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Opinion The Last Word

An Elegy for Wiles-Smith

On Saturdays, my grandfather used to take me and the other grandkids to Wiles-Smith Drugstore for lunch. We would sit, hang out and be kids, drink malted milkshakes, and eat hot dogs or club sandwiches or tuna-fish salads. He would always get the same thing: a bowl of chili with three or so crackers, and he’d bring his own Mississippi-style tamales with him.

I remember there was a vintage copper-plated weighing scale when you first entered. My cousin Will and I would play with it, feeding it coins, taking turns getting weighed. It spat out a paper card with a fortune on it. What was mindless scrawl for an adult had seemed like wisdom to our little-kid-brains, with our wild imaginations. Gumball machines and tchotchkes littered the store. Above the register were mindless doodles and political cartoons. One of those cartoons I remember fondly: a duck looking calm above the water, but paddling maddeningly below the surface. The joke, I don’t remember. That’s not the important part to me. The cashier was an old man, the owner I believe, who wore tiny half-moon glasses and knew my grandfather by name. When I went to the bathroom, there was a dingy glow to the bulb and the towel was a recycled cloth roll. I spent half my bathroom breaks just tugging on it, making the Sisyphean object endlessly move, imagining that each rotation was actually a brand-new roll.

Wiles-Smith burned down in 2014, a year before I graduated from college.

Recently, another Memphis staple lost its home to rising rent: Black Lodge.

When I first encountered this wonderful establishment, it lived in Cooper-Young, every wall covered in DVDs, each section its own genre. Movies weren’t categorized as just Horror or Comedy. Instead, as Auteurs or Moods. One section, I recall, was Anime Classics. Neon Genesis and Akira rested on the shelves. David Lynch had his own dedicated section. Every single iteration of that man’s genius sat on its own shelf. That’s how I found DumbLand, the greatest “stupidity” I’ve ever enjoyed.

It wasn’t just a rental shop, though. Kids of all ages would be there, lounged and perched like cats in an adoption center, just hanging out and shooting the shit. Once, I went on a date there, and all we did was watch a movie on the TV. I think it was Ennio Morricone’s Django. Or maybe the director was Sergio Corbucci. Matt, the proprietor, would know. He knows every movie, and, in fact, a secret of his was to know the movie you wanted before you could even say so.

Black Lodge, a year or so after I went to college, had to move. When I came back to Memphis after my six-month stint in Portland, I got a room next door to the old location and watched as the landlord slowly transformed the place into a music venue. A piece of my heart broke with each hammer against board.

When Black Lodge found a new home in the Crosstown area, they put all their money and sweat and tears and, possibly literally, blood into it. At first, it was a success. They drew in old heads and new ones, too. Slowly, they added a bar and kitchen and started having movie nights. A local chef, Jimmy, had crafted five-course meals for $60 a seat, designed around a certain movie. The event for Everything Everywhere All at Once had hot-dogs, congee, and an everything bagel dessert. It was a perfect experience.

There were other events, too: drag performances, wrestling shows, and even a few raves. Local musicians got their start on the stage, comedy troupes hosted sketches twice a month, and still, yes, folks rented tons of movies. There were spots for gamers and board-game enthusiasts. Truly, Black Lodge was the third space to end all third spaces. 

But not even they could survive the Covid-19 pandemic and rising rent in Memphis. Alas, they shuttered their doors mid-August 2024.

As I write this, I think of these other third spaces in danger right now: local cafes especially. One place, Java Cabana, is renovating, and I hope they get business when they reopen. 

Oh, where are those diners? Where are our lodges? How much longer will we even have our green spaces? I can already hear a developer singing out: You can build apartments there, you know …

I may miss my milkshakes and my grandfather. But I hope I don’t add third spaces to that list as well. Cherish what you have while it’s here. 

William Smythe is a local writer and poet. He writes for Focus Mid-South, an LGBT+ magazine.

Categories
Music Music Blog

Contents of Spaceman’s Wonderbox to be Revealed at Black Lodge

It was a year ago to the day that I first heard the words “Spaceman’s Wonderbox.” I was speaking with songwriter and musician Michael Graber, and he intimated that such a box had been created, using bits of twine, corn stalks and rusty hinges discovered during a barn dance. But mere words couldn’t quite convey what was in the box.

Come tomorrow night, the box will be opened for all to see. Indeed, the event will be a bit of a barn dance in its own right, although it won’t happen in a barn, but a lodge. Black Lodge, to be exact. The brilliantly curated video rental shop on Cleveland Street will open its doors to live performance for the first time since lockdown went into effect last year, with three bands, culminating in a performance by Graber’s venturesome bluegrass/Americana group, Graber Gryass.

It all begins on May 22 with Ben Abney and the Hurts at 7:15 p.m., followed by the beloved Tennessee Screamers, no strangers to bluegrass and harmony singing themselves. And then, finally, in real time, the box will be opened.

Okay, to be fair, there may be no literal box. Because Spaceman’s Wonderbox is more of a state of mind. More than just the title of Graber Gryass’ new album, released today, it’s also the concept that ties the album together, and helps to distinguish it from the group’s previous album, Late Bloom.

That 2020 release was called “An impressive album … an absolutely entertaining experience … fully fueled grassicana, riveting and robust” by Bluegrass Today, and favored a more traditional approach. But while recording it in the throes of quarantine life, the band went to seed a bit. They “cut gravity’s string,” to quote one lyric from the new album’s lead track, and their imaginations became slightly unmoored.

The result is a box that’s full of surprises and left turns. “We planted ourselves within bluegrass tradition with our first record,” says Graber, “with the intention of branching out and pushing boundaries on our second.” A year ago, he referred to it as “shamanic spoken word and ecstatic love poetry,” and so it is, but there are still plenty of traditional arrangements to ground the proceedings.

The album’s opener, with all its abstract musings about what keeps us earthbound, adheres to a fairly familiar song structure. So does the next cut, “It Was Always You,” a mystical, generational ode sweetly sung by Graber’s adult daughter, Rowan Gratz.

Many tracks hew close to these traditional vines, combining ancient forms with more free-ranging lyrics, much in the style of the Incredible String Band. Other tracks become more unhinged. But let’s let that be a surprise. Venture out as the Spaceman does. Go out to see and hear the box revealed, tomorrow night at the Black Lodge.

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Music Music Blog

The Flow: Live-Streamed Music Events This Week, March 18-24

The first day of spring is nearly upon us, and the ebb and flow of live-streams is gathering force. As noted elsewhere in the Memphis Flyer, The Black Lodge Telethon will be a cultural flash point with all the safety of in-home viewing, as many bands, both live online and pre-recorded, show their support for the best-curated movie rental center in the Mid-South. Meanwhile, the B-Side continues to ramp up their live-stream game again, the chickens and the bingo continue at Hernando’s Hide-a-way, and our many stellar singer/songwriters keep offering their music privately. Give them a listen and give them your tips!

REMINDER: The Memphis Flyer supports social distancing in these uncertain times. Please live-stream responsibly. We remind all players that even a small gathering could recklessly spread the coronavirus and endanger others. If you must gather as a band, please keep all players six feet apart, preferably outside, and remind viewers to do the same.

ALL TIMES CDT

Thursday, March 18
8 p.m.
Devil Train – at B-Side
Facebook YouTube Twitch TV

Friday, March 19
6 p.m. through Sunday, March 21
The Black Lodge Telethon with
Jack Oblivian
The Shieks
Louise Page

And many pre-recorded bands
Website

6 p.m.
The Juke Joint Allstars – at Wild Bill’s
Facebook

7 p.m.
Memphis Concrète presents:
Nonconnah
Infanta Silhouette (Linda Heck)
CUTIEB33TS
snwv
Luct Melod

Twitch TV

8 p.m.
Toy Trucks and Your Academy – at B-Side
YouTube Twitch TV

Saturday, March 20
10 a.m.
Richard Wilson
Facebook

6 p.m.
The Juke Joint Allstars – at Wild Bill’s
Facebook

8 p.m.
Organ Failure – at B-Side
YouTube Twitch TV

9 p.m.
BB Palmer – at Hernando’s Hide-a-way
Website

Sunday, March 21
3 p.m.
Dale Watson – Chicken $#!+ Bingo at Hernando’s Hide-a-way
Website

4 p.m.
Bill Shipper – For Kids (every Sunday)
Facebook

8 p.m.
Richard & Anne – at B-Side
YouTube Twitch TV

Monday, March 22
8 p.m.
John Paul Keith (every Monday)
YouTube

Tuesday, March 23
7 p.m.
Bill Shipper (every Tuesday)
Facebook

Wednesday, March 24
6 p.m.
Richard Wilson (every Wednesday)
Facebook

8 p.m.
Chad Pope – at B-Side
YouTube Twitch TV

Categories
Film/TV Film/TV/Etc. Blog

“INCONCEIVABLE!” Fantasy Lineup For Saturday Night’s Time Warp Drive-In

The May edition of the Time Warp Drive-In series is a smorgasbord of tasty fantasy treats from the 1980s.

The Last Unicorn

Saturday night at 7 PM at the Malco Summer Avenue Drive-In, the More Dreams Of Gods And Magic program opens with a stone cold classic. Rob Riener’s 1987 adaptation of William Goldman’s novel The Princess Bride was added the National Film Registry in 2016. It has become, as is said of Casablanca, a film consisting entirely of quotable lines. Here’s one of the film’s iconic scenes, the battle of wits between Wesley, aka Dread Pirate Roberts, and evil mastermind Vizzini, for the life of the hostage Princess Buttercup. Also like Casablanca, virtually everyone in this film went on to have a great career. Carey Elwes, who played Wesley, will be the mayor in season three of Stranger Things. Wallace Shawn, who played Vizzini, is an acclaimed playwright who broke into film with the 1981 adaptation of his play My Dinner With André and, at age 74, is still working as a voice over artist on Bojack Horseman. And Princess Buttercup is Robin Wright, who has received four straight Emmy nominations for her role as the first lady in House Of Cards, and just last year appeared in both Wonder Woman and Blade Runner 2049. Even if you think you have it memorized, check out this tour de force scene:

‘INCONCEIVABLE!’ Fantasy Lineup For Saturday Night’s Time Warp Drive-In

The second film is another literary adaptation, this time of the 1972 Newberry Award winner Mrs. Frisby and the Rats of NIMH. The children’s book is something like a cross between Watership Down and Flowers For Algernon, although maybe not as depressing as that might sound. The 1982 film version The Secret Of NIMH was spearheaded by Don Bluth, the former Disney animator who became the House Of Mouse’s nemesis during the 1980s, when he had a run of films with MGM that included The Land Before Time. Bluth is also famous among gamers for his work on the beautiful but unplayable Dragon’s Lair, which pioneered what would later be called DVD ROM games. The film is more than a little cheesy, but makes up for it with some amazing classical animation.

‘INCONCEIVABLE!’ Fantasy Lineup For Saturday Night’s Time Warp Drive-In (2)

The Secret of NIMH was released in 1982 at the height of the post-Star Wars sci fi fantasy boom. Sharing screen time that year were the last two films on the Time Warp slate. The Last Unicorn was a Rankin/Bass production with a killer voice actor lineup that included Mia Farrow, Angela Landsbury, Jeff Bridges, and Christopher Lee. It’s perhaps most significant for the young Japanese animation crew who got their start on the film and would go on to form the core of Studio Ghibli.

‘INCONCEIVABLE!’ Fantasy Lineup For Saturday Night’s Time Warp Drive-In (3)

And finally, there’s Krull. By 1982’s lofty standards, Krull is not a good movie. If it were released today, it would be probably make $500 million. Nowadays, the film’s biggest attraction is the elaborate pre-digital special effects, which include the high point of that light-leak video laser thing. The screenplay is a bloody mess of Lucas-damaged Hero’s Journey cliches, but veteran British character actors Freddy Jones and Franchesca Annis occasionally step in to elevate the proceedings with committed performances that the material probably didn’t deserve. But hey, that’s why you spend your money on the Brits—they always bring it. 

‘INCONCEIVABLE!’ Fantasy Lineup For Saturday Night’s Time Warp Drive-In (4)

Categories
Film/TV Film/TV/Etc. Blog

Willy Wonka and the Chocolate Factory Celebration Slated Saturday At Cossitt Library

Saturday evening at the Downtown Cossitt Library, the final Pandemonium Cinema Showcase event of the year will honor the 45th anniversary of a beloved children’s classic.

Gene Wilder as Willy Wonka

When Willy Wonka and the Chocolate Factory was released in June 1971, it made money but was not a huge hit for Paramount and director Mel Stuart. But over the years of Sunday night TV reruns and home video rentals by parents of young kids, it would become a beloved cult film, eventually landing on the Library of Congress’ National Film Registry.

The 45th anniversary of the visually colorful but surprisingly darkly themed film comes at a poignant time, with the recent passing of Gene Wilder, the genius comic actor whose turn as Wonka would prove to be a warm up for his double shot of Young Frankenstein and Blazing Saddles.



The Pandamonium series, masterminded by Black Lodge Video’s Matt Martin and director Craig Brewer, was started to not only strengthen the cinema community in Memphis, but also increase the visibility of the long neglected Cossitt Library. The shows have been elaborate, interactive affairs, and this screening promises Oompa Loompas handing out candy in real time and much more. Best of all, it’s totally free!

Willy Wonka and the Chocolate Factory will begin at 5:30 PM at the Cossitt Library. The movie is free, but seating will be limited to 100 people. Then at 7:00, a second film based on a Roald Dahl story, James and the Giant Peach, followed by an encore of Wonka at 8:45.

Willy Wonka and the Chocolate Factory Celebration Slated Saturday At Cossitt Library

Categories
Film/TV Film/TV/Etc. Blog

Movies and Video Games Meet at the Cossitt Library

Downtown’s Cossitt Library is one of the city’s most overlooked and underused assets. This Saturday, Aug. 27, the film tag team of Craig Brewer and Black Lodge Video will try to start changing that. 

A new interactive film series called Pandemonium Cinema Showcase will debut with the Video Game Movie Meltdown. The all-night, mini film festival will include films inspired by video games, including the 2012 smash hit Wreck It Ralph, the smash hit Walt Disney animated film that stars John C. Riley as a video game big boss who’s tired of battling players and just wants to be loved. The second film is a 1989 curiosity called The Wizard, a Fred Savage vehicle that extolls the virtues of the Nintendo Entertainment System (NES).

Wreck-It Ralph

Then, a Disney classic that could fairly be called the birth of the video game movie genre, Tron. In 2016, the plot of the 1982 film, which involves super hacker Flynn (Jeff Bridges) being sucked into a computer and forced to fight in a life-or-death video game arena, is now eye rolling, but the images remain as fresh as ever. Released just three weeks after Blade Runner, the two sci fi films couldn’t be more different in tone or subject matter, but together they defined a new cyberpunk aesthetic that now permeates popular culture. 

Tron

The only documentary on the program is The King of Kong: A Fistfull of Quarters. It’s one of the must-see documentaries of the last decade, tracing the epic battle of two ordinary men obsessed with owning the high score of the most difficult classic arcade game, Donkey Kong. And finally, the evening will close with the infamous 1989 trainwreck Super Mario Bros. Starring Bob Hoskins as Mario and Dennis Hopper as King Koopa, it’s the leading cautionary tale of why plots that work to motivate action in video games usually don’t translate to the big screen. 

But there will be plenty of action on the little screen at the Library, too. The film screenings will accompany a play-a-thon of vintage and contemporary video games, ranging from Atari 2600s to Xboxes, with literally hundreds of games to choose from. There will also be a cosplay contest with prizes for the best video game themed costumes.

Games and movies begin at 4:30 PM on Saturday, August 27 at the Cossitt Library Downtown. 

Categories
Film/TV Film/TV/Etc. Blog

Inside Videodrome

So, you ask, what’s all this internetting doing to me, anyway? You’re not alone in questioning the effects of advanced communications tech on the human brain that evolved basically to find food and a mate and create strategies to the get the food and have sex. But you may be surprised to learn that one of the most potent explorations of the question of our relationship to technology was made in 1983. 

James Woods gets personal with his new device in Videodrome.

When he created VIdeodrome, director David Cronenberg was coming off his first big hit in Scanners, a horror film about killer telepaths that was sold with the image of a man’s head exploding. 

The money shot from Scanners.

Videodrome combined the body and sexual horror themes of Cronenberg’s earlier, low-budget indies with his musings about the evolving media landscape that was increasingly saturated with an expanding cable TV landscape and the home video revolution brought on by the spread of the videocassette players. Cronenberg’s nightmare was a population desensitized to horror and violence and imbued with a desire to merge with the machines delivering the images. 

Debbie Harry in VIdeodrome

Starring TV actor James Woods and punk goddess Debbie Harry, the film lost money on release, but became a cult classic when teenage horror addicts seeking cheap thrills found it on video store shelves in the late 80s. Cronenberg moved on to big budget horror pictures in Hollywood, such as his classic remake of The Fly, and later outré literary adaptation such as Naked Lunch and Crash.  But for many fans, Videodrome remains his masterpiece. 

Tonight at 7 PM, Indie Memphis is screening Videodrome as part of the Memphis in May salute to Canadian cinema. Afterwards, yours truly will participate in a panel discussion with Commercial Appeal  film critic John Beifuss, Black Lodge Video proprietor Matt Martin, and University of Memphis Communications professor Marina Levina. 

Inside Videodrome

Categories
Film Features Film/TV

Time Warp Drive-In 2016

“Staying at home and watching a movie is great, but there’s another way to do it,” Matt Martin says. The Black Lodge Video owner, together with Memphis underground movie guru Mike McCarthy, is gearing up for the third season of the Time Warp Drive-in. Once a month, the Malco Summer Drive-in will play host to an all-night extravaganza of classic (if you define “classic” loosely) movies.

“There’s been a resurgence in interest in retro-cinema, especially among millennials,” Martin says. “The drive-in allows people to go back in time and see some great movies they might never have heard of. At the same time there’s this cinema-drenched environment. Mike likes to call it ‘free-range cinema.’ We invite the audience to be part of a night that’s not just about the movies. You can get out under the stars, interact with people, have a picnic with cinema all around you.”

Robert De Niro and Ray Liota in Goodfellas

This year’s series begins Saturday with Dark Urban Worlds: The Films of Martin Scorsese. For one ticket, audiences will get four films: Scorsese’s 1990 organized-crime epic Goodfellas; then The Departed, which tackled the story of gangster Whitey Bulger a decade before Johnny Depp’s Black Mass; Taxi Driver, the 1976 masterpiece that made Scorsese and Robert De Niro legends; and After Hours, the 1985 comedy where straight-laced Griffin Dunne tries to escape from bohemian New York.

“The drive-in always was a home for the bizarre,” Martin says. “It’s been synonymous with weirdo genre movies, exploitation, and strange horrors. I wanted to get a couple that represent that theme — for example Goodfellas takes inspiration from exploitation — but then throw some more obscure stuff in there, like After Hours, because so few people have ever seen it. The drive-in audience is tricky. It’s not like a regular movie theater, because attention doesn’t work the same way. The environment is more conducive to hanging out and interactivity and fun. We tried to pick things that have a certain pace, a certain energy to them. The drive-in is more about the entire experience than about the individual storylines.”

Other programs in the 2015 Time Warp series includes Sing Along Cinema!, the April set of musicals including the contrasting 1980 films The Blues Brothers and Xanadu; Comic Book Hardcore! in May, with Sin City and The Crow; Return of the Burn with Fear and Loathing in Las Vegas and Half Baked; Martial Arts Mayhem in July, with Enter the Dragon and Kung Fu Hustle; Paranoid Visions, a tribute to John Carpenter with They Live and The Thing; and Bride of Shocktober!, horror comedies including Young Frankenstein and Shaun of the Dead.

On another front, Martin says Black Lodge Video has been without a physical building for more than a year, but that is about to change. “We’ve finally found what we think is the new and best home for Black Lodge, and our enormous collection, and we can hopefully make some announcements at the end of the month about where that will be. We’re going to take it up a notch, and hopefully we’ll be able to branch out into other directions, like theme nights and workshops. My hope is that the Lodge will be, by summer, ready to reclaim its position as Memphis’ leading film archive.”

Categories
Film Features Film/TV

Time Warp Drive-In: It Came From The Drive-In

The Summer Drive-In was built by Malco Theaters in 1950, on the cusp of the country’s big drive-in theater boom. At the height of their popularity, there were more than 4,000 drive-ins all over the country, comprising more than one quarter of all movies screens. Now, that figure is at 1.5 percent.

But the lost pleasures of the drive-in are not lost on Memphis filmmaker Mike McCarthy and Black Lodge Video proprietor Matt Martin, who, last year, started the monthly Time Warp Drive-In series, which brings classic films, both well-known and obscure, back to the biggest screens.

“We were accepted by a large part of the Memphis community,” says McCarthy. “[Malco Theatres Executive VP] Jimmy Tashie took a chance at, not only saving the drive-in, but plugging a program in that would use the drive-in for what its American function used to be.”

The eight-month series will once again run four-movie programs, once a month, each united by a theme, ranging from the deliciously schlocky to the seriously artsy. Last year’s most popular program was the Stanley Kubrick marathon, which ended as the sun came up. “Who says the drive-in is anti-intellectual?” McCarthy says.

The appeal of the drive-in is both backward- and forward-looking. The atmosphere at the Time Warp Drive-In events is relaxed and social. People are free to sit in their cars and watch the movie or roam around and say hi to their friends. It’s the classic film version of tailgating. “Matt from Black Lodge brought this up: It’s a kind of social experiment, like America is in general. It’s getting back to turntables and vinyl. Maybe it’s not celluloid, but it’s celluloid-like. You didn’t get to see that, because you weren’t born. But you can go back to that. It takes a handful of people who believe to make it happen. And that’s why Malco has been around for 100 years. They’ll take that chance.”

Malco’s Film VP Jeff Kaufman worked hard to find and book the sometimes-obscure films that Martin and McCarthy want to program. “I think we’ve got the material, and we’re trying to get things that people want to see, while kind of playing it a little dangerous around the edges,” McCarthy says. “This Saturday’s totally kid-friendly. We make a conscious attempt to show the kid-friendly stuff first, so people can come out with their kids.”

The series takes its name from the most famous song from The Rocky Horror Picture Show, so the opening program is, appropriately, movies that were mentioned in the show’s opening number, “Science Fiction Double Feature,” that also appeared on Memphis’ legendary horror host Sivad’s long-running Fantastic Features program. “We’re showing what many people believe to be the greatest film of all time, the 1933 version of King Kong,” McCarthy says. “It’s not the worst film of all time, which is the 1976 version of King Kong.

The granddaddy of the horror/sci-fi special effects spectacle films, King Kong has lost none of its power. It’s concise, imaginative, and best experienced with a crowd. The evening’s second film comes from 20 years later. It Came from Outer Space is based on a story by sci-fi legend Ray Bradbury and was prime drive-in fare. It features shape-shifting aliens years before Invasion of the Body Snatchers, 3D imagery from the original golden age of 3D, and a twisted take on the alien invasion formula.

It Came From Outer Space

The third film, When Worlds Collide, was made in 1951, but it doesn’t fit the mold of the sci-fi monster movie. Produced by George Pal, whose credits include the original film takes on War of the Worlds and The Time Machine, the film asks what would happen if scientists discover that Earth was doomed to destruction by a rogue planet, presaging Lars Von Trier’s 2011 Melancholia.

The evening closes with The Invisible Man, starring Claude Rains as the title scientist who throws off social constraints after rendering himself transparent. Directed by Frankenstein auteur James Whale, the film has been recognized as an all-time classic by the Library of Congress’ National Film Registry and will richly reward intrepid viewers who stay at the drive-in all night long.

Categories
Music Music Features

The Switchblade Kid at Black Lodge Video

Halloween comes early to Black Lodge Video this year, as the 15th annual Halloween Masquerade Ball is this Saturday.

The evening will feature a film screening along with live music, and with the bands not starting up until midnight, the party should go well into the early morning. While the title of the film Black Lodge Video will be screening hasn’t been announced yet, the bands set to play the midtown institution represent many different facets of the vibrant local music scene.

The Masquerade Ball will serve as a release party for local rockers the Switchblade Kid, as their new single “Elm/BBW” will be available for the first time this Saturday. The $5 admission price comes with a free copy of the single, and the Switchblade Kid will also be premiering the music video for “Elm” sometime Saturday night.

Also on Saturday night’s bill is Berkano, a group that seems to be on every show lately thanks to their strange brand of catchy indie rock. Berkano just celebrated the release of their third album, and will presumably have copies of the self-titled full-length at the show. The only out-of-towners performing on Saturday are New Orleans psych-pop rockers Native America, a band that (surprise) also just released a new record. The lead single “Like a Dream” from Grown Up Wrong finds Native America sounding a lot like the Shins, with lead singer Ross Farbe reminiscing about times past over top of catchy, psychedelic guitar work. Saturday marks the beginning of a fall tour for Native America, with the band set to play a whole slew of shows in New York City later this month.

Other performers at the Black Lodge Ball include indie rockers Loser Vision, local punk rockers SVU and the Gloryholes, plus DJs Johnny and Molly spinning “death punk” all night. It’s probably a safe bet you’ll hear a Misfits song at least once.

The Switchblade Kid, Berkano, Native America and more at the 15th Annual Masquerade Ball at Black Lodge Video, Saturday, October 18th, 8 p.m. $5.