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A Perfect Friday Night For Beale Street Music Fest 2019

Chris McCoy

Ravyn Lenae, Chicago R&B singer, opens up the FedEx stage at Beale Street Music Festival 2019.

The first Friday of Memphis in May, my wife Laura Jean and I worked through lunch creating piping fresh content for your eye- and ear-holes. Starving, we hit the South gate of the festival a little after it opened at 5 PM, intending to fuel up on carnival food before the music got started.

Like everything else, the food at Tom Lee Park has evolved over the years. What used to be a funnel cake and pronto pup stand is now several funnel cake and pronto pup stands placed strategically around the festival grounds. But there’s a lot more than that, of course. The addition of the noodle stand about a decade ago was a great leap forward for handheld cuisine, and heralded an explosion of speciality vittles like biscuit sandwiches. Now there’s enough variety to make the Iowa State Fair envious.
Laura Jean Hocking

Cloudy skies but perfect temps as BSMF 2019 opens.

The sky Friday night was not the most beautiful in the history of Memphis in May, but the conditions on the ground at Tom Lee were darn near perfect—not too hot, not too cold, no blistering sun. There was plenty of live grass, and our rain boots were not sinking into the muck yet. At our first stop, I ordered a small beer and got served a large, which I took as a good omen. But no one had run power to any of the beverage stands yet, so it was cash only. Then we grabbed some fish and fried-avocado tacos and settled into a picnic table for a mini feast. As we sat there, we watched the first big wave of people wash towards the stage.

Debate is currently raging over the future of Memphis in May in Tom Lee Park. It must be noted that the MiM folks have perfected the Beale Street Music Festival layout. In the big picture of music festivals, BSMF is one of the most accessible and easy to navigate. With the notable and lamentable exception of the Blues Tent, the problems of sonic bleed that plague festivals like Bonnaroo are nonexistent. When Orange County’s Dirty Heads got rolling at 6:20, the bass was shaking tents hundreds of feet from the Terminix Stage. But when we headed north to the FedEx Stage to check out Ravyn Lenae, we stepped into a new sonic environment.

Lenae, and R&B singer from Chicago blessed with legs for miles, towered above the crowd. Her mezzo soprano voice floated comfortably in an upper register unreachable by most pop songstresses.
Laura Jean Hocking

Brandon Santini plays the Blues Tent

Continuing north, we ended up at the Coca-Cola Blues Tent, where Brandon Santini and his band were absolutely tearing it up as the crowd filled in. Here’s a BSMF ProTip: when you need a break from the heat or to sit down for a minute, go to the Blues Tent. The music is always at least competent, and usually great. Sometimes, as with Santini on Friday, you can watch an act having the night of their lives while you catch your breath.

Heading back down South, we arrived just in time to watch the biggest party of the night break out. BlocBoy JB, the Memphis rapper whose “Look Alive” was a huge hit last year, almost missed the festival after an MPD traffic stop found him with weed and a firearm. Fresh out of 201, the lithe MC had what looked like half the crowd on stage with him three songs in. Thousands bounced along as clouds of cannabis smoke ascended to heaven.

As a side note, way too many of y’all are mixing your cannabis with tobacco. I’m not talking about rolling a blunt with a cigar paper, which is a time-honored and practical method. I’m talking about actually rolling tobacco into your joints. This is an abomination—what the late, great Memphis music producer Jim Dickinson would have called a “decadent European practice”. Have some self-respect and smoke your weed pure like Jah intended.
Chris McCoy

Chvrches’ Lauren Mayberry is bathed in light as she whips up the crowd.

We returned to the Terminix stage for Chvrches. It was the last night of the tour for the Glasgow, Scotland, band, and they left it all on the stage. Singer Lauren Mayberry is pint-sized, even in platform shoes, but she radiates confidence and can work a crowd with the best of them. Swirling in a pink tutu, she and her bandmates Iain Cook and Martin Doherty breathed life into their deep catalog of warm synthpop. Halfway through the set, Mayberry paused to point out a nearby funnel cake stand and tell the story of puking into a trash bin the first time she ever tried one of the fried dough pastries. Nevertheless, she said, she would probably have one again, “after I get this tutu off.”

It was a low-impact and fun Friday night. As Chvrches packed up, a wave of Dave Matthews fans descended on the stage like the undead at Winterfell. Having had our fill of Matthews’ jam-lite stylings in the 1990s, we briefly debated trying to fight the tide of baseball caps fetishists to get to Khalid before deciding to ride the wave out of the South gate. Another ProTip: The Lyft pickup area on Kansas street is the quickest way out of the festival area, and they’ve even got a promo code for free rides, courtesy of Bud Light. So use it, and be safe out there, y’all.

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Another Bonnaroo for the Books

Bonnaroo.jpg

The 13th annual Bonnaroo Music & Arts Festival rolled through Manchester, Tennessee, last weekend bringing more than 80,000 music lovers and fortunate freaks to the small town for four days of live music, comedy acts, and tons of fun on 700 acres of Tennessee farmland not too far from Memphis.

With a lengthy bill of acts performing across several stages, no two Bonnaroo experiences are the same. And with overlapping band performances (and lots of walking to get from stage to stage), it’s difficult to be everywhere you want to be. But Bianca Phillips and I took in as much as we could. She’s posted a photo slideshow for your enjoyment, and here are some highlights from my adventure on the farm, in no particular order.

Memphis had a strong presence at Bonnaroo this year, starting with a special screening of “Take Me to the River” in the festival’s Cinema Tent on Thursday afternoon. Produced by Martin Shore, Cody Dickinson, and Dan Sameha, the film celebrates the inter-generational and inter-racial musical influence of Memphis in the face of pervasive discrimination and segregation. It features multiple generations of award-winning Memphis and Mississippi Delta musicians including William Bell, Mavis Staples, Otis Clay, Lil P-Nut, Charlie Musselwhite, Bobby “Blue” Bland, Yo Gotti, Bobby Rush, Frayser Boy, The North Mississippi All-Stars, and many more.

A Memphis treasure, Valerie June, performed to a modest yet fully engaged crowd at one of the event’s tent stages, This Tent, on Saturday. Enamoring the audience with her sweet Southern drawl, June shouted-out to Memphis a few times, noting that some of her songs began as earworms that she sang to herself while working at the herb shop, Maggie’s Pharm, and cleaning houses in Memphis just three years ago before she hit the big-time. Her brothers, Patrick and Jason, who she grew up singing with in church, took the stage with her and provided back-up vocals through several songs. She pulled out her “baby” — a Memphis-made banjo — for a few songs as she worked her way through many of the tracks on her breakout album Pushin’ Against a Stone, including “Workin’ Woman Blues”, “Somebody to Love”, and “Tennessee Time”.

Memphis’ own country-punk rock band Lucero played an early afternoon set on Sunday, but sadly I was unable to catch their performance. I’d be willing to bet they represented us well.

MSMR

  • MSMR

A personal favorite, New York-based indie/electro/pop duo MSMR — who also performed at the 2014 Beale Street Music Festival — played to a bursting-at-the-seams crowd at one of the festival’s tent stages, The Other Tent, Thursday night. The animated, pink-haired lead singer, Lizzy Plapinger, flitted across the stage, ecstatically powering through tracks from their 2013 debut album, Secondhand Rapture (including my favorite, “Dark Doo Wop,” which wasn’t included in the BSMF setlist). Before the set’s end, the duo’s other half, Max Hershenow, said to the crowd, “This is only our third year as a band, so we’re really fucking happy you’re here seeing us! Thank you so much for this!”

Bonnaroo is as much about discovering new music as it is about seeing your favorite bands, and this year, I discovered a gem. Though I had heard a song or two of theirs in passing before the festival, the Scottish, female-fronted electro-pop trio Chvrches drew me in with its shimmering synth and the delicate and melodic vocal stylings of the seemingly shy singer Lauren Mayberry. Mayberry spoke demurely to the audience between songs, once commenting on the variety of silly signs and flags jutting up from the crowd (I spotted an oversized Jack Nicholson head on a stick and a Kanye-heckling “Gay Fish” sign): “What is all of this stuff you guys are holding up? [Pointing at one of them] Is that supposed to be a dick?”

Chvrches

  • Chvrches

Adding to the list of female artists I enjoyed at the festival (I promise I didn’t just see the girly stuff), Fugees alumna Ms. Lauryn Hill performed a powerful set on Saturday, also at The Other Tent. Many audience members had camped out for hours to make their way to the front, and some had to be pulled out and over the front railings by security, as they were overheating waiting for the delayed set to start (nearly 30 minutes later than scheduled). When Hill arrived on stage, she and her backing band rocked out a cover of Bob Marley’s “Soul Rebel” and followed with revised versions of well-known tracks, including a reggae rendition of “Killing Me Softly” and a disco-inspired version of “Everything is Everything”.

Ms. Lauryn Hill

  • Ms. Lauryn Hill

And finally, the male-led groups! Atlanta-based metal band Mastodon performed a mind-melding, impossibly tight set at This Tent on Saturday. But not before the Flyer ran into them that afternoon in the press area. Guitarist Bill Kelliher has a Memphis connection, having been tattooed by Babak Tabatabai, owner of Ronin Design & Manufacturing on Broad Avenue. We chatted with Kelliher briefly, and he says they’ve been super busy touring. Not surprising since their new album, Once More ‘Round the Sun, is set for release later this month.

Yours truly with Bill Kelliher from Mastodon

  • Yours truly with Bill Kelliher from Mastodon

I caught the last few minutes of a chaotically energetic performance by Cage the Elephant. After recovering from (apparently one of many) technical difficulties (during which the band casually played riffs from a hip-hop tune), singer Matt Schultz danced around the stage before saying, “We have mostly been Cage the Elephant. We were briefly Dr. Dre. Now we’re back to Cage the Elephant.” During the last song, Schultz insisted on crowdsurfing despite security’s efforts to keep him on the performers’ side of the railing. He climbed over, more than once, at times standing upright on the hands of the eager crowd and came out mostly unscathed besides losing a shoe.

With all of the good music happening from sun up ‘til sun down, it was hard to catch every set, though I did also see a few minutes of Lionel Richie (“Easy Like Sunday Morning”!), Bobby Womack (“Across 110th Street”!), Cake (performing all the classics), and others. Another successful Bonnaroo for the books!

Full moon over Bonnaroo

  • Full moon over Bonnaroo