Whether you realize it or not, you’ve seen Calvin Farrar’s artwork. It’s practically everywhere, his window paintings a part of the city’s landscape as they fill up the fronts of businesses from Midtown to Orange Mound to Downtown. The cartoon illustrations he paints create delightful scenes for passersby and patrons to enjoy; smiling snowmen, waving scarecrows, and dunking Grizzlies offer a moment of whimsy in a city of grit and grind. Today, as I speak with him, he paints the windows of Babalu in Overton Square, outlining cheery elves and Santa first in white paint and pencil, before intuitively adding in colors for the Christmas scene he’s created. His own smiles spread across his face as he steps back to look at his painting, his love of the work obvious.
For the past 25 years or so, Farrar has steadily grown his window painting business, from his first solo job at the old Ed’s Camera Store, then to The Bar-B-Q Shop and a Huey’s location, then to all Huey’s locations, and from there it blossomed to a year-round job all around town that allows him to pursue what he’s always wanted to: art.
“That’s the only thing I know how to do, is paint,” Farrar says. He took to it naturally as a child, his high school teacher, especially, encouraging his talents. Later, when he was an adult, his neighbor, Artiek Smith, also an artist, introduced Farrar to window painting, inviting him along to job sites before Farrar embarked on his own.
Today, as he works, he paints with ease, his strokes confident and smooth. He mastered his signature style a long time ago. When I ask him if he’s proud of his window art — that he can go just about anywhere from Brookhaven Pub & Grill in East Memphis to Superlo in Orange Mound and catch a glimpse of his work — he simply nods, beaming.
Yet window murals — no matter how much of a Memphis staple they’ve become — are temporary, meant to last only a season at a time. “A lot of people don’t want to take it down,” Farrar says. But, alas, they must.
For an artist, like Farrar, these window paintings are only a taste of a legacy that art can offer, so in his free time, he paints in oils, a medium much more permanent. Entrenched in nostalgia for the Delta and the blues, these folk-inspired paintings are rich in color and smooth strokes that suggest the artist’s assured process. When he paints, he says, “I just paint. If it’s a good subject matter, I work on it. … I just get a feel for it.”
“A lot of people didn’t know I painted oil paintings,” Farrar adds. In fact, it wasn’t until this past October that he had one of his first gallery shows “since a long time ago.” The First Presbyterian Church on Poplar hosted the duo exhibition, titled “When the Spirit Moves,” with Rosa Jordan. “I thought it was pretty cool,” Farrar says.
Already, his next show is on display at Buckman Arts Center at St. Mary’s Episcopal School. This exhibit, titled “It’s a Memphis Thang” and done in conjunction with Anna Kelly, features works from across his years as an artist, as well as Kelly’s mixed media works of Mid-South icons. “Calvin has spent so many years charming Memphians with his art,” says Cindi Younker, director of Buckman Arts Center. “Buckman is delighted to offer him a proper show to celebrate this living legend and his work.”
“It’s a Memphis Thang” will be on display through March 7th. The opening reception will take place on Friday, February 9th, 5 to 6 p.m. at Buckman Arts Center at St. Mary’s, 60 Perkins Extended.
Susan Ellis