Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: The Band CAMINO

This Music Video Monday, there’s a new sheriff in town.

The Band CAMINO has released a new music video, the first from their new album Heaven, which will drop on June 2. . “Who Says We’re Through” was beautifully directed by Josh Stephans. it puts the band in a Old West setting, with singer Spencer Stewart wearing the tin star, about to draw down with a black hatted bad man, as the rest of the band looks on from the porch of a log cabin. Then… well, I’ll just let you watch the video to see what happens next. But if you want to see The Band CAMINO, (caps THEIRS), they’ll be headlining the Hear 901 Music Festival at The Bluff on Friday, April 28.

Music Video Monday: The Band CAMINO

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Aaron James

Today’s Music Video Monday will make you go “A-Ha!”

The University of Memphis’ music department has its own record label—Blue Tom Records, which gives students invaluable, hands-on experience in the chaotic world of the twenty first century music industry. Their biggest annual event is the Hear901 Festival. Now in its third year, Hear901 features the University of Memphis’ best bands, all on one stage. This year’s festival will take place on Friday, April 28 at The Bluff on Highland (formerly Newby’s for all you old schoolers out there). Sharing the stage with Haley Daniels, Flirting With Sincerely, Sonic Pulse, Kyndle McMahan, and headliners The Band CAMINO, is Aaron James. The indie folker serves up polished tunes on his new Blue Tom release Caught In The Corner of a Half Moon.

James’ new music video takes a page from the classic MTV playbook. “The Wile” combines hand-drawn rotoscoped animation by Shakeya Merriweather with live action footage of dancers Rachael Arnwine and Fannie Hortonm, shot by Eli WIlson. The effect will be familiar if you’ve ever seen the 1985 classic “Take On Me” video from Norwegian synth popsters A-Ha, but these young filmmakers take the trope to a new, intimate place.

Music Video Monday: Aaron James

If you would like to see your music video appear on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Music Music Features

Sweet Soul, Bloody Rippers, and Earth Signs: Local Record Reviews

Cities Aviv Your Discretion Is Trust (Collect Records)

Sure this is the Record Reviews column and Gavin Mays (aka Cities Aviv) moved to Brooklyn a few years ago, but during his time here Mays constantly put Memphis underground rap on the national map. His latest album Your Discretion Is Trust was released digitally this week and is available for download on iTunes as well as Spotify. The 14 tracks on Your Discretion Is Trust see Mays staying within the confines of his earlier work (specifically 2014’s Come to Life), and longtime producer RPLD GHSTS appears on multiple tracks, including “Is this Alright” and “Earth Signs.” On the opening track “Anticipation,” Mays raps about mobbing through the city with his crew “who take no lives” one minute, and then shifts to contemplating his existence the next. Such vast changes in lyrical content are par for the course in a Cities Aviv track, and Your Discretion Is Trust is yet another example of the many different ideas Mays is capable of executing in the studio. The samples get pretty psychedelic as the fourth album from Cities Aviv unfolds, especially by the mid-album track “Earth Signs.” Even if this is a surprise record, the songwriting on Your Discretion Is Trust is fully realized, and Mays sounds like an artist at the top of his game throughout most of the album.

Favorite Track: “Isolation Quarters”

Caleb Sweazy Lucky or Strong
(Blue Barrel Records)

Caleb Sweazy’s fourth studio album was recorded at Music+Arts Studio in Memphis by producer Kevin Houston (Sid Selvidge, North Mississippi Allstars). Sweazy enlisted some notable Memphis players for his Blue Barrel Records debut, including Jessie Dakota (Memphis Dawls) on drums, Logan Hanna (Grace Askew) on guitar, and John C. Stubblefield (Lucero) on keys and upright bass. Lucky or Strong was recorded completely live and finds Sweazy recalling bittersweet tales that cover everything from an old Model A Ford to WWI. Sweazy claims to like songs that make the listener feel happy and sad at the same time, and this collection of guitar-driven, bluesy folk rock is sure to do just that. With this lineup of prominent Memphis musicians and producer Houston at the helm, Lucky or Strong is a good indication that Sweazy is a local songwriter worth paying attention to.

Favorite Track: “Soldier’s Heart”

Useless Eaters Singles 2011-2014 (Slovenly Records)

Seth Sutton has been cranking out garage rock longer than some Memphis bands stay together, and he’s got the back catalog to prove it. His first single as Useless Eaters came out six years ago, and he’s released more than a dozen more since then, not to mention a handful of full-length albums, split singles, and a smattering of cassettes. The 13 tracks on the Singles 2011-2014 cover a pivotal moment for Useless Eaters, a time when Sutton was experimenting with new songs, new ideas, and perhaps most importantly, new bandmates. Different cities shaped the songs on this collection (recording sessions took place in Nashville, Oakland, and Melbourne, Australia), and the songs range from straightforward garage punk tunes like “I Hate the Kids” to downer psych rock jams like “Addicted to the Blade.” For anyone just getting familiar with Useless Eaters (this is the first time we’ve ever written about them), this collection on Slovenly is a great place to start, especially because most of these singles have been sold out for quite some time.

Favorite Track: “Bloody Ripper”

Mary Owens Sweet Soul
(Blue Tom Records)

Mary Owens’ debut album is on Blue Tom records, the in-house label at the University of Memphis and also the home of Mason Jar Fireflies and Drew Erwin. Recorded by Boo Mitchell, Sweet Soul is a collection of Owens’ first songs as a solo artist, although she sure sounds like a singer who’s been honing her craft for years. Owens’ vocal approach sits somewhere in between country music and R&B, mixing elements of both genres to create a unique, soulful sound that is distinctly Memphis. Pre-orders for Owens’ first album included the option for a recorded personalized cover of the buyer’s choosing, proving that while Owens’ might be young, she’s already got complete confidence in her voice. Sweet Soul is available for the first time this week.
Favorite Track: “Talkin’ to You”

Categories
Calling the Bluff Music

“This is Memphis” Music Festival Showcases Local Talent

Sounds of live rock, country, folk, and hip-hop will flow through the New Daisy Theatre this Saturday during the first annual “This is Memphis” music festival.

Blue TOM Records, a label spearheaded by University of Memphis students, is presenting the culture-filled event. Among the diverse lineup of artists slated to perform include Mason Jar Fireflies, Mary Owens, Austyn Michael, Deering and Down, and Drew Erwin.

Tickets can be purchased for $5 in advance, but on the day of the event tickets will be $7. There are also V.I.P. tickets available, which provide exclusive access to the venue’s lounge area as well as a plate of barbecue.

All of the proceeds from This is Memphis will be split among the performing acts.

“We just wanted to give back to the artists because the industry is so tough,” said Misty Ingram, publicist for Blue TOM Records. “We just wanted to let the artists know they are appreciated. ‘This is what you earned. The people came to see you.’”

Famed rock ‘n’ roll artist/musician Jerry Lee Lewis is among the sponsors for This is Memphis, donating $1,000 toward the event.

Although this is the first installment of the event, Ingram said she hopes This is Memphis will blossom into a music festival known for showcasing some of the best up-and-coming talent Memphis has to offer.

“It probably sounds cliché, but I want [attendees] to embrace what Memphis is all about,” Ingram said. “I want them to know that there are artists out here that are talented and are gifted. I want them to just come and have fun and experience the whole ‘This is Memphis’ culture.”

Doors at the New Daisy open at 7 p.m. for This is Memphis. Live performances begin at 8 p.m. 

Check out my website: ahumblesoul.com
Follow me on Twitter 
Friend me on Facebook