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Huge Lineup Of Memphis Musicians Come Together To Benefit Saxophone Legend Dr. Herman Green

Justin Fox Burks

Herman Green

Octogenarian saxophone legend Dr. Herman Green is one of Memphis’ most loved and respected musicians. Some recent health problems have left him in a bad spot, so his friends have organized a concert to help him out. And Dr. Green has a lot of friends.

This Saturday, November 10th, beginning at 3 p.m. and running until the wee hours of Sunday, Rum Boogie Cafe will be packed wall to wall with some prime Memphis talent, thanks to his friend and longtime bandmate in Freeworld, Richard Cushing, and Memphis Blues Society board member Mark E. Caldwell. Just check out this mind boggling, two-stage lineup: 

Blues Hall

3:00 – 3:25 p.m.: Southern Avenue
3:35 – 4:00 p.m.: Blind Mississippi Morris
4:10 – 4:35 p.m.: Brad Webb & Friends
4:45 – 5:10 p.m.: Papa Don McMinn’s Blues Babies
5:20 – 5:45 p.m.: Tlaxica & Pope
5:55 – 6:25 p.m.: Mojo Medicine Machine
6:35 – 7:00 p.m.: Eric Hughes Band (w/ Mick Kolassa)
7:10 – 7:35 p.m.: Booker Brown
7:45 – 8:10 p.m.: Outer Ring
8:20 – 8:50 p.m.: Mark “Muleman” Massey
9:00 – 9:30 p.m.: Vince Johnson & Plantation Allstars
9:40 – 10:05 p.m.: Lizzard Kings
10:15 – 11:00 p.m.: Chinese Connection Dub Embassy
11:15 – 1:00 a.m.: Sister Lucille

Rum Boogie Café

3:00 – 3:25 p.m.: Billy Gibson Duo
3:35 – 4:00 p.m.: Barbara Blue Band
4:10 – 4:35 p.m.: Mighty Souls Brass Band
4:45 – 5:10 p.m.: Robert Nighthawk & Wampus Cats
5:20 – 5:45 p.m.: Jack Rowell & Royal Blues Band
5:55 – 6:25 p.m.: Delta Project
6:35 – 7:00 p.m.: Ghost Town Blues Band
7:10 – 7:35 p.m.: Devil Train
7:45 – 8:10 p.m.: Earl “The Pearl” Banks
8:20 – 8:50 p.m.m: Ross Rice
9:00 – 9:30 p.m.: The Temprees
9:40 – 10:05 p.m.: FreeWorld (w/ Ms. Zeno & Al Corte)
10:15 – 11:00 p.m.: FreeWorld (w/ Ross Rice)
11:15 – 1:00 a.m.: FreeWorld (w/ Dr. Herman Green)

If you can’t find something you like in there, I don’t know if I can help you. If you can’t make the show, but still want to help out the good doctor, you can contribute to the GoFundMe drive at this link.

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Music Music Blog

Believe Me: A Benefit Concert For Alyssa Moore

Nearly three weeks have passed since the traumatic events at Murphy’s Bar which ended in the suicide of Jared McLemore. His primary target was audio engineer Alyssa Moore, and her recovery has been of great concern to most of the Memphis music community. This Saturday, June 3rd, local bands and comedians will join together in a show of support for her, hosted by the Memphis Made Brewery.

Although the show is free, donations to the Alyssa Moore Recovery Fund will be accepted. Recently, the fund has announced that it will provide support to others who were scarred by that night’s horrific events or other domestic violence incidents.

The line up will be:

2pm- 2:45: Linda Heck
https://soundcloud.com/linda-heck

3pm- 3:45: Mystic Light Casino
https://mysticlightcasino.bandcamp.com/album/7-20-2016?t=5

4pm- 4:45: The Rough Hearts
https://www.reverbnation.com/theroughhearts

5pm- 5:45: The Margins
https://themarginstn.bandcamp.com/releases

6pm- 6:45: Static Bombs
https://www.facebook.com/Staticbombs/

7pm- 7:45: Los Psychosis
https://soundcloud.com/los-psychosis

8pm- 8:45: Crockett Hall
https://soundcloud.com/crockett-hall

9pm- 9:45: The Incredible Hook
https://www.reverbnation.com/theincrediblehook

Some Memphis comedians will be filling in between sets:

Will Loden
Angela Garrone
Tommy Oler
Katrina Coleman
Jason Pulley
Benny Elbows
Hunter Sandlin

831 South Cooper Studios will live stream the show. http://831southcooper.com/

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Music Music Features

Oh! You Pretty Things

Days before tons of Memphis musicians gather to pay respects to the Thin White Duke, we caught up with Graham Winchester — the Memphis Does Bowie tribute show organizer — to find out more about the unique benefit concert. –Chris Shaw

Flyer: How soon did this idea come to you following David Bowie’s death? What was the motivation behind it?

Graham Winchester: It was the day after David Bowie died I had the idea. I read Facebook comments of people saying they wished they could have seen him play live. I also saw that people were having a vinyl listening party in his honor, so I thought, “Why not throw a live show in his honor?” The motivation was to turn a sad and tragic moment in music history into a catalyst for positivity. St. Jude’s involvement makes the tribute and the charity work a doubleheader of amazingness.

How open was Minglewood to doing the show?

They have been very cool and helpful about everything. I sent a text to Brent Logan at Minglewood Hall hoping maybe the 1884 Lounge would be open, and it was. He messaged me back within five minutes, and it was a done deal until our Facebook event started exploding with numbers, so we got the big stage cleared for use that night.

What’s the response from local musicians been like since you announced the show?

There was an overwhelming amount of musicians asking to play. Everybody was immediately stoked on the idea. Even visual artists, vendors, and caterers have shown their support and have requested involvement, which Minglewood and I are trying our best to organize and make happen. We have so much musical talent in Memphis, and it’s been truly touching how many people I admire have reached out about the event.

How about local David Bowie fans?

It’s the people’s enthusiasm and support that has ignited hype and increased anticipation about the benefit. The reactions to the show have been 100 percent positive. Social media has made me even more aware of the general buzz about what’s going down Saturday. Local fans have expressed their desire to dress up, wear Bowie face paint, and create their own tribute by representing Bowie’s style. People’s sentiments have been full of nothing but gratitude and support.

 

How did you pick the bands and musicians who are participating?

After announcing the show online, a wealth of talented musicians and bands responded immediately asking to play. Trying to honor a first-come, first-served mentality, I responded to initial inquiries first. I also made sure a few of my bands were playing, since I love Bowie’s music and know my bandmates do too. It is a stroke of serious luck that the bands performing and the songs they’ve chosen truly reflect Bowie’s expansive career through all of its eras. Our local musicians and artists are extremely versatile too. I only wish I could have found a time slot for every band and musician that asked to play.

 

Where does St. Jude come in?

I’ve orchestrated benefit shows in the past, and it’s something that I truly enjoy. I play plenty of regular shows, and it feels nice to give back. I’ve always wanted to work on a benefit for St. Jude, and I saw this as a shining opportunity. Both St. Jude and David Bowie have had so much global influence, and music is the great healer of the universe.

As for the logistics of the show, how are the sets going to work? How long will each set be?

Bowie’s timeless music will go from 6 p.m. sharp to midnight. Most bands are playing two to four songs, and I am allowing five minutes per song with five-minute set changeovers. Most Bowie songs are under five minutes, so that allows for extra changeover time in the end. There is a total of 17 artists/bands performing. Towards the end of the night, Clay Otis and Luke White’s new group (that I’ve luckily been asked to be a member of) is going to do a final eight-song set. I couldn’t be happier with the overall lineup.

 Who are you most looking forward to seeing? How many sets are you playing?

I’m performing with six groups: Brian Sharpe, Chris Johnson and Landon Moore, Clay Otis and Luke White, the Graham Winchester Band, and the Sheiks and Staniel Brown. As far as what I’m looking forward to? All of it. I am particularly hyped about Richard James singing “John, I’m Only Dancing” and the Incredible Hook doing “All the Madmen.” Overall, there is just too much great music scheduled to express my excitement in one interview.

What do you have planned for the grand finale?

To be perfectly honest, I hardly know what to expect of the “Heroes” finale. What I do know is it’s gonna be a hell of a finish. The things that are finite are the rhythm section and the five lead vocalists for each verse. However, every musician there will be involved and onstage, whether it’s singing the chorus or shaking a tambourine. The musicians and fans are all going to celebrate a night of Memphis community and a night of tribute and benefit to arguably one of the greatest artists to ever live and what is absolutely the greatest hospital in the world.

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Music Music Features

Handy Heritage Awards

Heritage Tours, Inc. will honor the recipients of the 11th annual W.C. Handy Heritage Awards Sunday, November 18th, at 6 p.m. at the Gibson Lounge. This year’s gala celebrates the 134th birthday of the “Father of the Blues” and the 50th anniversary of Memphis soul.

Honorees cover a wide range of local musicians, including street-corner blues guitarist Fred Sanders, gospel singer Deborah Manning-Thomas, Stax soulman Eddie Floyd, doo-wop harmonizers The Astors, former Stax sideman and erstwhile Bo-Key Ronnie Williams, and worldwide blues belter Koko Taylor.

All have confirmed their attendance and, with the exception of the Astors, will perform.

The Handy Heritage Awards recognize lesser-known musicians. “Memphis has been able to maintain the “Home of the Blues” title thanks to them,” Elaine Turner, executive director of Heritage Tours, says. “They were playing on Beale Street when it was down. Fred Sanders has taken Memphis blues all over the world, and he’s playing in the park on Beale Street today. These are people who’ve basically been overlooked. We don’t just search for people with big names.”

Additionally, B.B. King‘s longtime executive assistant Polly Walker will receive the Music Business Award. “She’s been a behind-the-scenes person,” Turner says. “With the hectic schedule [King] has, somebody had to be the business person, and she has been for many years.”

The late jazz bandleader and Memphis high school teacher Jimmie Lunceford will receive a posthumous honor in recognition of the 60th anniversary of his death.

Tickets cost $30, and proceeds benefit the W.C. Handy Memphis Home and Museum, which Heritage Tours manages at 352 Beale Street. — Preston Lauterbach

For the Benefit of Mr. LFM

Christopher Reyes, founder and proprietor of LiveFromMemphis.com, has been one of the most tireless and prolific supporters of local music (and film) in recent years, providing a great online resource for artists and fans alike while better-funded organizations such as the Music Commission have come up dry on the same front.

Recently, Reyes has found himself waylaid by back surgery and the medical bills that come with such a procedure. With his labor of love Live From Memphis already a shoestring operation, Reyes could use a little help, and this weekend offers a chance for the arts community he’s served so well to come to his aid.

Mark Akin of The Subteens has organized a benefit concert for Reyes and Live From Memphis Saturday, November 17th, at the Hi-Tone Café. The always high-energy Subteens will headline the show, with Giant Bear, The Harmony Brothers, The Perfect Fits, and Billie Worley & the Candy Company rounding out the bill. Akin says there will also be an art show and live auction. Doors open at 8 p.m., with music set to start at 9 p.m. The cover is $7, with all proceeds going to help Reyes as well as Live From Memphis.

Additionally, those wishing to help with operating costs of Live From Memphis can donate directly at LiveFromMemphis.com/donate. — Chris Herrington

Waylo Back at the House of Hi

It isn’t quite the Memphis relaunch of Stax Records, but Willie Mitchell, godfather of Memphis soul, has announced the resurrection of his Waylo Records label. Mitchell originally founded Waylo in 1982 after the sun set on Hi Records with the onset of disco. He produced and released Waylo records from soul stalwarts Otis Clay and Ann Peebles before mothballing the venture in the late 1980s.

“When Hi Records was sold, there were four people involved,” Boo Mitchell, Willie’s son and business manager, explains. “My dad was the only one who was like, ‘Guys, we’re making a mistake.’ So he bought the studio and started Waylo.”

What the Waylo announcement lacks in hoopla, at least compared to the Stax fanfare, it compensates with substance. Mitchell will focus on local talent, beginning with the label’s first release, Mashaa‘s Anytime, Anyplace, Anywhere. Mashaa (real name: Erma Shaw) is a Mitchell protégée who moves to the forefront after singing back-up on numerous songs at Mitchell’s South Memphis Royal Studios.

“He was trying to shop [Mashaa] out to a major label to pick up,” Michell says. “He got tired of shopping it around and decided to release it himself. Select-O-Hits is distributing it. We’ll press CDs and do digital.”

Michell describes the sound as traditional rhythm-and-blues. “The lineup is basically the whole crew that he normally uses, with live instruments. It sounds like a graduated version of the Memphis sound of the ’70s,” he says.

Coming next are reissues of Clay, Peebles, and Lynn White records from Waylo’s first run.

These days, if you ask Boo Mitchell what he’s doing, day or night, he’ll tell you the same thing: “Cuttin’ records.” — PL

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Book Features Books

Library Book Sale Moves

The Friends of the Memphis Public Library will host its quarterly book sale September 6-8. But there is one important change. Instead of being held at the downtown Cossitt Branch library, where it is usually held, the sale will be at the Benjamin Hooks Central Library.

Paperbacks can be purchases for 50 cents. Hardback books cost $2.

Organizers say the new location means more space and more available parking. But won’t it also mean more competition from the Friends-run Second Editions?

Proceeds from the sale benefit the Memphis Public Library & Information Center. For more information, call 415-2700.