Categories
News The Fly-By

MEMernet: Sassy Stolen; Heartache, Window Break; and Back to the Pyramid

Memphis on the internet.

Sassy Stolen

For years, a Bigfoot statue welcomed Cooper-Young folks from stairs close to a sidewalk. Sassy wore seasonal costumes, like the University of Memphis jersey above.

Someone stole Sassy last Monday, Jennifer Jordan posted on Nextdoor. “Please keep an eye out!” she wrote.

Heartache, Window break

Posted to Nextdoor by Alex Singh 

“If anybody lives on Autumn or near High Point and you just heard a hysterical female screaming for over an hour, I am very sorry, and everybody is okay, and to anybody reading just remember they’re an ex for a reason! And they won’t change!” Alex Singh posted on Nextdoor last weekend. “Anybody fix windows?”

Back to the Pyramid

Posted to Facebook by Clark Bennett

“I visited [the Pyramid] in my 1981 DeLorean when it was being built,” Clark Bennett wrote on Facebook. “I didn’t know until I went ‘Back to the Future’ it was destined to be a Bass Pro Shop.”

Categories
Film/TV Film/TV/Etc. Blog

Back To The Future Trilogy at the Time Warp Drive-In

Christopher Lloyd, Mary Steambergen, and Michael J. Fox in Back To The Future 3

Saturday, March 16 at the Malco Summer Drive-In, the Time Warp Drive-In kicks of the spring season with a Back To The Future marathon.

What can you say about the Back To The Future trilogy that hasn’t been said already, probably by better minds than yours? That it’s great? The first film, released in 1985, is considered to be the endpoint of what critic Keith Phipps called the “Laser Age”, the fertile and fascinating period of science fiction filmmaking that began in 1968 with Planet Of The Apes. Stephen Spielberg protegée Robert Zemeckis and his writing partner Bob Gale had been working on the concept for years before the unexpected success of Romancing The Stone and Amblin Entertainment’s war chest from E.T. allowed them to make the risky film that became a modern classic. This trailer, which should be taught in Trailer School (if they have such a thing) doubtlessly contributed to the film’s financial success.

Back To The Future Trilogy at the Time Warp Drive-In

There wasn’t supposed to be a sequel to Back To The Future, but after it made $389 million on a $19 million budget, plans changed. To save money and make scheduling easier, the team decided to shoot 2 and 3 back to back. There ended up being a three-week overlap where two crews were working simultaneously, with Zemeckis helming one and Gale the other. This approach would later be revisited by Peter Jackson when he compressed all three Lord Of The Rings movies into one mammoth filming schedule.

1989’s Back To The Future 2 may not have the emotional resonance for some folks as the first one, but it’s a big-budget filmmaking masterclass. It was the storied visual effects company Industrial Light and Magic’s biggest production up until then. The script is an improbable mess that has to stop in the middle and literally draw the audience a diagram to explain what’s going on—and yet somehow it works! Maybe because the story, which takes place in 1985 and the then-future, now-past of 2015, asks the absurd question, “What if someone like Donald Trump was president? Wouldn’t that suck?” Indeed it would.

Back To The Future Trilogy at the Time Warp Drive-In (2)

Back To The Future 3, which moves the action to 1885, seems to exist mostly so Zemekis and Gale can riff on Western tropes. But it turns out to be an inspired bit of visual filmmaking, and the favorite of some fans of the trilogy. Personally, I love how the entire third act is designed around Mary Steenburgen’s purple dress, which pops out of the brown-on-brown palette of the Old West.

Mary Steenburgen as Clara Clayton runs through peril for about half of her screen time in Back To The Future 3.

Once you see it, you can’t unsee it. Just watch how that one, seemingly simple wardrobe choice helps bring visual coherence to this chaotic action scene.

Back To The Future Trilogy at the Time Warp Drive-In (4)

Here’s the trailer that introduced the film in 1990.

Back To The Future Trilogy at the Time Warp Drive-In (3)

The Time Warp Drive-In Back To The Future night begins at dusk on Saturday. 

Categories
Letter From The Editor Opinion

When Notoriety Backfires

Notoriety is a funny thing, and when it comes, you’d better be prepared to roll with the flow. Get your people ready. When the public turns its eyes to you, anything can happen. Andy Warhol famously said that in the future everyone will be famous for 15 minutes, but these days fame does not arrive and depart with such tidal efficiency. It sloshes and roils like choppy surf. One day, you’re on top of the news cycle; 24 hours later, no one remembers your name, as you sink beneath the waves. (See, Scaramucci, Priebus, Hicks, Tillerson, McMaster, Spicer, et. al.)

When you’re a corporation, like, say, United Airlines, notoriety can eat your lunch. A couple bad PR moments — a passenger dragged off a plane, say, or a dog dying in an overhead bin — and your reputation is shot. The only good news is that expectations are lowered, as in, “Oh, we were on the tarmac for three hours and they sent my bag to Milwaukee, but what do you expect? It was United.”

There are ways around this peripatetic cycle, of course. One way is to become president. When you’re president, you can be famous 24 hours a day, if you want to be. You can be famous every 15 minutes, nonstop. You can turn every news cycle into your own reality show, filled with people talking about what you said and how you said it, where you went and what you did. It can be all about you. Which is how President Donald Trump appears to like it.

But this week, Trump is having to take a seat in the gallery and watch as the nation pauses to remember President George H.W. Bush, who passed away at 94 last weekend. Bush 41 was not without flaws during his presidency; some of his domestic policies, his “Willie Horton” ads, and his ignoring of the AIDS crisis were marks against him. But Bush and Russian President Mikhail Gorbachev together engineered the end of the Cold War and brought down the Berlin Wall, a monumental achievement that will remain his enduring presidential legacy. Bush was, by most accounts, a decent and honorable man who loved his family and served his country with dignity.

During Bush’s presidency, he was plagued — unfairly, given that he was a World War II combat pilot and played college baseball — by what was called the “wimp factor.” He was compared, on occasion, to George McFly, the hapless character played by Crispin Glover in Back to the Future, to whom Bush bore some resemblance. George McFly’s nemesis was the evil bully, Biff Tannen, who delighted in giving George noogies and shouting, “THINK, McFly!”

It’s not a stretch to see the parallels between blowhard Biff and Trump, who, at a rally just a few weeks back, took great delight in making fun of the elder Bush’s volunteer program, “a thousand points of light.”

“A thousand points of light. What the hell was that?” Trump smirked to his adoring cult. “Can somebody explain that to me? I don’t think anyone ever understood that.” He might as well have added, “THINK, McBush!”

Ha. Ha. Nothing says class more than making fun of a dying 94-year-old former president and war hero for a cheap laugh. But time has a way of evening scores. In Back to the Future, George found his courage, gave Biff a shot to the jaw, and won the girl, demonstrating that the fearsome bully was all bluster and bravado. Time may do the same to Donald Trump.

I believe the next few weeks will test the country’s resolve — and the rule of law — as Robert Mueller’s Russian investigation brings to light more unsavory connections between the Trump organization and Russian intelligence during the 2016 campaign. We’d best batten down the hatches. Trump’s American reality show will reach new heights of drama and intrigue — and maybe even a season finale.

But no matter what happens, it helps to remember that notoriety fades in a flash and history is written in indelible ink. If Donald Trump lives to 94 and his body is brought to the Capitol Rotunda, I suspect the years will not be as kind or as forgiving as they have been to George Herbert Walker Bush.

Categories
Film Features Film/TV

Film Review: The Walk

2015 is a big year for Robert Zemeckis. It’s the 30th anniversary of his all-time classic Back to the Future. On October 21st, the film’s fans will gather for a marathon viewing of the entire trilogy on the very day Marty McFly and Doc Brown traveled to in Back to the Future Part II.

Yes, we’re as far in time from 1985 as Marty and Doc were from the Enchantment Under the Sea dance. The Zemeckis of 1985 couldn’t have known he was making an enduring masterpiece, but he would no doubt have been pleased to know that when 2015 rolled around, he would have a new movie he wrote, directed, and produced in theaters, and it would be a good one.

The story behind The Walk has been told onscreen before, in James Marsh’s 2008 documentary Man on Wire. In 1974, Philippe Petit, a French mime, street performer, and high-wire obsessive, read an article about the 110-story twin towers of the World Trade Center that were about to be completed in Manhattan. The Parisian became obsessed with the idea of performing a tightrope walk between the towers, which would not only be the highest tightrope walk in history, but, as they were the tallest buildings in the world, the highest tightrope walk possible. Neither the fact that the towers were on another continent, nor that the whole enterprise was both absurdly illegal and almost certainly suicidal, could deter Petit from his dream. Such was his confidence that he was the only person who wasn’t surprised when he pulled it off.

Joseph Gordon-Levitt as Philippe Petit

In Zemeckis’ version of the story, Joseph Gordon-Levitt has the unenviable task of playing Petit. I say “unenviable” because playing the larger-than-life Frenchman means being saddled with an out-a-rage-ous accent for The Walk‘s two-hour running time. Even worse, Zemeckis, like the documentary director Marsh, chose to allow Petit to narrate. In Marsh’s case, that means letting the interviewee tell his own story from the safety of the ground. But the fictionalized Petit narrates from a precarious perch atop the torch of the Statue of Liberty.

If this sounds eye-rollingly cheesy to you, you’re right. It is cheesy. And yet, Zemeckis somehow makes it work. If Petit was a fictional character, he would have to be toned down to be believable. But he’s real, and Gordon-Levitt plays him fairly straight. Post-Forrest Gump Zemeckis has often tumbled over into the too-precious abyss, but Petit’s natural outlandishness has the perverse effect of grounding the director.

The visuals, on the other hand, are far from grounded. Zemeckis has made a career of being perched on the cutting edge of film technology, from digitally compositing Forrest Gump into real historical footage to the early CGI animation of The Polar Express. In The Walk, he makes one of the few convincing arguments for 3-D I’ve seen. It’s usually just a ticket-price-inflating gimmick—does anyone really think the sweeping vistas of Lawrence of Arabia would be better in 3-D? But the story of the crazy guy who walked a tightrope 1,377 feet above Manhattan is absolutely the right subject matter for stereoscopic photography. Zemeckis has great fun manipulating the viewer’s depth perception, especially once Petit steps out onto the highest of wires. Combined with the flawless, photorealistic CGI, he makes The Walk a completely immersive experience. Since he’s the narrator, you know Petit is going to make it across unharmed, but it’s still a sphincter-clinching journey. If you’re prone to vertigo, you should sit this one out. But for the rest of us, The Walk is a movie best experienced from the edge of a theater seat.

Categories
Film/TV Film/TV/Etc. Blog

Throwback August: Back To The Future

I’ll preface this by saying that I had never seen Back to the Future before last night (I know, I know.) I loved it. I am basking in its glow. I wish that every movie made in 2015 was erased from time with the help of a flux capacitor and replaced with Back to the Future.

Usually in time travel movies, funny or serious, the characters return to their own time with some sort of overarching moral lesson gained from the time where they have been. It is an annoying failing of most time travel-y fictions that they are basically nine parts “A Christmas Carol” and one part science fiction. “Wow,” says every character ever, “my harrowing trip back to the Middle Ages sure did teach me the true JOY of life.” Gross.

Down with moralizing and Dickensian visions of time travel! Up with fun! Up with Christopher Lloyd! I was cautioned, going into my first ever viewing of Back to the Future that it is “a perfect movie.” I agree. It feels remarkably new, probably because no one has yet figured out how to make fun of 1985 better than Back to the Future did in 1985. When is that ever true? Have we learned nothing from Back to the Future? How do movies like The Lake House, the magic time-bending mailbox movie from 2006, even get made?

National treasure Christopher Lloyd as Doc Brown in Back To The Future

Maybe it holds up so well because we never tire of a good Oedipus story. Or maybe it is because Christopher Lloyd is an alien genius sent to earth to help us all. But probably it is just because of the moment when Marty McFly (Michael J. Fox) asks Doc Brown, incredulously, “You made a time machine out of a DeLorean?” (Doc Brown responds “If you’re going to build a time machine out of a car why not do it with some style?”)

The most stylish time machine ever built.

I love the vision of the dopey, middle American family who bakes a parole cake for their uncle. I love how, when Marty returns to 1985 from 1955, he immediately runs into a bum and an erotic cinema and exclaims, “Great! Everything looks great!” Back to the Future gets the formula right: to make a movie that is both funny and heartfelt, you need not waste your time figuring out characters transformative emotional journeys or any of that yada yada. You just need 1.21 gigawatts of honest-to-god Christopher Lloydian imagination, and you will be good. 

Throwback August: Back To The Future