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Give Memphis! Great Local Gift Ideas for the Holidays

Greg Cravens

If 2020 has proven anything, it’s that we need to come together to support our community — the health, happiness, and longevity of our fellow Memphians count on it now more than ever. While we may not be able to gather with friends and family for gift exchanges like we have in the past, we can still lift their spirits with thoughtful presents that help our local restaurants, retail outlets, and entrepreneurs keep doing what they do. Think local this season!

A Box of Magic

Have a giftee in your life who seeks to better understand their own power, to look within and outside for growth and restoration? Give them a box of magic, or as Sami Harvey, owner of Foxglove Pharm, calls it: a Coven Box.

“I’ve always been amazed by Mother Nature’s ability to heal, and I love finding new ways to use her ingredients to solve my problems,” Harvey says. “I started Foxglove Pharm in 2017 because I wanted to share some of those solutions with my community.”

Each subscription box ($40/month) includes a rotating variety of handcrafted herbal “remeteas” (About Last Night: Hangover Tea, Out of the Blue: Third Eye Tea, and others), scented oils, Resting Witch Face skincare products, rituals, and more special items that “honor the moon, the current astrological phase, and a featured plant.”

Sami Harvey

Each month, she partners with another local maker or small business to spotlight their wares. For her Foxglove offerings, Harvey is “the only witch in the kitchen,” so the products are small-batch and made with “ethically sourced, organic, sustainable ingredients.”

Regarding the rituals included in a box (or separately on the website), Harvey says, “These aren’t like supernatural spells that will destroy all your enemies and turn Michelle Obama into your BFF. But they’re ways to meditate and channel your energy into manifesting a better reality for yourself. The real magic ingredient is you and your intention.”

Visit foxglovepharm.com to order a Coven Box and shop products. — Shara Clark

Feed an Artist

The old cliché about “starving artists” has seldom been more true. Buying art is often the last thing folks are thinking about during tough times like these, but our Memphis painters and sculptors and photographers — and their galleries — have bills to pay, just like the rest of us. That’s why this might be a great year to put a new painting on your wall, or gift someone a work of art so they’ll be reminded of you every day.

Courtesy Jay Etkin Gallery

Untitled by John Ryan

There are many fine galleries in Memphis. Here are just a few: L Ross, David Lusk, Jay Etkin, Crosstown Arts, Orange Mound Gallery, Art Village, Cooper-Young Gallery, and B. Collective. Artists featured include Matthew Hasty, Jeanne Seagle, John Ryan, Mary Long, Roy Tamboli, Eunika Rogers, Cat Pena, Yancy Villa-Calvo, Hamlett Dobbins, Anne Siems, Tim Craddock, and many, many more. In addition, many galleries are featuring special holiday shows.

End what has been a nightmarish year on an upbeat note: Buy a piece of art. It’s good for your heart. — Bruce VanWyngarden

Let Them Eat Cake

I’d be happy to receive a Memphis Bourbon Caramel Cake from Sugar Avenue Bakery, either in or out of my stocking. This is the Sugar Avenue collaboration with Old Dominick Distillery.

Just listening to Sugar Avenue owner Ed Crenshaw describe the six-inch cake makes me crave a slice or three: “The cake is four layers. Each layer is literally soaked in a bourbon caramel sauce. And then our caramel icing, which we make from scratch.”

Courtesy Ben Fant

Sugar Avenue cake

Sugar Avenue worked with Old Dominick’s master distiller/senior vice president Alex Castle to come up with the perfect blend of cake and bourbon. Old Dominick’s Huling Station Straight Bourbon Whiskey was chosen for the cake, which has “a great hint of bourbon flavor,” Crenshaw says. “We add bourbon to the icing and ice the cake with it.”

To help you get even more into the holiday spirit, Sugar Avenue Bakery recently began adding two-ounce jars of extra caramel sauce with every bourbon-flavored cake.

Memphis Bourbon Caramel Cakes are $55 each, and they’re available at sugaravenue.com. — Michael Donahue

Accessorize in Style

When Memphians need to give the gift of stylish living, they turn to Cheryl Pesce, the jewelry and lifestyle store in Crosstown Concourse. The store takes its name from its owner, Cheryl Pesce, a jewelry maker, entrepreneur, and all-around style guru.

This month, Pesce opened a second store in the Laurelwood Shopping Center, giving Bluff City-area shoppers double the chances to find — and give — stylish accoutrements. “I’m banking on Memphis,” Pesce explains. And Memphis seems ready to support Pesce. “We had a grand open house, social distancing into the parking lot, and it went well.”

Courtesy Cheryl Pesce

Handmade jewelry from Cheryl Pesce

The store opening story is just the tip of the breaking-news iceberg, though. Pesce tells me excitedly that she’s been in touch with fashion designer Patrick Henry, aka Richfresh, about his newly designed Henry Mask. “I spoke with him today and — drumroll — we will now be carrying his masks in my Laurelwood store.”

But wait! That’s still not all. The ink is still fresh on a deal for Pesce to carry Germantown-produced Leovard skincare products. “I will be his only brick-and-mortar store in the country,” Pesce says. “So there are a lot of cool things happening, most of them local.”

In the smaller store in Crosstown, Pesce sells hand-sewn baby items, masks, Christmas ornaments, and anything with the Crosstown logo — she’s the official source for Crosstown-brand goods. Laurelwood is larger and a little more deluxe. “One of the focuses for that store is local and regional artisans,” Pesce says. She carries Mo’s Bows, Paul Edelstein paintings, and, of course, hand-crafted jewelry. “That’s really my wheelhouse.

“My studio is at Laurelwood,” Pesce says, “so not only is it made in Memphis, made by me, but it’s all under one roof now. The store, the studio. You can literally come pick out your own pearls — ‘I want this pearl on that earring’ — and then I craft it for you right there.”

Cheryl Pesce is located at 1350 Concourse Avenue, Suite 125, and at 374 Grove Park Road South, Suite 104. Find out more at (901) 308-6017 or at cherylpesce.com. — Jesse Davis

Good Reads

There’s something that comes from holding the edges of a book and being taken to a distant land or wondrous world. Whether it’s due to happenstance or the crazy and confusing world in which we find ourselves now, I have been reading more and more as the months drag on. To fuel my ever-growing hunger for words and phrases completed on the page, Novel has been my go-to place.

Novel is proof that when you are doing something you love, the results will follow. The bookstore, founded in 2017, is the go-to for other local book enthusiasts, too — and with good reason. Their staff will go to the moon and back to help you find the book that fits you just right, and if you’re looking for something specific, chances are they will be just as excited about it as you are.

Matthew J. Harris

of what gift to give this season.

Many of their aisles have felt like a second home to me the past few months. And with books in every genre, it is often easier to ask them what they don’t have, rather than what they do. Personally, I love their new-this-year home delivery option, which offers a safe way to give the gift of literature this holiday season. — Matthew J. Harris

Hit the Boards

This year has given us plenty of time to learn new skills. And what better way to get your mind pumping in both a constructive and competitive fashion than with a game of chess?

The Memphis Chess Club recently opened its new café/headquarters Downtown at 195 Madison Avenue, and the three levels of annual memberships make for a great gift, whether someone is looking to seriously pursue an interest in the game or just learn a few tips and tricks.

Samuel X. Cicci

A Memphis Chess Club membership isn’t as risky a move as the Queen’s Gambit.

The social membership ($50) allows members to play chess in the café area at any time, with tables, pieces, and clocks all provided. The full membership ($100), meanwhile, affords all of the social perks but provides unlimited and free access to all classes and tournaments, which are held at the club weekly. It also offers discounts on merchandise, and members are able to check out materials from the club’s chess library, which contains old magazines and strategy books.

For whole families looking to kickstart an interest in the game? The family membership ($150) contains all full membership benefits and includes two adults and all the children in a household.

And, hey, if chess isn’t your thing, the spacious café is a great space to just hang out or study while sipping on some brewed-in-house coffee or munching on one of chef Grier Cosby’s specialty pizzas.

Visit memphischessclub.com/join for more information. — Samuel X. Cicci

The Gift of Grub

Food is fun and helps define Memphis culture. Those who make that food and fun are in trouble.

Restaurants have maybe suffered more than any small business during this pandemic. Restrictions on them have come and gone and may come again soon. Memphis restaurateurs have shown amazing resilience in these ups and downs. They’ve shifted business models, adapted to the latest health directives, and adjusted staff levels (laying off workers and hiring them back) to match it all.

Memphis Restaurant Association/Facebook

Support local restaurants — so they can stick around.

However, we forever lost some Memphis favorites, like Lucky Cat and Grove Grill. The National Restaurant Association said nearly 100,000 restaurants across the country closed either permanently or for the long-term six months into the pandemic. Nearly 3 million employees have lost their jobs. Help restaurants out and have food fun, too. This holiday season, buy gift cards from our local restaurants.

At the pandemic’s beginning in March, we told you about a national push to buy “dining bonds” or “restaurant bonds.” Many Memphis restaurants jumped in — many selling gift cards at deep discounts. For restaurants, gift cards are quick infusions of cash, helpful in tough times.

So instead of that scarf you’re kind of on the fence about, spend the same amount on a restaurant they love. It’ll be unexpected and, yes, come with some delayed gratification — delicious delayed gratification. Present it not as a gift card but as that dish they love from that place they love.

Sing it with me: “Everybody knows, a burger and some mistletoe help to make the season bright. Memphis foodies, with their eyes all aglow, will find it hard to sleep tonight.”

Gift cards are available at almost every restaurant and for almost any amount. Check websites and socials for details. — Toby Sells

Music to Their Ears

Remember when giving music was a thing? Physical things like LPs, CDs, and cassettes could be wrapped. But now that everything’s ethereal, there’s still a way to give the gift that keeps on giving: Patreon. Musicians are embracing this platform more and more, and it’s working for them. A subscription to their accounts may just be the perfect gift for the superfan in your life who already has everything.

Mike Doughty (Soul Coughing, Ghost of Vroom) relies on his Patreon subscribers for both income and inspiration. As he told the Detroit Metro Times, “Doing a song a week is amazing, and that is really what, if I had my druthers, I’d do for the rest of my life.” Patrons can subscribe at different levels, each with premiums like CDs and T-shirts, but everyone paying at least $5 a month can access Doughty’s song-a-week and more.

Greg Cravens

Other Memphis-affiliated singer/songwriters like Eric Lewis, J.D. Reager, and (coming in December) Marcella and Her Lovers also have accounts. And last month, label and music retailer Goner Records began offering Patreon subscriptions that include access to the Goner archives and exclusive music and videos.

Patreon’s site notes that “there isn’t currently a way to gift patronage,” but if you get creative, you can search for an artist on patreon.com and buy a subscription in a friend’s or family member’s name — and they can thank you all through the year. — Alex Greene

Support Arts and Culture

“A plague on both your houses!” cried the dying Mercutio in Romeo and Juliet, and it seems the COVID-19 pandemic took that sentiment to heart, emptying out our theaters and concert halls and thinning out attendance at museums. But still they persisted. The organizations behind the arts we love are still at work online, virtually, distancing, and striving to keep the arts alive — especially in programs aimed at young people.

You can help the old-fashioned way by getting season subscriptions and memberships for whenever the lights come back on — and they could use that support right now. Or make a simple donation. Help keep Memphis culture alive by giving gifts on behalf of the following, but don’t be limited by this partial list — if you have other favorites, give them a cup o’ kindness as well.

Jon W. Sparks

Spring, Summer, Fall at the Brooks Museum by Wheeler Williams

Performing arts organizations:

• Playhouse on the Square (playhouseonthesquare.org)

• Theatre Memphis (theatrememphis.org)

• Opera Memphis (operamemphis.org)

• Ballet Memphis (balletmemphis.org)

• New Ballet Ensemble (newballet.org)

• Cazateatro (cazateatro.org)

• New Moon Theatre (newmoontheatre.org)

• Hattiloo Theatre (hattiloo.org)

• Tennessee Shakespeare Company (tnshakespeare.org)

• Memphis Black Arts Alliance (memphisblackarts.org)

• Emerald Theatre Company (etcmemphistheater.com)

Museums and galleries:

• Memphis Brooks Museum of Art (brooksmuseum.org)

• Dixon Gallery and Gardens (dixon.org)

• National Civil Rights Museum (civilrightsmuseum.org)

• Metal Museum (metalmuseum.org)

• Stax Museum of American Soul Music (staxmuseum.com)

• Pink Palace Museum (memphismuseums.org)

• Children’s Museum of Memphis (cmom.com)

• Fire Museum of Memphis (firemuseum.org) — Jon W. Sparks

Basket or Box It for a Gift That Rocks It

Need something sweet for your honey this holiday season? Thistle & Bee has the gift that gives twice. A relaxing gift box contains raw Memphis honey, a milk and honey soap bar, and a pure beeswax candle ($20). Every item is handcrafted and directly supports women survivors to thrive through a journey of healing and hope.

Social enterprise director at Thistle & Bee, Ali Pap Chesney, drops a stinger: “We partner with other businesses, too. Feast & Graze uses our honey.”

Feast & Graze/Facebook

Feast & Graze

The cheese and charcuterie company Feast & Grace is co-owned by Cristina McCarter, who happens to co-own City Tasting Box. Boxes are filled with goodies promoting local Black-owned businesses like Pop’s Kernel and The Waffle Iron. An exclusive limited-quantity holiday gift box, Sugar and Spice, just rolled out for the season in two sizes — regular ($74.99) and ultimate ($124.99).

Memphis Gift Basket is owned by Jesse James, who says he is rolling out a new logo this week. Along with the new logo are new products for baskets ($55-$100) that focus on diversity by including more women- and minority-owned businesses, in addition to local items with iconic names like The Rendezvous and Memphis magazine. Guess what else you might find in a Memphis Gift Basket? Thistle & Bee honey.

Now that we’ve come full circle, check out these gift box and basket businesses, as well as partnering companies, for errbody on your holiday list — including that corporate gift list.

Visit thistleandbee.org, citytastingbox.com (use code SHIP100 for free shipping on orders over $100), and memphisgiftbasket.com for more. — Julie Ray

Lights, Camera, Action

A lot of businesses have been hard-hit during the pandemic, and movie theaters have been near the top of the list. With social distancing-limited theater capacity and Hollywood studios delaying major releases into next year in the hopes a vaccine will rekindle attendance, theater chains like Memphis-based Malco have been in dire straits. The exception has been drive-in theaters, like the Malco Summer Drive-In, which have seen a renaissance in 2020.

If you want to support this local institution and give a treat to the movie-lover in your life, you can buy them a Malco gift card. Available in any denomination from $10 to $500, the gift cards can be used for movie tickets and concessions for any film now or in the future. You can also enroll in the Malco Marquee Rewards program, which allows frequent moviegoers to earn points toward free tickets and concessions.

Greg Cravens

Malco has taken extraordinary steps to ensure the safety of its patrons, including mandatory masks, improved air filters, and non-contact payment options. And if you’re not comfortable sharing a theater with strangers right now, there’s a great option: The Malco Select program allows you to rent an entire theater for a screening of any film on the marquee — and that includes screenings in the massive IMAX theaters at the Paradiso. Prices start at $100, which works out pretty well if you want to watch Wonder Woman 1984 with your pod this holiday season. And if the person you’re buying for is a gamer, Malco has a brand-new option. With Malco Select Gaming, you can bring your system to the theater and play Call of Duty or The Last of Us on the biggest possible screen. — Chris McCoy

Categories
News News Blog

Coronavirus Megathread: Closings and Delays Across Memphis


Idlewild Presbyterian Church (Friday (March 20)

Churches from the Presbytery of the Mid-South are bringing together their congregations via the radio and Livestream to provide worship services at 11:00 a.m. Sunday, March 22, and for the near future, because of the recommended “social distancing” during the coronavirus outbreak. Members and guests can “be there” at the service, broadcasted from Idlewild Presbyterian Church. The service will be also be archived on the church’s website for later viewing.

The combined congregations of Balmoral, Buntyn, Evergreen, First (Memphis), First (Somerville), Idlewild, Parkway Gardens United and Shady Grove Presbyterian are providing various pastoral staff to participate during each service. This week’s service includes the following service leadership: The Reverend Anne H. K. Apple (Idlewild), The Reverend Carla Meisterman (Balmoral), The Reverend Sara Dorrien-Christians (Idlewild), The Reverend Elizabeth Dick (Evergreen), Mr. Barry Oliver, Director of Music Ministry (Idlewild) and soloists, Amy Phillips and Tyler Brumback (Idlewild). Members of Idlewild’s youth are the preachers for this Sunday: Helen Gillespie, Peter Calkins and Caroline Seamons.

Worship services are held in the sanctuary with no physical congregation, but all are invited “to attend” the service via the church’s Livestream, www.livestream.com/idlewild, or by listening to WIVG-FM 96.1.

For information about the church, please visit www.idlewildchurch.org or call 901-726-4681.

Memphis City Council (Thursday, March 19)

THE MEMPHIS CITY COUNCIL

Tuesday, March 24, 2020, 3:30 p.m.

Due to the declarations of a State of Emergency by the President of the United States, the Governor of Tennessee and the Mayor of Memphis relating to Covid-19 Epidemic the Council has determined that is necessary that the meeting be conducted by electronic or other means of communication in order to protect the health, safety and welfare of the public, City employees, Council staff and Members of the Council.

THERE WILL BE NO PHYSICAL MEETING

Memphis Botanic Gardens (Thursday, March 19)

I write today during this period of uncertainty, both locally and nationally. As I write this, your Garden has already taken numerous steps to help contain the spread of COVID-19 / Coronavirus and we stand ready to take more drastic measures if they become warranted.

Some of the steps we have taken – so far include:

The canceling of all events in excess of 10 people thru at least May 15, 2020.

The closing of My Big Backyard, our children’s garden, to the public beginning Friday, March 20. Because of the many interactive surfaces contained within this garden, we feel it is prudent to close this area off until further notice.

The opening of the Gardens (with the exception of the Children’s Garden) to the public without cost, effective Friday, March 20 and until further notice. We encourage social distancing, and with 96 acres to visit and small groups, we believe this to be a sensible gesture of goodwill to the community. Members and Guests may now enter directly onto Garden grounds at the south end of our parking lot without entering the building or interacting with staff.

This remains a very fluid situation, and we are doing our best to adapt and adhere to CDC guidelines as they evolve. We are also following local health official’s guidance. While at this time we do not intend to close the outdoor spaces of the Garden to the public, we will adapt to future guidance if it comes.

I encourage you to follow us on our social media platforms (Facebook, Instagram, and Twitter) or to visit MemphisBotanicGarden.com for the most current situation as regards your Garden.

I wish you and your family well during this difficult time, and we will remain as transparent as possible in the days and weeks to come

City of Memphis Golf Courses (Thursday, March 19)

In light of current public health issues, for the safety of our golfers and employees, we have made the decision to temporarily close the City of Memphis Golf Courses. It is unknown as to the time frame of the closures. We will keep you updated via www.memphispubliclinks.com.

Locations include The links at Audobon, Overton, Galloway, Davy Crockett, Fox Meadows, Pine Hill, Riverside, and Whitehaven.

State Parks Group Hikes (Thursday, March 19)

We have decided to cancel our guided Spring Hikes this weekend. These annual hikes usually attract thousands of visitors to our parks, and these groups exceed the recommended group sizes for helping our communities “flatten the curve.”

We are sorry for this cancellation, and hope that you will plan to join us for our next signature hike on June 6, 2020.

Macy’s (Thursday, March 19)


In response to the widespread COVID-19 outbreak, Macy’s, Inc. (NYSE: M) today announced that it will temporarily close all stores by end of business today, March 17, 2020, through March 31, 2020. This includes all Macy’s, Bloomingdale’s, Bluemercury, Macy’s Backstage, Bloomingdales the Outlet and Market by Macy’s stores. Macy’s, Inc. will provide benefits and compensation to its impacted workforce.

“The health and safety of our customers, colleagues and communities is our utmost priority. As a result of the recent COVID-19 developments, we have decided to temporarily close our stores. We will work with government and health officials to assess when we will reopen our stores and safely bring our colleagues back to work,” said Jeff Gennette, chairman and chief executive officer of Macy’s, Inc. “During this closure, we will continue to serve our customers through our e-commerce sites.”

All three Macy’s, Inc. brands – Macy’s, Bloomingdale’s and Bluemercury – will continue to serve customers through macys.com, bloomingdales.com and bluemercury.com and through its mobile apps.

Hope Church (Thursday, March 19)

We want to address our response to COVID-19 (coronavirus) and how we as a church are doing our part to flatten the curve, follow government and health official guidelines while keeping our family and community healthy!

Beginning this weekend, March 21 & 22, all Hope services will move online only. Together, we will connect, worship and experience God’s word online as one Hope family.

Join us on Facebook, YouTube, and HopeChurchMemphis.com/Live this Saturday night at 5:30 pm, Sunday morning at 11:15 am and Sunday night at 5:30 pm for The Stirring.

Overton Park (Thursday, March 19)


During these times where it’s safest for us to be apart from each other, we’re so glad that the trails and open spaces of Overton Park are serving as a refuge for many of us.

It’s with heavy hearts, then, that we’ve decided to close restrooms, playgrounds, and the dog park until further notice.

We’ve made this choice for two reasons: one, because keeping these facilities open encourages people to gather in close proximity to each other; and two, because there are no current CDC guidelines for how to clean playgrounds and outdoor recreation facilities during a pandemic outbreak.

With reports that COVID-19 can live on surfaces for days, and our cleaning crew only able to visit once or twice per day, there’s simply no way for us to keep all surfaces sanitized for every visitor.

The park’s trail system remains open for you to get some much-needed fresh air. (PSA: The nature trails are so saturated from the endless rain that you’d need wading boots to walk them, so we recommend the paved trails for now!) We encourage you to follow the National Recreation and Park Association’s guidelines for using the trails:

• Before visiting trails — wash hands, carry hand sanitizer, and do not use trails if you have symptoms.

• Observe at all times CDC’s minimum recommended social distancing of six feet from other people. Keep it as you walk, bike or hike.

• Alert other trail users of your presence, and step off trails to allow others to pass, keeping minimum recommended distances at all times.

• Be prepared before you leave and time outings so that you are not dependent on public restrooms.

• Bring water or drinks — public drinking fountains may be disabled and should not be used, even if operable.

• Bring a suitable trash bag. Take trash with you to protect park workers.

• We’ve posted signs announcing the closures, but our playgrounds are open-air, so we’ll need everyone’s cooperation to stay away. Thank you for helping to keep yourself and other park visitors safe.

Memphis Zoo (Wednesday, March 18)

Memphis Zoo will temporarily close to the public Thursday, March 19th.

The health and safety of our team members, guests, volunteers and animals is our top priority, and Memphis Zoo is committed to taking proactive steps to help slow the spread of COVID-19.

Any guests who had field trips or group visits planned will be able to reschedule or receive a refund.

While we are closed, our zookeepers and essential team members will continue to care for our animals. Zoo fans will also be able to check on our animals and team members through our social media accounts.

How you can help Memphis Zoo

During our closure, we are reaching out to our Memphis Zoo friends to ask for your support. Please consider donating to our Emergency Animal Support Fund. We appreciate your continued support and look forward to welcoming you to the Zoo again soon. To donate please visit memphiszoo.org/emergencysupportfund.

Orion Federal Credit Union (Wednesday, March 18)


The safety and well-being of our community is Orion’s highest priority. Orion continues to monitor the COVID-19 situation closely and we are making necessary adjustments to business processes and operations.

Beginning Friday, March 20, 2020, we are temporarily shifting our branch services approach to drive-through only. Our ATMs are available 24 hours a day. For non-cash transactions, remember you can bank with us without leaving the comfort of your home.

YMCA (Wednesday, March 18)

Due to the ongoing public health emergency presented by the COVID-19 virus outbreak and recommendations from the CDC and other health officials, ​the YMCA will be temporarily closing all 11 YMCA of Memphis & the Mid-South locations effective at 8:00 p.m. on March 18, 2020.

According to the YMCA, the goal with the temporary closure is to limit the spread of COVID-19 in the community before it threatens to overwhelm the public health system, while continuing to focus resources on providing services to healthcare workers, first responders, and those most vulnerable in our community.

“In times like these, the very best of who we are is called forward, giving us the opportunity to live our mission and values and promise to the community. Now, it is critical that we step up and respond to the needs in our community, redirect our expertise and resources, serve those who need us most, and provide inspirational leadership and hope for all. We will pivot our operations to focus on our community response to the unique circumstances created by the COVID-19 virus and repurpose our branches as community response centers,” said Jerry Martin, President and CEO for YMCA of Memphis & the Mid-South.

YMCA Emergency Childcare For First Responders & Healthcare Workers:

Effective Thursday, March 19, 2020, Healthcare & First Responder Childcare will be offered 7 days a week from 6:00AM to 8:00PM to accommodate a 12-hour shift schedule for these families at various YMCA locations throughout our community. Care will be supervised by trained childcare team members for children ages 3 years (potty trained) to 12 years of age.

For more information and to sign up please visit ​www.ymcamemphis.org​ or call our Customer Support Center at 901-766-7677.

YMCA Partnering with School Districts for Meal Services:

The YMCA of Memphis & the Mid-South will be joining our schools partners to provide children access to meals at designated sites throughout our community.
Meals are scheduled to be served between 11:00 a.m – 1:00 p.m beginning March 23, 2020. For a full list of meals site locations, visit: ​www.ymcamemphis.org

Highpoint Climbing & Fitness (Wednesday, March 18)

In a continued effort to mitigate risk and prioritize safety, we have decided to temporarily suspend operations of all High Point facilities beginning March 18th through March 31st. We believe that social distancing is the best way for us to do our part in slowing the spread of COVID-19.

While we try our best to keep our doors open whenever possible, in this instance, our temporary closure can help ensure the safety of our members, staff and the overall community. We will be monitoring how this situation continues to unfold and use this as an opportunity to do a deep sanitation of all facilities.

To our members:
• During this time memberships will automatically be frozen at no additional cost and you will receive a prorated credit to be applied toward next month’s dues.
• We will provide a status update on billing by March 27th as well as any additional details on possible closure extensions.
• If you need to contact the gym, or if you need to retrieve items from a locker in our locker rooms, we will be maintaining office hours Mon-Fri from 10am to 4pm. Please email us at Memphis@highpointclimbing.com and we will be happy to coordinate with your needs.
We are looking forward to serving all of our wonderful community members again soon and in the meantime encourage everyone to stay positive and safe as we move through this together!

Pink Palace (Tuesday, March 17)

As a public health precaution due to COVID-19 (coronavirus), the Pink Palace Family of Museums including the Pink Palace Museum, theater,  planetarium, Lichterman Nature Center, Mallory-Neely House  and Magevney House will temporarily close to the public beginning Wednesday, March 18, 2020.

 “The Pink Palace Family of Museums has remained open these past two days in order to wind down scheduled activities between now and the end of May.  In just two short days, our staff has worked incredibly hard at winding down operations affecting over 11,000 people who had scheduled visits through May,” said Kevin Thompson, Executive Director Pink Palace Family of Museums. 

The public is encouraged to visit the Pink Palace Family of Museums website (www.memephismuseums.org), Facebook and Instagram pages for online content for children and adults created to keep the public engaged and entertained during this period of home quarantine. 

“We plan to roll out online services next week in order to continue to engage with the public. We have an initial set of items for next week, and plans are in the works to continue to create online environments to share our history.  Please check our website and social media outlets for more information,” continued Thompson.


Ballet Memphis (Tuesday, March 17)


Ballet Memphis is prioritizing the health of students, families, dancers, patrons, and staff, and will be taking the following precautions against the spread of COVID-19:

● Ballet Memphis Office: Closed to the public beginning March 18th until further notice

● Ballet Memphis School: Closed until further notice

● Pilates and Adult Classes: All classes, workshops and certifications canceled until further notice

● 2020-21 Company Auditions: in-person auditions canceled – Digital video submissions, headshot and resume should now be sent to auditions@balletmemphis.org

● Cinderella: Performance and supporting events canceled.

“Cinderella is a piece that brings magic to life for families, but we will not perform at the expense of our community,” says Steven McMahon, Artistic Director. “We are being proactive, both in prevention and serving our community. We hope that during this time, we’ll be able to reach our audience through virtual tools so that we may continue to bring dance to Memphis.”

Those who have already purchased tickets to Cinderella will be contacted directly. Refunds are available for tickets purchased through Ballet Memphis, however the organization is asking patrons to consider purchased tickets a donation.

“On behalf of the Ballet Memphis team, I can’t wait to bring Ballet Memphis back to the stage very soon,” said McMahon.

Ballet Memphis staff will continue to communicate any updates and ways they will continue to share the power of dance in a time when our community could use it most.

Memphis Rox (Tuesday, March 17)

In light of recent announcements over the past few days about local schools, organizations, and businesses closing due to concerns with Coronavirus COVID-19 and an increased emphasis on the safety, health, and wellness, Memphis Rox Climbing Gym will temporarily close Wednesday, March 18 for the remainder of the month. We will continue to monitor circumstances daily and will remain flexible and forward-thinking in regards to the next steps.

Our top priority is the safety and well-being of our guests, employees, and our community. Our commitment to improving the quality of life for Mid-Southerners through climbing and community outreach has not wavered during this time of uncertainty looming around Coronavirus (COVID-19). Now more than ever, it is important for us all to exercise collective leadership and take precautionary measures to participate in the healing of our city, state, nation, and world.

Furthermore, we will steadfastly follow all protocols recommended by the CDC, Tennessee Health Department, and Shelby County Health Department and encourage everyone in the community to do the same.

To support our staff during this time of closure and uncertainty, all employees will be paid for their previous average weekly hours worked, even as the gym remains closed for the next two weeks. We will then create various projects for our employees to participate in to improve the gym experience for our customers with an emphasis on safety protocols.

Art Museum of the University of Memphis (Tuesday, March 17)

In keeping with the measures the University is taking to contain the spread of COVID-19, the opening reception for “In 7, 6, 5…” scheduled for March 21st has been cancelled. We tentatively postpone re-opening to the public until March 31st. Please contact the museum for further information. In spite of being closed to the public, AMUM continues to install our upcoming exhibition and will be sharing online stories about “In 7, 6, 5…” once the show is up. When we are able to re-open to the public, then we will schedule an opening reception to replace the one that was cancelled, which would have taken place on March 21st.


Memphis River Parks Partnership (Tuesday, March 17)
Justin Fox Burks

An aerial view of the new River Garden park.


As much as we love having folks share the space of the Memphis River Parks, we’re reminded that we’re all in this together to keep Memphis healthy. Please follow guidance from the CDC and Shelby County Health Department.

The Partnership has increased the frequency of scheduled cleaning and sanitizing in all park facilities and reinforced recommended procedures with staff while monitoring development and following the latest guidance on COVID-19.

All public events scheduled to take place on the riverfront in the next eight weeks have been postponed or canceled. Keep updated on the latest on Facebook and our website.

Metal Museum (Tuesday, March 17)

It is with deep regret that we inform you that we have made the difficult yet necessary decision to close the Metal Museum to the public, effective immediately until further notice. This includes all public programs and classes.

As with our peer institutions in the city of Memphis and across the country, we believe this is the best course of action to ensure the continued well-being of our visitors, volunteers, and staff.

Please watch your email and/or the Museum’s website and social media for the most up-to-date information. Our staff will continue to work during this time to answer any questions you have and to ensure that exhibitions and programs are to the high standard you expect when we reopen. Should you have any questions during this time, please do not hesitate to email us at info@metalmuseum.org.

We greatly appreciate your understanding and flexibility during this time and, as always, your support of the Metal Museum.

Hattiloo Theatre (Tuesday, March 17)

In light of the developing news about the coronavirus (COVID-19), here’’s the latest from Hattiloo. We continue to look to the CDC, the Shelby County government and the City of Memphis and state leadership for guidance. Following the temporary recommendation to limit public gatherings, and in concert with our colleagues throughout the theatre industry, we’’ve suspended all performances through May 1, 2020. 

 

We’’re adapting as quickly as we can to this situation. For your convenience, as always, you can email us at manager@hattilootheatre.org, or call 901.502.3486. With the expected volume of emails, it may take us 3-5 business days to respond, but rest assured that we will get back to you. Our shows are canceled for now, but our staff is here for you.  

If you have tickets for this weekend’s performance, please email tickets@hattilootheatre.org for information.

Thank you for your support. Please stay safe, and we look forward to seeing you when Hattiloo reopens.

Southland Casino Racing (Monday, March 16)

The situation surrounding coronavirus (COVID-19) is rapidly developing, and Southland Casino Racing continues to be focused on efforts at our facility to protect the health and safety or our guests and employees. 

In coordination with the Arkansas State Racing Commission and the State of Arkansas, we are acting to temporarily close the venue. No new patrons will be permitted into the facility after 11:59 p.m. tonight, Monday, March 16, and the facility will be closed at 6 a.m. March 17 until further notice. All activities are canceled, including casino promotions.

We will be communicating as quickly as possible with our employees to assist them during this period. We thank them for their ongoing diligence and ability to adapt in a very fluid and unprecedented circumstance.

To date, we have worked to protect public health by following CDC guidelines on sanitizing protocols and cleaning throughout our venue. We will remain in close touch with State and County health officials, and we look forward to reopening Southland Casino Racing shortly and continuing to provide a clean, safe environment.

We apologize for the inconvenience and look forward to hosting you again in the near future. We will keep you updated on our website at www.southlandcasino.com and via Facebook.com/SouthlandCasinoRacing as more details become available.

Opera Memphis (Monday, March 16)

Members of the Opera Memphis family,



Earlier today, Opera Memphis made the difficult decision to cancel our 2020 Midtown Opera Festival, including the production of Mozart’s Così fan tutte



Though this decision is heartbreaking, we know it is vital that we play our part in combating the spread of COVID-19 in this truly unprecedented situation. 



We know there are many disappointed opera lovers reading this, so we are also taking the opportunity to announce 30 Days of Digital Opera beginning on April 1. Every September, we fan out through the city giving free performances for the entire month. This coming April, instead, will be a chance for us to provide fresh, daily content on all of our digital channels.



More details will be shared on this new program as it develops. We know nothing can replace the feeling of seeing an opera live and in person, but hopefully, this new program will help bridge the gap!



Within the next several days, we will reach out to all of our ticket holders and provide them with their options.  We hope our patrons will consider donating their tickets to help us recoup some revenue, as the company has decided to pay our artists and crew who rely on performances for their livelihood. 



Finally, the administrative offices for Opera Memphis will be temporarily closed. If you have any questions or concerns, you may contact us at info@operamemphis.org.



Thank you in advance for your patience.

Germantown Performing Arts Center (Monday, March 16)


Friends and Family of GPAC:

The safety of GPAC’s audiences, artists, volunteers and staff are our first priority. In response to the outbreak of the coronavirus (COVID-19), GPAC will be closed to the public indefinitely as of Monday, March 16, at 5 p.m. The following events have been modified:

Welcome to Night Vale Live, March 18, at 7:30 p.m.: This show will be rescheduled. We’re working with the tour on a new date, and GPAC will make an announcement as soon as it is set. 

Peanut Butter & Jam: José! by New Ballet Ensemble, March 21, at 9:30 a.m. and 10:30 a.m.: This program will be rescheduled. Please stay tuned for the new date.

Artist’s Reception with Pam Santi, March 21, at 5 p.m.: This reception has been cancelled.

Germantown Symphony Orchestra 250th Anniversary Beethoven Celebration, March 21, at 7 p.m.: GSO is rescheduling this concert and apologizes for any inconvenience.  Please hold onto your tickets and they will be providing additional information once more is known about the future concert schedule.

Memphis Symphony Orchestra: Masterworks 5: Strauss, Tchaikovsky, & Shostakovich, March 22, at 2:30 p.m. MSO will not hold the concert. The decision to reschedule or cancel will be determined at a later date, and will be guided by public health and safety and scheduling considerations. Additional updates will be made on the MSO website, social media and emails to subscribers and ticket buyers. Please contact the MSO Box Office with any ticket related questions at (901) 537-2500 or tickets@memphissymphony.org.

ArtSavvy: Shadow Play Workshop, March 24, at 7 p.m.: This program will be rescheduled or cancelled based on safety and scheduling considerations. You can find updates here or on the Facebook event.

Jazz in the Box: Emmet Cohen & Houston Person, March 27, at 7 p.m. and 8:30 p.m.: This show will be rescheduled. We’re working on a new date based on safety and scheduling considerations. GPAC will make an announcement as soon as it is set.

Pilobolus—Shadowland: The New Adventure, March 28, 8 p.m.: Pilobolus’ performance has been rescheduled for Saturday, September 19, at 8 p.m. Tickets for the March performance are valid for the September show.

Visual Arts Exhibit, Artist’s Reception and Artist Chat with Yancy Villa Calvo will be rescheduled for the fall. Keep an eye on information for the 2020-2021 Season for details.

Bruce Hornsby & The Noisemakers, Saturday, April 11, 8 p.m. This performance will be rescheduled or cancelled based on safety and scheduling considerations. Tickets for the April concert will be valid for the rescheduled show.

Artsavvy: Gullah Traditions, Tuesday, April 14, 7 p.m. This program will be rescheduled or cancelled based on safety and scheduling considerations. You can find updates here or on the Facebook event.

Victor Wooten and the Wooten Brothers, Thursday, April 16, 7:30 p.m. This show will be rescheduled, we are working with the tour on a new date.Tickets for the April performance are valid for the rescheduled show.

Ranky Tanky, Friday, April 17, 8 p.m. This performance will be rescheduled or cancelled based on safety and scheduling considerations. Tickets for the April Ranky Tanky concert will be valid for the rescheduled show.

We will communicate updates for these events via the GPAC website, social media and through emails to patrons and ticket holders affected by rescheduled events and cancellations. If you have questions regarding ticketing for the above mentioned performances, please call the GPAC box office at (901) 751-7500 or at boxoffice@gpacweb.com. Thank you for your understanding. 

Quark Theatre (Monday, March 16)

Quark is suspending performances until, hopefully, we can remount it in the (near) future. That may be in 2 weeks; it may be in 2 months. We will keep you informed.

We had originally planned to complete our entire run. While we believe any possibility of virus transmission at Theatre South is quite low because it only holds, at the most, 50 people, we understand the the possibility is not zero. We also understand that people are concerned right now and seem to be getting more so.
We hope to see more of you in the future!


Playhouse on the Square (Monday, March 16)

The safety of our patrons, staff, artists, teachers, and volunteers is of utmost importance, and we at Playhouse on the Square (Circuit Playhouse, Inc.) have been adjusting our plans to confront the challenges of COVID-19 on a daily basis based on information from the CDC, WHO, Shelby County Health Department, City of Memphis, and the State of Tennessee.

 

With 18 productions on 3 stages, 2 school touring productions, and 13 education and outreach programs, reaching 10s of 1000s of people yearly, there are many moving parts, and we strive to present our offerings with as little disruption as possible.

 

This past weekend, the CDC issued new recommendations, and we will be implementing the following courses of action:

 

·      Beginning on 3/16/20, we will be cancelling remaining performances of The Book of Will; Ain’t Misbehavin’; Schoolhouse Rock Live; The Ant and the Grasshopper; and Days of Rage through May 7, 2020.

·      We will push the entire run of Little Shop of Horrors 1 or 2 weeks later to run May 8 through May 31 or May 15 through June 7.

·      We will shorten the run of Mississippi Goddamn by opening one week later to run June 12 through June 28.

·      We will push the entire run of Something Rotten 1 week later  to run June 26 through July 12.

·      St. Paulie’s Delight’s run will retain its current schedule, July 10 through July 26.

·      After School Acting Program (ASAP) and Theatre School will be cancelled until the Fall.

·      TnT and PlaySlam will be postponed to a later date.

·      Summer Youth Conservatory programming will retain its current schedule.

·      The 43rd Annual Original Art Auction, scheduled for April 25, will be postponed until Summer or Fall of 2020.

 

We apologize for any inconvenience this may cause, and we hope that you will continue to support Playhouse on the Square as we endeavor to confront both the health and economic challenges to our patrons, staff, teachers, and volunteers.

 

If you have tickets for upcoming cancelled performances, our Box Office team will be reaching out to you to change your reservation to another show, issue refunds, or process your payment as a donation should you prefer that option. Our Box Office (901-726-4656) will maintain normal business hours until further notice.

201 Poplar (Monday, March 16)

In light of the health and safety concerns surrounding the coronavirus (COVID-19) pandemic, the criminal justice system at 201 Poplar will be functioning much differently over the next few weeks, Shelby County District Attorney General Amy Weirich said Monday.

Major changes will include:

• Out-of-custody defendants with cases in General Sessions and/or Criminal Court will have their cases reset automatically to the corresponding day of the week of April 20, 2020, through May 5, 2020. You do not need to appear at 201 Poplar.

Here is the updated schedule:

• In-custody cases are top priority and will be handled as usual.

• There will be no jury trials until further notice.

• The Shelby County Grand Jury will not meet until further notice.

• If you are a victim or a witness subpoenaed by the DA’s office, someone from the DA’s office will contact you. If you have not been contacted within a day of your ordered appearance, please call 901-222-1300 and ask for the Victim Witness Unit.

Other important numbers to keep:

General Sessions Criminal Court Clerk – 901-222-3500

Criminal Court Clerk – 901-222-3200


Gold Strike Casino Resort (Monday, March 16)

GM Resorts International announced its decision to temporarily suspend operations at its two Mississippi properties, Beau Rivage Resort & Casino and Gold Strike Casino Resort, until further notice, effective as of Tuesday, March 17th. Casino operations will close at 6 a.m. CST, followed by hotel operations.

“Our highest priority remains the health and wellbeing of our guests and employees. We will work to mitigate the impact this will have on our employees, partners and communities,” said MGM Chief Operating Officer and president Bill Hornbuckle. “We will continue monitoring the situation and announce plans for reopening when appropriate.”

Crosstown Arts (Saturday, March 14)

Crosstown Arts is working to help slow the potential transmission of coronavirus and is postponing all music performances, public events, gallery open hours, Shared Art Making open hours, and food/beverage service at the cafe and Art Bar through April 1. Refunds to any ticketed events will be issued within 48 hours.

For updates about when these spaces and programs will resume normal operation, please look for an announcement in the Crosstown Arts newsletter; check out crosstownarts.org; or follow Crosstown Arts on social media — Instagram, Facebook, and Twitter.

Dixon Gallery and Gardens (Monday, March 16)

Dear Friends,

The Dixon Gallery and Gardens is above all concerned for the health and safety of our visitors, employees, and many volunteers. We are measuring our response to the new Coronavirus/COVID 19 by the best and most current information available from the World Health Organization, the Center for Disease Control and Prevention, the Shelby County Health Department, the American Alliance of Museums, all the area hospitals, and the City of Memphis. We have taken part in conference calls with the Association of Art Museum Directors, ArtsMemphis, and the Cultural Coalition of Memphis to learn how other organizations are gathering information and making decisions. We have been impressed by the spirit of cooperation, the sharing of information, the sacrifice, and the genuine compassion of the cultural sector in Memphis.

The Dixon has taken a number of actions—some very difficult—in trying to combat the spread of Coronavirus/COVID 19 in our community. Effective Tuesday, March 17, we are closing the Dixon Galleries, the museum facility, for the next two weeks. We will see where we are on Monday, March 30. Count on regular updates. We also are cancelling all education and outreach programs, whether in the museum or in the gardens, and asking our many volunteers to work from home the next two weeks or to take a few days off.

The Dixon is also canceling or postponing the following large events: the Margaret Oates Dixon Society gathering (18 March); the Philipp Laagland lecture (19 March); the Daffodil Show (20-21 March); the Director of Horticulture tour of ‘Dixon Blooms’ (24 March); the Memphis Flower Show (3-5 April); the Cosmopolitans Spring Party (9 April); and the Dixon Easter Egg Hunt (11 April). The Dixon is determined to make good and transparent decisions for the safety of our visitors, staff, and volunteers, and to get reliable information to you in a timely fashion.

For the time being, the Dixon Gardens will remain open. If you come to the gardens, please be considerate of one another’s personal space. Temporary social distancing is one of the very simple actions we can all practice—along with staying home if we feel ill, washing our hands vigorously and frequently, and refraining from touching our faces—to thwart COVID 19. The Dixon has also doubled and tripled our cleaning and disinfecting efforts around our campus.

The best thing the Dixon can do for our community right now is to eliminate any close public interactions that are not necessary. Don’t get me wrong, art is essential, but it is also eternal, and it will be waiting for you in the Dixon Galleries when we reopen. And the Dixon Gardens await you. With 200,000 tulips and other flowering bulbs coming into bloom, the gardens offer abundant joy and solace in these challenging times. I repeat, our seventeen acres also present more than ample room for safe social distancing. Please respect the personal space of others while you are here.

Thank you for your support of the Dixon. We will get through this together.

Kevin Sharp

Stax Museum of American Soul Music (Monday, March 16)

The Soulsville Foundation – which operates the Stax Museum of American Soul Music, Stax Music Academy, and The Soulsville Charter School at the original site of Stax Records in Memphis, Tennessee –has made the difficult decision to temporarily close the Stax Museum beginning March 18, 2020 out of concern for the safety of its employees, visitors, volunteers, and other guests amid the outbreak of the COVID-19 coronavirus.

While we have not seen any signs of COVID-19 among our staff and visitors, we feel that we should take this preventative measure because the circumstances surrounding the virus are changing by the hour and we always err on the side of caution when it comes to safety, which is our top priority.

While the museum’s closure status will be reevaluated every two weeks, it is postponing until further notice all events and programs until at least April 30, 2020.

The Stax Museum is unique in that it is not only an international tourist destination drawing people from around the world and a community-based museum offering free programming for the general public throughout the year, but it also shares the same campus as the aforementioned Stax Music Academy and The Soulsville Charter School, which provide education and other services to roughly 800 children and families each day. In keeping with Shelby County Schools’ policies, both schools are closed until March 30, 2020.

“Like the rest of the world, we are deeply concerned about the COVID-19 coronavirus outbreak,” said Soulsville Foundation President and CEO Richard Greenwald. “We realize that many of the Stax Museum’s guests travel to Memphis from across the United States and from other countries and, given the propensity for the virus to affect those traveling, we feel it’s our responsibility to help stop the spread of COVID-19 by temporarily closing the Stax Museum. It’s not an easy decision but we feel it’s the right thing to do at this time.”

In the meantime, the Soulsville Foundation will continue deep cleaning and sanitizing of all its facilities and following all protocol set forth by the American Alliance of Museums, the Centers for Disease Control and Prevention (CDC), Shelby County Health Department, and other relevant organizations. We urge everyone to follow these guidelines to help stop the spread of the virus.

We will keep the public updated on any and all changes during this time and regret any inconvenience.

“Our hearts go out to the millions of people being affected by COVID-19,” Greenwald continued. “Our hope is that the pandemic will eventually subside and we can return to business as usual of preserving and promoting the legacy of Stax Records in the many ways we do that.”

Earnestine & Hazel’s (Posted there Thursday, March 12)

Toby Sells

Earnestine & Hazel’s wil shut down for two weeks.

Owners of Earnestine & Hazel’s closed the “most popular dive bar in America” for two weeks in a memorandum that appeared on the bar’s front door Thursday.

“I hope my actions are going to be considered overkill, perhaps like taking a flame thrower to a cockroach,” said co-owner (and medical doctor) Dr. Kevin Merigian. “My intuition tells me otherwise.

Agricenter (Monday, March 16)

Agricenter is closely monitoring the recommendations from the CDC and Shelby County Health Department as it relates to COVID-19 in our region. CDC issued guidance over the weekend on limiting gatherings to 50 people or less.

Effective immediately, all event activities in Agricenter’s Expo Center, ShowPlace Arena, and Farmer’s Market that are larger than 50 people will be postponed or cancelled through March 31, 2020.

Agricenter is working closely with show organizers to reschedule their events as possible. Event notices will be posted on the events page here: www.agricenter.org/events

Memphis International Raceway (Monday, March 16)

Memphis International Raceway (MIR) and its parent company IRG Sports + Entertainment (IRGSE) have made changes to the upcoming event schedule in adherence with national, state and local public health officials’ recommendations to limit the spread of COVID-19.

• The 34th annual Super Chevy Show has been postponed and rescheduled to Sept. 25-27, 2020
• Memphis International Raceway will host an action-packed doubleheader weekend by combining the 34th annual Super Chevy Show with the ARCA Racing Series 200 championship race of the Sioux Chief Showdown Saturday, Sept. 26 – this is a weekend you will not want to miss
• Anyone who has purchased tickets to the 34th Annual Super Chevy Show will be able to transfer their tickets to the rescheduled date of Sept. 25-27, 2020.


Children’s Museum of Memphis (Monday, March 16)

The Children’s Museum of Memphis will be closed temporarily as a safety measure beginning Tuesday, March 17, based on the CDC and local health departmental recommendations.

Dr. Stewart Burgess, Executive Director of the museum, said: “Although we have not had any presumed or confirmed cases of the virus at the museum, we would rather do our part to protect the safety of our visitors, staff, and the community.”

Although we are making this adjustment, we plan to provide parents with fun, educational materials, and creative suggestions to keep their children engaged. And, of course, we will have some fun activities planned for when this concern has been resolved.

Our staff will continue to monitor released health updates and will post any updates on our website and social channels.

Indie Memphis (Monday, March 16)

Indie Memphis is postponing upcoming events in March and April as a precaution to help reduce the spread of COVID-19 in the community.

If you purchased a ticket to a film screening, you will be receiving a refund and/or your member credits will be returned.

Our youth film mentor teams have been recommended to meet virtually during this time to avoid close contact.

I am in regular communication with our peer arts organizations in Memphis and around the country as the situation evolves. We look forward to announcing new programming and rescheduling screenings when the time is appropriate.

National Civil Rights Museum (Monday, March 16)

The Lorraine Motel is among the three sites in Memphis to be included on the U.S. Civil Rights Trail.

A Special Alert from the National Civil Rights Museum
regarding the Coronavirus (COVID-19)

With news of the Coronavirus (COVID-19) pandemic escalating, the National Civil Rights Museum will temporarily CLOSED to the public, beginning Tuesday, March 17, until further notice. We recognize that this situation is extremely fluid and feel it necessary to halt operations to ensure the safety of our employees and guests.

While the Museum is closed, all public events and programming are cancelled. This includes our annual April 4th commemorative service.

We will provide frequent updates on any changes in our operations status. Thank you for your understanding as we work together to ensure a safe environment for everyone associated with the Museum.

For more information from health officials regarding the Coronavirus (COVID-19), visit the Center for Disease Control and Prevention (CDC) website.

Kroc Center of Memphis

In light of the national developments and rapidly changing conditions regarding the spread of COVID-19 (commonly referred to as coronavirus), the Kroc Center of Memphis has temporarily suspended all public programming and operations effective immediately.

As risks have increased regarding community spread of COVID-19 across Memphis and the Mid-South, we have considered all options and have ultimately decided to follow CDC guidelines to limit public exposures. As such, all activity, with the exception of Spring Break camp, will be suspended in our building effective Monday, March 16. Spring Break Camp will be held March 16-17 only.

As this matter evolves, we will offer facility updates on when we plan to reopen. Our local and national Kroc Center teams are working within parameters set forth by the CDC and the guidance of local government to determine when we can safely return to normal operations. For those that are enrolled in programs, we will communicate plans for rescheduling as that information becomes available. If you have any questions in the interim, please contact us at info@krocmemphis.org. You may also call 901.729.8007, and press 2.

Temporarily closing our doors is a difficult decision, as we balance being available to the community with being proactive in the interest of public health. We are grateful to have your understanding and patience during this time.

We truly appreciate your support and commitment to helping us create a welcoming space for Worship, Arts, Education, and Recreation. We know that staying fit and active is our best way to build a strong immune system and stay healthy. Even though you can’t make it in to join us in person, here is a FREE online option of our Les Mills fitness classes to help keep you active and working out at home. This platform offers 95 free workouts across 8 categories and it will remain available as long as the disruption from Coronavirus continues. Additionally, we plan to post on our social media platforms, providing tips to stay active and engaged over the coming day.

Please continue to observe the recommended practices for maintaining good health, and we look forward to seeing you when the Kroc Center reopens.

Blessings,

The Salvation Army Kroc Center

Memphis Restaurant Association (Monday, March 16)

Postponed – Pro Tips for Avoiding ADA Nightmares
We feel it is responsible to postpone the March membership meeting at this time.

Thanks to Evans Petree for being flexible and agreeing to speak at a later date which is to be determined.

Brooks Museum of Art (Sunday, March 15)

We have made the painful but necessary decision to temporarily close the Memphis Brooks Museum of Art, effective Sunday, March 15 at 5:00 pm until March 31, 2020. This includes all public programming.⁣



Since March 4, the Brooks staff has made extraordinary efforts to disinfect and sanitize its spaces. We now believe we must close temporarily to further limit transmission of COVID-19, and do all we can as a public institution to ensure the safety of our visitors, staff, volunteers and community.⁣

We understand how rapidly this situation is evolving, so we will provide updates as we have more information. ⁣

Meanwhile, as one of our region’s greatest cultural assets, we hope that you will enjoy checking our website and social media to experience our temporary exhibition, “Native Voices, 1950s to Now: Art for a New Understanding,” our great permanent collection of paintings, sculpture, drawings, photographs, decorative arts, and new media; and snapshots of some of our nationally-recognized educational programs in action. ⁣

We appreciate your support of the Brooks and our efforts to care for our community. We assure you that our staff and Board are committed to making this effort as effective and smooth as possible for everyone in our great city.
Categories
We Recommend We Saw You

Raiford’s is Everywhere, Bishop guest chef dinner, “Charlie and the Chocolate Factory”

I didn’t get to every party in 2019, but one event I wish I would have attended was the wedding of Lauren and Alex Solomito.

Their wedding had a semi-Paula & Raiford’s Disco theme.

“We had the light-up dance floor at the wedding,” says Lauren, 27. “And my bridesmaids and I got ready with custom shirts that had the Raiford’s Disco logo on the front. On the back it says, ‘I know Paula Raiford.’”

Lauren says she worked with Paula Raiford, owner of the club, over a month “to get the right colors and sizes. I went down to Raiford’s in the daytime a few times.”

She and her bridesmaids wore the T-shirts before they donned their wedding attire.

The light-up dance floor, which they rented, was similar to the one at Raiford’s. “It was some company Lauren found in Memphis,” says Alex, 28. The dance floor “did not just light up, but changed colors.”

Raiford’s is where Lauren and Alex rekindled their relationship after many years.

“We’ve known each other since third grade,” Lauren says. “And I liked him and he didn’t like me all through school. Then we kind of separated after middle school. He went to ECS (Evangelical Christian School) and I transferred to ECS. We were boyfriend-girlfriend in eighth grade and we went to church together. And then we were best friends in high school. We tried to date in high school. Seven years after high school we lost touch. We ran back into each other at Raiford’s on January, 2017 and started dating again. Then we got engaged in June of 2018.”

Raiford’s had to be a part of the wedding. “Raiford’s was my favorite place,” Lauren says.

“I absolutely love Raiford’s,” Alex says. “I’ve probably not been there as many times as her. Raiford’s is different from any other dance club in Memphis. It’s fun. Everybody is there. It’s solely just to have fun.”

And, he says, “Of all places to run back into her, it would be Raiford’s.”

Alex’s attire also had a nod to Raiford’s. “I even ordered light-up shoes. So, the soles of the shoes flashed different colors to make it more exciting. At one point I got out of my tux shoes and put on some light-up shoes. You constantly change colors like the dance floor did.”

His socks had a special meaning, too. “They were socks with corn dogs on them. We both are obsessed with Pronto Pups. And we actually had a Pronto Pup stand at our wedding. You know how people have light-night Krystal burgers or Taco Bell tacos? Something really simple. We decided to do Pronto Pups.”

They held the wedding September 21st 2019 at the Children’s Museum of Memphis complete with the carousel.

The Soul Shockers performed. The band performs “music like they play at Raiford’s,” Lauren says.
  

She set the date on September 21st because her favorite song, Do You Remember by Earth, Wind & Fire, includes the line, “Do you remember the 21st night of September?”

She wanted to hold her wedding whenever the 21st of September fell on a Saturday. “I planned my wedding five years before this wedding happened,” she says. “I wanted it to be on that date because of that song.”

Lauren didn’t know at that time who the groom was going to be, but, she says, “I thought, ‘Surely, I’ll find someone by then.’”

The song also is special to Alex. “It happened to be one of my favorite songs,” he says.

Paula Raiford says others have used Raiford’s in some form at their wedding event.

One wedding reception had an entertainer dressed like her father, the late Robert Raiford, “with the hair, suit, and glitter,” she says.

She’s had several wedding proposals at Raiford’s “Two or three of those.”

And people take wedding photos at Raiford’s before their wedding. “They do an outside inside photo shoot.”

Kelly Ginn Photography

Alex Solomito gets down – literally – on the Raiford’s style dance floor at his and Lauren Solomito’s (standing) wedding reception.

Kelly Ginn Photography

Lauren Solomito and her bridesmaids wore Paula Raiford T-shirts before they dressed in their attire for Lauren and Alex Solomito’s wedding.

Kelly Ginn Photography

Michael Donahue

Stephen Stryjewski guest chef dinner at Bishop

Stephen Stryjewski was the first guest chef at Bishop, the Andrew Ticer/Michael Hudman restaurant at Central Station Hotel. Bishop is the chef/owner duo’s newest restaurant. The dinner, a benefit for The Madonna Learning Center, was held on January 6th.

Stryjewski is chef/partner of New Orleans award-winning restaurants, including Cochon, Cochon Butcher, and Pêche Seafood Grill.

He joined Ticer and Hudman in the kitchen to prepare the five-course dinner, which included crab au Gratin with chili oyster crackers and sauteed speckled trout with fried squash and crushed herbs.

Dessert was individual king cakes from La Boulangerie bakery and cafe, another Stryjewski establishment.


MIchael Donahue

Stephen Stryjewski guest chef dinner at Bishop

Michael Donahue

Stephen Stryjewski guest chef dinner at Bishop

Michael Donahue

Ashley Calhoun and Marty Brooks at the ‘Charlile and the Chocolate Factory’ Memphis premier at The Orpheum.

First nighters got the first chance to see Charlie Bucket and his Grandpa Joe visit Willy Wonka’s chocolate factory in the musical, “Charlie and the Chocolate Factory,” which opened January 14th at the Orpheum. The musical, which was adapted from the book of the same name by Roald Dahl, also was made into two movies: Willy Wonka & the Chocolate Factory (1971) with Gene Wilder and Charlie and the Chocolate Factory with (2005) with Johnny Depp.

I never saw any of the movies or read the book. And everybody I confessed that to before I saw the musical was astonished. I do know how to play The Candy Man on the piano. Anthony Newley and Sammy Davis Jr. made recordings of the song.

“Charlie and the Chocolate Factory” will run through January 19th at The Orpheum.


Michael Donahue

Mason Gast and Katie Upton were at the ‘Charlile and the Chocolate Factory’ Memphis premier at The Orpheum.

Michael Donahue

Landon Fox and Jessie Yelvington were at the ‘Charlile and the Chocolate Factory’ Memphis premier at The Orpheum.

                                      WE SAW YOU AROUND TOWN

Michael Donahue

James Alexander and Alice Henry, founders of Kaleidoscope School of Memphis, at the Little Tea Shop.

MIchael Donahue

Gina Picerno, Brett Healey, Carson Irwin, and Tim Guarino at Strano by Chef Josh.

Michael Donahue

Onie Johns and Betty Winter at Caritas Community Center & Cafe.

Categories
Cover Feature News

21 Voices: Forcing Change at CMOM

They don’t want to talk about it. They say they can’t talk about it, in fact. Leaders with the Children’s Museum of Memphis (CMOM) say a non-disclosure agreement prevents them from talking about how and why Richard “Dick” Hackett, the museum’s former executive director and former mayor of Memphis, left the organization in June 2017. In an off-the-record meeting with leaders last week, they said they have nothing to hide but refused to talk about a formal investigation at the museum last year or that non-disclosure agreement.   

“The board of directors and leadership at CMOM are excited about our future and have no interest in revisiting the departure of prior CEO Dick Hackett two years after the event,” interim CMOM executive director Reed Cochran said in a statement written on behalf of the museum’s board.

Leaders said they “would be more than happy to discuss” the one-year anniversary of the carousel restoration, new board members, new programming, and the museum’s upcoming search for a new, permanent executive director. The future seems bright, inviting, and brimming with promise, like the museum itself. 

Justin Fox Burks

But a group of former CMOM employees formed an organization called “21 Voices,” and described turmoil behind the scenes, particularly during Hackett’s years. They cite nepotism, casual racism, and sexism — a good-ole-boy’s club with frat-house rules, bloated paychecks, and random bonuses. They claim Hackett made adversarial employees “sweat” if they crossed the boss or his friends. They complain that long-time staffers who had just helped CMOM win an important, national accreditation were fired for seemingly little cause. 

Members of the 21 Voices group say they petitioned the CMOM board, but the board didn’t listen. Group members said only when they threatened to launch a formal complaint to the national accreditation group did the board hire an external investigator, get some facts, and, eventually, part ways with Hackett. 

It’s a much different story than Hackett told at the time. In an interview with the Memphis Daily News‘ Bill Dries in May 2017, Hackett said he was stepping aside and simply shifting his focus to fund-raising.

“I’ll shift my emphasis to, on my own, raising money for the Carousel building,” Hackett told Dries. “It’s two businesses and there’s no way one person could do both.”

Scroll to the bottom of that story online, though, and you’ll find comments pointing at that other, darker narrative. (The Daily News only allowed comments through a Facebook plug-in, so, the names and people are who they say they are, on Facebook, at least.)

“He [was] nothing but a leech off the museum,” wrote Loni Wellman. “You should really be thanking the staff — who he has forced out. Look at the 990s.”

Wellman’s LinkedIn profile says she was the program manager at CMOM from 2007 to 2011. 

“Evidently he will continue to leech and plunder as a ‘consultant,'” wrote Amanda McEachran LaMountain. “And, yes, please look at the 990s, although they only paint an incomplete picture of the racism, nepotism, and general incompetence that Hackett’s ‘leadership’ represented.”

LaMountain’s father was Angus McEachran, former editor of The Commercial Appeal and also a former board chairman of CMOM.

“He claims to have made the decision to resign on his own,” wrote Jim Hyde. “Strangely, it was made just after the organization, 21 Voices, forced the board of trustees at CMOM to conduct an investigation into their claims of racism, nepotism, sexual discrimination, and workplace bullying. 

“The board at CMOM chose to tell 21 Voices that Hackett would resign due to money problems and refused to address the issues that were investigated nor will they discuss the investigation conducted by [Burch], Porter and Johnson,” wrote Hyde. “Sounds like 21 Voices were correct in their beliefs. Hey CMOM, how about some transparency?”

CMOM leaders say they are transparent, and a Charity Navigator document provided to the Flyer last week gives the museum a four-star ranking (its highest) on accountability and transparency and a score of 100 out of 100. 

Hackett retired from CMOM in June 2017. By September, he was the new executive director at Catholic Charities of West Tennessee, the service arm of the Catholic Diocese of Memphis, which serves 21 counties in West Tennessee. In a guest column in The Commercial Appeal in October 2017, Hackett said, “I feel closer to God every day I walk into our building or deliver a meal to a disabled Veteran or senior.”

Hackett said he is “proud of my body of work at CMOM” and “with the help of employees, board members, and generous donors, we were able to bring CMOM from the brink of closing its doors to a thriving, nationally accredited museum.

“All of the changes that I made, my personnel decisions, and my management approach were approved by the numerous members of the board of directors, respected members of our community,” Hackett added. “I am well aware of the false allegations made by a group of former employees and I am aware of some of their criticisms that sound [word missing] in reality but are misunderstood by the group.”

Back to the Beginning

Planning for the Children’s Museum of Memphis began in 1985, led by a group of three women — Mars Child, Polly Glotzbach, and Harriet McFadden.

The  Boston-grown and Harvard-educated Child moved to Memphis in 1984 and wanted to see a children’s museum reflecting her childhood here. About the same time, Memphis native McFadden read about Boston’s children’s museum in an in-flight magazine, flew north to see it herself, and decided she wanted a similar museum in Memphis. 

“It was there that a Boston museum trustee told Harriet about Mars’ interest in the same idea and that Mars was in Memphis,” reads a section about the women on the Women of Achievement website. “Was it fate? Coincidence? Magic?”

Others pointed the two women to Glotzbach, a Vanderbilt graduate and former Junior League of Memphis president who had toured the children’s museum in St. Louis. 

In 1987, the three incorporated the Children’s Museum of Memphis as a private nonprofit organization. The next year, the three “found a friend in [then-Memphis Mayor Dick Hackett] who helped them find the old [National Guard Armory]” complex on the MidSouth Fairgrounds, according to the Historic Memphis website.

In 1988, the museum signed a 25-year lease with the city of Memphis on the complex, paying $1 a year. Tax documents show the lease was renewed in 2000 for $1 a year for the next 37 years. Another CMOM tax document puts the worth of the buildings at $10.1 million. A 2016 audit document put the annual fair value of the $1 rent at $324,378. 

The three founders raised $3 million for construction, and the museum opened to the public on Saturday, June 16, 1990. Eleven years later, CMOM had raised $7.2 million for an expansion project that added 16,000 square feet to the museum. The expanded museum opened on August 3, 2001.

In 2013, the museum opened its H2Oh! Splash Park. In 2014, it opened the Outdoor PlaySpace.” In 2015, the museum agreed to restore the 1909 Dentzel Grand Carousel and opened the $4.5-million Grand Carousel Pavillion in 2017. 

Richard “Dick” Hackett

Hackett History

Hackett looms large in Memphis history. Elected mayor at age 33 in 1982, he was the youngest mayor of a major U.S. city. He was elected three times by Memphis voters. He made history again in his incredibly narrow loss (by only 172 votes) to the city’s first African-American mayor, W.W. Herenton, in 1991. 

Hackett reduced the city’s debt and only raised taxes once during his term in office. He appointed African Americans to some of the city’s highest offices, including James Ivey as Memphis Police Department’s first African-American director, and Greg Duckett as chief administrative officer.

Hackett also founded Wonders: The Memphis International Cultural Series. He served as senior vice president at the American Lebanese Syrian Associated Charities (ALSAC), the fund-raising arm of St. Jude Children’s Research Hospital. Hackett served on the board for Christian Brothers High School, the Wesley School for Children, and more.

In July 2006, Hackett was named CMOM’s chief executive officer, the third in the organization’s history. As mayor, he’d helped the museum secure the $1-per-year lease deal on the old Armory buildings. 

“It is great to again have Dick as an important part of the museum,” Angus McEachran, CMOM board of trustees president, said in a statement at the time. “He brings a wealth of knowledge, expertise, and contacts to catapult the museum to an even higher level of excellence.”

By the Numbers

Maybe the first public red flag of Hackett’s turn at the CMOM helm came in a regular, annual financial audit of the museum in 2014 by Zoccola Kaplan, PLLC. 

“The museum routinely utilizes a vendor who is a relative of the Chief Executive Officer for various repairs, maintenance, and capital projects,” reads the audit. “For the year ended June 30, 2014, the vendor was paid a total of $46,581 by the museum.” That same line is in audits for 2015, 2016, and 2017. 

CMOM’s 990 for that year explains the payment was made to Mark Hackett, the CEO’s brother. The next year, Mark Hackett was paid $69,022 for “improvements to exhibits.” The next year, Mark Hackett was paid $106,031, a figure higher than the salary of the museum’s Chief Operating Officer.

That year, too, Jason Hackett, Dick Hackett’s son, was paid $23,600 for “improvements to exhibits.” In 2016, Mark Hackett was paid $81,567, and Jason Hackett was paid $19,739. For all of this, the tax documents say “the conflict of interest disclosures are updated annually and monitored by the board of directors.”

“Those who criticize this decision fail to recognize, or perhaps do not even know, that my brother’s value was his ability to get most of his building materials donated in-kind by his supplier contacts,” Hackett said. “I feel the decision to hire him was because this benefit outweighed any appearance of nepotism.”

Further, Hackett said knowing his brother offered “additional assurance of character and decency over and above background checks and references.”

“You can never be too careful about who is around children,” he said. “Safety and protection of our child patrons was my No. 1 priority.” 

During that time, Dick Hackett saw his salary and benefits package increase, too. In 2014, he had a pay package worth $268,495. The museum employed 61 people that year and ended the year $132,120 in the red, according to tax documents. 

Revenues in 2015 remained largely flat over the previous year ($2.6 million in 2014 to $2.7 million in 2015) though the museum had shed 18 employees. Hackett’s pay and benefits package rose to $305,521, including a $20,000 bonus from the board. The museum ended 2015 in the red by $234,762, according to tax documents.

In 2016, revenues were slightly down ($2.6 million), and the museum added one employee for a total of 44. Hackett’s pay package swelled to $328,569, which included a $45,000 bonus from the board. 

CMOM explained in tax documents that “the board of directors annually reviews CEO compensation paid within the industry and inside and outside the area.” Hackett’s pay was approved by a CMOM compensation committee and the full board of directors.

In 2016, Jackson’s Mississippi Children’s Museum, with revenues of $4.7 million and 92 employees, paid its president and CEO Susan Garrard $129,288. In 2015, Thinkery, the Austin Children’s Museum, with 80 employees and revenues of about $5 million, paid its CEO, Troy Livingston, $108, 446. In 2015, the Brooklyn Children’s Museum, with 135 employees and about $5 million in revenues, paid its president and CEO, Stephanie Hill Wilchfort, $204, 711. All of this is according to these organizations’ 990s.

Another, non-Hackett-related anomaly found in tax records is on a form CMOM filed with the Community Foundation of Greater Memphis’ nonprofit search site, wheretogivemidsouth.org. The document has warning asterisks emblazoned around the words “Do Not File” and “Not Open to Public Inspection.”

But CMOM officials did file them with the Community Foundation, and one document in the latest 990s shows payments to the museum from what the Internal Revenue Service (IRS) calls “disqualified” people, “any person who was in a position to exercise substantial influence over the affairs of the [nonprofit organization] at any time during” the reporting period.

These documents show John Dobbs made payments to the museum of $10,775 in 2014, $320,000 in 2015, and $10,000 in 2016, while his wife Katherine Dobbs was listed as a CMOM trustee. Another CMOM trustee, Dick Tillman, made a $19,870 payment to the museum in 2016, according to tax documents.

Justin Fox Burks

21 Voices

Public numbers tell one part of the story. For the day-to-day, we’ll turn to interviews with three former CMOM employees who said they left or were forced to quit during the time after the museum won its national accreditation from the American Alliance of Museums (AAM). Twenty-one of those employees formed 21 Voices to draw attention to Hackett’s behavior.

In a January 2017 letter to the CMOM board, the 21 former employees said “Hackett repeatedly engaged in behavior with staff and visitors that is unacceptable to a man in his role as CEO.

“The behavior has also been witnessed by museum visitors, donors, and others who  have had to deal with him,” reads the letter, noting the complaints are backed by documents and recordings. “The complaints include sexual harassment by other staff members, unprofessional behavior, intimidation, verbal abuse, gender, racial, and age discrimination, conflicts of interests, and nepotism (hiring friends and family members — all white males).” 

CMOM leaders discounted this narrative last week. But when asked for their side of the story, they would not comment, pointing to the terms of the investigation and the non-disclosure agreement.

But in May 2017, 21 Voices received a letter from then-CMOM board chairman Jon Bascom. It said Hackett would retire on June 15th and “will cease being an employee of the museum.” However, the museum had taken on a debt load of $4.5 million for the Carousel building. So, the museum would keep Hackett as an independent consultant, given his “significant experience in fund raising.”

“We appreciate your desire not to harm the museum and that is a top goal of the board as well as paying for the expansion,” Bascom said in his letter. “Due to confidentiality and attorney-client privilege, I am not at liberty to discuss any details of the investigation or the resulting actions. I hope you understand.”

Bascom said it had been a “trying year so far for the museum” and that “this begins a new chapter for CMOM on the road to being ever bigger and better.”

“For years and years, we’d see [Hackett] doing something dirty but he might do something dirty to one person at a time,” said one former employee. “It was in 2016, he really messed up. He built an army against himself. I knew we were the last bit of defense for the museum. So, I started organizing all the people he got rid of.”

One employee was told not to come out of the basement. But the person worked with the exhibits, which were, well, upstairs.  

“I was forced to quit,” the employee said. “I was called up out of the basement and they said, ‘Are you ready to sign a deal?’ What was I supposed to do, wait until they fired me and there was no deal?”

As the employee tells it, the banishment came because the person helped a fellow employee (one whose English wasn’t very good) to write a resume to get a new job. The employee had been a CMOM employee for nine years without a raise, the person said.

“Once I got him that job, they really came down hard on me,” the former employee said.

That was a classic Hackett move, according to another former CMOM employee. 

“He’d strip away your job duties and say, ‘we’re not doing this anymore,'” another former employee said. “Then, you’re just sort of sitting there. Then, he tells the board you’re not doing anything.”

The employees also told of Hackett’s practice of hiring his fellow Mississippians for jobs at the museum, people he “knew from the gym” or knew from restaurants. They described a team of cronies built around Hackett who felt they could not be fired, “because of their relationship with Dick.”

It created a work atmosphere that the employees said allowed for racist remarks to go unchecked. One employee recalled a Martin Luther King Day event in which Hackett proclaimed the museum didn’t “have enough black people working here” and offered the employee $250 “for every black person you find and we hire.”

Another employee recalled Hackett and the museum’s senior staff gathered around a security monitor waiting to watch a gag. A male employee was to wait until a specific female employee stood close to him and he’d make a show of pulling down his pants in front of her, an an attempt to make the woman feel uncomfortable and to delight his buddies watching on the monitor.

Another female employee lodged a sexual harassment complaint at a Hackett-hired employee. The woman was sent home. Later, she was told she could some back to work, but Hackett said to “make her sweat,” according to another former employee.

During this period, one former employee decided to speak directly to the board. The person remembered that, according to the CMOM employees’ handbook, employees were covered under the federal Whistleblower Act. The person said they made the request to speak and the request for protection to Cliff Drake, then the museum’s COO. While Drake said he’d get back to the person, he never did, the person said.

“That’s the whole thing,” the former employee said. “We didn’t really have human resources because Dick controlled [Drake], and he controlled [now Chief Financial Officer Randall McKeel], and [current COO Art Davis]. He controlled them to where they did whatever he wanted them to do.”

Hackett said he is a “reformer” and his employers, including the people of Memphis, “hired me to make necessary changes for the greater good.” He said it’s not “an enviable job” and one that often “draws the ire of those who wish to maintain the status quo.”

“I’ll be the first to admit that I am not easy to work for,” Hackett said. “I ask for a level of dedication and hard work that some cannot give. I can be harsh.  

“In our society today, too often our leaders refuse to admit their humanity. I am human. I am not perfect. I hope that someday those who have criticized me will come to realize that my intentions were always good and with the aim of bettering the lives of the children that we served.”

21 Voices went somewhat public recently in an attempt to block McKeel from becoming CMOM’s new CEO in an undated petition at change.org. In it, Jim Hyde says, “our organization, 21 Voices, has helped remove the former CEO of CMOM, Dick Hackett, and we’re glad to see this necessary change.”

To get there, a former employee said they contacted the AAM, the group that had awarded CMOM its national accreditation, to lodge a formal complaint. The person was told by an official at AAM that many times change could happen by just simply letting board members know that the accrediting agency had been contacted with a complaint. 

“We hold the future of your accreditation in our hands and we’re watching you,” described the employee. “Just to give them a warning shot.”

That move spawned an investigation by Lisa Krupicka, an attorney with Birch, Porter and Johnson, a former employee said. Krupicka said she could not share a copy of her investigation. Sometime after that, Hackett and CMOM parted ways. When asked for an interview about this story, CMOM’s current interim director Cochran said “an interview is unlikely due to the non-disclosure agreement related to the separation.” 

Justin Fox Burks

Looking to the Future

In March 2018, the CMOM board hired Stephanie Butler, a graduate of Rhodes College and Columbia University who had been the Chief Strategy Officer with the United Way of the MidSouth, as its new executive director. 

Butler told Daily News reporter Don Wade in March that her vision was to “… open the museum up to the community” and that she wanted the museum “to be a town square for early childhood education.” Butler left nine months later, in November.

In her time there, Butler expanded the educational programming offerings at CMOM, including bi-weekly story times, movement classes and sensory play opportunities for toddlers, created a new “Night at the Museum” evening event, and created the “Experience Wakanda” day, featuring Marvel’s Black Panther.

Executive Director Reed Cochran will lead the museum until a new, permanent director can be found. A national search is expected to commence in spring 2019.

Categories
News The Fly-By

Q&A with the Carousel Doctor

He’s been called the “carousel doctor” by The New York Times and “America’s Last Carousel Craftsman” by The Atlantic Monthly. Last week, Todd Goings was in Memphis to assist with restoration of the old Libertyland carousel.

Goings will take possession of the classic wooden carousel that came to Memphis from Chicago in 1922 and left Libertyland for storage in 2006. Goings and his company, Carousels and Carvings, will collect the carousel from the Mid-South Coliseum and take it to his Ohio studio for a full refurbishment.

After two years of cleaning, repairing, fixing the mechanics, the lights, and the organ, and painting and polishing the carousel’s 32 jumping horses, 16 standing horses, and two chariots, the carousel will return to Memphis and its new home at the Children’s Museum of Memphis. — Toby Sells

Todd Goings

Flyer: So, what are you going to do with the carousel?

Todd Goings: We’ll lay it out in our shop, and everything will be cleaned before we can make an assessment of current conditions. We replace it with factory-original materials, including the casting, and the pieces, and the parts. We make our patterns, pieces, and parts because you can’t just go down to the hardware store anymore and buy the parts you need for this. They were made specifically by that company, like a Ford or a Chevy.

We start clear back at the basics, so we can get the ride to where it’s going to be here for another 100 years.

How did you start working on carousels?

Believe it or not, I started out in cabinet making, in furniture building. Then I got into carving. I read about a local carousel project, so I just went over — not to get into it — but I just thought it was interesting. One thing led to another, and now it’s been close to 25 years.

How many carousels have you worked on?

We probably work on about 20 different ones a year in various stages. Some of them, we’ve already done the restoration on them and we go back for annual visits. Some of them, we do bi-weekly maintenance on them. We’re there every two weeks going over it. Some of them, I go in and work with crews in some of the bigger amusement parks. We’re also making a few of them in our studio — the whole thing, from the ground up.

What’s the allure of carousels? Why do people want to hang onto them so badly?

I can tell you what grabbed me about it. It was the amazing craftsmanship. That’s why I like to do the work on them. When you’re 6 years old and wanting to ride the carousel, you’re looking at more of a fantasy thing.

The unique thing, too, is that grandma and grandpa have ridden these things. Mom and dad rode these things. Now, the grandchildren are riding these things. So, they’re one of the few things left . . . you know, grandma and grandpa never played on their cell phones when they were kids. So carousels are a broad connection to a fantasy. It’s like magic.

So, most of your work is on antiques?

I’d say about 60 percent of what we do is on antiques. It’s really hard to argue about the engineering of something that’s run more than 100 years and had millions of riders on it. We talk about all of our updates and everything like that. But here’s a machine that’s been sitting here doing its job all these years, whether it got really well taken care of or it got abused for a while.

Everyone used to have carousels. The industry, they still argue about it. They say, at one time there was somewhere between 3,000 and 5,000 carousels. Nobody really knows. The only thing they know now is that there are roughly 150 antique ones left in the country.

Categories
We Recommend We Recommend

Gross Out

Man … what a piece of work is man. What a stinky, crusty, slimy, oozy, scaly, downright icky, and absolutely amazing piece of work. This is the takeaway lesson from “Grossology: The (Impolite) Science of the Human Body,” a touring exhibit based on the best-selling book Grossology, featuring sophisticated animatronics and numerous opportunities to experience the science behind snot, poop, pee, burps, farts, and various body odors.

Carrie Roberts, directer of public relations for the Children’s Museum of Memphis, doesn’t hesitate when asked to describe the grossest part of “Grossology.” “We have something called a ‘smelling station,'” she says. “You can open a box and smell different body odors. And you can learn what is happening in your nose, too — how snot works and how boogers form.

“Also, we have something called a ‘vomit station,'” Roberts adds.

The big question, of course, is what kind of contingency plan CMOM has for sympathetic vomiters who upchuck at the sight or smell of upchuck.

“Hopefully, that won’t happen,” Roberts says.

”Grossology: The (Impolite) Science of the Human Body,” at the Children’s Museum of Memphis, September 14th-January 5th. The exhibit is included with regular admission. CMOM.com