next year. Work is slated to begin on MEM’s $214 million plan to modernize its concourse.  — Toby Sells

Restaurants and Dining

One of the most anticipated openings of 2018 is the Gray Canary in the Old Dominick Distillery. It was a stroke of genius to recruit Andy Ticer and Michael Hudman for the job. The pair are concentrating on an open-fire concept. From the press release: “It’s a technique-driven restaurant, where we get to explore every style of cooking with fire, from flame to ember to smoke to ash.” It’s set to open in January.

Chef Ryan Trimm will be in the kitchen at 117 Prime, a new steakhouse slated to open in spring at 117 Union, formerly the site of Belle Diner. The goal of 117 Prime is “to bring a traditional old-school-style steakhouse to downtown Memphis,” says Johnny Lawrence, director of operations for Across the Board restaurant group, which also includes Sweet Grass, Next Door, and Sunrise.

The restaurant may be old-school, but it won’t look old-school. “The steakhouse is going to be a very elegant space, but we’re going to steer away from the ‘going into the steakhouse and it’s so dark in there you have to use a flashlight to read the menu.'”

Their restaurant will be “light, bright, airy, and open.”

Crosstown Concourse has already added plenty to the culinary landscape, but it isn’t done. Hoping to open in late January is the Crosstown Brewery. The brewery was originally supposed to be inside the concourse, but that would have required removing one of the building’s necessary beams, so they opted for building an adjacent space west of the concourse. They hope to have the beer available around that same time. Set to open in March is Elemento Neapolitan Pizza, at the front of the building near the Next Door Eatery.  

Cocktail-centric space Atomic Tiki, with island-style food and drinks, is opening early in the year on Overton Park.

Coming next spring is Hopdoddy, the Texas-based burger chain. The Memphis restaurant will serve the bleeding, plant-based Impossible Burger.

Hattie B’s

Hattie B’s, the Nashville hot chicken place, is set to open in the old Curb Market spot on Cooper in early April. There will be seating for about 120 (with 60 of that outdoors), plus a cool retro design. Says Nick Bishop Sr., co-owner, Hattie B’s Hot Chicken, “We are so excited about our Memphis opening in early spring. It’s such an honor for all of us at Hattie B’s to be a part of the community, and we look forward to seeing our many Memphis friends and meeting new hot chicken lovers real soon!”  

Eastward, the restaurant group behind Rec Room, Railgarten, Loflin Yard, and Bounty on Broad is planning something at 525 South Highland. Expected to open this winter.

Michael Donahue & Susan Ellis

Politics

For the first time in many years, the preview of the coming year in politics will offer a plethora of competitive primaries and statewide races involving name candidates in both parties.

No fewer than seven candidates — several of them with decent financial backing and prospects — will be vying for the Republican nomination for governor in 2018, to succeed term-limited two-term GOP Governor Bill Haslam. Suiting out for this battle royal are Haslam’s former Commissioner of Economic Development, Randy Boyd; 4th District U.S. Representative Diane Black; state House of Representatives Speaker Beth Harwell; former state Senator Mae Beavers; former Trump campaign official Kay White; and Nashville-area businessman/rancher Bill Lee.

Democrats, who now constitute the minority party in Tennessee and who in recent years have fielded no-name candidates for state office, are attempting a rebound with two solid starters in their own gubernatorial primary: former Nashville Mayor Karl Dean and state House minority leader Craig Fitzhugh.

It appeared for a while that Democrats might also manage a competitive primary for the U.S. Senate being vacated by Bob Corker, but Nashville lawyer and Iraq war vet James Mackler, a promising newcomer, finally saw discretion as the better part of valor and withdrew in favor of Phil Bredesen when the former Nashville mayor and two-term governor, the last Democrat to win statewide office, offered himself as a standard-bearer to his fellow party-mates just before Christmas.

As befits their majority-party status, Republicans will see a race featuring two serious candidates — 7th District U.S. Representative Marsha Blackburn and former 8th District Congressman Stephen Fincher, with several wannabes filling out the ballot list.

The local ballot has some fascinations, as well — with Shelby County Commissioner Terry Roland, County Trustee David Lenoir, and Juvenile Court Clerk Joy Touliatos competing for the GOP nomination for county mayor, while state Senator Lee Harris hopes to capture the Democratic nomination without a serious foe but, at year’s end was having to keep an anxious eye on the possibility of a race by Bartlett Bank president and former state representative Harold Byrd. Meanwhile, former city councilman and current Memphis Chamber of Commerce official Shea Flinn continues to hint at a race for county mayor as an independent.

Beyond these marquee races, the year promises some stout legislative tangles and at least one controversial referendum for city voters — a rerun of the successful 2008 referendum authorizing Instant Runoff Voting — in time for the Memphis city election of 2019. — Jackson Baker

What’s New Downtown

The “I Am A Man” Plaza near Clayborn Temple is slated to open in conjunction with the citywide recognition of the 50th anniversary of Dr. Martin Luther King Jr’s assassination in Memphis. To commemorate the occasion, the National Civil Rights Museum will hold a two-day speaker symposium, followed by a time of musical and spoken tributes, and finishing with An Evening of Storytelling where living civil rights activists tell their stories of fighting social and racial inequality.

I Am A Man Plaza

The weekend of events will be themed on King’s final book, Where Do We Go From Here?

The focal point of the commemoration will be the art plaza on the corner of Hernando and Pontotoc. The interactive art installation will acknowledge the historical significance of Memphis, the sanitation workers’ strike, and King in the Civil Rights Movement, while providing visitors interactions with art that inspires them to stand up for social justice and positive change.

Vintage Trolleys: It’s been a long time coming, but the vintage trolleys are set to return to the Main Street tracks in April. And when they do, the Memphis Area Transit Authority’s CEO Gary Rosenfeld says, they will be much safer than the previous fleet of trolleys, which were discontinued after fires and other safety issues in 2014. The 100-year-old trolley cars are being re-engineered from top to bottom, which includes new wiring, brakes, and tires.

Alcohol on Main: You might soon be able to get off the trolley, buy a beer, and walk the length of Main sipping it, as the Memphis City Council is considering an amendment to a city ordinance that would allow just that. On January 9th, the council will take the third and final vote on whether to allow open plastic containers of beer, wine, and liquor on Main from E.H. Crump to A.W. Willis. — Maya Smith

Music

As I scan the horizon ahead through the holiday haze, I spy 2018 sending up flares. Let’s look first to the live music scene. Ring in the new year with Quintron & Miss Pussycat at the Hi-Tone. Fast on their heels, the new year will offer sounds of the old, weird America, as our beloved Dead Soldiers do a set at Buckman Arts — a great space for listeners — while J.D. Wilkes will get so creaky-stompy at Lafayette’s Music Room that televisions may flicker. Meanwhile, Hi-Tone will host its Za Fest IV, rocking out and inward with edgy and/or emo music by Ten High, Faux Killas, Alyssa Moore, and others. January will also see an influx of blues players both famous and unknown, at the International Blues Challenge.

Joe Restivo

This winter, expect a flurry of world class jazz, as the Germantown Performing Arts Center hosts Russell Hall, Storm Large, and John Scofield, capped off with the inventive and soulful Joe Restivo on February 9th. Shading into classical, Branford Marsalis will soon after be appearing with Memphis’ Iris Orchestra.

The new listening room at Crosstown Arts is on every music fan’s mind, and I’m assured it will be open in 2018; meanwhile, their old space across Cleveland will host the intriguing Afrospace event, featuring “intergalactic sounds of the African diaspora” including Spekulate the Philosopher and others. Later in January, Crosstown will see a crack jazz quartet pay tribute to Art Blakey & the Jazz Messengers.

The Wailers

A more dread beat will kick off 2018 at the New Daisy when Bob Marley’s original backers, the Wailers, take the stage, still boasting bassist Aston “Familyman” Barrett and guitarists Julian Junior Marvin and Donald Kinsey. And, dominating the skyline in far-distant March, we’ll have George Clinton & Parliament Funkadelic — start charging your flashlights. A month later, Mississippi’s Big K.R.I.T. will bring his politically conscious rap to the venue.

As for local underdogs going global, the great Oblivians will reunite twice next year — at the Debauch-A-Reno (yes, in Nevada) in April and at the Primavera Sound festival (yes, in Barcelona) in June. Meanwhile, all our favorite dives, clubs, and house show hosts are gearing up for untold delights, and check the smartly-curated lineup for the River Series at Harbor Town when the nights get balmy.

— Alex Greene

Film

The first interesting release of 2018 is on January 12th, with Proud Mary, Taraji P. Henson’s solo debut as a kick-ass blackspoiltation heroine. I have high hopes for that one. The same day sees Steven Spielberg’s The Post, the story of the Pentagon Papers, starring Meryl Streep as Washington Post publisher Katherine Graham, show in Memphis, and the advance word is extremely good. The next weekend, the highly acclaimed love story Call Me By Your Name hits town.

Black Panther

After awards season calms down, we’ll get the year’s first Marvel movie, the highly anticipated Black Panther. And then everybody’s favorite softcore lifestyle porn series ends with Fifty Shades Freed. Whoopee!

March looks pretty packed with Ava DuVernay’s adaptation of the beloved science fantasy novel A Wrinkle in Time, and Wes Anderson’s star-studded, stop motion, pup-stravaganza Isle of Dogs. Spielberg’s dive into metafiction, Ready Player One, could either work wonders or die in the Tomb of Horrors.

April looks quiet, with only the potentially goofy Super Troopers 2 to provide laughs on 4/20, but the summer blockbuster season blows up early with Avengers: Infinity War on May 4th. Then geeks get to see if Kathleen Kennedy and Ron Howard successfully saved the troubled Solo: A Star Wars Story on May 25th. We crash into June with Deadpool 2, the all female heist picture Ocean’s 8, Pixar superhero sequel The Incredibles 2, Jurassic Kingdom, and Best of Enemies co-director Morgan Neville’s must-see Mr. Rogers documentary, Won’t You Be My Neighbor?

July 4th gives us Marvel’s Ant Man and the Wasp, before we will be asked to pretend to care about Mission Impossible 6, long gestating anime adaptation Atilla: Battle Angel, and the aptly named Mamma Mia! Here We Go Again!

From there, things get hazy. The Coen Bros were brought in to save Universal’s Scarface remake, so keep your fingers crossed in August. There’s a Robin Hood reboot from Lionsgate in September. October opens big with Lady Gaga in A Star Is Born, Damien Chazelle directing Ryan Gosling as Neil Armstrong in First Man, and Jamie Lee Curtis returning to the Halloween franchise. In November, we have another retelling of the X-Men: Dark Phoenix saga with Game of Thrones‘ Sophie Turner as Jean Grey, for which I feel 0 percent anticipation, and J.K. Rowling’s Fantastic Beasts: The Crimes of Grindelwald.

The big year-end offerings will be Spider Man: Into the Spiderverse, Mortal Engines, Aquaman, and finally, the Freddy Mercury biopic Bohemian Rhapsody.

Will 2018 clear the high bar set by 2017’s film releases? Only one way to find out — go to the movies.

— Chris McCoy

Categories
Cover Feature News

Memphis 2017: The Year to Come

Business and Development …

Memphis ought to be used to crazy, impossible blockbusters by now.

For example, it may be tough to remember that the Pyramid was once a dim, vacant, hopeless reminder of good times gone by instead of a game-changing outdoor retailer, hotel, restaurant, bowling alley, shooting range, and gator pit with the best view in town. Weird, right? Who saw that coming?

The coming year promises a ton of similar projects, the kind of projects that make you marvel that someone could imagine the thing in the first place — and that teams of people had the guts and determination (and money) to pull it off.

But taking something old and making it new again is just how we do. You can call it “adaptive re-use” if you want. We’re just going to call it the Memphis Way, something that sets us apart from, ahem, other cities of music.

Crosstown Concourse

This is without a doubt the blockbuster-est of 2017 blockbusters. Crosstown is a $200 million renovation project for 1.1 million square feet, about 17 football fields spread across 10 floors. The mammoth structure closed in 1993 and sat dormant, vacant, and hopeless for years, until energy formed around the project, beginning with the formation of the nonprofit Crosstown Arts in 2010. More money was raised, tenants were signed, and work crews have mobbed the place since 2014.

Crosstown will officially open on May 13th, with a day-long celebration of music, food, speeches, and all the rest. But residents of Parcels at Crosstown, the apartments inside the building, will begin moving in on January 2nd, according to Todd Richardson, project leader for the Crosstown Development project.

Crosstown Concourse

Business tenants, including Tech901, Memphis Teacher Residency, the Poplar Foundation, Pyramid Peak Foundation, and Church Health Center will start moving in next month, as well. Richardson expects all of the 31 business tenants, except Crosstown High and the American Lebanese Syrian Associated Charities (ALSAC), to be moved in by May.

“We have a healthy panic about us, in terms of shifting from construction to operations,” Richardson said. “I always say once we finish construction we’re about 50 percent done.” The other 50 percent, Richardson said, is the “magic” of Crosstown, the people, the programming, and the activity of the place.

Expect construction inside the building to last at Crosstown for a full year and a half after the celebration — on tenant projects and the high school. Construction of the new, 425-seat performing arts theater will begin next month and continue through June of 2018.

Here’s a list of all the other tenants expected to move into Crosstown: A Step Ahead Foundation; Daniel Bird, DDS; the YMCA; Christian Brothers University; City Leadership; The Curb Market; Crosstown Arts; Crosstown Back and Pain Institute; FedEx Office; French Truck Coffee; G4S; Hope Credit Union; Juice Bar; Methodist Le Bonheur Healthcare; Mama Gaia; Madison Pharmacy; nexAir; the Kitchen Next Door; So Nuts and Confections; St. Jude Children’s Research Hospital; Tanenbaum Dermatology Center; Teach for America; and Teacher Town.

Trader Joe’s

“Coming 2017” is all the Trader Joe’s website offers Memphians about its plans for a store here. However, a building permit was pulled this month for a $2.5 million renovation of the former Kroger store on Exeter in Germantown. The project has been on again and off again since officials announced the move here in 2015. So, Two-Buck-Chuck fans, keep your fingers crossed for news in 2017.

Poplar Commons

That old Sears building close to Laurelwood has been razed to make way for a new $15.5 million, 135,000 square-foot shopping center called Poplar Commons, to be anchored by Nordstrom Rack. Store officials said to expect Nordstorm Rack to be open by “fall of 2017.”
Ulta, the beauty products retailer, has also signed on as a tenant at Poplar Commons. Nordstrom officials said the center will include “national retailers, specialty retail, and several well-known restaurants.”

Wiseacre Brewing

Will they or won’t they? Wiseacre Brewing officials have until early 2017 to tell Memphis City Council members if they will convert the long-vacant Mid-South Coliseum into a brewery, tasting room, event space, and retail location.

The idea was floated to the council this summer by brewery co-founder Frank Smith. The council approved the lease terms for the Coliseum, and Memphis Mayor Jim Strickland lauded the deal.

But Wiseacre would have to bring the 104,000 square-foot building up to code. They’d also have to retrofit it for their uses. It all comes with a price tag of about $12 million, brewery officials said earlier this year.

ServiceMaster

Crews have been hard at work converting the former Peabody Place mall into a new headquarters for Memphis-based ServiceMaster, parent company of Terminix, American Home Shield, Merry Maids, and more. The company says about 1,200 employees will be moved to the new location by the end of 2017.

The transformation will bring light and life to a long-darkened corner of Peabody Place in downtown Memphis. The company, which reported $160 million in profits for 2015, received about $24 million in taxpayer-supported incentives.

South City

Demolition will begin on the Foote Homes housing complex sometime early next year, said Marcia Lewis, executive director of the Memphis Housing Authority. When it’s gone, the massive, $210-million South City project will revitalize the area, which is a stone’s throw from Beale Street and South Main.

Only 40 Foote Homes residents were still living in the complex in mid-December, Lewis said. Those residents all have housing vouchers, are looking for new housing, and will all have moved out by early 2017. Once it’s gone, there will be no more “projects” in Memphis.

Foote Homes will be replaced with an apartment complex, to be filled with tenants of mixed incomes. The apartment campus will have green space, retail, and on-site education centers. Developers and government officials hope the new apartment will spur further economic growth in the area.

Lewis said no solid timeline for construction exists, since some federal government approvals are still being sought.

Tennessee Brewery

Work continues at the former Tennessee Brewery site, and the project’s developers say the brewery — slated to become an “urban apartment home community” — will be “re-established in 2017.”

Tennessee Brewery

Construction crews have spruced up the old brewery, completed the parking garage across the street, and have raised the bones for the two other new apartment buildings that will complete the project.

The brewery building was saved from the wrecking ball in 2014, when developers bought it for $825,000. The planned mixed-use development will cost about $28 million.

Central Station

The 100-year-old train station at Main and G.E. Patterson is getting a major, $55-million makeover, and parts of that project will become visible in the new year. Construction of the new Malco movie theater on G.E. Patterson will begin in January as will the major improvements at the Memphis Farmers Market, including the construction of a more-permanent market plaza area that will front Front.

Work is in full swing on the new South Line apartment buildings on Front, which are expected to be completed in February. Design work has begun on the concourse area around Central Station, which will connect trolleys, buses, bike riders, and pedestrians with Central Station from Main Street, the South End, and Big River Crossing. Dirt should move on these projects in the next few months.

ALSAC/St. Jude Children’s Research Hospital & the Pinch District

No formal plans have been revealed for the St. Jude/ALSAC hospital campus or the long-dormant Pinch District. But one thing is clear, the plans are really big.

ALSAC/St. Jude officials say they are investing between $7 billion and $9 billion to expand the organizations’ facilities and operations. Leaders there say the newly expanded ALSAC/St. Jude will bring an annual $3.5 billion economic impact to the city.

The expansion is expected to bring about 1,000 new jobs, more beds for more patients, and officials hope to double the amount of patients in the hospital’s clinical trials.

The Pinch got $12 million in state funds this year. City leaders have promised to invest $25 million in the area with funds from the already-approved Tourist Development Zone. Again, no final plans for these infrastructure investments have been made public. City leaders wrapped up a series of public meetings on Pinch development last month.

Also Upcoming for 2017

The Hampline should break ground on a project to connect Broad and Tillman.

New plans for the skyline-changing One Beale project are expected to be revealed to city leaders.

Plans for upgrades at the Cook Convention Center should come into focus.

Work on a new luxury boutique hotel called Teller (with a rooftop bar called Errors and Omissions) on Madison should be finished.

Construction should begin on a new Hilton Garden Inn Downtown at the former Greyhound bus station site on Union.

The fully-restored Memphis Grand Carousel is expected to open at the Children’s Museum of Memphis.

The Memphis Bike Share program will launch with a networked system of 60 stations throughout Memphis — and about 600 bikes. — Toby Sells

Theater and Dance …

Prediction #1: You will see a lot more dance in 2017, even if you never go to the theater. All you have to do is go to the Overton Square area.

For years, Ballet Memphis has been hidden away on Trinity Road in Cordova where “street life” is limited to cars zipping by. “Transparency” was the word most frequently used by architect Todd Walker on a late November media tour of the construction site for Ballet Memphis’ new Midtown home on Overton Square, one of the city’s most heavily pedestrian areas. The 38,000 square-foot building will literally bring dance to the corner of Madison and Cooper.

Ballet Memphis

The Ballet’s new, glass-walled home has five studios, all linked together by a series of courtyards. It will house business offices, conference rooms, a physical therapy room, and an egg-shaped cafe. Dancers rehearsing in Studio A will be visible from the street.

There’s also limited retractable seating in Studio A, and an observation area. This brings the number of available stages in Memphis’ growing theater district to six. Eight if you include the Overton Square amphitheater and Circuit Playhouse’s cabaret space. Ballet Memphis has a long history of scheduling public rehearsals in places where they are accessible to pedestrians. This takes that idea a little further.

Prediction #2: You’ll see a lot more of everything else. Memphis’ performing arts community has been experiencing a growth spurt, and that trend promises to continue. The Hattiloo Theatre, which moved to its Overton Square facility in 2014, will complete its first expansion in 2017, creating additional rehearsal and office space. A little further to the west, Crosstown Arts will begin construction on a new, versatile 450-seat theater in the Crosstown Concourse community.

Byhalia, Mississippi, which co-premiered in Memphis last year, went on to become one of the best reviewed and most talked about new American plays of 2016. Memphis continues to cultivate its reputation as a fertile environment for new work with Playhouse on the Square’s January 6th world premiere of Other People’s Happiness, a family drama by Adam Seidel. Haint, a spooky rural noir by Memphis playwright Justin Asher gets its second production at Germantown Community Theatre starting January 27th.

Although she will continue to direct, Memphis’ Irene Crist will retire from the stage in June, following her performance in David Lindsay-Abaire’s comedy, Ripcord. — Chris Davis

Politics …

The year 2017 will be an off year as far as elections go, and the politics that really counts may happen in our state capital. The venerable (if indelicate) political adage that “money talks and bullshit walks” may come in for an overhaul in Nashville in 2017. The second term in that expression may, in fact, be on as firm a footing as the first.

For the second year in a row, the State Funding Board in Nashville is projecting a sizable budget windfall — stemming from an increase of almost $900 million in revenue growth for 2017-18. And for the second year in a row, the forecast of extra money is actually complicating, rather than facilitating, some overdue state projects — the most vulnerable of these being overdue infrastructure work on increasingly inadequate and dilapidated state roadways. 

Governor Bill Haslam, who, with state transportation director John Schroer, went on a fruitless statewide tour in 2015 trying to drum up support for a state gasoline-tax increase, is almost certain to raise the idea of upping the gas tax when the General Assembly reconvenes in January. 

But the projected revenue windfall may actually undercut his hopes. Not only does all the windfall talk create a difficult atmosphere to talk about new taxes. There are also indications that the governor’s Republican party-mates in the GOP legislative super-majority see the dawning surplus as an excuse to dream up new tax cuts and eliminate existing ones — a double whammy that would sop up such financial gain as actually materializes.  

Democratic legislators (five in the 33-member state Senate and 25 in the 99-strong state House of Representatives) are too few in number to do much about the matter, and even some members of the Republican majority are troubled. State Representative Ron Lollar (R-Bartlett) touched on the problem at a recent forum of the National Federation of Independent Businesses (NFIB) in Memphis, when he lamented that the ongoing elimination of the state’s Hall tax on interest and dividends — slated for staged reductions and final abolition over a five-year period — will mean the ultimate loss to financially struggling local governments of the fairly significant portion of the Hall tax proceeds that they are accustomed to getting annually.

At that same NFIB meeting, state Senator Lee Harris of Memphis, leader of the Democratic minority in his chamber, pointed out another fiscally related conundrum that he thinks has escaped the consciousness of the GOP super-majority. 

In their categorical rejection of Haslam’s “Insure Tennessee” proposal to permit state acceptance of federal funding of as much as $1.5 billion annually for Medicaid expansion under the Affordable Care Act (Obamacare), Republican leaders like retiring state Lieutenant Governor Ron Ramsey always said their attitudes would likely be different under a Republican president, who would surely reapportion such funds as block grants for the states to dispose as they saw fit. 

Harris maintains that the new block grants would be converted from the previous A.C.A. outlays and could be extended only to those states that had already opted for the federal funding. The truth could be even harsher; with congressional Republicans and President-elect Donald Trump both having sworn to “repeal and replace Obamacare” as a first order of business in 2017, it is uncertain just how much federal bounty — if any at all — would actually be available for the states, in whatever form.

Money is at the root of another pressing issue sure to be vented in the General Assembly. At the very moment that the state’s short-changed urban school districts, including the Shelby County Schools system, are entertaining a variety of legal actions to force the state to honor full-funding commitments to them under the Basic Education Program (BEP), word is that enough steam may have finally gathered among legislators to allow passage of long-deferred school voucher legislation that would re-route a significant proportion of the state education budget toward private institutions and out of public schools altogether. 

Under the circumstances, even a rumored bipartisan willingness among legislators to at least begin the consideration of medical-marijuana legislation may not be enough to ease such doldrums as continue to afflict the state’s population. — Jackson Baker

Food and Dining …

Old Dominick

For those keeping your eye on the Old Dominick Distillery, Alex Canale tells us, “We’re 100 percent, well, 99 percent, sure we’ll be open by late spring. We’ll definitely be open in 2017.”

Old Dominick

Old Dominick will sell bourbon, a nod to forebear Dominico Canale. There will be a tasting room, and the distillery will be open for tours. Construction is currently wrapping up, and all licenses have been secured. Shipments of grain and malt are currently on the way. Bourbon takes a few years to age, so Old Dominick will be selling vodka at first. They hope to have stock ready to sell by the spring.

Sunrise

The breakfast concept by Sweet Grass’ Ryan Trimm and Central BBQ’s Craig Blondis and Roger Sapp now has a name: Sunrise. They hope to have both places — one on Central, one on Jefferson — up and running by January or February. The Central location will serve breakfast from 5 to 11 a.m. and then switch to a Central BBQ to-go. The Jefferson location will open at 5 a.m. as well and will serve lunch.

Trimm says the coffee program they’ve come up with is particularly impressive. Cold-pressed and nitro will be on the menu, as well as “normal hot coffee.”

“The biscuit sandwiches will be more interesting than your typical sausage and egg biscuit,” says Trimm. Think bologna and house-cured meats and house-made sausage.

The lunch at Jefferson will offer hometown cooking and large sandwiches piled high with house-cured meats. The meats will also be available for purchase.

Crosstown Concourse

The Crosstown Concourse will be one of the biggest food stories of the upcoming year. The revitalized Sears building already has a stellar list of food and drink venues: I Love Juice Bar, Next Door, Mama Gaia, French Truck Coffee, Curb Market, Crosstown Cafe, and Crosstown Brewing Company.

“Our vision was to curate a really great mix of offerings to add to the food scene,” says Crosstown’s Todd Richardson. Richardson says that about 65 percent of the retail space has been rented. He’s in talks with what he calls a “really great ice cream concept” and a pizzeria.

With all that plus a bank and barber and apartments, it seems like there would never be a reason to leave the Concourse. Richardson says that’s not the goal at all. “We’re not trying to create a city within a city. We want something that draws interest and has the greatest impact on the neighborhood.”

South Main Market

Shooting for a summer opening is the South Main Market. Rebecca Dyer has been busy converting the building at 409 S. Main into an event venue. Once she has the third floor ready, she’ll then re-renovate the first floor into the market. (“If I survive,” she says.)

The market will feature 12 to 15 kitchens. Think Boston’s Faneuil Hall. Dyer says she’s already got 11 chefs signed on, all local. “It’s going to be very varied,” says Dyer. That means each kitchen will serve a distinct cuisine — no three cupcake spots or duplicate falafel shops.

“We don’t want our chefs to compete with each other,” Dyer says. “We want to give our customers the best opportunity for dining.”
The Liquor Store
Lisa Toro, who owns City & State with her husband Luis, estimates that 50 percent of the businesses on Broad Avenue are owned by women. In that ladies-doing-for-themselves can-do spirit, Toro helped form an all-woman angel investment group. Their first investment is the Toros’ latest project The Liquor Store.

Toro describes it as a modern take on a diner. There will be blue-plate specials but with cured meats and fresh vegetables. There will be a bar as well, offering boozy milkshakes and soda fountain cocktails. The diner is being carved out of an old liquor store space. Floors are being ripped up, electrical and plumbing added.

The Toros hope to be open by early spring. — Susan Ellis

Film …

It’s safe to say that 2016 was a less than stellar year in the world of film. Will 2017 be better? Early signs point to probably not. The slate of announced films for the year so far is more of the same: Franchises, sequels, reboots nobody but a branding specialist could possibly want, and superheroes, superheroes, superheroes.

In January, a few 2016 films currently in limited release will make it to Memphis, such as Hidden Figures, starring Taraji P. Henson and Janelle Monáe as unsung black women engineers and mathematicians who helped America land on the moon, and A Monster Calls, a modern Irish fairy tale about loss and grieving. Then there’s Monster Trucks, a big-budget film so bad Paramount took a preemptive $100 million write-down on their earnings report. I have to see it, but there’s no reason you should.

In February, the pop S&M sequel Fifty Shades Darker is sure to both light up the box office and contribute to this reviewer’s depression. Hopefully The Lego Batman Movie will cheer me up. If that doesn’t work, there’s the Oxford Film Festival, which just announced a stellar lineup, and Indie Memphis’ new Indie Wednesday series, which will bring in quality arthouse and indie films from all over the world to Studio on the Square, Malco Ridgeway, and Crosstown Arts.

March brings Logan, Hugh Jackman’s final turn as X-Man Wolverine; Kong: Skull Island, a King Kong spinoff with an all-star cast; and the controversially Scarlett Johansen-led anime adaptation Ghost in the Shell. In May, the Marvel drought ends with Guardians of the Galaxy Vol. 2, which will be answered in June by DC’s Wonder Woman movie. Pixar’s weakest series, Cars, gets a third installment before Marvel fires back with Spider-Man: Homecoming, which looks promising in previews. Later that month, I’m looking forward to War for the Planet of the Apes, which concludes the underrated Planet of the Apes reboot trilogy, and the Stephen King epic The Dark Tower.

All I know about August’s Baby Driver is that Edgar Wright of Scott Pilgrim fame is directing, but that’s enough to get me excited. September looks bleak except for the unexpected remake of the ’90s cult film, Flatliners, and the only oasis in the wasteland of October is Denis Villeneuve directing Harrison Ford in Blade Runner 2049.

November will kick off with the Indie Memphis Film Festival, before Marvel and DC go at it again with Thor: Ragnarok and Justice League. The holidays will bring the as yet untitled Star Wars: Episode VIII, directed by Breaking Bad badass Rian Johnson, and Mark Wahlberg going bionic in The Six Billion Dollar Man.

Basically, the year in film will be like everything else in 2017: Hope for the best, cherish the bright spots, but expect the worst. — Chris McCoy

Music …

As productive as this year was for Memphis music, you can expect 2017 to be just as fruitful for the local scene. From where to be to who to watch, here are some early tips for following Memphis music in 2017.

What to Buy and Why:

Valerie June will be releasing her new album, The Order of Time, on January 27th, her third full-length and first for Concord Music Group. June recently toured with Sturgill Simpson and Norah Jones, but she’ll come back home for a show at the Hi-Tone on Friday, February 17th. As for her new album, the song “Astral Plane” is already being heralded by NPR, which is a good indication that the three years that have passed since Valerie June released an album weren’t in vain. Expect big things in 2017 from one of our city’s most intriguing songwriters.

Another band with a considerable amount of hype behind them that’s releasing a record in 2017 is Aquarian Blood. The band’s debut effort will be released through Goner and is expected to be out in February. Aquarian Blood has released singles on Goner and New Orleans label Pelican Pow Wow, but their first LP has been months in the making, and should showcase the Midtown supergroup and musical freak show.
Southern Avenue is also set to release a new record in 2017, after burning up the Midtown bar circuit with their take on modern Memphis soul. Their debut record is coming from the fine folks at Stax. Being promoted as the first Memphis band to be signed to Stax since the ’70s, you can expect Southern Avenue to kill it in 2017, but don’t count on the band being in town very often.

Where to Be

The FedExForum has an impressive lineup early next year, including the Red Hot Chili Peppers on January 12th and Garth Brooks doing an entire weekend February 2nd-4th . Minglewood also continues to impress, with Lil Boosie, Juicy J, and Ben Folds all scheduled to play in the first few months of the new year. You can also expect shows to start cropping up at both the Galloway House and the Clayborn Temple downtown, and don’t forget about the excellent River Series at the Maria Montessori School; the laid-back, all-ages shows are becoming a staple for live music enthusiasts. And you can always catch a good mix of local and traveling talent at Overton Square and on Beale Street.

Memphis music will be well represented at the largest music festival on planet Earth — South by Southwest — this year. Music Export Memphis will host the Memphis Picnic at SXSW on March 14th in Brush Square Park. The lineup is still being finalized — expect an announcement around mid-January — but the event promises a totally Memphis experience, complete with the Amurica photo trailer booth and Gus’s Fried Chicken on site. — Chris Shaw