Categories
Intermission Impossible Theater

Graceland Launches a Performing Arts Camp

Graceland

A performing arts camp at Graceland where kids “follow in the footsteps of Elvis”?

Sounds good to me.

The Presley home and museum has been in an expansionist phase, evolving the mission, and reshaping the popular tourist destination’s identity. This July families with kids between the ages of 6 and 15 can be among the first to take part in Graceland’s new, “immersive performing arts experience.”


From the media release:

Participants will learn from local and Broadway professionals as they explore their creativity in workshops at the Graceland Soundstage, on stage at The Guest House at Graceland™ Theater and on actual production sets featured in the acclaimed “Sun Records” TV series. Over the four days of activities, everyone will develop their own showcase, culminating in an evening of performances on stage at The Guest House Theater for family and friends. 

The camp experience includes four nights at The Guest House hotel and availability is limited.

More information’s available here.

Categories
Film Features Film/TV

A decent doc on a subject that deserves better.

More than 50 years since rock-and-roll first started to break down social barriers, that ostensibly revolutionary form still has considerable boundaries for more than half the population. Don’t think rock-and-roll is too much a boys’ game? Spend some time listening to rock radio and think about how many female voices you hear.

There was a time, a decade or so ago, when those obstacles seemed to be falling fast, when the rise of alternative rock brought with it a progressive impulse that helped launch impolite female rockers from Bikini Kill to Hole.

The Portland, Oregon-based Rock ‘n’ Roll Camp for Girls, the subject of the documentary Girls Rock!, looks back fondly on that time. In fact, most of the camp counselors are riot-grrl-influenced musicians (most notably Sleater-Kinney guitarist Carrie Brownstein and Gossip vocalist Beth Ditto) whose careers leapt from the shoulders of alt-rock goddesses such as Bikini Kill’s Kathleen Hanna, Sonic Youth’s Kim Gordon, and the Breeders’ Kim Deal.

A straightforward examination of one weeklong camp session, Girls Rock! plops viewers down amid a gaggle of girls, ages 8 to 18, who come together for a week to form bands, write songs, and then perform them at a camp-closing concert. The film follows the exploits of campers such as Laura, a 15-year-old Korean death-metal fan from Oklahoma City; Amaka Amelia, an 8-year-old guitar-wielding tyke tyrant; Misty, a 17-year-old bass player overcoming self-esteem problems; and Palace, a precocious, shrieking, 8-year-old vocalist.

Laura laments her female friends back home, who brag about all the male friends they have in bands. “Why don’t you start your own band, super genius?” Laura asks, derisively. “That’s better than having a boyfriend in a band.”

Ultimately, the camp is less about music than about fostering a healthy process for friendship and creativity. It functions the way healthy subcultures do: as a safe haven for exploration; as an incubator for ideas.

Unfortunately, Girls Rock! isn’t quite as interesting as its subject. Like so many documentaries, it thrives on what it’s about more than how it’s about it. As we meet these girls and learn a bit about their lives outside camp and then follow them through the process, the movie evokes Spellbound, the recent spelling-bee doc that was similarly conceived but far better organized.

The Southern Girls Rock & Roll Camp will be throwing a post-screening party Friday, April 18th, at 10 p.m. at Murphy’s. The Red Mollies, Those Darlins, Audra Brown, and Girls of the Gravitron will perform. Tickets are $7 or $5 with a ticket stub from that night’s 7 p.m. Girls Rock! screening. For more info on the Southern Girls Rock & Roll Camp, which is offering summer sessions in both Murfreesboro and Memphis, see sgrrc.org.

Girls Rock!

Opens Friday, April 18th

Ridgeway Four

Categories
News The Fly-By

“Refuge” Closed

For the past few years, local filmmaker Morgan Jon Fox has been piecing together a documentary about Love In Action (LIA), a Christian-based ministry for people struggling with their homosexuality. But Fox needed one more thing to wrap up production: a happy ending.

For Fox, that came last month when he learned that Refuge, LIA’s two-week “straight camp” for teens, was closed.

In 2005, 16-year-old Zach Stark posted a blog entry about his parents forcing him into the Refuge program. The post sparked a week of protests by gay activists and criticism that adolescents were being sent to Refuge against their will.

“One thing that really concerned me about Refuge is that when some kids weren’t changed after going through the program, they would be abused by their parents,” says Fox, who helped organize the 2005 protests.

Josh Morgan, communications manager for LIA, says the protests did not affect the center’s decision to close Refuge. It was replaced by the four-day Family Freedom Intensive to improve communication between parents and their children. Refuge did not include parental involvement.

“We’re focusing on giving parents and kids common language and helping them understand exactly what’s going on,” says Morgan. “We don’t want to work with the child and let parents stay out of the loop.”

LIA’s Web site describes the Family Freedom Intensive as a “course designed for parents with teens struggling with same-sex attraction, pornography, and/or promiscuity.” The program involves lectures, workshops, and discussion groups and costs $600 per attendee. Parents can sign up with or without their children.

The $7,000 Refuge program was a two-week summer day camp. After two weeks, parents could opt to leave their child in the program for additional time. During its three-year existence, Refuge saw 35 clients.

“We don’t turn people straight. That’s a common misconception,” says Morgan. “We exist for people who already feel a need to change or explore different options. If someone is … happy with the way they are, we wouldn’t accept them into the program.”

Peterson Toscano, a former LIA client who tours the country with his one-man comedy Doin’ Time in the Homo No Mo Halfway House — How I Survived the Ex-Gay Movement!, is happy to see Refuge go but doubts the new program will be much different.

“How does [LIA] know they’re not taking kids against their will? Parents have a tremendous amount of power,” says Toscano.

Including parents in the program could result in both the child and parent leaving with mixed messages, says Toscano. When he attended the adult residential program in the mid-’90s, parents were invited to attend a few days of treatment.

“The parents hear generalized teachings about what makes a person gay. The basic ex-gay ideology that’s been going around for decades is you become gay because you have an overbearing mom and an emotionally or physically absent dad,” says Toscano. “Parents walk away with the message ‘I screwed up my kid.'”

Fox, however, is glad to see some change at LIA. He hopes to enter his documentary, This Is What Love In Action Looks Like, in this year’s Sundance Film Festival.

“To me, [the Family Freedom Intensive] is way different from Refuge,” says Fox. “But who knows? Maybe kids are still being forced to go. It’s really hard to tell.”