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Art Art Feature

“CHOICE” Gallery Show

According to the Pew Research Center, 61 percent of U.S. adults say abortion should be legal in all or most cases, while 37 percent think abortion should be illegal in all or most cases.

Local artist Stephanie Albion falls in this 61 percent. Once the Supreme Court’s decision to overturn Roe v. Wade leaked in May, she knew she had to do something to express her anger, frustration, and sadness, so she turned to collage, her mode of communication. She also turned to Danielle Sumler in hopes of reviving the Nasty Women of Memphis.

In 2017, Sumler, along with Chelle Ellis, founded the Nasty Women of Memphis, joining a movement of other Nasty Women chapters throughout the country who were putting on pop-up exhibitions in response to the 2016 election. “The whole thing is, one, giving artists a chance to just express themselves and have a conversation,” Sumler explains, “but also, making it a fundraiser, too. The artist, when they submit their work, price it themselves, but each piece needs to donate at least 50 percent to Planned Parenthood, with the rest going directly to the artist. Some choose to donate more.”

For that first exhibition, Ellis and Sumler had met only a month before opening. “It was very fast,” Sumler says. “I think I was kind of shocked by how well received it was under that timeline. We were packed that opening night. It was really exciting — all the positive responses, not only from the artists who submitted but also all the people who came.”

Nasty Women of Memphis’ opening reception in 2017. (Photo: Nasty Women of Memphis)

That year, Nasty Women art exhibitions spread globally, raising money on behalf of women’s rights, individual rights, and abortion rights, but now most of the chapters are seemingly defunct, including the original New York City chapter. Yet in Memphis, the Nasty Women have put on three exhibitions since that inaugural year. 

The next exhibition opened in 2018 and addressed the Me Too Movement and Brett Kavanaugh’s U.S. Supreme Court confirmation. The third opened virtually in 2020, responding to all that was 2020.

“We actually closed on the day the election results came in, so that was pretty cool,” Sumler adds. After that, Ellis and Sumler had agreed that the 2020 exhibit would be their last exhibit, feeling that they had said all they needed to say. “We were kind of like, ‘We’ve done this enough, we’ve had our time with it.’” 

But then Roe v. Wade was overturned, and Stephanie Albion reached out to Sumler. “We were like, ‘Well, that’s a perfect reason to wanna do something.’” So on June 25th, the day after the Roe v. Wade reversal, they announced that another exhibition would happen — “another chance to express our rage through art and another chance to support Planned Parenthood.” The show would be titled “CHOICE.”

Angi Cooper’s Objectification Board (Photo: Courtesy the Artist)

The call for artists went out to women, people with uteruses, and all those who support reproductive rights. “It’s really important for us to make it an inclusive conversation because not only does this affect someone who identifies as female, but it affects everyone really.” From there, Sumler, Ellis, Albion, and artist Savana Raught worked together on a volunteer basis to select the more than 80 artists of various media and styles. In the end, the pieces, when put together, touch on a range of emotions coming out of the reversal of Roe v. Wade: frustration, sadness, fear, anger. 

Cheryl Hazelton, who is featured in the show, writes in her artist statement, “I’m terrified of what the future might bring. I need to do something … anything … to support the fight against this obvious aggression.” Meanwhile, Emma Self Treadwell writes, “If it were up to me, I’d line the walls of Congress with uteruses as a reminder that we are here, and we are all around you … so choose wisely what you do with our rights.” 

Mary Jo Karimnia’s The Fall 3 (Photo: Courtesy the Artist)

Overall, each piece points to the consensus that, as artist Jenee Fortier writes, “Access to safe abortion services is a human right. None of us are safe until all of us are safe.”

You can schedule a tour of the show here or by emailing nastywomenmemphis@gmail.com. The group will host a closing reception Friday, October 21st, 6 p.m.-8 p.m. You can also view and purchase work from the show online. Prices start at $10, and proceeds will benefit Planned Parenthood of Tennessee and North Mississippi

“CHOICE,” Marshall Arts, 639 Marshall Ave., on display through Friday, October 21st.

Categories
Art Exhibit M

Make Art Great Again

I hate Trump. We are less than a month into his presidency and I think I am going to have a heart attack at how enraged I get just listening to his voice. The press conference this week just about sent me to Regional One. My social media timelines can be summed up with three words, “What the fuck?” The art world is responding. The scene in Memphis is no exception.

Toni Roberts

Melissa Farris

At the beginning of February, Marshall Arts was host to an exhibition that I organized of protest signs that were used in Women’s Marches around the country. Through the weekend, the exhibition “Nasty Women,” is on view. Nasty Women is an exhibition curated locally by Chelle Ellis and Danielle Sumler as a response to the Trump presidency, “because sitting around and bitching was never an option for us,” according to Ellis. Some of the proceeds from sales of this politically charged exhibition are going to Planned Parenthood, over $1,700 thus far, another $600 coming just from a donation/tip jar collected at the opening reception. The work can be seen at the gallery Friday and Saturday, 6-9 pm and Sunday, 9 am-1 pm, and by visiting nastywomenmemphis.com. There will be a Q&A with the curators and artists during opening hours Saturday.

On view at the Orange Mound Gallery is “The Black Experience, a Rebirth of Black History Month.” The exhibition examines the notion that “although we’ve had a black president for 8 years…we still don’t celebrate Black History Month beyond the use of predictable image and icons.” The exhibition is to celebrate African American history old and new. The show includes the work of well-known Memphis artists Jamond Bullock, Lurlynn Franklin, Lawrence Matthews, Lester Merriweather, Carl Moore, et al. Started by Linda Steele, OMG is located in the Lamar Airways shopping strip, and has been the host of several important community events recently. They are currently only open by appointment, so be sure to follow their schedule of events.

Black Experience

Black Experience

Since I returned from Baltimore seven months ago, there has been no exhibition potentially more important than the Fidencio Fifield-Perez installation at the Memphis College of Art. An undocumented immigrant, his work is strong and impactful. He is an alum of MCA and returns for a lecture March 2nd at the very exact time of 12:15pm. The opening is scheduled for March 3rd, 6-8pm. He was profiled recently in the NY Times as part of the American Dreamers series, stories from young immigrants who were spared from deportations and permitted to work during the Obama administration. Do not miss this exhibition. It is currently on view now until April 18th.

One of the many disastrous things Trumps plans to do as our illegitimate president is to defund the National Endowment for the Arts (NEA) and the National Endowment for Humanities (NEH). On Monday, February 20, 4-6 p.m., ArtsMemphis is combatting these threats with hosting a postcard writing event at Memphis Made Brewery, that includes beer!! The Art Center has donated supplies to create the postcards and ArtsMemphis will provide all necessary information needed to write the cards.

Image Credits:

Black Experience courtesy of Carl Moore.

Toni Roberts and Melissa Farris courtesy of Dwayne Butcher