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News News Blog

Terri Freeman Talks About Her Resignation from NCRM

Editor’s note: The Flyer is sharing this story from the Memphis magazine website because of its timeliness.

Each December since 2013, Memphis magazine has named a Memphian of the Year. 2020 marks the first year that our selected Memphian of the Year announced she is leaving her post and, in fact, the city, just two days after the December issue was published. That’s what happened this morning when news broke that Terri Freeman would be resigning as director of the National Civil Rights Museum, effective February 3, 2021.

I interviewed Freeman for the December cover story at the end of October; we went to press with the issue the day before Thanksgiving, not knowing that the Memphian of the Year article would be transformed into a sort of thankful farewell by the time most readers picked up a copy or read the story online. When I saw the news this morning of her resignation, I was certainly surprised. Freeman had not mentioned any plans to depart during our extensive conversation; she told me today that she had considered whether she ought to bring it up, and decided that it wouldn’t be right to share the news with a magazine before telling many of those closest to her. And anyway, the Memphian of the Year honor is a marker of what someone has accomplished already, not what that person may or may not do tomorrow. Freeman’s existing contributions to Memphis are undeniable.

One strand of our October conversation stands out vividly today, in my memory: She and I empathized about the difficulties of being in a marriage that requires commuting. Her husband leads a congregation in Baltimore; mine teaches at a law school in Alabama. It’s tough dealing with chronic separation from the person you lean on most in the world, and keeping up the commuting lifestyle for months and then years doesn’t magically make it any easier — if anything, the opposite is true.

I spoke with Freeman this morning to ask her to shed some light on the news of her departure. She noted that “2020 was a really hard year for me” – beginning with a bad car accident in January, followed by the pandemic and associated shutdowns, and then losing her mother midway through the year. Her husband has been commuting between Memphis and Baltimore for six years, and Freeman says the two had decided that by the end of 2021, they needed to find a way to get their family back under one roof. Her husband “had tried to get a church here,” she said, “but it just didn’t work. He didn’t push me, and the job wasn’t something I was looking for.” Indeed, when she got a call from the Reginald Lewis Museum in Baltimore that they were looking for a new executive director, she said that initially, she “was not in the mindset to be thinking about this stuff.” But they pursued her, and she ultimately decided that this was the right time to make the move: the NCRM is in a stable position, and she feels good about handing over the reins.

“We don’t know what the future holds,” Freeman commented, “and neither one of us [her or her husband] is getting younger. We would like to be together.”

Before we hung up, Freeman told me that she has great love for Memphis. “I will always be an adopted child of this city,” she said, “and I am happy that I have been able to leave something behind that’s beneficial.”

Anna Traverse is CEO of Contemporary-Media and the editor of Memphis magazine. 

Categories
News The Fly-By

MEMernet: Zen-stagram Edition

MEMernet is a weekly roundup of Memphis on the World Wide Web.

We thought we’d take a week off from the snark and outright comedy Memphians so often provide on the internet.

Things are are still way weird out there, so let’s just take some deep breaths and soak in the serenity of some of our favorite Instagram posts from the week.

The Gardens

View this post on Instagram

Mask up, Memphis. 😷

A post shared by Dixon Gallery and Gardens (@dixonmemphis) on

MEMernet: Zen-stagram Edition


The Rainbow

MEMernet: Zen-stagram Edition (2)

The Birds

View this post on Instagram

More nest ❤️ from the park

A post shared by Overton Park Conservancy (@overtonpark) on

MEMernet: Zen-stagram Edition (3)

Don’t you feel better? We do. 

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Letter From The Editor Opinion

About That Cover …

Last Friday, I received a direct message on Twitter from county commissioner and mayoral candidate Tami Sawyer. I don’t know Sawyer well, but we’ve met and communicated a few times in recent years. I’ve always found her to be direct, genuine, and likeable.

Sawyer was asking me for contact information for the CEO of Contemporary Media, the parent company of Memphis magazine and the Memphis Flyer. She was upset about the cover of the September Memphis magazine. I told her that I hadn’t seen the magazine but that I knew it was about the mayoral race. She messaged me an image of the cover, which consisted of caricatures by artist Chris Ellis of mayoral candidates Jim Strickland, Willie Herenton, and Sawyer.

“Lord.” was my response.

It was horrible. I made a remark that all three candidates looked equally weird, but there was no getting around it: It was an offensive cover. Sawyer’s face had been distorted with the sort of stereotypical African-American tropes favored by racist cartoonists of the Jim Crow era. It did not look like her, even as caricature.The firestorm around the cover quickly consumed local social media and from there migrated to articles and columns in the Commercial Appeal and Daily Memphian and coverage by local television stations.

Shelby County Commissioner Tami Sawyer

The magazine editor initially issued a statement on the publication’s website, but it was weak sauce — asking readers to judge the magazine on its progressive history and issuing a more or less “sorry if we offended” apology. The next day, Contemporary Media CEO Anna Traverse issued a full-fledged formal apology, also on the magazine’s website. It was entitled “We Failed Memphis” and acknowledged the offensiveness of the cover images and the responsibility of the magazine to do better. Traverse also announced that newsstand copies of the magazine would not be distributed.

Many critics pointed out, correctly, that the Memphis magazine editorial staff is not diverse and that if, say, an African American were on staff, that cover decision might have been questioned and its intrinsic offensiveness pointed out. They are probably right.

We are well aware of the lack of diversity among editorial employees at CMI. Contemporary Media is facing the same issues that are plaguing many print magazines and newspapers around the country. Shrinking revenues have forced publications to reduce staff sizes. It’s not a great time for making hires, as much as we’d like to. Some publications have forced out older employees via buyouts and layoffs. It’s painful for those employees, but it does open the door to hire a younger and more diverse staff.

Contemporary Media has taken a different approach: keeping our staff but, in some cases, reducing their hours. Several editorial staffers have gone to four-days-a-week employment. Other full-time positions have been replaced with permanent part-time jobs, such as those of film editor and music editor. Five years ago, the Flyer had eight full-time editorial employees. Today, we have four — and I’m not one of them. (I voluntarily opted to work four days a week, beginning last January.) That said, the last four people I’ve hired to write for us (all in the last three years) are Maya Smith, staff reporter; Anthony Sain, Grizzlies beat writer; Andrea Fenise, fashion editor; and Aylen Mercado, monthly columnist. Three are African American; one is Hispanic.

We are aware of the problem and are trying our best to diversify our editorial voice at a time when we aren’t making full-time hires. It’s a struggle, but we’ll get there. The Flyer, for want of a better term, has been “right-sized,” consistent with its revenue.

We need to do better, but I’m convinced that under Traverse, who’s been our CEO all of 11 weeks, Contemporary Media is headed in the right direction. We are determined to continue to serve this community and do right by our readers — all of them.

Bruce VanWyngarden

brucev@memphisflyer.com

Categories
News News Blog

Contemporary Media, Inc. Announces Leadership Transition

Anna Traverse, Ashley Haeger

Contemporary Media, Inc. (CMi) today announced the appointment of Anna Traverse as its Chief Executive Officer, effective June 15th. She succeeds Kenneth Neill, longtime CEO, who will maintain an ongoing involvement with the company, which publishes Memphis magazine, the Memphis Flyer, Inside Memphis Business, and Memphis Parent, as well as a wide range of custom publications.

Traverse currently serves as Chief Operating Officer of CMi. At Contemporary Media, she has been involved in editorial creation, revenue generation, financial planning, and identifying and implementing new ventures.

Along with Ashley Haeger, the company’s Controller, Neill and Traverse have worked together as a leadership team since the beginning of 2019. Neill will serve as Publisher Emeritus of Contemporary Media, Inc. He also will maintain his role as Editor/Publisher of Memphis magazine, and as Founding Publisher of the Memphis Flyer.

Kenneth Neill

Addressing the company’s employees on May 23, Ward Archer, chairman of the company’s board of directors, said, “We thank Ken for his many years of leadership. We would not be here without his vision and guidance. Anna has demonstrated reliably sound decision-making, and she has the skill set to lead the company into a bright future.”

Traverse commented, “I am excited to take on this incredible opportunity, and grateful to Ken for making our company the vibrant place it is today and for his continued support.”

In addition to Traverse’s appointment, the company also announced that Jeffrey Goldberg will transition from his role as Director of Business Development to a newly created role as Chief Revenue Officer, effective immediately.