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Museums’ COVID Closings Extend Into January

Jon W. Sparks

Spring, Summer, Fall at the Brooks Museum by Wheeler Williams

Most museums are temporarily closing their doors due to recent COVID restrictions. This list will be updated as needed.

  • Memphis Brooks Museum of Art will remain closed until Wednesday, January 6th. This includes all public programming.
  • The National Civil Rights Museum is temporarily closed until further notice.
  • The Pink Palace Museum closes December 24th at 2 p.m. through January 23rd.
  • The Metal Museum buildings and grounds will remain closed through the New Year and will reopen to the public on Friday, January 8th.
  • Stax Museum will be closed from December 24th through January 4th.
  • The Dixon Gallery and Gardens will continue to be open except for Christmas Eve, Christmas Day, and New Year’s Day. It has a strict capacity limit and requires guests to wear masks and social distance during their visit.
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Organizations Brace for New Stay-At-Home Order

Kevin Barre Photography

Brooks Museum of Art in Overton Park

Organizations in Memphis are already bracing for another stay-at-home lockdown after a new health directive was leaked late last week.

Over the weekend, leaders of the Brooks Museum of Art and the Metal Museum announced both would close until next year. Also, a protest against shutting down restaurants was announced for Monday at 1 p.m. 

“Please note that in anticipation of another Safer at Home directive from the Shelby County Health Department, the museum has also elected to close its doors to the public from December 20th through January 7th, and will reopen on Friday, January 8th,” reads a Saturday email from the Metal Museum.

Here’s a Sunday email from the Brooks:

”In anticipation of Shelby County Health Directive 16, we have made the decision to temporarily close the Memphis Brooks Museum of Art, effective at 5 p.m. Saturday, December 19th, 2020 until Wednesday, January 6th, 2021 at 10 a.m. unless instructed otherwise by city and county directives,” reads the email. ”This includes all public programming.”

Meanwhile, the Memphis Restaurant Association advised its members to wait and see what may be announced Monday.

“The mayors and lawyers have been discussing our fate all day but we have yet to hear anything definitive,” reads a Sunday email from the group. “Our advice as of now is: plan to operate as we have been until we hear otherwise.”

That email also included contact information for city and county officials to “make your opinion known.”

A protest is set for Monday afternoon against further shutdowns of restaurants. The protest is set for 1 p.m. at the Shelby County government building at Downtown’s Civic Center Plaza. It is organized by Jerred Price, president of the Downtown Neighborhood Association.  Wikipedia

”The Shelby County Health Department Directive [16] is calling to shut down Memphis restaurants once again without any protection for payroll or protection for the businesses,” reads an email announcing the protest. “Restaurants are one of the largest lifelines of our city and so many people’s livelihoods. SCHD’s own data shows that spread of COVID-19 from restaurants is less than 5 percent of all cases.

“Restaurants who are following CDC guidelines set forth by the CDC shouldn’t suffer another closure, and may not make it through to see the new year if this closure is put in place.

“Let’s show up, speak up, and demand competent, thoughtful, and caring action from our leadership. Bring signs to hold up for support. #SaveOurRestaurants. No megaphones permitted.”

A draft of the health department’s new health directive was published by The Daily Memphian Friday. It included, among other things, the closure of restaurants and many other indoor businesses. The health department responded with this statement:

“At the current time, we are facing the fall surge of COVID-19 cases in Shelby County. We anticipate that the cases will continue to grow. Therefore, we are exploring all options to reduce transmission in our community.

“The document that was released to the media was a draft document for discussion amongst public health officials, health care providers and elected officials. While December 21st was identified as the effective date, it was a draft, proposed date and may change.

“Locally, we have continued to work together to explore all options that can reduce transmission while balancing economic impact. As the document is finalized, it will be released to the media via the formal, traditional channels.”

It is not yet known when or if the health department will issue a new health directive that could include the further lockdown measures.

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Coronavirus Megathread: Closings and Delays Across Memphis


Idlewild Presbyterian Church (Friday (March 20)

Churches from the Presbytery of the Mid-South are bringing together their congregations via the radio and Livestream to provide worship services at 11:00 a.m. Sunday, March 22, and for the near future, because of the recommended “social distancing” during the coronavirus outbreak. Members and guests can “be there” at the service, broadcasted from Idlewild Presbyterian Church. The service will be also be archived on the church’s website for later viewing.

The combined congregations of Balmoral, Buntyn, Evergreen, First (Memphis), First (Somerville), Idlewild, Parkway Gardens United and Shady Grove Presbyterian are providing various pastoral staff to participate during each service. This week’s service includes the following service leadership: The Reverend Anne H. K. Apple (Idlewild), The Reverend Carla Meisterman (Balmoral), The Reverend Sara Dorrien-Christians (Idlewild), The Reverend Elizabeth Dick (Evergreen), Mr. Barry Oliver, Director of Music Ministry (Idlewild) and soloists, Amy Phillips and Tyler Brumback (Idlewild). Members of Idlewild’s youth are the preachers for this Sunday: Helen Gillespie, Peter Calkins and Caroline Seamons.

Worship services are held in the sanctuary with no physical congregation, but all are invited “to attend” the service via the church’s Livestream, www.livestream.com/idlewild, or by listening to WIVG-FM 96.1.

For information about the church, please visit www.idlewildchurch.org or call 901-726-4681.

Memphis City Council (Thursday, March 19)

THE MEMPHIS CITY COUNCIL

Tuesday, March 24, 2020, 3:30 p.m.

Due to the declarations of a State of Emergency by the President of the United States, the Governor of Tennessee and the Mayor of Memphis relating to Covid-19 Epidemic the Council has determined that is necessary that the meeting be conducted by electronic or other means of communication in order to protect the health, safety and welfare of the public, City employees, Council staff and Members of the Council.

THERE WILL BE NO PHYSICAL MEETING

Memphis Botanic Gardens (Thursday, March 19)

I write today during this period of uncertainty, both locally and nationally. As I write this, your Garden has already taken numerous steps to help contain the spread of COVID-19 / Coronavirus and we stand ready to take more drastic measures if they become warranted.

Some of the steps we have taken – so far include:

The canceling of all events in excess of 10 people thru at least May 15, 2020.

The closing of My Big Backyard, our children’s garden, to the public beginning Friday, March 20. Because of the many interactive surfaces contained within this garden, we feel it is prudent to close this area off until further notice.

The opening of the Gardens (with the exception of the Children’s Garden) to the public without cost, effective Friday, March 20 and until further notice. We encourage social distancing, and with 96 acres to visit and small groups, we believe this to be a sensible gesture of goodwill to the community. Members and Guests may now enter directly onto Garden grounds at the south end of our parking lot without entering the building or interacting with staff.

This remains a very fluid situation, and we are doing our best to adapt and adhere to CDC guidelines as they evolve. We are also following local health official’s guidance. While at this time we do not intend to close the outdoor spaces of the Garden to the public, we will adapt to future guidance if it comes.

I encourage you to follow us on our social media platforms (Facebook, Instagram, and Twitter) or to visit MemphisBotanicGarden.com for the most current situation as regards your Garden.

I wish you and your family well during this difficult time, and we will remain as transparent as possible in the days and weeks to come

City of Memphis Golf Courses (Thursday, March 19)

In light of current public health issues, for the safety of our golfers and employees, we have made the decision to temporarily close the City of Memphis Golf Courses. It is unknown as to the time frame of the closures. We will keep you updated via www.memphispubliclinks.com.

Locations include The links at Audobon, Overton, Galloway, Davy Crockett, Fox Meadows, Pine Hill, Riverside, and Whitehaven.

State Parks Group Hikes (Thursday, March 19)

We have decided to cancel our guided Spring Hikes this weekend. These annual hikes usually attract thousands of visitors to our parks, and these groups exceed the recommended group sizes for helping our communities “flatten the curve.”

We are sorry for this cancellation, and hope that you will plan to join us for our next signature hike on June 6, 2020.

Macy’s (Thursday, March 19)


In response to the widespread COVID-19 outbreak, Macy’s, Inc. (NYSE: M) today announced that it will temporarily close all stores by end of business today, March 17, 2020, through March 31, 2020. This includes all Macy’s, Bloomingdale’s, Bluemercury, Macy’s Backstage, Bloomingdales the Outlet and Market by Macy’s stores. Macy’s, Inc. will provide benefits and compensation to its impacted workforce.

“The health and safety of our customers, colleagues and communities is our utmost priority. As a result of the recent COVID-19 developments, we have decided to temporarily close our stores. We will work with government and health officials to assess when we will reopen our stores and safely bring our colleagues back to work,” said Jeff Gennette, chairman and chief executive officer of Macy’s, Inc. “During this closure, we will continue to serve our customers through our e-commerce sites.”

All three Macy’s, Inc. brands – Macy’s, Bloomingdale’s and Bluemercury – will continue to serve customers through macys.com, bloomingdales.com and bluemercury.com and through its mobile apps.

Hope Church (Thursday, March 19)

We want to address our response to COVID-19 (coronavirus) and how we as a church are doing our part to flatten the curve, follow government and health official guidelines while keeping our family and community healthy!

Beginning this weekend, March 21 & 22, all Hope services will move online only. Together, we will connect, worship and experience God’s word online as one Hope family.

Join us on Facebook, YouTube, and HopeChurchMemphis.com/Live this Saturday night at 5:30 pm, Sunday morning at 11:15 am and Sunday night at 5:30 pm for The Stirring.

Overton Park (Thursday, March 19)


During these times where it’s safest for us to be apart from each other, we’re so glad that the trails and open spaces of Overton Park are serving as a refuge for many of us.

It’s with heavy hearts, then, that we’ve decided to close restrooms, playgrounds, and the dog park until further notice.

We’ve made this choice for two reasons: one, because keeping these facilities open encourages people to gather in close proximity to each other; and two, because there are no current CDC guidelines for how to clean playgrounds and outdoor recreation facilities during a pandemic outbreak.

With reports that COVID-19 can live on surfaces for days, and our cleaning crew only able to visit once or twice per day, there’s simply no way for us to keep all surfaces sanitized for every visitor.

The park’s trail system remains open for you to get some much-needed fresh air. (PSA: The nature trails are so saturated from the endless rain that you’d need wading boots to walk them, so we recommend the paved trails for now!) We encourage you to follow the National Recreation and Park Association’s guidelines for using the trails:

• Before visiting trails — wash hands, carry hand sanitizer, and do not use trails if you have symptoms.

• Observe at all times CDC’s minimum recommended social distancing of six feet from other people. Keep it as you walk, bike or hike.

• Alert other trail users of your presence, and step off trails to allow others to pass, keeping minimum recommended distances at all times.

• Be prepared before you leave and time outings so that you are not dependent on public restrooms.

• Bring water or drinks — public drinking fountains may be disabled and should not be used, even if operable.

• Bring a suitable trash bag. Take trash with you to protect park workers.

• We’ve posted signs announcing the closures, but our playgrounds are open-air, so we’ll need everyone’s cooperation to stay away. Thank you for helping to keep yourself and other park visitors safe.

Memphis Zoo (Wednesday, March 18)

Memphis Zoo will temporarily close to the public Thursday, March 19th.

The health and safety of our team members, guests, volunteers and animals is our top priority, and Memphis Zoo is committed to taking proactive steps to help slow the spread of COVID-19.

Any guests who had field trips or group visits planned will be able to reschedule or receive a refund.

While we are closed, our zookeepers and essential team members will continue to care for our animals. Zoo fans will also be able to check on our animals and team members through our social media accounts.

How you can help Memphis Zoo

During our closure, we are reaching out to our Memphis Zoo friends to ask for your support. Please consider donating to our Emergency Animal Support Fund. We appreciate your continued support and look forward to welcoming you to the Zoo again soon. To donate please visit memphiszoo.org/emergencysupportfund.

Orion Federal Credit Union (Wednesday, March 18)


The safety and well-being of our community is Orion’s highest priority. Orion continues to monitor the COVID-19 situation closely and we are making necessary adjustments to business processes and operations.

Beginning Friday, March 20, 2020, we are temporarily shifting our branch services approach to drive-through only. Our ATMs are available 24 hours a day. For non-cash transactions, remember you can bank with us without leaving the comfort of your home.

YMCA (Wednesday, March 18)

Due to the ongoing public health emergency presented by the COVID-19 virus outbreak and recommendations from the CDC and other health officials, ​the YMCA will be temporarily closing all 11 YMCA of Memphis & the Mid-South locations effective at 8:00 p.m. on March 18, 2020.

According to the YMCA, the goal with the temporary closure is to limit the spread of COVID-19 in the community before it threatens to overwhelm the public health system, while continuing to focus resources on providing services to healthcare workers, first responders, and those most vulnerable in our community.

“In times like these, the very best of who we are is called forward, giving us the opportunity to live our mission and values and promise to the community. Now, it is critical that we step up and respond to the needs in our community, redirect our expertise and resources, serve those who need us most, and provide inspirational leadership and hope for all. We will pivot our operations to focus on our community response to the unique circumstances created by the COVID-19 virus and repurpose our branches as community response centers,” said Jerry Martin, President and CEO for YMCA of Memphis & the Mid-South.

YMCA Emergency Childcare For First Responders & Healthcare Workers:

Effective Thursday, March 19, 2020, Healthcare & First Responder Childcare will be offered 7 days a week from 6:00AM to 8:00PM to accommodate a 12-hour shift schedule for these families at various YMCA locations throughout our community. Care will be supervised by trained childcare team members for children ages 3 years (potty trained) to 12 years of age.

For more information and to sign up please visit ​www.ymcamemphis.org​ or call our Customer Support Center at 901-766-7677.

YMCA Partnering with School Districts for Meal Services:

The YMCA of Memphis & the Mid-South will be joining our schools partners to provide children access to meals at designated sites throughout our community.
Meals are scheduled to be served between 11:00 a.m – 1:00 p.m beginning March 23, 2020. For a full list of meals site locations, visit: ​www.ymcamemphis.org

Highpoint Climbing & Fitness (Wednesday, March 18)

In a continued effort to mitigate risk and prioritize safety, we have decided to temporarily suspend operations of all High Point facilities beginning March 18th through March 31st. We believe that social distancing is the best way for us to do our part in slowing the spread of COVID-19.

While we try our best to keep our doors open whenever possible, in this instance, our temporary closure can help ensure the safety of our members, staff and the overall community. We will be monitoring how this situation continues to unfold and use this as an opportunity to do a deep sanitation of all facilities.

To our members:
• During this time memberships will automatically be frozen at no additional cost and you will receive a prorated credit to be applied toward next month’s dues.
• We will provide a status update on billing by March 27th as well as any additional details on possible closure extensions.
• If you need to contact the gym, or if you need to retrieve items from a locker in our locker rooms, we will be maintaining office hours Mon-Fri from 10am to 4pm. Please email us at Memphis@highpointclimbing.com and we will be happy to coordinate with your needs.
We are looking forward to serving all of our wonderful community members again soon and in the meantime encourage everyone to stay positive and safe as we move through this together!

Pink Palace (Tuesday, March 17)

As a public health precaution due to COVID-19 (coronavirus), the Pink Palace Family of Museums including the Pink Palace Museum, theater,  planetarium, Lichterman Nature Center, Mallory-Neely House  and Magevney House will temporarily close to the public beginning Wednesday, March 18, 2020.

 “The Pink Palace Family of Museums has remained open these past two days in order to wind down scheduled activities between now and the end of May.  In just two short days, our staff has worked incredibly hard at winding down operations affecting over 11,000 people who had scheduled visits through May,” said Kevin Thompson, Executive Director Pink Palace Family of Museums. 

The public is encouraged to visit the Pink Palace Family of Museums website (www.memephismuseums.org), Facebook and Instagram pages for online content for children and adults created to keep the public engaged and entertained during this period of home quarantine. 

“We plan to roll out online services next week in order to continue to engage with the public. We have an initial set of items for next week, and plans are in the works to continue to create online environments to share our history.  Please check our website and social media outlets for more information,” continued Thompson.


Ballet Memphis (Tuesday, March 17)


Ballet Memphis is prioritizing the health of students, families, dancers, patrons, and staff, and will be taking the following precautions against the spread of COVID-19:

● Ballet Memphis Office: Closed to the public beginning March 18th until further notice

● Ballet Memphis School: Closed until further notice

● Pilates and Adult Classes: All classes, workshops and certifications canceled until further notice

● 2020-21 Company Auditions: in-person auditions canceled – Digital video submissions, headshot and resume should now be sent to auditions@balletmemphis.org

● Cinderella: Performance and supporting events canceled.

“Cinderella is a piece that brings magic to life for families, but we will not perform at the expense of our community,” says Steven McMahon, Artistic Director. “We are being proactive, both in prevention and serving our community. We hope that during this time, we’ll be able to reach our audience through virtual tools so that we may continue to bring dance to Memphis.”

Those who have already purchased tickets to Cinderella will be contacted directly. Refunds are available for tickets purchased through Ballet Memphis, however the organization is asking patrons to consider purchased tickets a donation.

“On behalf of the Ballet Memphis team, I can’t wait to bring Ballet Memphis back to the stage very soon,” said McMahon.

Ballet Memphis staff will continue to communicate any updates and ways they will continue to share the power of dance in a time when our community could use it most.

Memphis Rox (Tuesday, March 17)

In light of recent announcements over the past few days about local schools, organizations, and businesses closing due to concerns with Coronavirus COVID-19 and an increased emphasis on the safety, health, and wellness, Memphis Rox Climbing Gym will temporarily close Wednesday, March 18 for the remainder of the month. We will continue to monitor circumstances daily and will remain flexible and forward-thinking in regards to the next steps.

Our top priority is the safety and well-being of our guests, employees, and our community. Our commitment to improving the quality of life for Mid-Southerners through climbing and community outreach has not wavered during this time of uncertainty looming around Coronavirus (COVID-19). Now more than ever, it is important for us all to exercise collective leadership and take precautionary measures to participate in the healing of our city, state, nation, and world.

Furthermore, we will steadfastly follow all protocols recommended by the CDC, Tennessee Health Department, and Shelby County Health Department and encourage everyone in the community to do the same.

To support our staff during this time of closure and uncertainty, all employees will be paid for their previous average weekly hours worked, even as the gym remains closed for the next two weeks. We will then create various projects for our employees to participate in to improve the gym experience for our customers with an emphasis on safety protocols.

Art Museum of the University of Memphis (Tuesday, March 17)

In keeping with the measures the University is taking to contain the spread of COVID-19, the opening reception for “In 7, 6, 5…” scheduled for March 21st has been cancelled. We tentatively postpone re-opening to the public until March 31st. Please contact the museum for further information. In spite of being closed to the public, AMUM continues to install our upcoming exhibition and will be sharing online stories about “In 7, 6, 5…” once the show is up. When we are able to re-open to the public, then we will schedule an opening reception to replace the one that was cancelled, which would have taken place on March 21st.


Memphis River Parks Partnership (Tuesday, March 17)
Justin Fox Burks

An aerial view of the new River Garden park.


As much as we love having folks share the space of the Memphis River Parks, we’re reminded that we’re all in this together to keep Memphis healthy. Please follow guidance from the CDC and Shelby County Health Department.

The Partnership has increased the frequency of scheduled cleaning and sanitizing in all park facilities and reinforced recommended procedures with staff while monitoring development and following the latest guidance on COVID-19.

All public events scheduled to take place on the riverfront in the next eight weeks have been postponed or canceled. Keep updated on the latest on Facebook and our website.

Metal Museum (Tuesday, March 17)

It is with deep regret that we inform you that we have made the difficult yet necessary decision to close the Metal Museum to the public, effective immediately until further notice. This includes all public programs and classes.

As with our peer institutions in the city of Memphis and across the country, we believe this is the best course of action to ensure the continued well-being of our visitors, volunteers, and staff.

Please watch your email and/or the Museum’s website and social media for the most up-to-date information. Our staff will continue to work during this time to answer any questions you have and to ensure that exhibitions and programs are to the high standard you expect when we reopen. Should you have any questions during this time, please do not hesitate to email us at info@metalmuseum.org.

We greatly appreciate your understanding and flexibility during this time and, as always, your support of the Metal Museum.

Hattiloo Theatre (Tuesday, March 17)

In light of the developing news about the coronavirus (COVID-19), here’’s the latest from Hattiloo. We continue to look to the CDC, the Shelby County government and the City of Memphis and state leadership for guidance. Following the temporary recommendation to limit public gatherings, and in concert with our colleagues throughout the theatre industry, we’’ve suspended all performances through May 1, 2020. 

 

We’’re adapting as quickly as we can to this situation. For your convenience, as always, you can email us at manager@hattilootheatre.org, or call 901.502.3486. With the expected volume of emails, it may take us 3-5 business days to respond, but rest assured that we will get back to you. Our shows are canceled for now, but our staff is here for you.  

If you have tickets for this weekend’s performance, please email tickets@hattilootheatre.org for information.

Thank you for your support. Please stay safe, and we look forward to seeing you when Hattiloo reopens.

Southland Casino Racing (Monday, March 16)

The situation surrounding coronavirus (COVID-19) is rapidly developing, and Southland Casino Racing continues to be focused on efforts at our facility to protect the health and safety or our guests and employees. 

In coordination with the Arkansas State Racing Commission and the State of Arkansas, we are acting to temporarily close the venue. No new patrons will be permitted into the facility after 11:59 p.m. tonight, Monday, March 16, and the facility will be closed at 6 a.m. March 17 until further notice. All activities are canceled, including casino promotions.

We will be communicating as quickly as possible with our employees to assist them during this period. We thank them for their ongoing diligence and ability to adapt in a very fluid and unprecedented circumstance.

To date, we have worked to protect public health by following CDC guidelines on sanitizing protocols and cleaning throughout our venue. We will remain in close touch with State and County health officials, and we look forward to reopening Southland Casino Racing shortly and continuing to provide a clean, safe environment.

We apologize for the inconvenience and look forward to hosting you again in the near future. We will keep you updated on our website at www.southlandcasino.com and via Facebook.com/SouthlandCasinoRacing as more details become available.

Opera Memphis (Monday, March 16)

Members of the Opera Memphis family,



Earlier today, Opera Memphis made the difficult decision to cancel our 2020 Midtown Opera Festival, including the production of Mozart’s Così fan tutte



Though this decision is heartbreaking, we know it is vital that we play our part in combating the spread of COVID-19 in this truly unprecedented situation. 



We know there are many disappointed opera lovers reading this, so we are also taking the opportunity to announce 30 Days of Digital Opera beginning on April 1. Every September, we fan out through the city giving free performances for the entire month. This coming April, instead, will be a chance for us to provide fresh, daily content on all of our digital channels.



More details will be shared on this new program as it develops. We know nothing can replace the feeling of seeing an opera live and in person, but hopefully, this new program will help bridge the gap!



Within the next several days, we will reach out to all of our ticket holders and provide them with their options.  We hope our patrons will consider donating their tickets to help us recoup some revenue, as the company has decided to pay our artists and crew who rely on performances for their livelihood. 



Finally, the administrative offices for Opera Memphis will be temporarily closed. If you have any questions or concerns, you may contact us at info@operamemphis.org.



Thank you in advance for your patience.

Germantown Performing Arts Center (Monday, March 16)


Friends and Family of GPAC:

The safety of GPAC’s audiences, artists, volunteers and staff are our first priority. In response to the outbreak of the coronavirus (COVID-19), GPAC will be closed to the public indefinitely as of Monday, March 16, at 5 p.m. The following events have been modified:

Welcome to Night Vale Live, March 18, at 7:30 p.m.: This show will be rescheduled. We’re working with the tour on a new date, and GPAC will make an announcement as soon as it is set. 

Peanut Butter & Jam: José! by New Ballet Ensemble, March 21, at 9:30 a.m. and 10:30 a.m.: This program will be rescheduled. Please stay tuned for the new date.

Artist’s Reception with Pam Santi, March 21, at 5 p.m.: This reception has been cancelled.

Germantown Symphony Orchestra 250th Anniversary Beethoven Celebration, March 21, at 7 p.m.: GSO is rescheduling this concert and apologizes for any inconvenience.  Please hold onto your tickets and they will be providing additional information once more is known about the future concert schedule.

Memphis Symphony Orchestra: Masterworks 5: Strauss, Tchaikovsky, & Shostakovich, March 22, at 2:30 p.m. MSO will not hold the concert. The decision to reschedule or cancel will be determined at a later date, and will be guided by public health and safety and scheduling considerations. Additional updates will be made on the MSO website, social media and emails to subscribers and ticket buyers. Please contact the MSO Box Office with any ticket related questions at (901) 537-2500 or tickets@memphissymphony.org.

ArtSavvy: Shadow Play Workshop, March 24, at 7 p.m.: This program will be rescheduled or cancelled based on safety and scheduling considerations. You can find updates here or on the Facebook event.

Jazz in the Box: Emmet Cohen & Houston Person, March 27, at 7 p.m. and 8:30 p.m.: This show will be rescheduled. We’re working on a new date based on safety and scheduling considerations. GPAC will make an announcement as soon as it is set.

Pilobolus—Shadowland: The New Adventure, March 28, 8 p.m.: Pilobolus’ performance has been rescheduled for Saturday, September 19, at 8 p.m. Tickets for the March performance are valid for the September show.

Visual Arts Exhibit, Artist’s Reception and Artist Chat with Yancy Villa Calvo will be rescheduled for the fall. Keep an eye on information for the 2020-2021 Season for details.

Bruce Hornsby & The Noisemakers, Saturday, April 11, 8 p.m. This performance will be rescheduled or cancelled based on safety and scheduling considerations. Tickets for the April concert will be valid for the rescheduled show.

Artsavvy: Gullah Traditions, Tuesday, April 14, 7 p.m. This program will be rescheduled or cancelled based on safety and scheduling considerations. You can find updates here or on the Facebook event.

Victor Wooten and the Wooten Brothers, Thursday, April 16, 7:30 p.m. This show will be rescheduled, we are working with the tour on a new date.Tickets for the April performance are valid for the rescheduled show.

Ranky Tanky, Friday, April 17, 8 p.m. This performance will be rescheduled or cancelled based on safety and scheduling considerations. Tickets for the April Ranky Tanky concert will be valid for the rescheduled show.

We will communicate updates for these events via the GPAC website, social media and through emails to patrons and ticket holders affected by rescheduled events and cancellations. If you have questions regarding ticketing for the above mentioned performances, please call the GPAC box office at (901) 751-7500 or at boxoffice@gpacweb.com. Thank you for your understanding. 

Quark Theatre (Monday, March 16)

Quark is suspending performances until, hopefully, we can remount it in the (near) future. That may be in 2 weeks; it may be in 2 months. We will keep you informed.

We had originally planned to complete our entire run. While we believe any possibility of virus transmission at Theatre South is quite low because it only holds, at the most, 50 people, we understand the the possibility is not zero. We also understand that people are concerned right now and seem to be getting more so.
We hope to see more of you in the future!


Playhouse on the Square (Monday, March 16)

The safety of our patrons, staff, artists, teachers, and volunteers is of utmost importance, and we at Playhouse on the Square (Circuit Playhouse, Inc.) have been adjusting our plans to confront the challenges of COVID-19 on a daily basis based on information from the CDC, WHO, Shelby County Health Department, City of Memphis, and the State of Tennessee.

 

With 18 productions on 3 stages, 2 school touring productions, and 13 education and outreach programs, reaching 10s of 1000s of people yearly, there are many moving parts, and we strive to present our offerings with as little disruption as possible.

 

This past weekend, the CDC issued new recommendations, and we will be implementing the following courses of action:

 

·      Beginning on 3/16/20, we will be cancelling remaining performances of The Book of Will; Ain’t Misbehavin’; Schoolhouse Rock Live; The Ant and the Grasshopper; and Days of Rage through May 7, 2020.

·      We will push the entire run of Little Shop of Horrors 1 or 2 weeks later to run May 8 through May 31 or May 15 through June 7.

·      We will shorten the run of Mississippi Goddamn by opening one week later to run June 12 through June 28.

·      We will push the entire run of Something Rotten 1 week later  to run June 26 through July 12.

·      St. Paulie’s Delight’s run will retain its current schedule, July 10 through July 26.

·      After School Acting Program (ASAP) and Theatre School will be cancelled until the Fall.

·      TnT and PlaySlam will be postponed to a later date.

·      Summer Youth Conservatory programming will retain its current schedule.

·      The 43rd Annual Original Art Auction, scheduled for April 25, will be postponed until Summer or Fall of 2020.

 

We apologize for any inconvenience this may cause, and we hope that you will continue to support Playhouse on the Square as we endeavor to confront both the health and economic challenges to our patrons, staff, teachers, and volunteers.

 

If you have tickets for upcoming cancelled performances, our Box Office team will be reaching out to you to change your reservation to another show, issue refunds, or process your payment as a donation should you prefer that option. Our Box Office (901-726-4656) will maintain normal business hours until further notice.

201 Poplar (Monday, March 16)

In light of the health and safety concerns surrounding the coronavirus (COVID-19) pandemic, the criminal justice system at 201 Poplar will be functioning much differently over the next few weeks, Shelby County District Attorney General Amy Weirich said Monday.

Major changes will include:

• Out-of-custody defendants with cases in General Sessions and/or Criminal Court will have their cases reset automatically to the corresponding day of the week of April 20, 2020, through May 5, 2020. You do not need to appear at 201 Poplar.

Here is the updated schedule:

• In-custody cases are top priority and will be handled as usual.

• There will be no jury trials until further notice.

• The Shelby County Grand Jury will not meet until further notice.

• If you are a victim or a witness subpoenaed by the DA’s office, someone from the DA’s office will contact you. If you have not been contacted within a day of your ordered appearance, please call 901-222-1300 and ask for the Victim Witness Unit.

Other important numbers to keep:

General Sessions Criminal Court Clerk – 901-222-3500

Criminal Court Clerk – 901-222-3200


Gold Strike Casino Resort (Monday, March 16)

GM Resorts International announced its decision to temporarily suspend operations at its two Mississippi properties, Beau Rivage Resort & Casino and Gold Strike Casino Resort, until further notice, effective as of Tuesday, March 17th. Casino operations will close at 6 a.m. CST, followed by hotel operations.

“Our highest priority remains the health and wellbeing of our guests and employees. We will work to mitigate the impact this will have on our employees, partners and communities,” said MGM Chief Operating Officer and president Bill Hornbuckle. “We will continue monitoring the situation and announce plans for reopening when appropriate.”

Crosstown Arts (Saturday, March 14)

Crosstown Arts is working to help slow the potential transmission of coronavirus and is postponing all music performances, public events, gallery open hours, Shared Art Making open hours, and food/beverage service at the cafe and Art Bar through April 1. Refunds to any ticketed events will be issued within 48 hours.

For updates about when these spaces and programs will resume normal operation, please look for an announcement in the Crosstown Arts newsletter; check out crosstownarts.org; or follow Crosstown Arts on social media — Instagram, Facebook, and Twitter.

Dixon Gallery and Gardens (Monday, March 16)

Dear Friends,

The Dixon Gallery and Gardens is above all concerned for the health and safety of our visitors, employees, and many volunteers. We are measuring our response to the new Coronavirus/COVID 19 by the best and most current information available from the World Health Organization, the Center for Disease Control and Prevention, the Shelby County Health Department, the American Alliance of Museums, all the area hospitals, and the City of Memphis. We have taken part in conference calls with the Association of Art Museum Directors, ArtsMemphis, and the Cultural Coalition of Memphis to learn how other organizations are gathering information and making decisions. We have been impressed by the spirit of cooperation, the sharing of information, the sacrifice, and the genuine compassion of the cultural sector in Memphis.

The Dixon has taken a number of actions—some very difficult—in trying to combat the spread of Coronavirus/COVID 19 in our community. Effective Tuesday, March 17, we are closing the Dixon Galleries, the museum facility, for the next two weeks. We will see where we are on Monday, March 30. Count on regular updates. We also are cancelling all education and outreach programs, whether in the museum or in the gardens, and asking our many volunteers to work from home the next two weeks or to take a few days off.

The Dixon is also canceling or postponing the following large events: the Margaret Oates Dixon Society gathering (18 March); the Philipp Laagland lecture (19 March); the Daffodil Show (20-21 March); the Director of Horticulture tour of ‘Dixon Blooms’ (24 March); the Memphis Flower Show (3-5 April); the Cosmopolitans Spring Party (9 April); and the Dixon Easter Egg Hunt (11 April). The Dixon is determined to make good and transparent decisions for the safety of our visitors, staff, and volunteers, and to get reliable information to you in a timely fashion.

For the time being, the Dixon Gardens will remain open. If you come to the gardens, please be considerate of one another’s personal space. Temporary social distancing is one of the very simple actions we can all practice—along with staying home if we feel ill, washing our hands vigorously and frequently, and refraining from touching our faces—to thwart COVID 19. The Dixon has also doubled and tripled our cleaning and disinfecting efforts around our campus.

The best thing the Dixon can do for our community right now is to eliminate any close public interactions that are not necessary. Don’t get me wrong, art is essential, but it is also eternal, and it will be waiting for you in the Dixon Galleries when we reopen. And the Dixon Gardens await you. With 200,000 tulips and other flowering bulbs coming into bloom, the gardens offer abundant joy and solace in these challenging times. I repeat, our seventeen acres also present more than ample room for safe social distancing. Please respect the personal space of others while you are here.

Thank you for your support of the Dixon. We will get through this together.

Kevin Sharp

Stax Museum of American Soul Music (Monday, March 16)

The Soulsville Foundation – which operates the Stax Museum of American Soul Music, Stax Music Academy, and The Soulsville Charter School at the original site of Stax Records in Memphis, Tennessee –has made the difficult decision to temporarily close the Stax Museum beginning March 18, 2020 out of concern for the safety of its employees, visitors, volunteers, and other guests amid the outbreak of the COVID-19 coronavirus.

While we have not seen any signs of COVID-19 among our staff and visitors, we feel that we should take this preventative measure because the circumstances surrounding the virus are changing by the hour and we always err on the side of caution when it comes to safety, which is our top priority.

While the museum’s closure status will be reevaluated every two weeks, it is postponing until further notice all events and programs until at least April 30, 2020.

The Stax Museum is unique in that it is not only an international tourist destination drawing people from around the world and a community-based museum offering free programming for the general public throughout the year, but it also shares the same campus as the aforementioned Stax Music Academy and The Soulsville Charter School, which provide education and other services to roughly 800 children and families each day. In keeping with Shelby County Schools’ policies, both schools are closed until March 30, 2020.

“Like the rest of the world, we are deeply concerned about the COVID-19 coronavirus outbreak,” said Soulsville Foundation President and CEO Richard Greenwald. “We realize that many of the Stax Museum’s guests travel to Memphis from across the United States and from other countries and, given the propensity for the virus to affect those traveling, we feel it’s our responsibility to help stop the spread of COVID-19 by temporarily closing the Stax Museum. It’s not an easy decision but we feel it’s the right thing to do at this time.”

In the meantime, the Soulsville Foundation will continue deep cleaning and sanitizing of all its facilities and following all protocol set forth by the American Alliance of Museums, the Centers for Disease Control and Prevention (CDC), Shelby County Health Department, and other relevant organizations. We urge everyone to follow these guidelines to help stop the spread of the virus.

We will keep the public updated on any and all changes during this time and regret any inconvenience.

“Our hearts go out to the millions of people being affected by COVID-19,” Greenwald continued. “Our hope is that the pandemic will eventually subside and we can return to business as usual of preserving and promoting the legacy of Stax Records in the many ways we do that.”

Earnestine & Hazel’s (Posted there Thursday, March 12)

Toby Sells

Earnestine & Hazel’s wil shut down for two weeks.

Owners of Earnestine & Hazel’s closed the “most popular dive bar in America” for two weeks in a memorandum that appeared on the bar’s front door Thursday.

“I hope my actions are going to be considered overkill, perhaps like taking a flame thrower to a cockroach,” said co-owner (and medical doctor) Dr. Kevin Merigian. “My intuition tells me otherwise.

Agricenter (Monday, March 16)

Agricenter is closely monitoring the recommendations from the CDC and Shelby County Health Department as it relates to COVID-19 in our region. CDC issued guidance over the weekend on limiting gatherings to 50 people or less.

Effective immediately, all event activities in Agricenter’s Expo Center, ShowPlace Arena, and Farmer’s Market that are larger than 50 people will be postponed or cancelled through March 31, 2020.

Agricenter is working closely with show organizers to reschedule their events as possible. Event notices will be posted on the events page here: www.agricenter.org/events

Memphis International Raceway (Monday, March 16)

Memphis International Raceway (MIR) and its parent company IRG Sports + Entertainment (IRGSE) have made changes to the upcoming event schedule in adherence with national, state and local public health officials’ recommendations to limit the spread of COVID-19.

• The 34th annual Super Chevy Show has been postponed and rescheduled to Sept. 25-27, 2020
• Memphis International Raceway will host an action-packed doubleheader weekend by combining the 34th annual Super Chevy Show with the ARCA Racing Series 200 championship race of the Sioux Chief Showdown Saturday, Sept. 26 – this is a weekend you will not want to miss
• Anyone who has purchased tickets to the 34th Annual Super Chevy Show will be able to transfer their tickets to the rescheduled date of Sept. 25-27, 2020.


Children’s Museum of Memphis (Monday, March 16)

The Children’s Museum of Memphis will be closed temporarily as a safety measure beginning Tuesday, March 17, based on the CDC and local health departmental recommendations.

Dr. Stewart Burgess, Executive Director of the museum, said: “Although we have not had any presumed or confirmed cases of the virus at the museum, we would rather do our part to protect the safety of our visitors, staff, and the community.”

Although we are making this adjustment, we plan to provide parents with fun, educational materials, and creative suggestions to keep their children engaged. And, of course, we will have some fun activities planned for when this concern has been resolved.

Our staff will continue to monitor released health updates and will post any updates on our website and social channels.

Indie Memphis (Monday, March 16)

Indie Memphis is postponing upcoming events in March and April as a precaution to help reduce the spread of COVID-19 in the community.

If you purchased a ticket to a film screening, you will be receiving a refund and/or your member credits will be returned.

Our youth film mentor teams have been recommended to meet virtually during this time to avoid close contact.

I am in regular communication with our peer arts organizations in Memphis and around the country as the situation evolves. We look forward to announcing new programming and rescheduling screenings when the time is appropriate.

National Civil Rights Museum (Monday, March 16)

The Lorraine Motel is among the three sites in Memphis to be included on the U.S. Civil Rights Trail.

A Special Alert from the National Civil Rights Museum
regarding the Coronavirus (COVID-19)

With news of the Coronavirus (COVID-19) pandemic escalating, the National Civil Rights Museum will temporarily CLOSED to the public, beginning Tuesday, March 17, until further notice. We recognize that this situation is extremely fluid and feel it necessary to halt operations to ensure the safety of our employees and guests.

While the Museum is closed, all public events and programming are cancelled. This includes our annual April 4th commemorative service.

We will provide frequent updates on any changes in our operations status. Thank you for your understanding as we work together to ensure a safe environment for everyone associated with the Museum.

For more information from health officials regarding the Coronavirus (COVID-19), visit the Center for Disease Control and Prevention (CDC) website.

Kroc Center of Memphis

In light of the national developments and rapidly changing conditions regarding the spread of COVID-19 (commonly referred to as coronavirus), the Kroc Center of Memphis has temporarily suspended all public programming and operations effective immediately.

As risks have increased regarding community spread of COVID-19 across Memphis and the Mid-South, we have considered all options and have ultimately decided to follow CDC guidelines to limit public exposures. As such, all activity, with the exception of Spring Break camp, will be suspended in our building effective Monday, March 16. Spring Break Camp will be held March 16-17 only.

As this matter evolves, we will offer facility updates on when we plan to reopen. Our local and national Kroc Center teams are working within parameters set forth by the CDC and the guidance of local government to determine when we can safely return to normal operations. For those that are enrolled in programs, we will communicate plans for rescheduling as that information becomes available. If you have any questions in the interim, please contact us at info@krocmemphis.org. You may also call 901.729.8007, and press 2.

Temporarily closing our doors is a difficult decision, as we balance being available to the community with being proactive in the interest of public health. We are grateful to have your understanding and patience during this time.

We truly appreciate your support and commitment to helping us create a welcoming space for Worship, Arts, Education, and Recreation. We know that staying fit and active is our best way to build a strong immune system and stay healthy. Even though you can’t make it in to join us in person, here is a FREE online option of our Les Mills fitness classes to help keep you active and working out at home. This platform offers 95 free workouts across 8 categories and it will remain available as long as the disruption from Coronavirus continues. Additionally, we plan to post on our social media platforms, providing tips to stay active and engaged over the coming day.

Please continue to observe the recommended practices for maintaining good health, and we look forward to seeing you when the Kroc Center reopens.

Blessings,

The Salvation Army Kroc Center

Memphis Restaurant Association (Monday, March 16)

Postponed – Pro Tips for Avoiding ADA Nightmares
We feel it is responsible to postpone the March membership meeting at this time.

Thanks to Evans Petree for being flexible and agreeing to speak at a later date which is to be determined.

Brooks Museum of Art (Sunday, March 15)

We have made the painful but necessary decision to temporarily close the Memphis Brooks Museum of Art, effective Sunday, March 15 at 5:00 pm until March 31, 2020. This includes all public programming.⁣



Since March 4, the Brooks staff has made extraordinary efforts to disinfect and sanitize its spaces. We now believe we must close temporarily to further limit transmission of COVID-19, and do all we can as a public institution to ensure the safety of our visitors, staff, volunteers and community.⁣

We understand how rapidly this situation is evolving, so we will provide updates as we have more information. ⁣

Meanwhile, as one of our region’s greatest cultural assets, we hope that you will enjoy checking our website and social media to experience our temporary exhibition, “Native Voices, 1950s to Now: Art for a New Understanding,” our great permanent collection of paintings, sculpture, drawings, photographs, decorative arts, and new media; and snapshots of some of our nationally-recognized educational programs in action. ⁣

We appreciate your support of the Brooks and our efforts to care for our community. We assure you that our staff and Board are committed to making this effort as effective and smooth as possible for everyone in our great city.
Categories
Music Music Blog

An Inspired Weekend of Beethoven With Iris & The Zukerman Trio

The Zukerman Trio

This past weekend’s performance by the Iris Orchestra, complemented by the Zukerman Trio, was highly anticipated all around. As noted in October, the entire current season is loaded with significance on the most personal, local, and global levels. As the orchestra’s conductor, Michael Stern, said then, “We have a rather happy confluence of anniversaries. It’s the 20th anniversary of Iris…And we’re celebrating 250 years of Beethoven…There’s also the anniversary of my father, Isaac Stern, who would have been 100.”

Last Saturday and Sunday’s offerings, the second weekend of Iris’ season, resonated with all of those milestones, perhaps most powerfully with the centenary of Isaac Stern. As Michael Stern noted to the audience at the Germantown Performing Arts Center (GPAC)  Saturday night, his father was at first skeptical of this somewhat unorthodox ensemble when it was launched, asking, as Michael put it, “What is my son doing in Tennessee?” 
Michael Allen

Michael Stern

With bittersweet emotion, he then recalled how his father warmed to the idea of Iris, an orchestra of world-class players who converge in Memphis on a regular basis, inviting notable guest performers as each season unfolds. The most telling moment was when the father asked the son, “When are you going to invite me?”

That was in 2001, and arrangements were made to feature Isaac Stern, backed by Iris, that December. Everything changed when the legendary violinist died in September. As his son described it, his memory was instead honored in Memphis when Iris backed Jaime Laredo, Yo-Yo Ma, and Emanuel Ax, who had recorded with the elder Stern as a quartet.

Michael Stern also noted the special connection between his father and the namesake of the trio hosted this week, Pinchas Zukerman. Hearing Zukerman play at the age of nine in Israel, the elder Stern promptly facilitated his enrollment at The Juilliard School, and the rest is history: Zukerman is now one of the most celebrated violinists of our time. 

However, Saturday’s concert began with the Iris Orchestra on its own. And from the first notes of Beethoven’s Coriolan Overture, it was made clear what a treasure to Memphis the orchestra really is. It was a fittingly grandiose opening salvo, but it was the next piece, Beethoven’s Symphony No. 4, which really showed the orchestra’s full range. This symphony in particular, full of coordinated, rhythmic hits in sync with the timpani, can truly be said to “rock,” and can show off an orchestra’s power. But it was in the quieter moments that Iris displayed its sensitivity. The subtle moments revealed an organic lightness of touch that was all the more moving by way of contrast. Moments featuring pizzicato cello patterns felt like an unfolding flower.  Phillip Van Zandt

Iris Orchestra

These strengths were all the more apparent once the Zukerman Trio took the stage to perform the Concerto for Violin, Cello & Piano, Op.56 (Triple Concerto).  Amanda Forsyth, cello, and Angela Cheng, piano, looked resplendent, and Forsyth was an especially striking presence on the cellist’s pedestal. Zukerman was in more reserved attire, but his gravitas was commanding.

The orchestra’s lightness of touch provided a perfect setting for the more commanding tonalities of the trio, with Zukerman’s almost Klezmer-like sonority, Cheng’s rhythmic, rolling piano arpeggios, and Forsyth’s melodic passages in the cello’s higher registers being especially captivating.

On the next day, audiences were able to hear the trio, as Stern facetiously noted in his introductory remarks, “without the pesky orchestra” behind them. And that too was a revelation. The intimacy of the Brooks Museum of Art, where the featured artists of Iris’ season always perform on Sundays, was an ideal setting for appreciating the trio’s almost telepathic connection in even the most rubato passages of Beethoven’s Archduke Trio.

As a weekend exclusively devoted to the works of Ludwig van Beethoven, it was a revelation. This December 17th will mark the 249th year since his birth, and next year the world will celebrate his 250th anniversary. As Stern noted in October, “Nobody needs to rescue him from obscurity,” but his very omnipresence can numb us to the rare beauty and innovation of his works. Yet here in Memphis, where we can boast the unique collective project of the Iris Orchestra, it was all made new again, as the players leapt once more unto the breach, breathing life into some of the greatest music ever conceived.

The Iris Orchestra, conducted by Michael Stern, will next perform on January 25 (GPAC) and 26 (Brooks Museum), 2020, featuring a specially commissioned work by Conrad Tao, “Spoonfuls,” celebrating Memphis’ bicentennial, performed with the composer on piano.

Categories
News News Feature

Found Art: Federico Uribe’s Socks at the Brooks

Federico Uribe’s socks are hanging at Memphis Brooks Museum of Art.

They’re among the hundreds of sock “leaves” hanging on his 25-foot-tall tree, which, after almost a year in the museum’s rotunda, will be taken down August 11th. The tree and other Uribe creations are part of the museum’s Rotunda Projects series.

“I used some of my socks and my assistants’ pants, my assistants’ socks, and [clothing from] people who work in my studio,” says Uribe, who was born in Colombia but now lives in Miami.

Federico Uribe’s colorful artwork, made from repurposed items, is on view at the Brooks Museum through August 11th.

His idea? “I thought about the tree of hard life.”

The tree bark is made from khaki pants. “Somehow my idea came from the idea of making an homage to people who work with their hands,” he says. “Manual work.”

Most of the socks are white ones from Goodwill. “We painted them green,” says Uribe. “Also, pants from Goodwill and Salvation Army. New socks. Used pants.”

His tree also “talks about the neighborhood and the projects,” he says.

It includes shoes, which stand for gang members’ shoes. “If a gang takes territory from other gangs, they take their shoes and hang them on electrical lines. They hang the shoes they took from the enemy.”

Uribe painted when he was younger, but, as he got older, he stopped painting and started “playing with objects.”

His first sculptures were made of “very small objects — toys and things I found on the streets in Mexico.”

These included “plastic forks, baby [bottle] nipples, toys, doll hands,” he says.

Later, he began using other objects. He made a landscape out of remote controls. The piece stands for “a city under control.”

Uribe also made a statue out of screws after he heard the expression “getting screwed.” He made a donkey out of suitcases, which he calls The Immigrant. Uribe also created whimsical animals out of bullets and shotgun shells.

“Art schools don’t teach you how to do stuff,” Uribe says. “You have to figure that out. I have to create my own technique for every object I create.

“To me, it’s all my private thing. People get it or they don’t get it. I don’t really care. It makes me smile when I realize these ideas.”

As for fame and fortune, Uribe says, “I don’t really like the public part of my life. I don’t enjoy that at all. I like my studio. I like it quiet. I listen to books.”

And, he says, “I’m interested in making enough money to produce my own dreams and that’s it.”

Uribe currently is working on a sculpture of a woman, which he’s making out of surgical instruments. It’s “about people who have thousands of plastic surgeries thinking they look better,” he says. “And they take selfies and publish it on Instagram and all this bullshit. It’s not a criticism, just a fact of life.”

He sees so much plastic surgery in Miami. “Fake asses, noses, and waists. And it’s all built by a doctor. So then they think they’re happy.”

The title of the piece will be Selfie Esteem.

When he’s not working, Uribe loves to grow flowers. “Flowers bring butterflies,” he says, “and butterflies bring lizards.”

Uribe says, “I work with a purpose of beauty.

“I like the idea of people smiling at my work when they see it. I don’t want to teach people that life is hard. Everybody knows that. I’m trying to tell them that beauty is out there. There is beauty in bullets, in medical instruments, in remote controls, in screws. There’s beauty everywhere if you’re looking for it.”

Categories
Art Art Feature

“Bouguereau & America” at the Brooks

Traveling exhibitions that visit the Brooks Museum of Art typically bring works of great artists or celebrate a significant period or movement in art history. Greatness is expected.

But then there’s “Bouguereau & America,” co-organized by the Milwaukee Art Museum, opening Saturday and bringing with it some notoriety. The works by William-Adolphe Bouguereau (1825-1905) are remarkable — and critics have done their remarking by hammering the artist’s works despite the fact that he’s technically gifted and was the best-selling artist in America’s Gilded Age. His works made him a millionaire in the 19th century, which was extraordinary for someone who wasn’t a robber baron.

Virgin of the Angels

So why is the Brooks doing this, and why should you see it? Because the French artist had chops and is something of an American phenomenon.

Dr. Rosamund Garrett, the Brooks’ associate curator of European and decorative arts, is fascinated by the artist and his work. “Bouguereau is the epitome of academic painting,” she says. “But you’re looking at more than just a French academic painter or exhibition about French academic painting. You’re looking into the taste and aesthetic sensibilities of the elite in Gilded Age America.”

And it is that question of taste, Garrett says, that is at the center of how we regard the exhibition. She is cautious: “I personally would argue that there is no such thing as good or bad taste.” The notion does challenge objectivity: Nobody believes that they have bad taste.

Garrett continues: “What you are seeing here is the taste of these particular people who are buying his work. You are getting a glimpse of the identity that they want to project into the world.” Some of the buyers of Bouguereau’s works had established money, but most were the newly monied, often entrepreneurs.

“They want to borrow a bit of the cultural legacy of Europe,” Garrett says. “Because that gives them a sense of history, a sense of legitimacy. And if you have that, it means you have reached a certain level in society and you are here to stay.”

Dr. Stanton Thomas is a co-curator of the exhibition. He is Garrett’s predecessor at the Brooks and is now at the Museum of Fine Arts in St. Petersburg, Florida. He has written: “Bouguereau delights and confounds us. It’s hard not to be seduced by his exquisite technique and the shameless beauty of his modest nymphs, woebegone children, and polished peasants.”

How else to describe B’s work? Debra Brehmer, a critic for the art blog/magazine Hyperallergic, writes, “His work still refuses to settle into a comfortable category, remaining a gelatinous melange of kitsch, academic virtuosity, and unsavory sensuality.”

The depictions are idealized: heroic men, sensuous women, playful cupids. The dreamy portrayals of peasants and beggar children are almost laughable: “These children look absolutely perfect,” Garrett says. “They’re really clean, they don’t have any dirt under their fingernails. It’s like a Photoshopped version of reality.”

For the discerning viewer, it can be a struggle. “Bouguereau has been accused of being shallow and vacuous, and these are sort of sugary confections, but at the same time just so beautiful,” Garrett says. “You cannot help but stand in front of these pictures reveling in their beauty, but afterward, when you’ve stepped back, you realize you’re having some exceptionally complicated feelings.”

Unrelated to the artistic merit of the exhibition but relevant to the museum’s plans to become Brooks on the Bluff, is the size of the show. “This exhibition has absolutely pushed our current building to the limit of what is possible here,” Garrett says. The plan for the new building would take care of such issues, the Brooks promises.

There will be a membership reception for “Bouguereau & America” on Friday, June 21st, and a free community day from 10 a.m. to 1 p.m. on Saturday, June 29th. View the exhibition for free at Orion Free Wednesdays at the Brooks, from 10 a.m. to 8 p.m.

Categories
News News Blog

Swiss Design Firm to Take on “Brooks on the Bluff”

The Memphis Brooks Museum of Art introduced a world renowned design firm as the creative force behind “Brooks on the Bluff,” the future Downtown incarnation of the 103-year-old institution.

Herzog & de Meuron of Basel, Switzerland and New York, will collaborate with Memphis-based archimania, the architect of record. The design is expected to be unveiled early next year and the $105 million facility completed in four to five years.

Herzog & de Meuron has a formidable reputation, having won the Pritzker Architecture Prize for its renovation of London’s Tate Modern in 2000. It also did the striking Bird’s Nest Stadium at the 2008 Beijing Olympics, the Pérez Art Museum Miami, and several other notable projects.

Tuesday evening’s presentation was held at the site of the future museum at Union and Front, which now is a fire station and parking garage.

Deborah Craddock, president of the museum’s board, told the attendees that, “Relocating the Brooks to the Fourth Bluff and along the banks of the Mississippi river is a move that offers an unprecedented opportunity for the art museum to serve as the primary cultural anchor in downtown core of Memphis along a revitalized riverfront.”

She said several planning and engagement sessions have been held since plans for the museum’s move were announced in 2017. “Our goals as an institution perfectly aligned with those indicated in community responses to create a radically welcomed and inclusive art museum for all people,” Craddock says.

The term “radically welcomed” is also being used by Brooks executive director Emily Neff, which indicates a determination to get higher numbers of people through the doors of the museum. Memphis mayor Jim Strickland told the Memphis Flyer that the Brooks sees about 80,000 people a year now, but with the new facility, “We will easily get hundreds of thousands of people a year coming into this great museum.” He says, “The Brooks museum is a good museum; this is going to make it a really great museum. We need a new building, and building it here on the river bluff and building it here downtown is going to be incredible.”

Neff says that one of the appealing aspects of Herzog & de Meuron was that it doesn’t have a signature style. What they do, she says, “is informed by the site and the context of the site and the uniqueness of Memphis and the pride we take in our city and what the architect can say about our city. We thought they were the perfect match. And it helps that they have major experience in the cultural sector and in art museums.” She says that the selection of archimania means there will be an intimate knowledge of Memphis by two firms that are focused on design excellence and collaboration.

Two of the members of the team from the Swiss firm have a local connection. Project manager Philip Schmerbeck went to Germantown High School and got his architecture degree at Mississippi State University. Another team member, Jack Brough, is a graduate of Ridgeway High School.

Ascan Mergenthaler, senior partner and partner in charge, told the gathering, “there’s something about the people of Memphis, a very special spirit about them and we’re very impressed with that. We’re convinced that this building and this place will become the hotspot of Memphis, really like a focal point were people come not only to see art but also to come and just hang out and to enjoy the place, meet people and just make it a truly civic building.”

Mergenthaler says the site intrigued the design firm. “The Bluff, this very interesting nature form formed by the river and with the downtown, and then we have this beautiful slope on the left and the right which is also fantastic. It’s a challenge, but its also an opportunity to create something very specific for this place, so we will come up with something which is really firmly rooted in this and grounded in this, and can only be here and nowhere else in the world.”

Categories
News News Blog

City Seeks Re-use Ideas for Brooks, Memphis College of Art Buildings

City of Memphis

Memphis College of Art is closing in 2020.


The city is seeking “bold visions” for the two soon-to-be-vacant historic buildings in Overton Park.

Officials with the Brooks Museum of Art first announced in 2017 an interest in relocating the museum to Downtown. Soon after, Memphis College of Art (MCA) officials said that the college would be closing in 2020.

Now, the city is seeking ideas for the 86,000-square-foot museum, slated to be vacant in 2024, as well as the 75,000-square-foot MCA building. This call is open to individuals, groups, and organizations from Memphis and around the country.

The city’s goal is to “create a new blueprint for these cornerstone anchors located in the heart of Memphis at Overton Park to ensure that they remain accessible cultural assets for the entire Greater Memphis community and beyond.”

The city released a Request for Proposal (RFP) for the Brooks Museum last year, but decided to relaunch the process to include MCA because of the buildings’ proximity.

Submitted proposals can be for one, both, or part of the buildings. There are five guiding principles identified through community meetings that all submissions should follow. They include assurance of long-term financial sustainability, creative and respectful re-uses, enhancing the park and connecting the spaces to the surrounding community, accessibility, and being a community resource.

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The deadline to submit proposals is Friday, May 10th. An 11-member selection committee, comprised of civic and art leaders, will choose the best ideas. Proposals will be selected based on how well ideas adhere to the guiding principles, the impact the idea would have on the Memphis community, and the financial sustainability of the proposal, as funding won’t be available.

The top proposers will be asked to expand on their ideas through a Request for Proposal process. Memphis Mayor Jim Strickland will make the final decision, which then must be approved by the Memphis City Council.

Submit an idea here.

City of Memphis

Brooks Museum of Art is slated to relocate in 2024.

The Brooks Museum, which has stood in Overton Park for more than 100 years, is slated to relocate to Monroe and Front in 2024. Officials have said that that facility can no longer serve the needs of and requirements of a 21st-century accredited art museum.”

The new building, an approximate $105 million project, dubbed Brooks on the Bluff, will be a “larger and more efficient facility that will elevate the Brooks nationally and internationally with an art museum as unique as its location,” Brooks officials said late last year.

A request for qualifications from design architects for the new building was released in October last year, and Brooks officials are expected to announce its selection in the coming months.

Less than a month later, after Brooks officials expressed interest in moving Downtown in 2017, MCA officials said the school had stopped accepting new students, as it would close soon.

Officials said the school, which was established in 1947, faces “declining enrollment, overwhelming real estate debt, and no viable long-term plan for financial sustainability.”

Categories
Fly On The Wall Blog Opinion

Is the RedBall a Veiled Comment on Mass Surveillance? (Probably Not)

Kurt Pershke, RedBall Project in Paris

The RedBall in Paris

The Brooks Museum of Art announced this week that as a part of its centennial celebration, it is bringing artist Kurt Perschke’s “RedBall Project” to Memphis. The “RedBall Project” is a temporary and site-specific installation piece that involves the placement of a giant, inflatable red ball at various significant points around town. The locations where the Ball will be placed are determined by Perschke, who spends time biking, walking and otherwise exploring the city in the months before the Ball is placed.

The Ball’s placement in other cities has looked loosely to be the work of some toddler-like deity: balanced at the edge of bridges, inflated in doorways, shoved beneath underpasses. It’s funny and unsettling without being too unsettling. It says, “Hello, this is an international city where inexplicable art stuff happens.” It’s the kind of thing Memphians will remember years out: “Ah yes,” we’ll murmur to our cyborg grandchildren, “2016… the year that we were visited by the Ball.” Here are some pictures of the “RedBall” in other cities, so you can get the idea.

In short: the Ball will be fun. The Ball will be different. The Ball should (but will probably not be) placed directly on top of the statue of Nathan Bedford Forrest, like a bloated clown nose. The Ball will introduce temporary and site-specific art to Memphis, and it will do it with cosmopolitan style. We are good with the Ball. But will the Ball be a veiled comment on mass surveillance? Let’s discuss.

A hypothetical situation: It’s a sunny midsummer day in Memphis. You’re walking down the street, drinking an iced latte, when you notice that your favorite intersection has been visited by a massive red ball. You stop drinking your latte, mid-sip. You feel suddenly more aware of yourself, of your puny human size, of how zoned-out and unquestioning you were moments before. The RedBall has seized your attention, changed your relationship to the corner and how your body feels as you approach the corner.
You move closer. The RedBall stays in its position. Maybe you put a hand out and feel its rubbery redness. But you can’t move it. It’s really heavy. So you circumnavigate. Your latte-infused commute has been effectively changed, forever. Meanwhile, the Ball is mute, unchanging, super-bright in its super-occupation of public space.

This is a weird experience, huh? Or maybe it is not so weird, because it triggers something in your brain. It triggers the memory of the other thing that was recently installed on your favorite corner: that blinking, blue camera box that provides the Memphis Police Department with 360-degree surveillance of your block. Operation Blue CRUSH, as the camera boxes are called, also made you check yourself in public space. The camera established a ball-shaped zone of spherical surveillance that, while invisible, is very much palpable.

Before you come at me with accusations like, “Oh, what, are chemtrails real too?”, ask yourself: What is the point in a big, red, ball? Our public art could conceivably be anything. It need not be static or silent. It need not be immobile or durable. It could ask things of us. It could tell a story. But a red ball does none of those things. A red ball is just a silent presence — an elephant in the proverbial “room” of the commons.

Is the “RedBall” a comment on the normalization of mass surveillance? Probably not. But will the way we meet it be more normal because Memphians are used to large and inexplicable presences in our neighborhoods?? It’s possible. Whether or not it is intended (and, let’s be real, it’s not), the fact is that in its red and spherical reticence, the Ball is like surveillance: whether or not it watches us is beside the point. The point is that it makes us watch ourselves more closely. Now excuse me while I go get a latte.

Categories
Film Features Film/TV

Film Review: The Wolfpack

The elevator pitch for Crystal Moselle’s first documentary The Wolfpack reads like a set-up for a horrible tragedy: Six brothers and a sister locked inside an apartment in New York’s Lower East Side for 15 years are slowly introduced to the world.

It is, in some respects, a tragedy. But the portrait Moselle painted of the Angulo family is more complex than that. It’s the story of family ties and patriarchy gone amok, but it’s also a story of the strength of the bond between the kids and the mythmaking power of film.

The Angulos are a global family, like many you find in New York. Their father, Oscar, is from Peru, and their mother Susanne is from Minnesota. It’s not entirely clear in the film, but Oscar was apparently a Hare Krisha around the time he met Susanne, and wanted, like Krishna, to have 10 children. Susanne could only make it to seven, each of which were named for figures from Hindu mythology: Bhagavan, Govinda, Jagadisa, Krsna, Mukunda, and Narayana. The lone daughter is named Visnu, but if she spoke in the film, I missed it.

The Brothers Angulos from The Wolfpack

After the family was stranded in New York while attempting to get to Scandinavia, they holed up in their apartment. Oscar had the only key, and forbade everyone to go out outside without permission. One of the most chilling quotes in the film is from one of the boys, who says the most they ever got to go outside in one year was nine times. “One particular year, we never go out at all.”

Director Moselle happened to run into the group on the street while she was a student at NYU and befriended them because they shared her passion for movies. To while away the long, lonely hours trapped in a shabby, four-bedroom apartment, the kids watched and reenacted movies. The Godfather and The Godfather, Part II topped their list of favorites from the more than 5,000 titles they had on DVD and VHS, but they were also big fans of Quentin Tarantino, and adopted the sunglasses and dark-suit look from Reservoir Dogs as a sort of tribal uniform. The VHS footage of some of their elaborate productions are the most compelling parts of the documentary. Their craftsmanship and dedication are inspired in a way that can only be explained by the fact that they had nothing else to do. Their homemade Batman costume, made from cereal boxes and cut-up yoga mats, would pass muster at Comic-Con. The array of cardboard weapons they made to act out gangster movies were so realistic, someone from the building where they live called the police thinking they had holed up with a vast arsenal, and the SWAT team ended up apologizing for breaking the apartment’s door down.

You would think this would be a character study, but it’s really more of a mood piece. The kids look alike because Oscar insisted that they never cut their long, black hair. One brother, Narayana, stands out because, after seeing The Dark Knight, he was inspired to break out of the apartment and explore the city block where he had lived all his life. But even when they work up the courage to defy their paranoid, authoritarian father and venture out into the world, they still stick together. The prevailing mood of the movie is fear—of the unknown, of other people outside their little tribe, and of what will happen if they never break out. It is a toxic, corrosive fear that touches on the larger human phenomenon of tribalism. It’s also clear that the kids’ worldview is almost completely shaped by movies, and as a result, they have a twisted view of reality. But it also suggests that maybe this strange family is only an extreme case of an artificial place where we all find ourselves in this media-saturated world.

The Wolfpack is thought-provoking and sometimes touching, but there is a nagging sense that Moselle didn’t dig deep enough into the abusive situation. But then again, the Angulos are so tight and so cloistered, maybe no one would ever be able to venture deeper into their world, or understand what they saw there.