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Weekend Roundup 31: Naan Violence, Rob Thomas, Belle and Sebastian

Belle and Sebastian play Minglewood Hall on Sunday, August 30th.

Welcome to the 31st edition of my Weekend Roundup. Saturday is jam packed with shows, starting with Sweat Fest at Shangri-La, and indie-pop stars Belle and Sebastian play Minglewood Hall this Sunday, making for a well rounded weekend of rock-n-roll. Rob Thomas also performs at the Botanical Garden after rescheduling his concert earlier this summer. 

Friday, August 28th.

Live it up Fest with CCDE, 5 p.m. at the Hi-Tone, $15.

Jake Vest and the Dream Team, Naan Violence, 10 p.m. at Bar DKDC, $5.

Weekend Roundup 31: Naan Violence, Rob Thomas, Belle and Sebastian

Saturday, August 29th.

Sweatfest, 2 p.m. at Shangri-La Records.

Aquarian Blood,Nervs, Ten High, 9 pm. at The Buccaneer, $5.

Weekend Roundup 31: Naan Violence, Rob Thomas, Belle and Sebastian (2)

Rock Eupora, The Red Thangs, Movie Night, & Monticello 9 p.m. at the Hi-Tone, $6.

Rob Thomas, 7 p.m. at the Botanical Garden, prices vary.

Weekend Roundup 31: Naan Violence, Rob Thomas, Belle and Sebastian (3)

Marcella and her Lovers, 10 p.m. at Bar DKDC, $5.

Generation Jug Band Rascals, 10 p.m. at The Cove, $5.

Sunday, August 30th

Belle and Sebastian, Bully, 8 p.m. at Minglewood Hall, $32-$35.

Weekend Roundup 31: Naan Violence, Rob Thomas, Belle and Sebastian (4)

Shame Finger, Banned Anthem, Rebuilder, 9 p.m. at Murphy’s, $5.

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Music Music Blog

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson

Unknown Hinson plays the Hi-Tone Cafe on Saturday, June 13th.

We have made it to the 20th Weekend Roundup! All of the blood, sweat, and tears that get put into this ongoing blog post have hopefully turned you on to tons of new music, and to celebrate I think I’ll do more damage to my ears by checking out as many of these shows as possible.  

Friday, June 12th.
Reverend Horton Heat, Whiskey Shivers, Necromantix, 7 p.m. at The Hi-Tone, $20.

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson (2)

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Zoltars, Switchblade Kid, Wray, 9 p.m. at Murphy’s, $6.

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson (3)

American Fiction, 10 p.m. at Lafayette’s Music Room.

Marcella and her Lovers, 10 p.m. at Bar DKDC, $5.

Toy Trucks, Graham Winchester, 10:30 p.m. at the Buccaneer, $5.

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson (4)

Saturday, June 13th.
Unknown Hinson, Buckles and Boots, 9 p.m. at the Hi-Tone, $15.

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson (7)

Faux Killas, Day Creeper, 9 p.m. at the Lamplighter.

Roxy Roca, 10 p.m. at Lafayette’s Music Room.

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson (5)

Mighty Souls Brass Band, 10 p.m. at Bar DKDC, $5.

Sunday, June 14th.
Hannah Star, James and the Ultrasounds, 6 p.m. at the Harbert Avenue Porch.

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson

Dream Ritual, 8 p.m. at the Hi-Tone Small Room, $8.

Destruction Unit, Manateees, Aquarian Blood, Water Spaniel, Low Cult, 9 p.m. at Murphy’s, $8.

Weekend Roundup 20: Reverend Horton Heat, Wray, Unknown Hinson (6)

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Music Music Features

Sound of the Streets

The latest crop of local garage rock bands to grace the stages of places like Murphy’s and the Buccaneer is turning to a house behind the Kroger on Union Avenue to preserve their songs. Since moving in last August, Keith Cooper has offered his services to up-and-coming Memphis bands like Nots, Time, and Chickasaw Mound. Working under the moniker “Burgundy Sound,” Cooper offers a live-recording environment in his living room, where songs get cut in one take and smudges on the recording tape are considered psychedelic blessings. We caught up with the man behind the last three Goner Records releases to find out more about his home studio, his history of home recording, and what the people he shares a driveway with think of their new neighbor.

Memphis Flyer: When did you first start recording bands at home?
Keith Cooper: Every time I would try to record in a studio there just wasn’t a sound that captured what I wanted, so I started looking into tape machines and analog recording. I bought a reel and didn’t know how to use it for a long time, but then I got a mixer and when the Sheiks started getting rolling I got more serious about recording the bands I was in. I started talking to [local recording engineer] Andew McCalla because I knew he recorded bands, and he helped me out a lot in the beginning. This was all when I lived at my parents’ house. Mostly we were just testing out different recording ideas, turning knobs and figuring out sounds. We recorded the first Sheiks single at my parents’ house, and we’d be messing around until 4 a.m. before eventually my dad would come up and tell us to chill out.

When I moved into the “Burgundy Ballroom” I figured out how to make more weird psychedelic noises, and Chris Owen from Time asked if I would record his first album. That was my first hired job. There were some accidents during that recording session, but it had a human quality to it and Chris was really happy with the way it turned out.

When did you move into this new spot and how many different recording sessions have you worked on since moving in?
Since I’ve been recording at this new place, I’ve mostly been working with Jack Oblivian on his new album. I’ve also worked with Time, Aquarian Blood, Nots, Chickasaw Mound, Blackberries, plus all of my projects.

A lot of the equipment at your recording studio was either donated or loaned to you. Where did it all come from?
Andrew [McCalla] and I spent two days setting up the room, and Jack [Oblivian] brought over his tape machine and his drum set from when he was in the Compulsive Gamblers, and that’s when it became a real studio. I also got a lot of equipment from Kelley Anderson from Those Darlins. She had so much cool stuff, but when she moved to Memphis she couldn’t use any of it in her apartment, so she just unloaded all of this cool gear on me. She gave me a lot of tube pre-amps and a compressor, which is helping me keep this place strictly analog. Kelley’s also been coming over and showing me how to transfer things digitally, because that’s always been the chink in the chain for me. She’s been helping me get stuff completely ready to be mastered.

Because a lot of the recording equipment was donated, it seems like a co-op space to a certain extent. Does it have that kind of vibe?
I want it to be a relaxed, creative environment. At the same time, it is my house and I’d like to eventually soundproof this place. My neighbors don’t seem to mind, they like seeing the freaks roll in and play music. I guess it does have a loose co-op vibe.

With all the new bands cropping up around town right now, how busy are you with recording? Is there a limit or rules to the types of bands you work with?
Mostly I’ve been recording garage and punk bands because those types of bands seem to be the most comfortable with doing live, in-the-moment stuff. I try to make that option available to them, but I would definitely be interested in working with other types of bands. I’ve always told people that if they have something good to cut, bring it on. It’s really fun to preserve all this stuff going on right now, ya know? It’s going to be on tape forever.

Would you like to see your studio eventually move into a building other than your home?
That thought has crossed my mind, and that would be cool if this becomes something that big. The thing about living at home is that there are time constraints, so I definitely wouldn’t be against moving into a real space. On the other hand, I really like having all this stuff at my disposal when it comes to practicing and jamming. There are a lot of times when you’re in the zone and then later you’re like, “Wait, what the hell was I playing,” but that moment is gone forever. Being able to hit record whenever I want helps preserve ideas and late-night jams.

What are you working on right now?
We’ve been finishing up the latest Jack Oblivian album I’m pretty sure he’s done with it now and it’s been sent over to Hi-Low. Every song on his new album, besides a couple, were recorded at my house. Blackberries are coming back over, and Naan Violence might come over and get some stuff done.

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Music Music Features

Wand Live at the Hi-Tone

Los Angeles psych band Wand play the Hi-Tone next Monday, their first time back at the venue since opening for the Ty Segall Band last fall. Wand come from the same school of psychedelic rock as California bands Thee Oh Sees and White Fence, representing the softer side of sun bleached rock and roll. Front man Cory Hanson also played in The Meatbodies and Together Pangea, two other prominent garage rock bands from southern California. While those two bands can easily be pinned to a genre, Wand’s music takes a little bit longer to digest.

Justin Tenney

Wand

On the band’s debut album Ganglion Reef, Hanson and company focused heavily on guitar tone, running their riffs through multiple synthesizers and effect pedals to create the spaced out, Frippertronics-influenced songs. Ganglion Reef goes pretty deep into the nerd zone with its references, with song titles like “Generator Larping” and the cover image essentially being fan art for the video game Final Fantasy VI. After touring for much of 2014, Wand found time to record their second full- length record Golem, and the album will be released while the band is on this month long tour.

Touring with Wand is New Orleans party rockers Babes, a band that is pretty much impossible to search for on the internet. Babes has a record on New Orleans label Pizza Burglar Records, and they’ve already developed a following in Memphis after stopping through town on several occasions. While they don’t have any songs about larping, Babes do have catchy garage rock hits like “We are the Babes” and “My Poor Friends Suck”, and they shouldn’t be missed on Monday. Locals Aquarian Blood open the show.

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Music Music Features

Lost & Found

With so many local bands constantly releasing new music, it’s easy to lose track of everything that’s going on. We dug up six records (one pretty new, four old, and one super old) that you should seek out. Ranging from female gangster rap to transcendental sitar recordings, there’s something for most everyone on this list.



Jack O and the Sheiks — Live! From the Burgundy Ballroom (Secret Identity Records, Red Lounge Records)
Think of it as the Memphis version of the Kiss album Alive!. Even though it’s not an actual live recording (the band added plenty of overdubs later), Live! represents a time in Memphis where a house on Harbert Avenue was one of the best places in town to see local music. Known to everyone but the landlord as the Burgundy Ballroom, the makeshift venue was the headquarters of the Sheiks, serving as a recording studio, sanctuary, and speakeasy. Sometimes they slept there too. Recorded and mixed by Toby Vest and Pete Matthews, Live! bounces around through Jack Oblivian’s solo career, blazing through 13 tracks that fans new and old will recognize.

While it’s technically an import (released on German labels Red Lounge Records and Secret Identity Records), this record is all Memphis, and the first testament of the power of Jack O with the Sheiks backing him.

Best Track: “Black Boots.”

Aquarian Blood — Aquarian Blood Demo (Zap Records)
While local music fans were sad when Moving Finger called it quits after just one single on Goner Records, they didn’t have to wait long to hear more creepy garage punk from JB Horrell and his wife Laurel. Months after Moving Finger stopped playing shows, the Aquarian Blood Demo surfaced. The new band began appearing around town at places like Amurica and Black Lodge Video, blazing through live versions of songs Horrell had been recording at home mostly by himself. Heavily influenced by Father Yod and the Source Family, Aquarian Blood sound like a punk project of the Ya Ho Wa 13 tribe but with less Sky Saxon and more Charles Manson. If that sounds weird, it’s because it is. Aquarian Blood’s demo tape is nearly sold out, but a debut single is rumored to be released soon.

Best Track: “Down my Spine.”

Tori WhoDat — Krewe Dentials Mixtape (self-released)
When I said these are reviews of records we might have missed, I meant it. The Krewe Dentials Mixtape was released a year ago last week, yet this is the first time we’ve written anything about it. Krewe Dentials has almost as many different producers as it does tracks, making for a pretty diverse mixtape even though it stays within the confines of modern Southern rap. Memphis rapper Lil Wyte makes appearances on the Krewe Dentials tracks “Smoke Sum” and “Bad Bitches,” and it’s no surprise that those are the mixtape’s two strongest songs. Local MC Lucha Luciano also makes an appearance on the murder-obsessed track “Hitchcock,” but “We Do This” proves Tori WhoDat can definitely handle a beat without relying on established guest artists. At 17 tracks, Krewe Dentials is a great introduction to WhoDat, DJ Crumbs, and the rest of this local hip-hop sect.

Best Track: “We Do This.”

Reserving Dirtnaps — Reserving Dirtnaps EP (Self Released)
When you name your band Reserving Dirtnaps, chances are you aren’t interested in showering the world with a positive message. Reserving Dirtnaps features members of Clenched Fist and Dead City, two groups who proudly waved the banner of Memphis-style hardcore. While Clenched Fist hold the throne of the heaviest hardcore band in Memphis, Reserving Dirtnaps are becoming one of the premier hardcore bands in town, routinely getting the opening slot when similar touring bands come through. The Reserving Dirtnaps EP features five tracks of heavy modern hardcore, and while vocals and riffs are what normally stand out on hardcore albums, the drumming on Reserving Dirtnaps is also pretty incredible. Physical copies of Reserving Dirtnaps are sold out, but the EP is still available for download online.

Best Track: “No Consent.”

Manateees — Sit and Spin (Pelican Pow Wow)
Even if the local music press missed out on this release, media outlets like Pitchfork and Terminal Boredom had no problem calling Sit and Spin one of the most gruesome and grisly punk albums released last year. While their earlier singles might have dipped into the dark side of garage rock (and black metal), Sit and Spin is for the most part a melodic punk album, with front man Abe White singing instead of howling and screaming over harsh stabs of noise. Sit and Spin wound up on plenty of year-end lists in 2014, and Manateees toured all the way to the West Coast last summer on their signature brand of “1-2-F-U” punk rock. After a handful of well-received singles, Sit and Spin is the victory lap for Manateees and proof that White has plenty more up his sleeve.

Best Track: “Cold and Rhythmic.”

Naan Violence — Naan Violence (Zap Records)
File under most likely to be played in Ebbo’s Spiritual Supply House. Naan Violence is the project of Arjun Kuhlharya, a sitar player from Atlanta who spends his time in Memphis when he’s not on tour. Kuhlharya calls Naan Violence “Transcendental Free-Sitar,” and that’s a pretty accurate description, with the three songs on the album going well over the 10-minute mark. Recorded by Andrew McCalla, Naan Violence features tablas, synthesizer, flute, and a whole lot of spaced-out sitar. Kuhlharya’s willingness to take his show on the road and play in places that you wouldn’t normally hear the sitar (dive bars) has sent him all over the country, and he’s currently gearing up for another summer tour. It’s limited to 400 copies, so act fast.

Best Track: “High Noon Tea at the Connected Gates.”

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Sing All Kinds We Recommend

Sound Advice: Rat Columns Saturday at Murphy’s

A couple of issues ago, Joe Boone wrote a feature on all of the Australian bands coming to Goner Fest this year. If you’re a fan of any of the bands mentioned in his article, head to Murphy’s this Saturday to check out Rat Columns, a band that boasts members of acclaimed Australian acts Total Control and Lace Curtain . Opening the show is Toxie and the new band Aquarian Blood, which features members of the now defunct Moving Finger. Check out the Rat Columns video below and get to Murphy’s by 9 p.m. Saturday. $7 gets you in.