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Memphis Comic And Fantasy Convention 2014

Since a few dozen proto-geeks gathered for the first WorldCon in 1939, sci fi, fantasy, and anime fan conventions have grown into a huge phenomenon. Dozens of regional and speciality cons have sprung up all over the world, with 150,000 people gathering for Comic Con in San Diego and Dragon Con in Atlanta every year. Now in its 5th year, the Memphis Comic and Fantasy Convention has not yet achieved that level of success, but founder Joe Thordarson likes to think big: “I still have big plans for this. We want to grow every year.”

This weekend, the Hilton Memphis will play host to a few thousand people of all ages browsing through the wares of dozens of comics and collectables vendors, meeting some of their heroes, playing games, and generally letting their geek flags fly. “Even though the convention is basically a three-day geek celebration, when you walk through it, you can’t help but be struck by all of the talented artists, writers, and filmmakers,” Thordarson says.

“My goal from the beginning was to make it more than just a once-a-year event,” he says. “I wanted to make it a year-round thing and use the talented artists and filmmakers we deal with as a way to promote art in schools. Throughout the year, we host workshops and filmmaking camps and animation camps and things like that.”

One of the ongoing student projects is Live Cartoon.”We take a character created by one of the students, and then we write a script around it.” Students collaborate to create storyboards for the script, which are then projected behind voice actors who read the script live to a con audience. This year, Live Cartoon will be hosted by voice actor and host of That Anime Show J Michael Tatum. “It’s a neat thing for the kids,” Thordarson says. “It teaches them about what a real production is, it teaches them about deadlines. It hopefully gets them excited enough to go out and do it themselves.” The same program will include a sneak peek of Department of ReQuests, a pilot produced for the Cartoon Network by animators Travis Fowler and Krickett King, alums of both Memphis College of Art and previous Live Cartoon projects.

A series of Memphis-rooted films will screen at the con this year. Timid Monster will premiere their new short film After Light, a Kickstarter-funded science-fiction film that began life as a book trailer for Cameo Renae’s zombie apocalypse novel ARV-3 before growing into a fully realized short. “After Light takes a chapter out of the ARV-3 book,” says director Dan Baker. “A group of survivors who have weathered the apocalypse underground are trying to navigate their way through the city. They get lost and confused. Their map says they’re in the right place, but there have been barricades thrown up, which confuses them. So the young girl, the hero of the story, volunteers to climb to the top of a nearby building so she can get a bird’s eye view and scout ahead. So she and the male lead embark on a trip to the top of the building where they get ambushed by these zombie creatures called ARVs.”

The project had its genesis at Nashville’s Utopia Con, but Baker says he is looking forward to his hometown premiere. “Memphis Comic and Fantasy Contention is the con that we kind of cut our teeth on. We’ve been going there since 2011,” he says.

Geekland, director Lara Johnson’s documentary, was funded by the Rhodes College Institute for Regional Studies. “I grew up in Nashville, so I saw there was a conflict between traditional Southern culture and conservatism and geek culture,” Johnson says. “I had a friend in high school who is interviewed in the film whose father was a Southern Baptist pastor. She wasn’t allowed to read Harry Potter until she rebelled when she was 16. So I was going to see what that looked like in Memphis. But once I started getting into it, I found that it didn’t really exist in Memphis. People here are really cool about that kind of stuff, and there’s not really any conflict that you find in a lot of other places in the South. Memphis is unique in that way. So the film kind of turned into a showcase of all of the different, cool, geek things that are happening here.”

Johnson says making Geekland has introduced her to a new community: “The Memphis Comic and Fantasy Convention, along with a lot of other geeky people in Memphis, have totally embraced me.”

The evening will close with a screening of Mike McCarthy’s 2009 sci-fi film Cigarette Girl. Set in a dystopian future Memphis where tobacco is contraband, the Cigarette Girl, played by Cori Dials, must live by her wits and a handy .45.

“You combine Sexual Persona with Elvis Presley, and you get a great deal of my work,” McCarthy says of his art-house-meets-grind-house aesthetic. He calls Dials his “Gothic Brigitte Bardot.” “If you don’t quite have a million bucks, but you have somebody who looks like a million bucks, then you have a million bucks,”

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Film Features Film/TV

Big Hero 6

Based on a Marvel comic by the same name, Big Hero 6 is a fun, occasionally brilliant, never boring computer-animated film from Disney. It’s a distinctly 21st-century creation, where kids’ skills in creating and controlling technology can give them superpowers and allow them to create the kinds of friends they want and need. At times, it’s like a candy-coated Blade Runner, substituting the clean, bright lights of San Fransokyo for the grim wasteland of Los Angeles 2019. Like Ridley Scott’s seminal vision, it is concerned with the blurring line between humanity and machine, but unlike author Philip K. Dick, it says that we can not only control our creations, but we will eventually put our trust in them and be rewarded.

Maybe I’m diving too deep into a kid’s movie right off the bat, but Kids These Days (™) are far more tuned into these ideas than most adults, and stories like Big Hero 6 will be the battleground upon which the future is fought or surrendered to.

Big Hero 6

Referencing Neal Stephenson’s Snow Crash, the hero of Big Hero 6 is named Hiro (Ryan Potter), a 13-year-old budding cyberneticist whom we meet hustling back-alley robot fights with his deceptively cute fighting unit. Concerned about his brother’s flirtation with the underworld, Tadashi (Daniel Henney) takes him to the university where he is studying, and Hiro falls in love with the idea of school after seeing the gadgets dreamed up by Shaggy-like Fred (T.J. Miller), cyclist Go Go (Jamie Chung), neurotic Wasabi (Damon Wayans Jr.), and chemist Honey Lemon (Genesis Rodriguez). So Hiro enters a tech contest to win a scholarship to the school. His creation, a swarm of nanobots that he can control with his brainwaves, wins the attention of Professor Callaghan (James Cromwell) and entrepreneur Alistair Krei (Alan Tudyk). But his triumph is short lived, because there is a mysterious fire and explosion at the school, which kills Tadashi and destroys his nanobot creation. He has one ally: an inflatable medical robot named Baymax (Scott Adsit) that turns out to be infinitely useful as Hiro assembles his superteam to investigate the link between his brother’s death and a mysterious super villain who has eerily familiar nanobot servants.

Big Hero 6 is an origin story for a superhero team, but Baymax is the breakout star of the show.

This is not a Pixar film, but it bears the clear stamp of producer John Lasseter, who directed Toy Story. It is proceeded by an excellent short called Feast, the story of a relationship as told from the point of view of an adorable dog that looks more like the now-classic Pixar shorts than a Disney cartoon. Let’s hope the cross-pollination between the two studios continues to produce good fruit like Big Hero 6.