Categories
News The Fly-By

Complete Street

Trolleys and cars once traveled along Main Street together. Then the trolleys went away, leaving only the cars; later the cars went away, leaving only the trolleys.

And now urban planner Jeff Speck says the street — like the current Main Street loop — should go full circle and be open to both trolleys and vehicular traffic.

“I’m perplexed when people say you shouldn’t bring cars back,” he said. “There are so many people trying to do great stuff with [Main], and it’s unfair to them to leave it the way it is.”

Putting cars back on Main Street was one of 12 modest suggestions that Speck, former director of design for the National Endowment for the Arts, presented to a crowded Christian Brothers University auditorium last week. Speck co-authored Suburban Nation with Andres Duany and Elizabeth Plater-Zyberk, two leaders of the new-urbanist movement. Like Duany and Plater-Zyberk, Speck believes a successful city is a walkable city.

“The pedestrian is the canary in the coal mine,” he said.

So it might seem odd that he advocates returning cars to downtown’s pedestrian mall.

“There’s very little stopping you from driving down Main right now. It happens already,” he said, showing a slide of a car parked on the mall. “You don’t need to change much if the cars drive slowly. … It’s ready made for the right speed of traffic.”

Under Speck’s plan, which he estimated would cost about $50,000, a few curbs would have to be removed and a few “teaser” parking spaces would be created. If cars used the current narrow trolley lanes, pedestrians would still feel comfortable on Main.

Studies have found that lane widths and speeds correlate closely. If a lane is eight feet wide, for instance, most drivers won’t feel comfortable going over 20 miles per hour. Get drivers in a lane 14 feet wide, and they feel safe doing 70.

“We don’t drive the speed marked. We drive the speed we feel safe,” Speck said. “If you’re a teenage boy, you drive the speed you feel dangerous.”

Center City Commission head Jeff Sanford said the city would not make any decisions about Main Street without public input, but he was happy to hear Speck echo what other experts have told the commission.

“I have to say, I couldn’t find anything to disagree with,” Sanford said. “In the main — no pun intended — I thought he was dead on.”

That was a vote of confidence, especially since many of Speck’s suggestions centered around downtown. They included both the very general — build Memphis for people, not cars, and plant trees — and the very specific — fix what Speck called the “Main Street knuckle.”

“South Main is struggling a little. That’s good. That means the chains will stay away for a little while,” he said. “But it breaks down at one key connection spot.”

That spot is the area between the Main Street Mall and South Main, where the Chisca Hotel sits empty and the MLGW headquarters looms.

“The biggest insult to your city is the MLGW headquarters,” Speck said. “Who would think to take a suburban office park and drop it in the middle of the city?”

Other suggestions included creating a more urban waterfront, building a Martin Luther King monument, and stopping what he called “diminishing your economic advantage.” Memphis Heritage, currently trying to save the almost 60-year-old Cumberland Presbyterian Center (see page 9), might call it saving historic buildings.

In a world of cities competing for workers and visitors, Speck said architecture is important.

“The differentiated product attracts the customer,” Speck said, comparing cities to retail. “Since the ’60s, cities all look the same. The older buildings are the ones creating your trademark.”

Speck said he chose modest proposals that could be enacted within a year or so, because he knows Memphis doesn’t have a problem with planning. Large-scale coordinated planning goes on all the time. But large-scale coordinated planning can take a long time.

And sometimes, like the lanes on Main, bigger simply isn’t better.

For more of Mary Cashiola’s take on Jeff Speck’s presentation, visit http://inthebluff.blogspot.com.

Categories
News The Fly-By

The Art Part

Most Community Development Corporations (CDCs) try to revitalize their chosen neighborhood, even if it’s just rehabbing one house at a time. South Main and its surrounding area are in the midst of a housing boom, but a new plan says it could benefit from a CDC, too.

Only this one would be charged with creating affordable housing for “low-income artists.”

“For an arts district to be sustainable, artist housing has to be an integral part of the community,” says Lorie Chapman, an urban planner with the Center City Commission and the facilitator of the South Main strategic plan presented last week.

Chapman began the project last September while working on her master’s in city and regional planning at the University of Memphis. She needed a final project and, having already studied arts districts in Indianapolis, Portland, Seattle, and Vancouver on a travel fellowship, she had a solid background on what creates a viable arts district.

“I would say this pulls everything together,” she says. “People had looked at the neighborhood in terms of redevelopment and rezoning before, but no one had looked at it as an arts district. Arts were the stimulus for the revitalization, but none of the previous plans looked at arts in depth.”

The community was also interested in things that may sound like any other redevelopment area: sidewalk improvements, attracting more retail and restaurants, and public transportation. “The question was: How do we create a thriving neighborhood that is also an arts district?” says Chapman.

“In South Main, so much of what has happened has come from the private, for-profit sector. It’s developers coming in and transforming properties. Some things need to happen with additional investment from the public sector.”

The plan suggests adding more public art at railroad underpasses and trolley stations, creating a street garden program, in which the community would maintain gardens in public spaces and lining the streets, and licensing artists to sell their work in designated areas of South Main.

“There was a lot of interest in the area known as the ‘dead zone’ between Linden and Huling. There are a lot of vacant storefronts,” says Chapman. The plan proposes displaying works of art from South Main galleries in the empty storefronts, or, if that is felt to be too much of a liability, displaying art posters instead.

In fact, many of the ideas center around making the area look like an arts district, in an art-imitates-life kind of way. Or life imitates arts district.

“I think if you stand at Beale or Linden, you can see a lot of revitalization going on, but you can’t really see what kind of revitalization it is,” says Arnold Thompson, owner of the Universal Art gallery at Central Station and president of the Memphis Downtown Artists and Dealers Association. “You have to get in front of an individual storefront to see the character of the neighborhood.”

Thompson opened his gallery in 2002 but originally worked in the area during the ’90s. He says the early residents thought the revitalization would be further along by this point.

“The veneer appears to be very successful. The residential is obviously very successful. But the retail and arts-district side is still very much a struggling experiment.”

An arts district needs artists to survive. Chapman’s research identifies roughly 20 artists who live in the district, but many of them moved to South Main years ago and she says she doesn’t see a thriving young-artist base in the area.

Consider the case of the residential boom around the South End. Condos are being sold in the area with price tags ranging from $130,000 to quadruple that.

Consider a 1,300-square-foot, one-bedroom, one-bath condo right off the trolley line on South Main. The asking price is $240,000, with $300-a-month in homeowner fees.

“It is important for it to be sustainable to accommodate younger artists. If the established artists leave, who is going to pick up the baton?” asks Chapman. “For the true artists who dedicate all their time to the art, South Main is not affordable.”

Which is why, in addition to the CDC, the plan suggests creating a limited-equity artist cooperative, retaining a nonprofit to develop artist housing, and looking at building dormitories for art students.

“There are more traditional revitalization models that you can apply other places,” says Chapman, “but I think an arts district is a special place.”