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Official: No ‘Skullduggery’ In School Board Race

Longtime Memphis-Shelby County Schools board member Billy Orgel has chosen not to seek reelection for his District 8 seat, a last-minute announcement that prompted Shelby County’s top election official to seek legal advice on whether to invoke an election reform law called the Anti-Skullduggery Act

The law, sponsored by U.S. Rep. Steve Cohen when he was a state legislator, says the deadline for candidates to qualify for an election must be extended if an incumbent withdraws from the race too close to the filing deadline. The law is meant to keep incumbents who are not interested in reelection from entering a race and then withdrawing, using their influence to discourage other candidates from competing.

Linda Phillips, the administrator of elections for the Shelby County Election Commission, said she consulted with four or five lawyers who “were unanimous in their beliefs” that the Anti-Skullduggery Act did not apply. Although Orgel requested a petition to run, he never submitted it, Phillips told Chalkbeat Thursday evening.

“Since no petition was filed, he was not a candidate; therefore, that law does not kick in,” she said, and the commission did not vote on extending the deadline.

Skullduggery, meaning dishonest or dishonorable behavior, is a term used in Tennessee politics to describe unethical election procedures.  In recent years, the law was invoked to question the process in a county commission race in Sumner County

Orgel said he pulled a petition to be a candidate in February, filled it out and had it in his car to turn in this week. But when he saw at least one other candidate had filed a petition for his seat, he said, he decided not to run for re-election. Orgel said it’s been an honor representing District 8 in East Memphis for 11 years, but he felt it was “just time” to resign.

“I think we made some great strides and we’ve done some wonderful things, from Superintendent [John] Aitkin, to [Dorsey] Hopson, and now Dr. [Joris] Ray, and I’ve enjoyed serving with them,” Orgel said Thursday. “None of these jobs are forever.”

Orgel, a Memphis native and East Memphis businessman, has served on the board since 2011 and currently chairs the board’s capital needs and facilities committee. 

Last year, the University of Memphis announced that it was naming its affiliated middle and high school for Orgel and his wife, Robin Orgel, who donated to the project. Last year’s vote approving the opening of the new University of Memphis high school was one of the most contentious votes in recent months with some board members voicing concern that the proposal had been fast-tracked, bypassing typical procedures.

With Orgel’s decision not to proceed, Amber Huett-Garcia is the only candidate running for District 8. Huett-Garcia requested a petition for candidacy on Tuesday and returned it Wednesday with enough signatures to qualify. 

Huett-Garcia is the senior director of student and family support for comprehensive planning at the Tennessee Department of Education.

An Illinois native, Huett-Garcia started her career working in Illinois’ state government and state Senate, then moved to Memphis in 2011 to teach at Ross Elementary, her personal website says. She previously served as director of corporate and foundation fundraising at Teach for America, and has served on the boards of several nonprofit education organizations in Memphis, including First 8 Memphis and the Higher Learning Project, according to her LinkedIn profile.

On Thursday, Orgel called Huett-Garcia “a great choice for the voters.”

“I think that my job’s done. There’s somebody else that’s interested in doing it and they’re passionate about education and Shelby County and students,” Orgel said. “I would welcome having that new person in District 8 and taking my place on the school board.” 

In addition to Huett-Garcia, 11 Memphians are competing for four open seats on the board in the August election.

As of the Shelby County Election Commission’s filing deadline on Thursday, 12 of the 15 petitions pulled for the Aug. 4 school board contest had been approved. One candidate who filed for District 9 did not receive enough signatures, according to commission documents. Orgel and another school board hopeful in District 6 ultimately never submitted a petition.

Among the candidates vying to represent school board districts 1, 6, 8, and 9 are two incumbents; a temporary school board member appointed by the County Commission after member Shante Avant’s resignation; and several others who applied for the spot.

Here is a full list of approved school board contenders as of Thursday’s filing deadline, in alphabetical order, sorted by district. Incumbents and the recent appointee are shown in bold.

District 1 (Downtown and Midtown):

  • Christopher Caldwell
  • Michelle McKissack
  • Rachael G. Spriggs

District 6 (South Memphis, Riverside, Westwood, and Whitehaven):

  • Charles Everett
  • Timothy Green
  • Kenneth Lee
  • David Page, Jr.
  • Tiffani Perry
  • Keith Williams

District 8 (East Memphis): 

  • Amber Huett-Garcia

District 9 (Southeast Memphis):

  • Joyce Dorse-Coleman
  • Rebecca J. Edwards

Bureau Chief Cathryn Stout, Ph.D. oversees Chalkbeat Tennessee’s coverage. Contact Cathryn at cstout@chalkbeat.org. Samantha West is a reporter for Chalkbeat Tennessee, where she covers K-12 education in Memphis. Connect with Samantha at swest@chalkbeat.org.

Chalkbeat is a nonprofit news site covering educational change in public schools.

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Food & Drink Hungry Memphis

At Long Last: Dory Restaurant is Slated to Open New Year’s Eve



The moment foodies have been waiting for now can be announced: Dory, the new restaurant owned by chef Dave Krog and his wife, Amanda, is slated to open December 31st.

This is the much-anticipated restaurant at 716 West Brookhaven Circle.

“We’ve still got some things to do, but we’ve got all the furniture in here,” Amanda says. “Art is coming tomorrow.”

And, she says, “It’s real cozy in here. Warm. And it feels like there needs to be some bodies in here.”

The Krogs are pleased with the way the restaurant turned  out.  “A girl came in the other day and told me that what I told her my vision was, I achieved it,” Amanda says. “To mesh different styles together comfortably. He (Dave) likes sleek lines and very crisp. And I like other things. I like soft things and pretty things. And I like to see some things on the shelves.”

“She let me oversee construction and we designed this on the front end, the way the restaurant is laid out,” Dave says. “We picked out most of the furnishings together. And after all of that was done, I focused on the kitchen. Amanda came in and she picked all the paint colors. She picked out all the furniture. So, basically, the hard install was mutual and the decor was Amanda. And that’s how we got to meet in the middle.”

Amanda described the interior as “all natural earth tones.”

“The building is black outside,” Dave says. “It’s painted black with natural shutters.”

“Zach Shoe from Iron & Design did the rails on the porch,” Amanda says. And they kind of match when you walk in the building.”

He also did the louvered screen that separates the lounge area between the dining room and the bar. “This large metal art installation that’s a screen and the beautiful hostess stand by Benji Camp are the first two things you see at the same time,” Amanda says.

The screen, Dave says, “looks like vertical blinds, but each one of the louvers coming  down are different sizes, ranging from five inches to two inches. It’s an amazing piece. It took a long time to build.”

And, he says, “Each louver moves independently. It weighs a ton. Raw steel.”

The large open kitchen takes up about 1,000 feet of the 3,700 foot building. “Our kitchen is almost as big as our dining room,” Dave says.

And, he says, “The kitchen is modern. I mean that there are no circles anywhere. It’s linear.”

Amanda Krog, pastry chef Jasmine Bippus, chef de cuisine Zach Thomason, and David Krog in the kitchen at Dory.

A lot of the decor, including the green rug in the lounge area, is reminiscent of the house she grew up in, Amanda says. “We had a green shag carpet. So, I just needed a little bit of childhood in here. I went shopping and came back with all this stuff.”

“It reminded me of my grandmother’s house, but in a good way,” Dave says.

Their chef de cuisine, Zach Thomason, said he “feels like he’s on the set of ‘Mad Men’ sometimes,” Amanda says.

The walls “are lighter in the dining room and darker in  the bar, but all kind of a gray-green color,” Amanda says. “It just made me feel good.”

The furniture in the lounge area is Mid-Century reproduction. “The couch is gold and the chairs are different textures,” she says. “The couch is like velour.”

The black granite bar seats eight in low-backed chairs. An antique tool box from an “an old electrician’s shop” was repurposed for the drink order pick up, Dave says.

Daniel Schroeppel at 38 Woodwork made the 17 white oak tables, Amanda says.

“Normally, we’d seat 48 in the dining room, but because of COVID restrictions, we’re only seating 26 in the dining room. We also have a private dining room upstairs. We are not going to do overbook seating to begin with, but we are now booking parties and private parties for a minimum amount of people.”

She describes it as “just a room. We made that out to be more like a conference room feel. People  will use it for luncheons, work space.”

“And it has audio visual capabilities,” Dave says.

Their wine cellar, also designed by Schroeppel, is under the stairs. “It’s beautiful,” Dave says.  “It’s hidden. It holds about 280 bottles of wine. It’s also humidified.”

All the art for the restaurant has been carefully thought out. “We’ve had an opportunity to work with a lot of artists,” Dave says “Some are local, some as far as Atlanta. There are bowls and plates in the restaurant that were made by a potter in Clarksdale, Mississippi, Joey Young. John Dorian here in Memphis is working on our mugs and other plates for us.”

Dave looked for a year for the right type bowl for his fish dish, which he describes as a simple dish consisting of “fish and broth and local pea shoots.” But, he says, “Because there are only three things in it, they all have to be pretty good. All three of them. But I couldn’t find a bowl.”

He asked Young, “Will you make it for me?”

Young created the matte gray, wide cone-shaped bowl. “That led me to, I guess, get excited about having dishes and bowls that match the food going into it. I believe the vessel is important.”

Everything came together when they held a small private dinner recently for their landlords, Billy and Benjamin Orgel, and their guests. The Krogs felt like they were entertaining at home “That was the goal,” Amanda says. “To make people feel like they walked into our living room. Our dining room.”

As for the food, Dave says, “We’re Southern first. We’re almost 100 percent local farms on produce. So, Southern, definitely, but we are playing with some of the techniques here. I think the past few years personally I have grown more as a cook than I have in the past 10. Just because of having the opportunity to do our pop-ups (Gallery) and put whatever I want on the plate. Nobody was telling me what I should be cooking or even suggesting, for that matter.

“This was Amanda’s and my concept. So, I just cooked and I cooked what I wanted to and what I could get locally. And designed dishes around some modern technique here, but we still operate in classic French technique. Where I come from.”

The restaurant was named after Dave’s grandmother, Doris Marie Krog. “And then our daughter is Doris Marie Krog,” Amanda says. “If we got a dog we’d name it ‘Dory,’ too.”

Nichole Wages is the restaurant’s general manager. “One thing we knew, for sure, was that we wanted Nichole to be here with us,” Amanda says.

It’s taken time to get Dory open, but, Dave says, “We had enough time and we’re grateful in a lot of ways for having that time. For the year or so we were trying to find investors and trying to find a place, we had a lot of time and conversations at the house. That’s pretty much all we talked about. All the way from colors and textures and bowls to who are we getting the beans from.

“I would have never thought that I would be designing a restaurant. That Amanda and I would be building a restaurant instead of going into a space and remodeling it. This was a house first. Then an old office. And we gutted it and put all the things where we wanted them.

“The house really dictates where everything went. The building showed us the best spot for the kitchen, the bar, the dining room. Breaking walls out, adding beams, we were there with the engineers. We got to design it.

“For me, it’s hard to believe. It’s definitely been a dream come true. And a huge learning experience for both of us.”

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Politics Politics Beat Blog

Notes on Council, School Board Races

Not to be forgotten (but largely overlooked, all the same) as we approach the August 2nd election date is a race to fill a vacancy on the Memphis City Council and four races for positions on the Shelby County Schools board.

By definition, these positions apply exclusively to Memphis, in the case of the council seat, and mainly so for the school board positions.

CITY COUNCIL, SUPER-DISTRICT 9, POSITION 2: The council seat, an at-large position for roughly the eastern half of the city, was formerly occupied by Philip Spinosa, who resigned in May to take a job with the Greater Memphis Area Chamber of Commerce. The seat is now occupied, on an interim basis, by funeral home director Ford Canale, who was appointed to the vacancy by a majority of the other council members. Canale and six other candidates are now seeking the right to fill out the duration of Spinosa’s term.
JB

Council Candidates at Woodland Hills: from left, Erika Sugarmon, Lisa Moore, Tim Ware, Charley Burch (at mic)

The other six are Charley Burch, Tyrone Romeo Franklin, Lisa Moore, Erika Sugarmon, Tim Ware, and David Winston. There have been two public forums to which all the candidates have been invited. Both were held last week — one at the Olivet Worship Center at Woodland Hills on Tuesday, the other at Mt.Olive C.M.E. Church on Thursday. Only candidates Burch, Moore, Sugarmon, and Ware took part, and, while no one bothered to mention Franklin and Winston, the absence of interim Councilman Canale drew significant attention from those present.

In fact, Canale’s ears had to be burning on Tuesday night. Music producer/realtor Burch talked about him at length, casting him as the “plant” in a saga whereby a cabal of business elitists, special interests, and council incumbents are determining who is and can be on the council — and pretty much everything the council does.

“The council knows how they’re voting before they come into the room [the City Hall auditorium],” Burch asserted. “There’s empirical evidence of it.” And Canale’s appointment was a case in point. “The fix was in,” said Burch. “I’m not running against one great candidate up here” he said, a sweep of his arm indicating the fellow candidates on stage with him at Woodland Hills. “But I am running against Canale, because he has a plan to keep us out. … I’m the main one they don’t want elected.”

Moore, who runs a non-profit called Girls, Inc., was of similar mind on Tuesday, speaking of active “collusion” between the council and City Hall on behalf of “a well-orchestrated plan,” where “the rich get richer and the rest of us just watch and struggle.” She called for “equity” efforts in every neighborhood, a crash program in public transportation, and a developed educational plan. Former teacher Sugarmon, the daughter of Memphis civil rights pioneer Russell Sugarmon and a self-proclaimed “people’s candidate,” called for community development programs that would “trickle up” economic progress. Tim Ware, who has had a lengthy career as an education consultant, called for the city to resume its spending on public schools, an idea that the others approved as well.

There was more from all four, much of it sound, some of it more freely speculative, and most of it was repeated at Mt. Olive on Thursday in a program sponsored by the NAACP via its VIP901 election-year campaign and shared with school board candidates. Burch, who has union support and promised to restore the lost pension arrangements of the city’s first responders, and Moore had sounded the leitmotif: that city government was in the clutches of a self-aggrandizing clique, for whom the newly named Canale was just the latest tool.

The Rev. Kenneth Whalum, pastor of the church sponsoring the first council forum and a former school board member, had joined in the verbal abuse of Canale, whom he ridiculed for the fact that the not yet elected councilman’s picture was said to have been mounted already on the City Hall auditorium wall.

Congratulating the other candidates, Whalum said, “All of them were very impressive. They‘re all eminently more qualified than Ford Canale, who didn’t think enough of you to show up. Vote for anybody but Ford Canale. … Put one of these people on the city council and make them take that picture down.”

SHELBY COUNTY SCHOOLS BOARD

At stake on August 2nd are the SCS seats for District 1, 6, 8, and 9. The candidates who turned up for the second half of the NAACP bill at Mt. Olive were basically the same ones who had been at a forum the week before at Bridges downtown. They were: incumbent Chris Caldwell and Michelle Robinson McKissick in District 1; incumbent Shante Avant in District 6; and incumbent Mike Kernell, Kori Hamner, and Joyce Dorse-Coleman in District 8.

The school board seminar at Mt. Olive was lively and reasonably thorough, though it lacked some of the spice that had been contributed at the earlier Bridges affair by candidates Michael Scruggs in District 1; Minnie Hunter and Percy M. Hunter in District 6; Jerry A. Cunningham in District 8; and Rhonnie Brewer in District 9. Incumbent Billy Orgel of District 8 did not attend either forum.

At Bridges, the questions given the candidates were more numerous and more pointed, including one about how to deal with the factor of LGBTQ students that some candidates circled around and others answered with sentiments of simple acceptance. Another question at Bridges that received some lip service at Mt. Olive was that of whether the School Board should be enlarged to include at least one student member. At neither venue was there an outright endorsement of that idea.

[Note for future forum planners. Bridges is an inviting place to have an assembly, but its acoustics, at least when hand mics are being swapped around, are far from ideal]

At both Bridges and Mt. Olive, the school board candidates stressed the importance of involving students’ families in the schooling process, but all of them made the case for increasing resources, from any or all of the funding sources. They all, as well, called for more wrap-around services and such auxiliary personnel as counselors, social workers, behavioral specialists, and the like. And everybody thought teachers deserved more rewards. JB

Board candidates, from left, Mike Kernell, Joyce Dorse-Coleman, Kori Hamner, Rhonnie Brewer

Other notions that found general favor were that of after-school activities and programs to combat what incumbent Avant called the “summer slide.” Though the issue of the district’s optional-schools program was not addressed systematically, there was a certain sentiment, voiced most specifically by McKissack, that the curricula of non-optional schools should be upgraded. As for the problem of differing school formulas — including charter schools and IZone and ASD institutions — the candidates favored some version of sharing resources but tilted toward preserving the norm.

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News The Fly-By

Owners Hope Beer Garden Draws New Tenant for Old Firehouse

In 1985, Ringo Starr recorded an album at legendary producer Chips Moman’s Three Alarm Studio in an old fire station at 200 Linden (now Dr. M.L.K. Jr. Ave.), but he later sued to prevent the album’s release, claiming he was drinking heavily when it was recorded.

The building where the “Lost Ringo Album,” as it’s been dubbed by Beatles fans, was recorded has sat empty in a prime location next door to the FedExForum for several years. But its current owners are hoping to bring new attention to the former firehouse-turned-recording-studio through a planned fall beer garden, modeled after the successful Tennessee Brewery beer garden — dubbed The Revival — last spring.

Beginning October 1st, Station 3: The Memphis Firehaus will be open from lunch through late night every weekend through November. The beer garden will feature live music, food trucks, and broadcasts of sporting events.

Bianca Phillips

The old firehouse building is owned by Shelby County Schools board member Billy Orgel, who, after attending the original pop-up beer garden at the Tennessee Brewery two years ago, ended up purchasing the long-vacant brewery and is now converting the historic property into apartments.

His son, Benjamin, and his friends Paul Stephens, Logan Scheidt, and J.C. Youngblood organized the second beer garden at the brewery this past spring, and they’re the team behind this next beer garden at the old firehouse/studio. While the main purpose of the beer garden is to provide a fun experience for Memphians, Benjamin said they’re also hoping the event draws a potential tenant for the building, which is for lease.

“We’re hoping we find the right user for the space. And hopefully, when this [beer garden] event is successful, people will see that, and we can get the right person in,” Orgel said. “The best uses would be an office space or something like we’re doing with the [beer garden], but a more permanent solution. It would have to be upscale, like an upscale sports bar with nice food.”

It wouldn’t be the first time the building has housed a bar. Years after Three Alarms Studio closed, the building was turned into a dance club — first with the name Danceplex and later called The Skybox. But those clubs were short-lived. The building sat empty for years, and, before Orgel purchased it last fall, had become an eyesore.

“It was disgusting inside. People had been breaking in and living there. It was really a nuisance,” Benjamin said. “We went in and changed the locks and did a major cleanup job. We put on a new roof and lights on the building.”

Station No. 3, as it was called in its firehouse days, was built in 1924, according to the Shelby County Assessor’s Office. But it seems as though an earlier incarnation of the firehouse was located on or near the property since as far back as 1857, according to Memphis Fire Department history books.

After the firehouse closed, the city leased the property to Moman in 1985 for his Three Alarm Studio. Moman is best-known for producing records by Elvis Presley, Dusty Springfield, Neil Diamond, and others in the 1960s and 1970s at American Sound Studios on Chelsea.

Whatever the building becomes in its next life is yet to be seen, but one thing is for certain — in October and November, Station No. 3 will be a beer garden.

“We’re going to make a courtyard space on the corner of Third and M.L.K. in front of where the old fire doors are, and we’re opening the fire doors to reveal an indoor-outdoor bar. We’ll have a stage outside,” Benjamin said. “Four local beer companies are making beers just for this, and as always, it’s family-friendly, dog-friendly, and all ages.”

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News News Blog

Fall Beer Garden Planned for Third Street Fire Station

The team behind this past spring’s Tennessee Brewery Revival beer garden will host another pop-up beer event this fall in the abandoned Fire Station No. 3 on Third at Dr. MLK, Jr. Avenue downtown.

Benjamin Orgel, Paul Stephens, Logan Scheidt, and Central BBQ’s J.C. Youngblood are partnering to host the “Station 3: The Memphis Firehaus” at Fire Station No. 3. On Thursday through Sundays from October 1st through November 30th, the long-vacant fire station will be transformed into a beer garden and sports-watching venue.

“Our strong partnerships and growing relationships proved that the Revival couldn’t be our finale,” said Benjamin Orgel, whose father Billy Orgel is renovating the long-vacant Tennessee Brewery into apartments. “We’re excited to reignite the good times for the greater Memphis community in another newly activated downtown space.”

Station No. 3 opened in the mid-1800s. It’s been closed as a fire station for years, but it saw a brief second life as a nightclub and recording studio owned by Chips Moman. Beatles member Ringo Starr once recorded there. Orgel is the current owner of the vacant space.

The idea for holding a beer garden in the firehouse was inspired by a group of Memphis firefighters from downtown’s Station No. 1, who frequented the Revival beer garden last spring for lunches on Thursdays and Fridays.

“The firemen became instant friends and loyal customers at the Brewery,” said Orgel. “Then, upon continuing our evolution with a fall concept, it clicked: Let’s dedicate the creative and charitable aspects of our next project to our Memphis firemen’s service.”

Beer sales from opening night will be donated to the travel fund of a Memphis firefighter who travels weekly to St. Louis for leukemia treatment.

Local and regional breweries High Cotton, Memphis Made, Ghost River, and Tennessee Brew Works will offer specialty beers during the event. There will be food trucks and live music in the courtyard.

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News The Fly-By

Tennessee Brewery Beer Garden Opens Thursday

Last spring, a group of friends and business partners threw a two-month-long party in the rustic courtyard of the long-vacant Tennessee Brewery with one mission (okay, two missions) — to save the threatened building from demolition (and to sell craft beer).

Untapped was so successful that it’s making a comeback this week as The Revival. The beer garden will be open in the old brewery every Thursday through Sunday from April 9th to May 31st.

But this go-round is less about saving the building and more about celebrating the fact that the brewery will soon see new life. Shortly after Untapped ended last year, cell phone tower developer/Shelby County Schools board member Billy Orgel stepped up and purchased the former Goldcrest 51 beer factory. He plans to renovate the building and turn it into apartments.

But his son Benjamin Orgel, a Memphian who recently graduated from the University of Texas, thought there should be one last big party in the brewery before construction begins. So he enlisted the help of his friends Logan Scheidt and Paul Stephens, also recent college grads, and the three are bringing back the spring pop-up party, complete with 22 beer taps, rotating food trucks, live music, live artist demonstrations, and more.

“When I got back to Memphis from Austin, I said, ‘I want to do something to help the city.’ I love Memphis and everything about it,” Benjamin said. “This was the perfect opportunity. Yes, it’s a business, and we’re selling beer. But more than that, this is about community.”

Although The Revival will be very similar to last year’s Untapped event, Benjamin said they’ve stepped it up a bit for round two.

“Last year, the event was so successful because it was in a building that needed to be saved. People were saying, ‘Buy this building.’ So we did, and we understand that means we had to make some improvements,” Benjamin said.

Those improvements include turning the courtyard beer garden into an actual garden filled with greenery from Pettit’s Lawnscapes. They’re also opening up the indoor staircase room, which was sealed off last year. In that room, which they’re calling the Atrium, artists will hold live painting demonstrations. There will also be a piano in that room that anyone can play.

The iconic “Invest in Good Times” graffiti (known as Professor Catfish) on the outside of the brewery has moved inside for photo-ops, and a large window stands in its place so patrons can look out over Tennessee Street from inside the building.

Perhaps, most importantly, last year’s festival-style porta-potties will be replaced with portable restroom trailers with running water.

There will be two bars this year — one inside and one outside — and 22 taps, many of which will dispense local beers. Historian Kenn Flemmons, who wrote a book on the brewery’s history, has recreated Goldcrest 51 beer using the original recipe, and it will be served at the event. Memphis Made has created a specialty American Pale Ale just for Untapped: Revival called Luke McLuke.

“John Schorr, who owned the brewery, also loved horseracing, and Luke McLuke was his horse that won the Belmont Stakes,” said Doug Carpenter, who is handling marketing for Untapped: Revival.

Carpenter was one of four partners who put on the original Untapped last year. The other three — Taylor Berger, Andy Cates, and Michael Tauer — are not involved in this year’s event.

Craig Blondis from Central BBQ is handling the food and beverage operations this year. There will be two food trucks parked inside the courtyard daily, as well as some specialty carts.

To appease South Bluffs neighbors, all live music will be acoustic. Acts will be featured on Saturday and Sunday between 3 and 7 p.m.

Untapped: Revival will be open Thursdays from 11 a.m. to 9 p.m.; Fridays and Saturdays from 11 a.m. to 11 p.m.; and Sundays from 11 a.m. to 9 p.m.

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News News Blog

Tennessee Brewery Beer Garden Dates Announced

The Revival, the name for the second go-round of last year’s Untapped beer garden at the Tennessee Brewery, will launch on Thursday, April 9th and will be open every Thursday through Sunday for lunch and dinner until May 31st.

The Revival event has been granted a city beer permit. Craig Blondis of Central BBQ will act as the food and beverage partner, and he’ll be responsible for coordinating craft beer and food truck offerings.

“Guests can expect a daily variety of locally sourced and beer garden-inspired food options,” Blondis said. “We’ve got a few great surprises in store that are being brewed up at this very moment.”

Drivers along Tennessee Street may have noticed the iconic “Invest in Good Times” graffiti has been covered with a plywood barrier. The building’s new owner Billy Orgel says fans of the painting, which is apparently named Professor Catfish, need not worry.

“Rest assured, Professor Catfish is being preserved and we are finding a location for him inside the brewery where his sage ‘Invest in Good Times’ advice can be enjoyed by all of The Revival’s guests and visitors,” Orgel said. “That window will be replaced, bringing street-level transparency and light to some new activities we are planning for that room.”

Orgel purchased the building last year, months after the highly successful “Untapped” beer garden brought attention to the historic brewery’s plight. The building’s previous owner had plans to demolish the building. Orgel plans to renovate the structure and turn it into apartments.

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News The Fly-By

Tennessee Brewery Redevelopment Will Include New Building and Parking Garage

Plans for redeveloping Downtown’s Tennessee Brewery building into apartments also now include building a six-story residential structure adjacent to it called the Wash House and a four-story parking garage across the street.

All of the buildings are tied together in a new development project called the Brewery District. 

Billy Orgel, a cell phone tower developer and Shelby County Schools board member, purchased the long-abandoned Tennessee Brewery building last year for $825,000. 

Prior to the purchase, the building seemed destined for the wrecking ball. Leasing agent James Rasberry said last year that the building’s previous owner would have had the building torn down by the end of the summer 2014 if no one stepped in to save it.

Orgel said Tuesday that last summer’s “Brewery Untapped” event, a six-week, pop-up beer garden in the Brewery’s courtyard, “really opened my eyes” to the possibilities with the building.  

Justin Fox Burks

Since the purchase, Orgel has said that his plans for the building included a mix of residential and commercial spaces and that the plan would cost around $25 million. He reasserted that vision last Tuesday to members of the Downtown Memphis Commission’s (DMC) Center City Revenue Finance Corporation (CCRFC) and introduced the two new elements of his plan.

The Tennessee Brewery building will be renovated into 58 residential units on seven floors, a gym, and a lobby with a total of more than 50,000 square feet of rentable space.

The Wash House will be built on the property adjacent to the Brewery’s north side. That six-story building will have 90 residential units and a total of more than 72,000 square feet of rentable space.

Orgel’s plans call for a four-story parking garage with about 348 parking spaces to be built right across Tennessee Street from the Brewery and the Wash House.

Orgel predicted the project would be ready for potential tenants in late 2016. 

During the construction process, the project will create 307 jobs and have a total economic impact of $43.8 million, Orgel said. Once it’s open, the Brewery District would bring 216 new residents to Downtown, create 51 new jobs, and have an annual economic impact of $4.9 million.

Orgel presented the project to the CCRFC Tuesday — only as an introduction. He did not come to the board asking for financial assistance, but said he and his partners likely would ask them for help down the road. The project would, in fact, take a “leap of faith by a lot of people,” he said. 

Orgel repeatedly told the CCRFC board members that he loved the building and his return on the project will be in more than just dollars.

“If you want to just make money, go to Collierville or Cordova and build a strip center,” Orgel said. “This isn’t easy work. You have to be an entrepreneur and a bit foolish on top of it.”

A documentary on the Brewery building and its history is in the works by local producer/director Brian D. Manis. 

Orgel said Tuesday that a production company with the Discovery Channel approached him recently about filming a show inside the building. The producers were interested in exploring the building’s haunted, paranormal history.

“So, we said that we’re not interested,” Orgel said. “We’re not really sure if anything ever even happened in there.”

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Q & A with Billy Orgel, New Owner of Tennessee Brewery

The 124-year-old Tennessee Brewery building may live on another 100-plus years, thanks to developer Billy Orgel.

Earlier this month, Orgel closed on his purchase of the much-beloved former home of Goldcrest beer. Before Orgel stepped in this summer, the fate of the long-vacant, historic, downtown structure seemed grim.

The building’s leasing agent, James Rasberry, had said the building would meet the wrecking ball by the end of the summer unless a serious buyer stepped in. That motivated a group of investors — restaurateur Taylor Berger, attorney Michael Tauer, commercial real estate executive Andy Cates, and communications specialist Doug Carpenter — to organize a pop-up beer garden inside the brewery to raise awareness about the need to save the building. Hundreds attended the “Untapped” beer garden event from late April to early June.

Shortly after “Untapped” ended, news broke that a then-anonymous buyer had a contract on the building. That buyer turned out to be Billy Orgel, Shelby County Schools board member and president of cell phone tower development firm Tower Ventures. Now that the purchase is a done deal, Orgel is speaking out about his plans for the space. — Bianca Phillips

Billy Orgel

Flyer: What are your plans for the brewery?

Billy Orgel: It needs to be residential because it’s a residential neighborhood. It’s not Overton Square. It’s not in the middle of a commercial area. You’ve got office, a little commercial, and residential on South Main, so it needs to be in line with the rest of the area. We’ve got a lot of great projects going on with the Chisca [Hotel being turned into apartments] and other things, so I think the brewery is a natural fit for residential.

It’s a huge building. Would all of that be residential?

The funny thing is, is not a huge building. It’s 64,000 square feet. It looks like a huge building because it has volume. But it’s not big. It’s just that architecturally, it sucks you in.

What drew you to save that building?

It’s outstanding, architecturally. It’s a natural progression for things to get rehabilitated downtown. If you walk in there and look up at that grand staircase, you’ll see all the natural light coming in. Once you get above the first floor, you’ve got a fantastic view of the river, and it only gets better as you ascend the stairs.

Are you planning to keep the building’s bones as they are? Will it look the same?

When you do historic rehab, you try to get it back as close as possible to what it looked like. In order to make the project work, you apply for historic tax credits, so you have standards you have to uphold. The building needs to look substantially as it did when it was constructed. The National Park Service applies a reasonable-ness to that. Just because you like distressed brick, that’s not the way it ever looked. You have to go back to the way the building looked. The windows have to be restored. The brewery was built in 1890. We don’t have that many structures left like that.

James Rasberry has said the brewery building came with a lot of challenges and that’s why it took so long to find a buyer. Are you up for it?

Historic renovations are tough. That’s why the government gives you some incentives [with tax credits]. It’s easier to go out to Collierville or East Memphis and build something new, but you don’t have the same character in those cases. Architecture was art [when the brewery was built], so you’re trying to preserve a piece of art.

Do you have experience with rehabilitating historic buildings?

My experience downtown has been to either build or rehabilitate older buildings, which I’ve done with a series of partners over the years. Jason Wexler and Adam Slovis and I did some buildings on Main Street, and then we began to partner with Henry Turley. Along with Henry, we’ve worked on South Junction, [a new building project adding] 280 apartments on South Main. We were involved in [rehabbing] The Cornerstone Flats at 114 South Main and the Main Street Flats, where we combined four buildings into about 12,000 square feet of commercial and 33 apartments. That’s at 99, 101, 103, and 105 South Main. And we did Radio Center Flats at Union and Main. That has the big radio marquee on it.

What’s the timeline for completion of the brewery rehab?

I think it will take eight to 10 months, a 2016 completion.